Kieran Lyons, Superimpression, 1974

10am–3pm
Kieran Lyons, Superimpression, 1974

Event Details

Join us on the final weekend of Groundswell: Avant-Garde Auckland 1971-79 for a series of performances, talks and discussion.

Three of the earliest works of New Zealand performance art will be restaged in the exhibition and surrounding spaces. These historic works by Phil Dadson, Jim Allen and Kieran Lyons were first performed in 1974 for the exhibition Four Men in a Boat at Auckland Art Gallery and, as such, were some of the first public encounters with this new art form.

Kieran Lyons’ work Superimpression invites gallery visitors to join E-Z-Gro, a fictional corporate entity fabricated by the artist. Performed over one working day, in the original staging the artist and two attendants offered participants the opportunity to take on a temporary brand ‘stamp’ impression, while producing new company logos using an industrial metal workshop process. Lyons’ interest in sculpture as a form to think through corporate persona, industrial vs manual production processes, and the social role of technology is reflected in this contemporary re-staging.

Date
Location
North atrium

Related events

View Event
Philip Dadson, Short and Medium Radio Wave Piece, 1974 restaged by contemporary sound artists
Philip Dadson, Short and Medium Radio Wave Piece, 1974 restaged by contemporary...

8–9.30pm

Join us on the final weekend of Groundswell: Avant-Garde Auckland 1971-79 for a series of performances, talks and discussion.

View Event
Jim Allen, ‘Parangole Capes’, from Contact, 1974
Jim Allen, ‘Parangole Capes’, from Contact, 1974

11am–1pm

Join us on the final weekend of Groundswell: Avant-Garde Auckland 1971-79 for a series of performances, talks and discussion.

View Event
Panel Discussion: Out of Time
Panel Discussion: Out of Time

3-4pm

Join exhibition curator Natasha Conland in discussion with artists and critics on how the avant-garde of the 1970s fit within the mainstream of New Zealand art.