Gallery Leadership Team

Kirsten joined the Gallery as Director in April, 2019. With Masters degrees in Art History and Curatorship, as well as Business Administration, Kirsten has an in-depth understanding of the discourse of art theory and museology and a track record in brand development, financial management and organisational performance.

She began her career as an artist, completing her studies at Victorian College of the Arts to set up an artist-run gallery in Melbourne and working in important contemporary organisations such as Heide MoMA and Australian Centre for Contemporary Art. This has brought a unique appreciation of the skills and attributes a wide range of artists bring to a gallery, along with an understanding of the art-making, materials, processes and preoccupations of artists past and present.

Kirsten went on to the world of commercial galleries, developing first-hand experience in what she terms “the machinations of the art market” and honing her eye for great art. She has curated for the Art Gallery of Ballarat and Shepparton Art Gallery, held the Director role with Shepparton Art Museum for eight years and Deputy Director role with the National Gallery of Australia for over three years.

Kirsten has also been Vice President and Committee Member for the Public Galleries Association of Victoria and has judged several art prizes throughout her career.

Executive Assistant to Kirsten: Kath Mead

Tom worked for Auckland-based hapū Ngāti Whātua Ōrākei, as the Chief Operating Officer. In this role, Tom was responsible for the tribal development arm to support wide ranging social, cultural and environmental development projects, as well as promoting community and stakeholder relationships. In July  2021, Tom joined the Gallery as the Deputy Director and will be responsible for ensuring the operational needs of Auckland Art Gallery are met in respect to finance, HR, security, capital projects, maintenance and systems improvement.

Tom has also worked as an executive in a number of commercial enterprises, leading international sales teams, overseeing process improvement and providing stewardship to client relationships. His work has seen him travel the globe extensively, while maintaining his roots here in Tāmaki.

As a respected Māori leader with strong Iwi and civic engagement experience, Tom has a deep love for Tāmaki Makaurau and its people. Ko te oranga o te taiao, he oranga ngā tāngata!

Sarah joined the Gallery in December 2018 after eight years in the curatorial team at Museum of New Zealand Te Papa Tongarewa, with the last six years as Senior Curator Art. She has previously held curatorial positions at City Gallery Wellington and is a graduate of the prestigious De Appel Curatorial Programme in the Netherlands. She has recently submitted a PhD in Curatorial Practice at Monash University, Melbourne.

Sarah led major art projects at Te Papa, including the curatorial development of Ngā Toi | Arts Te Papa and she was the lead curator for Toi Art. Her other exhibitions have included Warhol: Immortal and Meridian Lines: Contemporary Art from New Zealand. In addition to curatorial work, Sarah has been a member of Creative New Zealand’s NZ at Venice project team and Wellington City Council’s Public Art Panel, and contributed essays and articles to peer-reviewed journals, international art magazines and museum publications.

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Before joining the Auckland Art Gallery in January 2020, Margaret gained extensive experience in museum administration and curation.  At the Denver Art Museum she served as Director of Collection Services during the planning phase for the Daniel Libeskind-designed Hamilton Building.  She was Chief Curator during the building’s installation and oversaw a dramatic expansion of the exhibition schedule.  As the Frederick and Jan Mayer Curator of Pre-Columbian Art at DAM, she led an active programme of research, publications, and exhibitions, including Tiwanaku: Ancestors of the Inca, and Marajó: Ancient Ceramics from the Mouth of the Amazon.  Her final Denver project was the major exhibition Brilliant: Cartier in the 20th Century.  In 2018 she curated Cartier: The Exhibition for the National Gallery of Australia in Canberra. 

Margaret earned BA and MA degrees in anthropology at Yale University and went on to take a PhD in art history and archaeology at Columbia University.  Her museum career began at the Cleveland Museum of Art, where she curated the Pre-Columbian, Native American, African and Oceanic collections.                                                                     

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Te Arepa Morehu (Ngāti Whātua, Ngāpuhi) joined the Gallery in October 2021 in a new senior leadership position as Head of Kaupapa Māori. Te Arepa has worked at Westpac where he was a Service Design Chapter Lead. Among his first priorities at the Gallery will be the recruitment of a new Curator, Māori Art who will contribute to exciting new exhibitions, research and acquisitions. ‘I’m looking forward to joining Toi o Tāmaki and creating opportunities to celebrate and support the indigenous art sector. As a proud descendant of Ngāti Whātua Ōrākei I continually strive to uphold and whakamana our cultural responsibility to tiaki i ngā tāngata e noho nei i te whatutoto o Te Kawau, to care for people that reside in the Ngāti Whātua Ōrākei heartlands.’ says Te Arepa.

An active leader in the community, and having led Te Ao Māori initiatives at senior leadership level for organisations including Westpac, MinterEllisonRuddWatts and Spark, Te Arepa is a passionate advocate in the areas of Te Ao Māori, tikanga Māori and te reo Māori.

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Gallery Curatorial Team

This position is currently vacant.

To apply, go to Auckland Council's careers website.

Ron has worked at the Gallery for over 40 years.

Among Ron's many exhibition and publication projects are: John Kinder’s New Zealand, Local Revolutionaries: Art & Change 1965–1986 (with Mary Kisler), Partner Dance: Gifts from the Patrons of the Gallery (with Natasha Conland), Choi Jeong Hwa Flower Chandelier, Te Wā Tōiri: Fluid Horizons, Home AKL – artists of Pacific Heritage at Auckland (with Kolokesa Mahina Tuai, Nina Tonga and Ema Tavola), Kinder’s Presence: John Kinder, Mark Adams, Chis Corson Scott, Haruhiko Sameshima, Robert Ellis – Turangawaewae: A Place to Stand, Ralph Hotere’s Godwit Kuaka, The Extra Ordinary Everyday in New Zealand Art, Len Casbolt – From Soft Focus to Sharp Vision, Seeing Moana Oceania, Fa’ani and RoBro present DiscoVERY and A Place to Paint: Colin McCahon in Auckland, 2019. He also edited Art Toi – New Zealand art in the collection of Auckland Art Gallery, a comprehensive overview of New Zealand artworks.

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Natasha has over nineteen years’ experience developing exhibitions of contemporary art.  She writes for a number of contemporary arts journals and catalogues in the Asia Pacific region and co-edits Reading Room, a peer-reviewed journal of contemporary art published annually by the E.H. McCormick Research Library, Auckland Art Gallery. She has diverse interests which have focused over this period on art in public space and the dissemination of the historic avant-garde.

Selected recent and notable exhibitions include the international group show Mystic Truths (2007), Last Ride in a Hot Air Balloon: the 4th Auckland Triennial (2010); Made Active: The Chartwell Show (2012); A Puppet A Pauper A Pirate A Poet A Pawn & A King: From the Naomi Milgrom Art Collection (2013); Necessary Distraction: A Painting Show (2016) Shout Whisper Wail (2017), Groundswell: Avant Garde Auckland: 1971-79 (2018).

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Sophie has more than 20 years’ experience as a curator and educator in England and Australia and previously worked as a lecturer at the University of Leeds and the University of Manchester. Since 2007 Sophie has been Curator of International Art at the National Gallery of Victoria in Melbourne. As the Senior Curator International Art, Sophie will work to develop and manage the Gallery’s historical and modern international art collection, including the Mackelvie collection.

Sophie’s past curatorial projects include Modern Britain (2007), Salvador Dalí (2009), Monet’s Garden (2013), Degas: A New Vision (2016) and Van Gogh: The Seasons (2017).

Ane has ten years of curatorial experience across museums and galleries in Aotearoa New Zealand. Her research interests are focused on contemporary Pacific art and curatorial practice, lens-based practices and indigenous feminisms. Ane writes for a number of art publications and catalogues with a particular focus on female artists of Māori and Pacific descent. Her recent publications include the monograph Te Ringa Rehe – The Legacy of Emily Schuster.

Recent curatorial projects include: Kereama Taepa: Transmission 2020 at Objectspace, Edith Amituanai: Double Take 2019 at Adam Art Gallery Te Pātaka Toi, Ani O’Neill: Promise me/Trust me 2019 at Objectspace and Janet Lilo: Hit me with your best shot (the remix) 2013 at City Gallery Wellington.

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Julia’s research interests are focused on the development of modern art in New Zealand, global modernisms and documentary photography. She has a Masters in Art History from the University of Auckland (First Class Honours), a Masters of Museum and Heritage Studies from Victoria University, and a Bachelor of Arts (Honours: First Class) in Art History from the University of Otago.

In 2017, Julia co-curated Gordon Walters: New Vision and, in 2015, Freedom and Structure: Cubism and New Zealand Art 1930-1960, both touring exhibitions with associated publications.

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