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Threshing — Threshing

Clare Leighton

Production date

circa 1933

Medium

wood engraving

Size (h x w)

287 x 381 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Rex Nan Kivell, 1953

Accession no

1953/2/215

Threshing

Rocker and Rosie going home — Rocker and Rosie going home

Christopher Killip

Production date

1987

Medium

gelatin silver print

Size (h x w)

408 x 502 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1987

Accession no

1987/29/28

Rocker and Rosie going home

Christopher Killip

Mejor es holgar. (It is Better To Be Lazy). — Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching with burnished aquatint and burin

Size (h x w)

214 x 150 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/12

Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

Hans Jorgensen, Labourer, State Coalyard — Hans Jorgensen, Labourer, State Coalyard

Glenn Busch

Production date

1982

Medium

black and white photograph

Size (h x w)

228 x 227 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1983

Accession no

1983/63/13

Hans Jorgensen, Labourer, State Coalyard

Joseph making himself known to his brothers — Joseph making himself known to his brothers

Andrea Michieli

Production date

late 16th century?

Medium

oil on canvas

Size (h x w)

1536 x 2013 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, gift of James Tannock Mackelvie, 1882

Accession no

M1882/2/1

Joseph making himself known to his brothers

Andrea Michieli

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Articles

On the 9th Day of Christmas

On the 9th Day of Christmas

24 Feb 2016

On the 12th Day of a Kiwi Christmas

On the 12th Day of a Kiwi Christmas

24 Feb 2016

Art Lab Image — Art Lab

Art Lab

30 Dec 2015

Remembering Don Driver 1930–2011

Remembering Don Driver 1930–2011

21 Dec 2015

Report from Venice: All the World's Futures Image — Report from Venice: All the World's Futures

Report from Venice: All the World's Futures

26 Nov 2015

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