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Exhibitions

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Window Work: Pump by Gary Freemantle

28 Aug 2003 — 7 Dec 2003

Free entry

Window Work: Pump by Gary Freemantle

28 Aug 2003 — 7 Dec 2003

Free entry

Nathan Coley: A Place Beyond Belief — Nathan Coley: A Place Beyond Belief

30 Nov 2019 — 14 Oct 2020

Nathan Coley: A Place Beyond Belief

30 Nov 2019 — 14 Oct 2020

An Overture to the Text — An Overture to the Text

30 Jul 2016 — 12 Feb 2017

Free entry

An Overture to the Text

30 Jul 2016 — 12 Feb 2017

Free entry

Shane Cotton Survey 1993–2003 — Shane Cotton Survey 1993–2003

29 May 2004 — 8 Aug 2004

$5 – $7

Shane Cotton Survey 1993–2003

29 May 2004 — 8 Aug 2004

$5 – $7

Towards Auckland: Colin McCahon the Gallery Years

12 Aug 2006 — 25 Mar 2007

Free entry

Towards Auckland: Colin McCahon the Gallery Years

12 Aug 2006 — 25 Mar 2007

Free entry

Self and Other: The Expressionist Spirit in New Zealand Art

18 Dec 2003 — 17 Oct 2004

Free entry

Self and Other: The Expressionist Spirit in New Zealand Art

18 Dec 2003 — 17 Oct 2004

Free entry

I'm Your Man (A Portrait of Leonard Cohen) — I'm Your Man (A Portrait of Leonard Cohen)

31 Aug 2020 — 6 Dec 2020

FREE

I'm Your Man (A Portrait of Leonard Cohen)

31 Aug 2020 — 6 Dec 2020

FREE

Civilisation, Photography, Now — Civilisation, Photography, Now

13 Jun 2020 — 18 Oct 2020

Civilisation, Photography, Now

13 Jun 2020 — 18 Oct 2020

Events

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Thomas Crow: The Missing Theologies of Colin McCahon and Sister Mary Corita Kent — Thomas Crow: The Missing Theologies of Colin McCahon and Sister Mary Corita Ken...

16 Mar 2017 6.30pm

Free – no bookings

Join Thomas Crow for a talk on his new publication No Idols: The Missing Theology of Art.

Talks and tours

Thomas Crow: The Missing Theologies of Colin McCahon and Sister Mary Corita Ken...

16 Mar 2017 6.30pm

Free – no bookings

Talks and tours

We Speak as One — We Speak as One

15 May 2019 2–4pm

Book now

We Speak as One features speakers who will explore culture, religion and disability to gain a broader understanding of how events can be created to be more accessible and inclusive throughout Aotearoa.

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We Speak as One

15 May 2019 2–4pm

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Artworks

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Relevance
Title (A to Z)
Title (Z to A)
Production date (newest first)
Production date (oldest first)
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Accession date (oldest first)
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Artist surname (Z to A)

Concerning Religion — Concerning Religion

Alan Strathern

Production date

1972

Medium

bronze

Size (h x w)

940 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1973

Accession no

1973/19/1

Concerning Religion

Drawing for 'Religion and Life' — Drawing for 'Religion and Life'

A Lois White

Production date

circa 1935

Medium

graphite on paper

Size (h x w)

1120 x 772 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Alison Disbrowe, 2004

Accession no

2004/11/6

Drawing for 'Religion and Life'

Study for the Bronze - 'Concerning Religion' — Study for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1949

Medium

black charcoal on grey and brown tinted paper

Size (h x w)

717 x 525 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/6

Study for the Bronze - 'Concerning Religion'

Study for the Bronze - 'Concerning Religion' — Study for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

black charcoal on grey and brown tinted paper

Size (h x w)

560 x 764 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/5

Study for the Bronze - 'Concerning Religion'

Study for the Bronze - 'Concerning Religion' — Study for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

pencil and black crayon on brown, wax impregnated paper

Size (h x w)

750 x 569 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/7

Study for the Bronze - 'Concerning Religion'

Three Studies for the Bronze - 'Concerning Religion' — Three Studies for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

pencil, pen and brown ink, blue felt-tip pen, and black crayon with red pencil on white cartridge paper

Size (h x w)

374 x 690 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/3

Three Studies for the Bronze - 'Concerning Religion'

Final Sketch for the Bronze - 'Concerning Religion' — Final Sketch for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

pencil on brown wax - impregnated paper

Size (h x w)

744 x 587 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/8

Final Sketch for the Bronze - 'Concerning Religion'

Study for the Bronze - 'Concerning Religion' — Study for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

black charcoal on grey and brown tinted paper

Size (h x w)

764 x 558 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/4

Study for the Bronze - 'Concerning Religion'

Study for the Bronze - 'Concerning Religion' — Study for the Bronze - 'Concerning Religion'

Alan Strathern

Production date

1972

Medium

pencil on white cartridge paper

Size (h x w)

330 x 200 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1973

Accession no

1973/19/2

Study for the Bronze - 'Concerning Religion'

Four Parts Religion Six Parts Sin — Four Parts Religion Six Parts Sin

Harvey Benge

Production date

1993

Medium

soft cover photobook

Size (h x w)

210 x 265 x 6 mm

Credit line

Harvey Benge Photobooks, E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Harvey Benge, 2015

Accession no

RC2015/2/1/1

Four Parts Religion Six Parts Sin

No. 18 — No. 18

Max Gimblett

Production date

1988

Medium

acrylic polymer and pencil on paper

Size (h x w)

775 x 575 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/322

No. 18

No. 10 — No. 10

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/314

No. 10

Divine — Divine

Max Gimblett

Production date

1983

Medium

oil on canvas

Size (h x w)

2290 x 2285 x 70 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/304

Divine

No. 9 — No. 9

Max Gimblett

Production date

1983-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/313

No. 9

No. 3 — No. 3

Max Gimblett

Production date

1982-1986

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/307

No. 3

No. 12 — No. 12

Max Gimblett

Production date

1984

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/316

No. 12

No. 15 — No. 15

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/319

No. 15

No. 5 — No. 5

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/309

No. 5

No. 17 — No. 17

Max Gimblett

Production date

1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/321

No. 17

No. 20 — No. 20

Max Gimblett

Production date

1987-1988

Medium

acrylic polymer and pencil on paper

Size (h x w)

775 x 575 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/324

No. 20

No. 4 - For Colin McCahon — No. 4 - For Colin McCahon

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/308

No. 4 - For Colin McCahon

No. 14 — No. 14

Max Gimblett

Production date

1983-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/318

No. 14

No. 11 — No. 11

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/315

No. 11

Red Black White Gold — Red Black White Gold

Max Gimblett

Production date

1984-1985

Medium

metallic pigments and acrylic polymer on canvas

Size (h x w)

386 x 385 x 65 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1985

Accession no

C1994/1/158

Red Black White Gold

No. 2 — No. 2

Max Gimblett

Production date

1982-1986

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/306

No. 2

No. 13 — No. 13

Max Gimblett

Production date

1982-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/317

No. 13

No. 8 — No. 8

Max Gimblett

Production date

1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

775 x 575 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/312

No. 8

Ghosts, Demons, and Dragons - 2 — Ghosts, Demons, and Dragons - 2

Max Gimblett

Production date

1988

Medium

acrylic polymer on canvas

Size (h x w)

1175 x 3410 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/303.1-3

Ghosts, Demons, and Dragons - 2

No. 19 — No. 19

Max Gimblett

Production date

1987-1988

Medium

acrylic polymer and pencil on paper

Size (h x w)

775 x 575 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/323

No. 19

Dervish — Dervish

Gretchen Albrecht

Production date

1983

Medium

acrylic on canvas

Size (h x w)

1530 x 3060 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1983

Accession no

C1994/1/100

Dervish

Gretchen Albrecht

No. 7 — No. 7

Max Gimblett

Production date

1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

775 x 575 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/311

No. 7

No. 6 — No. 6

Max Gimblett

Production date

1983-1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/310

No. 6

Chakra — Chakra

Stephen Bambury

Production date

1994

Medium

resin and acrylic on aluminium panels

Size (h x w)

705 x 3535 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1994

Accession no

C1994/1/535.1-7

Chakra

Stephen Bambury

No. 1 — No. 1

Max Gimblett

Production date

1982-1986

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/305

No. 1

No. 16 — No. 16

Max Gimblett

Production date

1987

Medium

acrylic polymer and pencil on paper

Size (h x w)

575 x 775 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/320

No. 16

Taranaki (The Heavens Declare the Glory of God) New Plymouth, 14 May 1986 — Taranaki (The Heavens Declare the Glory of God) New Plymouth, 14 May 1986

Laurence Aberhart

Production date

1986

Medium

black and white photograph

Size (h x w)

191 x 242 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1987

Accession no

1987/36/4

Taranaki (The Heavens Declare the Glory of God) New Plymouth, 14 May 1986

Laurence Aberhart

Archives

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Dates:

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Include undated results

Title (A to Z)
Title (Z to A)
Accession date (newest first)
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Harvey Benge Photobooks — Harvey Benge Photobooks

Production date

1993-2018

Credit line

E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Harvey Benge, 2015

Accession no

RC2015/2

Harvey Benge Photobooks

John Weeks Archive — John Weeks Archive

Production date

Unknown

Credit line

E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of the Estate of Peter O'Connor, 2010

Accession no

RC2010/1

John Weeks Archive

et al. drafts for simultaneous invalidation_second attempt exhibition catalogue — et al. drafts for simultaneous invalidation_second attempt exhibition catalogue

Production date

2001

Credit line

E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of et al., 2007

Accession no

RC2007/4

et al. drafts for simultaneous invalidation_second attempt exhibition catalogue

Ideas

Content type:

Audio

Education resource

Publication

Video

Title (A to Z)
Title (Z to A)
Post date (newest first)
Post date (oldest first)

Fiona Pardington: Host Image — Fiona Pardington: Host
Audio

Fiona Pardington: Host

Audio

Articles

Civilisation, Photography, Now: In a Covid-19 World Image — Civilisation, Photography, Now: In a Covid-19 World

Civilisation, Photography, Now: In a Covid-19 World

09 Apr 2020

William Ewing and Holly Roussell

Laurence Aberhart at Selma

Laurence Aberhart at Selma

17 Feb 2016

Engaging with our neighbours in South America Image — Engaging with our neighbours in South America

Engaging with our neighbours in South America

06 Jan 2016

Harvey Benge Image — Harvey Benge

Harvey Benge

26 Nov 2015

More

Auckland Art Gallery presents Civilisation, Photography, Now Image — Auckland Art Gallery presents Civilisation, Photography, Now

Auckland Art Gallery presents Civilisation, Photography, Now

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