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exhibition Details
During a period in which scientific discovery made the mechanics of the world increasingly visible, artists from the late 18th and 19th centuries retreated into the fantasy of the invisible. Reflecting the 18th-century critic Johann Jakob Bodmer’s assertion that, ‘imagination outstrips all the world’s magicians’, Romantic and Symbolist artists viewed the human mind as being empowered with unfathomable forces defying scientific explanation and demanding expression.
The Symbolist artist Odilon Redon combined the influences of Rembrandt and the Romantic artists William Blake, Henry Fuseli, Francisco Goya and Eugène Delacroix to express an inner world immersed in the shadow of reason. In drawing together these artists’ mysterious and haunting artworks, this exhibition examines how Redon, the Romantics, and their circle of influence explored a world beyond the visible, creating realities that were subjectively felt rather than objectively seen.
- Date
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- Curated by
- Emma Jameson
- Location
- Mezzanine level
related artworks
The Temptation of Brother Anthony
oil on hessian on board
Auckland Art Gallery Toi o Tāmaki, Chartwell Gift Collection, 2009
Pobrecitas!. (Poor Little Girls!)
etching and burnished aquatint
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Las rinde el sueño. (Sleep Overcomes Them)
etching and burnished aquatint
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For the Bulls and Wnd)
etching, aquatint and drypoint
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Que viene el Coco. (Here Comes the Bogey-man)
etching with burnished aquatint
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
On display
Volaverunt. (They Have Flown)
etching with aquatint and drypoint
Auckland Art Gallery Toi o Tāmaki, purchased 1971