View Exhibition
Property of a Gentleman
Property of a Gentleman

Free entry

Property of a Gentleman

Free entry

View Exhibition
Saints & Seraphs
Saints & Seraphs

Free entry

Saints & Seraphs

Free entry

View Exhibition
Winged Wonders
Winged Wonders

Free entry

Winged Wonders

Free entry

View Exhibition
Summer Daze
Summer Daze

$5 - $7

Summer Daze

$5 - $7

View Exhibition
Monsters and Maidens
Monsters and Maidens

Free entry

Monsters and Maidens

Free entry

View Exhibition
An Overture to the Text
An Overture to the Text

Free entry

An Overture to the Text

Free entry

View Exhibition
Henry Fuseli: Dark Chambers of the Mind
Henry Fuseli: Dark Chambers of the Mind

Free entry

Henry Fuseli: Dark Chambers of the Mind

Free entry

View Exhibition
Grand Designs
Grand Designs

Free entry

Grand Designs

Free entry

View Exhibition
Fragile Beauty: Historic Japanese Graphic Art
Fragile Beauty: Historic Japanese Graphic Art

Free entry

Fragile Beauty: Historic Japanese Graphic Art

Free entry

View Event
Manpower Lectures – #4 Queer and Now (online)
Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

What's queer about long-nineteenth-century British art now? Answering this question, Edwards address two entirely different examples: Henry Hugh Armstead’s mid-Victorian bronze statuette ‘Satan dismayed’ otherwise known as ‘Saint Michael and the Serpent’ (1852) and Henry Scott Tuke’s 1924 oil painting, ‘Companions’. Both artists remain marginalised, and have proven difficult to canonise for different reasons: Armstead as a predominantly decorative artist in a canon still primarily oriented towards the two-dimensional and the category of fine art, and Tuke because of the open secret of the pederastic character of his work, at a moment in which childhood sexual abuse remains one of the key cultural issues of our time. What might we learn from returning to think about both?

This lecture is a pre-recorded lecture that will be made available to ticketholders to watch in their own time. This lecture is the fourth in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

Artworks

View Artwork

Not on display

Kleine Grotesken
Kleine Grotesken

Max Slevogt

Production date
1921
Medium
lithograph
Size (h x w)
286 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr Justin Tannhauser, 1962
Accession no
1962/36/1
View Artwork

Not on display

Le Serpent d'Airain (The Brazen Serpent)
Le Serpent d'Airain (The Brazen Serpent)

Ertinger Franz Raymond de Lafage

Production date
1683
Medium
etching
Size (h x w)
472 x 302 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/36/7
View Artwork

Not on display

Temptation of Eve
Temptation of Eve

Stephen Champ

Production date
Unknown
Medium
wood engraving
Size (h x w)
171 x 124 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1932
Accession no
1932/4/1
View Artwork

Not on display

Expulsion from the Garden
Expulsion from the Garden

Abraham de Bruyn Pieter van der Borcht

Production date
1583
Medium
engraving
Size (h x w)
114 x 73 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1885/86/6
View Artwork

Not on display

Eve beguiled by the serpent
Eve beguiled by the serpent

Abraham de Bruyn Pieter van der Borcht

Production date
1583
Medium
engraving
Size (h x w)
114 x 73 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1885/86/5
View Artwork

On display

Adam Standing
Adam Standing

Hans Beham

On display

Production date
1524
Medium
engraving on copper
Size (h x w)
78 x 52 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885
Accession no
M1885/4/1
View Artwork

Not on display

The Fall of Man
The Fall of Man

Lucas van Leyden

Production date
1529
Medium
engraving
Size (h x w)
116 x 70 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/82/4
View Artwork

Not on display

Moses and the burning bush
Moses and the burning bush

Abraham de Bruyn Pieter van der Borcht

Production date
1583
Medium
engraving
Size (h x w)
114 x 73 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1885/86/11
View Artwork

Not on display

Moses and the Brazen Serpent
Moses and the Brazen Serpent

Margaret Thompson

Production date
1942
Medium
oil on canvas
Size (h x w)
1438 x 1592 mm
Credit line
Auckland Art Gallery Toi o Tāmaki
Accession no
U/203
View Artwork

Not on display

Eve
Eve

Hans Beham

Production date
1523
Medium
engraving
Size (h x w)
80 x 52 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885
Accession no
M1885/4/2
View Artwork

Not on display

Job's evil dream of Satan worshipped as God
Job's evil dream of Satan worshipped as God

William Blake

Production date
1825
Medium
engraving
Size (h x w)
213 x 164 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1980
Accession no
1980/10/11
View Artwork

Not on display

Truth and Faith
Truth and Faith

Adrian Collaert Maarten de Vos

Production date
late 16th century
Medium
engraving
Size (h x w)
228 x 300 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/32/4
Sorry, there are no results for your search.

Ideas

Sorry, there are no results for your search.

Articles

Sorry, there are no results for your search.

More

Sorry, there are no results for your search.