
Artwork Information
Louise Henderson’s practice responded to the legacies of cubist explorations of optical perception and shifting perspectives, and to the new ways of conceiving pictorial space and the dynamics of form on a flat surface. At Academic Frochot in Paris, she gained a firmer understanding of the analysis of form and space, developing a complex and technically sophisticated method of abstraction based on studies of the nude. There, Henderson worked continuously from life models, creating drawings which operated as ‘research’, and which were used as the basis for later oil paintings. The structure of Metzinger’s Atelier fostered independence. Henderson recalled: ‘I worked and they never taught me anything because the old man said you got to discover it yourself.’
- Artist
- Louise Henderson
- Title
- Study for Woman in Blue
- Production Date
- 1952
- Medium
- charcoal, red and white chalk on paper
- Dimensions
- 720 x 922 mm
- Credit Line
- Auckland Art Gallery Toi o Tāmaki, gift of Diane McKegg, 2017
- Accession No
- 2017/31/1
- Copyright
- Copying restrictions apply
- Department
- New Zealand Art
- Display Status
- Not on display
More by Louise Henderson (17)

Samoan woman in yellow
1954

Baghdad
1953

Study for Woman in Blue
1952

Untitled
1952