![[Still Life with lamps]](https://artgallery-collection-api.cdn.aucklandunlimited.com/records/images/xlarge/13783/cc8700dc33c0ea3e5f306d79578af63e36d4aac1.jpg)
Artwork Information
Traditionally, the objects that composed still lifes were loaded with symbolism, reflecting the belief that everything had both an everyday and a religious meaning. Thus a candle was a symbol of the transient nature of life, a book represented piety, cherries stood for paradise and so on.
McCahon’s use of candles and lamps throughout his work, and the symbolism he attributes to them, influence our readings of these objects when they appear in other works by him. As art historian Norman Bryson writes: ‘The meaning of a picture is never inscribed on its surface as brushstrokes are; meaning arises in collaboration between signs (visual or verbal) and interpreters.’ (McCahon's Visible Mysteries, 2004)
- Artist
- Colin McCahon
- Title
- [Still Life with lamps]
- Production Date
- 1947
- Medium
- ink, watercolour on paper
- Dimensions
- 200 x 258 mm
- Credit Line
- Auckland Art Gallery Toi o Tāmaki, purchased 1974
- Accession No
- 1974/1
- Copyright
- Copying restrictions apply
- Department
- New Zealand Art
- Display Status
- Not on display
More by Colin McCahon (237)

Titirangi
1956-1957

The Fourteen Stations of the Cross
1966

House in trees, Titirangi
1953
![[Flower]](https://artgallery-collection-api.cdn.aucklandunlimited.com/records/images/medium/13244/5b92b1fb1b75605e90f01f7769238072bd5d6348.jpg)
[Flower]
1967
Explore Connections (8)

Still lifes
152 Artworks

Lamps (lighting devices)
22 Artworks

Tables (support furniture)
83 Artworks

Candles
12 Artworks

Drawings
305 Artworks