Game Changers: International Modernism
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Le pont japonais (Japanese Bridge) 1918–1924
Auckland Art Gallery Toi o Tāmaki, on loan from the collection of Hideaki Fukutake
Exhibition Details
In 1912 the Italian poet Marinetti predicted that all art would become abstract, a statement that caused uproar when he presented his Futurist manifesto to his audience in Paris. For many, it was enough to deal with the Impressionists’ experiments with light and colour, or the Expressionists’ insistence on emotion in art. New Zealand expatriate artist Frances Hodgkins was present when Marinetti’s manifesto was delivered, and as she reported afterwards on a return visit to the Antipodes, while it was stirring to hear his proclamations, she didn’t believe she would ever give up drawing from life. Yet by the 1930s many artists in Europe had moved towards various kinds of abstraction. Game Changers begins with examples of modernist forms of art that developed in Europe in the latter part of the 19th-century, and ends with New Zealand artists who embraced abstraction in turn.
- Date
- —
- Curated by
- Mary Kisler
- Location
- Upper Grey Gallery, level 1
Artworks in this exhibition
On display
Focal point
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Vanessa Bell Pregnant
On display
On display
Abstract with a bottle
On display
On display
1939 (composition)
On display
On display
The Sloop Inn, St Ives
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On display
Tree of Knowledge
On display
On display
Royal Albion
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On display
Mother and Child
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Sea Holly No. 1
On display
On display
Head of a Girl
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On display
Idiot: Self Portrait
On display
On display
La Ferme (The Farm)
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On display
Torso II (Torcello)
On display
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Orange bush
On display
On display
Verre et Pichet
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Torse noir assis
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On display
Titirangi cupboard door
On display
On display
The Spanish Well, Purbeck
On display
On display
Night Studio (for PG)
On display
On display
Construction No. 3
On display
On display
Dervish
On display