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exhibition Details
'There are two ways of spreading light; to be the candle or the mirror that reflects it' - Edith Wharton
The publication of Charles Baudelaire's essay on the aesthetics of modernity, Le Peintre de la vie moderne (Painters of Modern Life) 1863, helped to define the revolution that was taking place in France. Rather than the historical, biblical, mythic and allegorical themes revered by Academicians, Baudelaire called on artists to celebrate everyday life with equal seriousness. Scenes that reflected the street and café life of Paris; the mill of the crowd; the glitter of the circus, alongside the mundane but essential activities of France's working and rural communities became the focus, very different from dying heroes and maidens threatened by mythical monsters.
This 'lighter' approach to subject matter was matched by the remarkable change witnessed in technique in all forms of art. The Impressionists and Pointillists experimented with the application of paint, exploring the way in which light affects colour, while Post-Impressionists and the Fauves developed a non-naturalistic palette. In the new century, Picasso and Braque introduced radical means of interpreting line and form. A lighter touch-19th and 20th century European Art contains favourites from the period, giving us the opportunity to view them once more before the redevelopment of the Gallery begins.
Mary Kisler
Mackelvie Curator, International Art
- Date
- —
- Curated by
- Mary Kisler
- Location
- New Gallery
- Cost
- Free entry
Related Artworks
Torse noir assis
bronze
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, purchased 1948
Gondolier
bronze
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, purchased 1964
On display
Verre et Pichet (Glass and Pitcher)
oil on canvas
Auckland Art Gallery Toi o Tāmaki, on loan from the Thanksgiving Foundation, 1999
Vanessa Bell Pregnant
oil on canvas
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, purchased with the assistance of the National Art Collection Fund, 1992. Frame sponsored by the Portrait Group
On display
Landscape of Bleached Objects
On display
Boy with vine leaves
oil on canvas
Auckland Art Gallery Toi o Tāmaki, Bequest of Mrs Kate La Thangue, 1942
Mother and Child
oil on canvas
Auckland Art Gallery Toi o Tāmaki, purchased 1952. Frame sponsored by Graham Mitchell
On display
Head of a Girl
On display
Saint-Palais
On display
Le Port du Pecq (The Port of Pecq)
On display
A Sussex Autumn
oil on canvas
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki. Frame sponsored by Barbara and Georgina Watson, Wellington
9 Bandeaux (9 bands) [1]
linogravures
Auckland Art Gallery Toi o Tāmaki, gift of Lesley Ryan in memory of her parents, Marie Porteous Ryan and W J Leslie Ryan, 2004
9 Bandeaux (9 bands) [2]
linogravures
Auckland Art Gallery Toi o Tāmaki, gift of Lesley Ryan in memory of her parents, Marie Porteous Ryan and W J Leslie Ryan, 2004
11 bandeaux (11 bands)
linogravures
Auckland Art Gallery Toi o Tāmaki, gift of Lesley Ryan in memory of her parents, Marie Porteous Ryan and W J Leslie Ryan, 2004
8 bandeaux (8 bands)
linogravures
Auckland Art Gallery Toi o Tāmaki, gift of Lesley Ryan in memory of her parents, Marie Porteous Ryan and W J Leslie Ryan, 2004
33 lettrines (33 letters)
linogravures
Auckland Art Gallery Toi o Tāmaki, gift of Lesley Ryan in memory of her parents, Marie Porteous Ryan and W J Leslie Ryan, 2004