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Exhibitions

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Window Work: Pump by Gary Freemantle

28 Aug 2003 — 7 Dec 2003

Free entry

Window Work: Pump by Gary Freemantle

28 Aug 2003 — 7 Dec 2003

Free entry

Nathan Coley: A Place Beyond Belief — Nathan Coley: A Place Beyond Belief

30 Nov 2019 — 30 Nov 2020

Nathan Coley: A Place Beyond Belief

30 Nov 2019 — 30 Nov 2020

An Overture to the Text — An Overture to the Text

30 Jul 2016 — 12 Feb 2017

Free entry

An Overture to the Text

30 Jul 2016 — 12 Feb 2017

Free entry

Towards Auckland: Colin McCahon the Gallery Years

12 Aug 2006 — 25 Mar 2007

Free entry

Towards Auckland: Colin McCahon the Gallery Years

12 Aug 2006 — 25 Mar 2007

Free entry

Shane Cotton Survey 1993–2003 — Shane Cotton Survey 1993–2003

29 May 2004 — 8 Aug 2004

$5 – $7

Shane Cotton Survey 1993–2003

29 May 2004 — 8 Aug 2004

$5 – $7

Self and Other: The Expressionist Spirit in New Zealand Art

18 Dec 2003 — 17 Oct 2004

Free entry

Self and Other: The Expressionist Spirit in New Zealand Art

18 Dec 2003 — 17 Oct 2004

Free entry

I'm Your Man (A Portrait of Leonard Cohen) — I'm Your Man (A Portrait of Leonard Cohen)

31 Aug 2020 — 6 Dec 2020

FREE

I'm Your Man (A Portrait of Leonard Cohen)

31 Aug 2020 — 6 Dec 2020

FREE

Civilisation, Photography, Now — Civilisation, Photography, Now

13 Jun 2020 — 18 Oct 2020

Civilisation, Photography, Now

13 Jun 2020 — 18 Oct 2020

Events

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Thomas Crow: The Missing Theologies of Colin McCahon and Sister Mary Corita Kent — Thomas Crow: The Missing Theologies of Colin McCahon and Sister Mary Corita Ken...

16 Mar 2017 6.30pm

Free – no bookings

Join Thomas Crow for a talk on his new publication No Idols: The Missing Theology of Art.

Talks and tours

Thomas Crow: The Missing Theologies of Colin McCahon and Sister Mary Corita Ken...

16 Mar 2017 6.30pm

Free – no bookings

Talks and tours

We Speak as One — We Speak as One

15 May 2019 2–4pm

Book now

We Speak as One features speakers who will explore culture, religion and disability to gain a broader understanding of how events can be created to be more accessible and inclusive throughout Aotearoa.

Special events

Talks and tours

We Speak as One

15 May 2019 2–4pm

Special events
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Artworks

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Relevance
Title (A to Z)
Title (Z to A)
Production date (newest first)
Production date (oldest first)
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Accession date (oldest first)
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Artist surname (Z to A)

Concerning Religion — Concerning Religion

Alan Strathern

Production date

1972

Medium

bronze

Size (h x w)

940 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1973

Accession no

1973/19/1

Concerning Religion

Drawing for 'Religion and Life' — Drawing for 'Religion and Life'

A Lois White

Production date

circa 1935

Medium

graphite on paper

Size (h x w)

1120 x 772 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Alison Disbrowe, 2004

Accession no

2004/11/6

Drawing for 'Religion and Life'

Three Studies for the Bronze - 'Concerning Religion' — Three Studies for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

pencil, pen and brown ink, blue felt-tip pen, and black crayon with red pencil on white cartridge paper

Size (h x w)

374 x 690 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/3

Three Studies for the Bronze - 'Concerning Religion'

Study for the Bronze - 'Concerning Religion' — Study for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

pencil and black crayon on brown, wax impregnated paper

Size (h x w)

750 x 569 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/7

Study for the Bronze - 'Concerning Religion'

Study for the Bronze - 'Concerning Religion' — Study for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1949

Medium

black charcoal on grey and brown tinted paper

Size (h x w)

717 x 525 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/6

Study for the Bronze - 'Concerning Religion'

Study for the Bronze - 'Concerning Religion' — Study for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

black charcoal on grey and brown tinted paper

Size (h x w)

560 x 764 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/5

Study for the Bronze - 'Concerning Religion'

Study for the Bronze - 'Concerning Religion' — Study for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

black charcoal on grey and brown tinted paper

Size (h x w)

764 x 558 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/4

Study for the Bronze - 'Concerning Religion'

Study for the Bronze - 'Concerning Religion' — Study for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

pencil on white cartridge paper

Size (h x w)

330 x 200 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/2

Study for the Bronze - 'Concerning Religion'

Final Sketch for the Bronze - 'Concerning Religion' — Final Sketch for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

pencil on brown wax - impregnated paper

Size (h x w)

744 x 587 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/8

Final Sketch for the Bronze - 'Concerning Religion'

Dervish — Dervish

Gretchen Albrecht

Production date

1983

Medium

acrylic on canvas

Size (h x w)

1530 x 3060 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1983

Accession no

C1994/1/100

Dervish

Gretchen Albrecht

No. 17 — No. 17

Max Gimblett

Production date

1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/321

No. 17

No. 3 — No. 3

Max Gimblett

Production date

1982-1986

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/307

No. 3

No. 18 — No. 18

Max Gimblett

Production date

1988

Medium

acrylic polymer and pencil on paper

Size (h x w)

775 x 575 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/322

No. 18

No. 2 — No. 2

Max Gimblett

Production date

1982-1986

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/306

No. 2

No. 20 — No. 20

Max Gimblett

Production date

1987-1988

Medium

acrylic polymer and pencil on paper

Size (h x w)

775 x 575 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/324

No. 20

No. 12 — No. 12

Max Gimblett

Production date

1984

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/316

No. 12

Red Black White Gold — Red Black White Gold

Max Gimblett

Production date

1984-1985

Medium

metallic pigments and acrylic polymer on canvas

Size (h x w)

386 x 385 x 65 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1985

Accession no

C1994/1/158

Red Black White Gold

No. 4 - For Colin McCahon — No. 4 - For Colin McCahon

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/308

No. 4 - For Colin McCahon

No. 13 — No. 13

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/317

No. 13

No. 8 — No. 8

Max Gimblett

Production date

1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

775 x 575 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/312

No. 8

No. 10 — No. 10

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/314

No. 10

No. 14 — No. 14

Max Gimblett

Production date

1983-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/318

No. 14

No. 15 — No. 15

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/319

No. 15

Divine — Divine

Max Gimblett

Production date

1983

Medium

oil on canvas

Size (h x w)

2290 x 2285 x 70 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/304

Divine

Ghosts, Demons, and Dragons - 2 — Ghosts, Demons, and Dragons - 2

Max Gimblett

Production date

1988

Medium

acrylic polymer on canvas

Size (h x w)

1175 x 3410 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/303.1-3

Ghosts, Demons, and Dragons - 2

No. 11 — No. 11

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/315

No. 11

No. 5 — No. 5

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/309

No. 5

No. 19 — No. 19

Max Gimblett

Production date

1987-1988

Medium

acrylic polymer and pencil on paper

Size (h x w)

775 x 575 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/323

No. 19

No. 9 — No. 9

Max Gimblett

Production date

1983-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/313

No. 9

No. 7 — No. 7

Max Gimblett

Production date

1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

775 x 575 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/311

No. 7

No. 6 — No. 6

Max Gimblett

Production date

1983-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/310

No. 6

Chakra — Chakra

Stephen Bambury

Production date

1994

Medium

resin and acrylic on aluminium panels

Size (h x w)

705 x 3535 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1994

Accession no

C1994/1/535.1-7

Chakra

Stephen Bambury

Armageddon — Armageddon

William Reed

Production date

1936

Medium

watercolour

Size (h x w)

546 x 736 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1978

Accession no

1978/43/1

Armageddon

Taranaki (The Heavens Declare the Glory of God) New Plymouth, 14 May 1986 — Taranaki (The Heavens Declare the Glory of God) New Plymouth, 14 May 1986

Laurence Aberhart

Production date

1986

Medium

black and white photograph

Size (h x w)

191 x 242 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1987

Accession no

1987/36/4

Taranaki (The Heavens Declare the Glory of God) New Plymouth, 14 May 1986

Laurence Aberhart

No. 1 — No. 1

Max Gimblett

Production date

1982-1986

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/305

No. 1

No. 16 — No. 16

Max Gimblett

Production date

1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/320

No. 16

Archives

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Title (Z to A)
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Harvey Benge Photobooks — Harvey Benge Photobooks

Production date

1993-2018

Credit line

E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Harvey Benge, 2015

Accession no

RC2015/2

Harvey Benge Photobooks

John Weeks Archive — John Weeks Archive

Production date

Unknown

Credit line

E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of the Estate of Peter O'Connor, 2010

Accession no

RC2010/1

John Weeks Archive

et al. drafts for simultaneous invalidation_second attempt exhibition catalogue — et al. drafts for simultaneous invalidation_second attempt exhibition catalogue

Production date

2001

Credit line

E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of et al., 2007

Accession no

RC2007/4

et al. drafts for simultaneous invalidation_second attempt exhibition catalogue

Ideas

Content type:

Audio

Education resource

Publication

Video

Title (A to Z)
Title (Z to A)
Post date (newest first)
Post date (oldest first)

Fiona Pardington: Host Image — Fiona Pardington: Host
Audio

Fiona Pardington: Host

Audio

Articles

Civilisation, Photography, Now: In a Covid-19 World Image — Civilisation, Photography, Now: In a Covid-19 World

Civilisation, Photography, Now: In a Covid-19 World

08 Apr 2020

William Ewing and Holly Roussell

Laurence Aberhart at Selma

Laurence Aberhart at Selma

17 Feb 2016

Engaging with our neighbours in South America Image — Engaging with our neighbours in South America

Engaging with our neighbours in South America

05 Jan 2016

Harvey Benge Image — Harvey Benge

Harvey Benge

26 Nov 2015

More

Auckland Art Gallery presents Civilisation, Photography, Now Image — Auckland Art Gallery presents Civilisation, Photography, Now

Auckland Art Gallery presents Civilisation, Photography, Now

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