Revengeful monster

Mortimer was a master of the 'hybrid' which André Chastel defined as:

the form that, with a feeling of whimsy and caprice, confounds the image of the species, combining animate and inanimate, vegetable and animal, bestial and human, in a state of continuous metamorphosis.

The Romantics recognised that their insistence on the significance of the Self meant an acceptance of the human capacity for opposing sentiments: violence and tenderness; sense and savagery.

(Monsters and Maidens, 2004)

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