Hutch Wilco says: “Forever Tomorrow brings together powerful works that register lived experience — labour, migration, family, intimacy, and technology. Spanning generations, the exhibition reveals how artists have given form to the emotional and psychological dimensions of everyday life. Together, these works offer a compelling portrait of contemporary experience, inviting audiences to reflect on how these changes continue to shape individual lives and shared futures.”
Forever Tomorrow features work by Ai Weiwei, Xu Zhen, Xiao Lu and Cao Fei, alongside artists exhibiting in Aotearoa New Zealand for the first time including Lu Pingyuan, Pu Yingwei, Xiyadie, Lu Yang and 2023 Sigg Prize winner Wang Tuo. The exhibition draws extensively on the White Rabbit Collection from Sydney and the M+ Sigg Collection in Hong Kong, with other works coming directly from artists and their representative galleries.
Key works include Xiao Lu’s Dialogue, 1989, first presented at Beijing’s landmark China/Avant-Garde exhibition, made infamous when she fired two shots into her installation — a gesture entwining the personal with the politics of the time; Ai Weiwei’s Dropping a Han Dynasty Urn, 1995, a photographic series documenting deliberate destruction that questions history and cultural memory; and Zhang Huan’s To Raise the Water Level in a Fishpond: Beijing, China 1997, a defining performance binding personal memory with collective spirit through an impossible task.
Highlights include XU ZHEN®’s “Hello”, 2018–19, a robotic Corinthian column that turns a symbol of Western civilisation into an unsettling presence; Cao Fei’s RMB City: A Second Life Urban Planning, 2007, envisions a virtual metropolis in Second Life, while Lu Pingyuan’s Semi-Auto Wandering Gods series, 2024–ongoing, imagines new folk rituals in collaboration with artificial intelligence. Wang Tuo’s The Second Interrogation, 2023, revisits the legacy of the 1989 China/Avant-Garde exhibition, examining the enduring logic of censorship and self-criticism in the cultural sphere.
From Thursday 2 April, a major sculptural work by XU ZHEN® will be on display: Eternity–Tianlongshan Grottoes Bodhisattva, Winged Victory of Samothrace, 2014. The large-scale sculpture combines a Buddhist figure representative of China’s Tianlongshan grottoes with the form of the Greek sculpture Winged Victory of Samothrace, and will be freely accessible to view ahead of the full exhibition’s opening.
Forever Tomorrow will be accompanied by an illustrated catalogue featuring essays and artist profiles, available exclusively from the Gallery’s Shop.
The exhibition is proudly supported by the Auckland Art Gallery Foundation and the New Zealand Government’s Events Boost Fund.
Exhibition details
Forever Tomorrow: China Art Now 永远的明天:中国艺术进行时
Auckland Art Gallery Toi o Tāmaki
Sat 2 May–Sun 23 Aug 2026
Tickets are now on sale with a 20% early-bird discount available until Sunday 19 April. From Monday 20 April, standard ticket prices apply: Adults (New Zealanders) $27.50, Adults (International tourists) $32.50, Members FREE, Concessions $22.50. Children 12 and under FREE (must be with an accompanying adult).