Exhibitions

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Through the Eyes of Shirin Neshat
Through the Eyes of Shirin Neshat

—

$5 - $7

Through the Eyes of Shirin Neshat

—

$5 - $7

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Yuki Kihara and John Pule
Yuki Kihara and John Pule

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Free entry

Yuki Kihara and John Pule

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Free entry

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The Walters Prize 2010
The Walters Prize 2010

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Free entry

The Walters Prize 2010

—

Free entry

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The 5th Auckland Triennial: If you were to live here...
The 5th Auckland Triennial: If you were to live here...

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Free entry

The 5th Auckland Triennial: If you were to live here...

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Free entry

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Handboek: Ans Westra Photographs
Handboek: Ans Westra Photographs

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Free entry

Handboek: Ans Westra Photographs

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Free entry

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Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan
Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan

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Events

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Professor Peter O’Connor: Learning To Be Creative
Professor Peter O’Connor: Learning To Be Creative

6pm

Join Head of School, Critical Studies in Education, University of Auckland Professor Peter O’Connor for a talk on learning to be creative. 

Professor Peter O’Connor: Learning To Be Creative

6pm

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BOOKED OUT | Panel discussion - Seeing the self: women artists depict themselves
BOOKED OUT | Panel discussion - Seeing the self: women artists depict themselves

5.30 – 8pm

Free - bookings essential Book now

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Colin McCahon: Is This the Promised Land?
Colin McCahon: Is This the Promised Land?

2–3.30pm

Members $15, Non-Members $20 Book now

Join esteemed New Zealand writer Peter Simpson who will speak in conversation with Julia Waite, Curator New Zealand art, about his latest book, the sequel – COLIN MCCAHON: IS THIS THE PROMISED LAND? VOL.2 1960–1987.

Colin McCahon: Is This the Promised Land?

2–3.30pm

Members $15, Non-Members $20 Book now

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After hours talk: Matt Saunders
After hours talk: Matt Saunders

5.30pm

Enjoy an after hours talk 'Flawed words and stubborn sounds' by visiting US artist Matt Saunders, who is in the country as international guest and external examiner for the July MFA seminar at Whitecliffe College of Arts and Design.

After hours talk: Matt Saunders

5.30pm

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Tūtaki mai i ngā ringatoi ki te parakuihi | Breakfast with the artists: Ayesha Green and Jasmine Te Hira
Tūtaki mai i ngā ringatoi ki te parakuihi | Breakfast with the artists: Ayesha G...

7.30 – 9am

Members $25, Non-Members $30 Book now

Start your day with food for thought, coffee and actual food at this parakuihi with the artists Ayesha Green and Jasmine Te Hira. Here, the artists will discuss their practice and mahi toi featured in Toi Tū Toi Ora: Contemporary Māori Art.

Tūtaki mai i ngā ringatoi ki te parakuihi | Breakfast with the artists: Ayesha G...

7.30 – 9am

Members $25, Non-Members $30 Book now

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SOLD OUT | Aidan Hart Workshops: Icon Painting
SOLD OUT | Aidan Hart Workshops: Icon Painting

— 9am–5pm

Members $410, Non-Members $465 Book now

Please note: This event has now sold out.

This winter, we are thrilled to be hosting internationally renowned iconographer Aidan Hart for a two-day workshop on the time-honoured practice of icon painting. After creating your own egg tempera paint, you will learn the techniques of traditional iconography and walk away with a unique piece of your own.

SOLD OUT | Aidan Hart Workshops: Icon Painting

— 9am–5pm

Members $410, Non-Members $465 Book now

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Professional Learning Day for Art Educators
Professional Learning Day for Art Educators

9am—7pm

FREE (limited spots, registration required)

Professional Learning Day for Art Educators

9am—7pm

FREE (limited spots, registration required)

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Manpower Lectures – #4 Queer and Now (online)
Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

What's queer about long-nineteenth-century British art now? Answering this question, Edwards address two entirely different examples: Henry Hugh Armstead’s mid-Victorian bronze statuette ‘Satan dismayed’ otherwise known as ‘Saint Michael and the Serpent’ (1852) and Henry Scott Tuke’s 1924 oil painting, ‘Companions’. Both artists remain marginalised, and have proven difficult to canonise for different reasons: Armstead as a predominantly decorative artist in a canon still primarily oriented towards the two-dimensional and the category of fine art, and Tuke because of the open secret of the pederastic character of his work, at a moment in which childhood sexual abuse remains one of the key cultural issues of our time. What might we learn from returning to think about both?

This lecture is a pre-recorded lecture that will be made available to ticketholders to watch in their own time. This lecture is the fourth in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

Artworks

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View Artwork

Not on display

studies for illumination no.5
studies for illumination no.5

l budd et al.

Production date
1994
Medium
mixed media on paper
Size (h x w)
1980 x 1010 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the b ready-made trust, 1998
Accession no
1998/12/1
studies for illumination no.5

l budd et al.

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Not on display

studies for illumination no.14
studies for illumination no.14

l budd et al.

Production date
1994
Medium
mixed media on paper
Size (h x w)
1615 x 1010 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the b ready-made trust, 1998
Accession no
1998/12/3
studies for illumination no.14

l budd et al.

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Not on display

studies for illumination no.7
studies for illumination no.7

l budd et al.

Production date
1994
Medium
mixed media on paper
Size (h x w)
1615 x 1010 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the b ready-made trust, 1998
Accession no
1998/12/2
studies for illumination no.7

l budd et al.

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Not on display

Studies of Ears
Studies of Ears

Unknown artist Jusepe de Ribera

Production date
17th century?
Medium
etching
Size (h x w)
158 x 120 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr G M Mitford, 1883
Accession no
1883/1/58/3
Studies of Ears

Unknown artist Jusepe de Ribera

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Not on display

Studies
Studies

James Boswell

Production date
1938
Medium
lithograph
Size (h x w)
284 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1940
Accession no
1940/3/20
Studies

James Boswell

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Not on display

Study for "Lobby Woman"
Study for "Lobby Woman"

Terry Stringer

Production date
1983
Medium
coloured pencil on paper
Size (h x w)
530 x 365 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1984
Accession no
C1994/1/121
Study for "Lobby Woman"

Terry Stringer

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Not on display

Studies of Legs and Feet
Studies of Legs and Feet

Unknown artist Jusepe de Ribera

Production date
17th century?
Medium
etching
Size (h x w)
130 x 154 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr G M Mitford, 1883
Accession no
1883/1/58/2
Studies of Legs and Feet

Unknown artist Jusepe de Ribera

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Not on display

Studies of Celtic Crosses
Studies of Celtic Crosses

Frederick Nash

Production date
1802-1856
Medium
pencil and watercolour
Size (h x w)
207 x 148 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1885/66/1
Studies of Celtic Crosses

Frederick Nash

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Not on display

Sketch : Gravestones, Rutherford Street, Woolston
Sketch : Gravestones, Rutherford Street, Woolston

William A Sutton

Production date
1949-1950
Medium
pencil
Size (h x w)
320 x 312 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1972
Accession no
1972/15/6
Sketch : Gravestones, Rutherford Street, Woolston

William A Sutton

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Not on display

Untitled (Sheet of studies: Penguin and Maori carvings)
Untitled (Sheet of studies: Penguin and Maori carvings)

Trevor Lloyd

Production date
Unknown
Medium
pencil
Size (h x w)
244 x 336 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr Trevor Lloyd, 1983
Accession no
1983/40/39
Untitled (Sheet of studies: Penguin and Maori carvings)

Trevor Lloyd

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Untitled (Studies of Children)
Untitled (Studies of Children)

Henri Gabriel Ibels

Production date
1887-1936
Medium
lithograph
Size (h x w)
348 x 277 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1979
Accession no
1979/8/1
Untitled (Studies of Children)

Henri Gabriel Ibels

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Not on display

Study of Shrubs
Study of Shrubs

Aristide Maillol

Production date
circa 1926
Medium
woodcut
Size (h x w)
324 x 242 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1973
Accession no
1973/24/3
Study of Shrubs

Aristide Maillol

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Not on display

Untitled (Tree study)
Untitled (Tree study)

Trevor Lloyd

Production date
circa 1920s
Medium
pen, ink
Size (h x w)
355 x 244 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr Trevor Lloyd, 1983
Accession no
1983/40/44
Untitled (Tree study)

Trevor Lloyd

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Untitled (Sheet of studies: Two harbour views)
Untitled (Sheet of studies: Two harbour views)

Trevor Lloyd

Production date
Unknown
Medium
pencil
Size (h x w)
287 x 295 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr Trevor Lloyd, 1983
Accession no
1983/40/38
Untitled (Sheet of studies: Two harbour views)

Trevor Lloyd

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Not on display

Study For Waitara
Study For Waitara

Gordon Walters

Production date
1959
Medium
ink
Size (h x w)
477 x 580 x 31 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1983
Accession no
1983/50
Study For Waitara

Gordon Walters

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Study of Trees
Study of Trees

Alfred Chalon

Production date
19th century
Medium
watercolour
Size (h x w)
215 x 212 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1885/42
Study of Trees

Alfred Chalon

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Study For 'Night Myth'
Study For 'Night Myth'

James Ross

Production date
1983
Medium
ink on paper
Size (h x w)
357 x 279 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1993
Accession no
C1994/1/427
Study For 'Night Myth'

James Ross

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Not on display

Design for A Cartouche and Head Studies
Design for A Cartouche and Head Studies

Agostino Carracci

Production date
16th century
Medium
pen, ink and chalk on paper
Size (h x w)
268 x 172 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1962
Accession no
1962/26/1
Design for A Cartouche and Head Studies

Agostino Carracci

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Sketches of Trees for "Nor'wester in the Cemetery"
Sketches of Trees for "Nor'wester in the Cemetery"

William A Sutton

Production date
circa 1950
Medium
pencil
Size (h x w)
282 x 382 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1972
Accession no
1972/15/7
Sketches of Trees for "Nor'wester in the Cemetery"

William A Sutton

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Not on display

The Hand (Study of a hand)
The Hand (Study of a hand)

Tony Fomison

Production date
1970
Medium
oil on hessian on board
Size (h x w)
840 x 580 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/33
The Hand (Study of a hand)

Tony Fomison

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Study For 'Night Myth'
Study For 'Night Myth'

James Ross

Production date
1983
Medium
pastel, pencil, and acrylic wash on paper
Size (h x w)
756 x 563 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1993
Accession no
C1994/1/426
Study For 'Night Myth'

James Ross

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Not on display

Sketch : Church and railings, Barbados Street (Study for Nor'wester in the cemetery)
Sketch : Church and railings, Barbados Street (Study for Nor'wester in the cemet...

William A Sutton

Production date
circa 1950
Medium
pencil
Size (h x w)
320 x 510 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1972
Accession no
1972/15/5
Sketch : Church and railings, Barbados Street (Study for Nor'wester in the cemet...

William A Sutton

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Not on display

Mother and Child
Mother and Child

Harold Gilman

Production date
1918
Medium
pen and black ink, squared off in red ink
Size (h x w)
380 x 254 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1957
Accession no
1957/28
Mother and Child

Harold Gilman

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Detail of a Garden
Detail of a Garden

Philip Trusttum

Production date
1973
Medium
oil, crayon
Size (h x w)
275 x 187 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1974
Accession no
1974/41/3
Detail of a Garden

Philip Trusttum

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Not on display

Architectural study
Architectural study

Unknown artist

Production date
1820-1840
Medium
pencil
Size (h x w)
138 x 216 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1883/1/8/26
Architectural study

Unknown artist

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Not on display

Three Studies for the Bronze - 'Concerning Religion'
Three Studies for the Bronze - 'Concerning Religion'

Alan Strathern

Production date
1972
Medium
pencil, pen and brown ink, blue felt-tip pen, and black crayon with red pencil on white cartridge paper
Size (h x w)
374 x 690 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973
Accession no
1973/19/3
Three Studies for the Bronze - 'Concerning Religion'

Alan Strathern

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Ibiza - Study for Oil
Ibiza - Study for Oil

Frances Hodgkins

Production date
1933
Medium
watercolour
Size (h x w)
424 x 555 mm
Credit line
Auckland Art Gallery Toi Tāmaki, purchased 1956
Accession no
1956/20/3
Ibiza - Study for Oil

Frances Hodgkins

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Not on display

Study of Foliage
Study of Foliage

Philip Trusttum

Production date
1973
Medium
oil, crayon
Size (h x w)
189 x 137 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1974
Accession no
1974/41/2
Study of Foliage

Philip Trusttum

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Not on display

Study For 'Night Myth'
Study For 'Night Myth'

James Ross

Production date
1983
Medium
pastel, pencil, and acrylic wash on paper
Size (h x w)
764 x 565 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1993
Accession no
C1994/1/425
Study For 'Night Myth'

James Ross

View Artwork

On display

Cloud Study
Cloud Study

Aaron Penley

On display

Production date
1827-1870
Medium
pencil and watercolour
Size (h x w)
142 x 311 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1977
Accession no
1977/7/3
Cloud Study

Aaron Penley

On display

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Not on display

Tower
Tower

Philippa Blair

Production date
1986
Medium
pencil and pastel
Size (h x w)
290 x 325 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of NZI Corporation, 1986
Accession no
1986/17/1.1-7
Tower

Philippa Blair

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Not on display

Seven Pacific Studies
Seven Pacific Studies

Carey Sydney Parkinson

Production date
Unknown
Medium
engraving
Size (h x w)
222 x 336 mm
Credit line
Auckland Art Gallery Toi o Tāmaki
Accession no
U/56
Seven Pacific Studies

Carey Sydney Parkinson

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Not on display

Study For 'Narcissus (Plunge)'
Study For 'Narcissus (Plunge)'

James Ross

Production date
1985
Medium
pastel on paper
Size (h x w)
240 x 180 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1993
Accession no
C1994/1/422
Study For 'Narcissus (Plunge)'

James Ross

View Artwork

On display

Cloud Study
Cloud Study

Aaron Penley

On display

Production date
1827-1870
Medium
watercolour and white
Size (h x w)
158 x 345 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1977
Accession no
1977/7/2
Cloud Study

Aaron Penley

On display

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Not on display

Study of a goat
Study of a goat

Alfred Newton

Production date
19th century
Medium
watercolour and gouache
Size (h x w)
132 x 159 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, gift of James Tannock Mackelvie, 1884
Accession no
M1884/2/1
Study of a goat

Alfred Newton

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Not on display

Vase with Handles - Notes for Colour
Vase with Handles - Notes for Colour

Frances Hodgkins

Production date
circa 1929
Medium
pencil
Size (h x w)
311 x 230 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1971
Accession no
1971/28/1
Vase with Handles - Notes for Colour

Frances Hodgkins

Archives

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John Weeks Archive
John Weeks Archive
Production date
Unknown
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of the Estate of Peter O'Connor, 2010
Accession no
RC2010/1
John Weeks Archive

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Articles

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Melvin Day (1923–2016) Image
Melvin Day (1923–2016)

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Friends of the Auckland Art Gallery Image
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Michèle Whitecliffe Art Writing Prize Image
Michèle Whitecliffe Art Writing Prize
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The Walters Prize 2020: Nominees announced for New Zealand’s foremost contemporary art prize Image
The Walters Prize 2020: Nominees announced for New Zealand’s foremost contempora...