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Exhibitions

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Performance Portraits — Performance Portraits

10 Dec 2016 — 8 Apr 2018

Performance Portraits

10 Dec 2016 — 8 Apr 2018

Max Gimblett: The Brush of All Things

19 Jun 2004 — 29 Aug 2004

$5 - $7

Max Gimblett: The Brush of All Things

19 Jun 2004 — 29 Aug 2004

$5 - $7

Events

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Performances

In conversation with Nathan Coley: A Place Beyond Belief — In conversation with Nathan Coley: A Place Beyond Belief

1 Dec 2019 2–3pm

FREE

Join us to hear acclaimed Scottish artist, Nathan Coley, talk about his practice and our major new acquisition A Place Beyond Belief, with international curator and writer, Juliana Engberg.

Talks and tours

In conversation with Nathan Coley: A Place Beyond Belief

1 Dec 2019 2–3pm

FREE

Talks and tours

She Claims: Art Matters #4 – Janet Lilo and Ane Tonga — She Claims: Art Matters #4 – Janet Lilo and Ane Tonga

4 Jul 2018 5.30–7.30pm

Members $25, non-Members $75 Book now

Join us at She Claims: Art Matters, a series of events where you’ll rub elbows with creatives and critics while celebrating the ideas, voices and power of creative women. Session four is a conversation between Janet Lilo and Ane Tonga.

Members

Talks and tours

She Claims: Art Matters #4 – Janet Lilo and Ane Tonga

4 Jul 2018 5.30–7.30pm

Members $25, non-Members $75 Book now

Members
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Artworks

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Relevance
Title (A to Z)
Title (Z to A)
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Accession date (oldest first)
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Artist surname (Z to A)

Hill and Telephone Poles — Hill and Telephone Poles

Edward Weston Cole Weston

Production date

1937

Medium

black and white photograph

Size (h x w)

188 x 242 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1978

Accession no

1978/2/4

Hill and Telephone Poles

Edward Weston Cole Weston

Ritual and Formation — Ritual and Formation

Peter Robinson

Production date

2013

Medium

wool felt, aluminium rods

Size (h x w)

2600 x 9750 x 500 mm

Credit line

Auckland Art Gallery Toi o Tāmaki and Chartwell Collection, purchased 2013

Accession no

2013/23

Ritual and Formation

My Devotion Poles

Christine Hellyar

Production date: 1976
Medium: latex rubber and aluminium
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1977
Accession no: 1977/32

My Devotion Poles

Christine Hellyar

Bird Street, Kowloon, Hong Kong, 10 June 1997 — Bird Street, Kowloon, Hong Kong, 10 June 1997

Laurence Aberhart

Production date

1997

Medium

platinum print

Size (h x w)

254 x 201 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1998

Accession no

1998/27/2

Bird Street, Kowloon, Hong Kong, 10 June 1997

Laurence Aberhart

Power Pole Acrobats — Power Pole Acrobats

George Adkin

Production date

Unknown

Medium

black and white photograph, reprint

Size (h x w)

114 x 184 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1978

Accession no

1978/4

Power Pole Acrobats

Untitled — Untitled

Giuseppe Romeo

Production date

1986

Medium

acrylic and varnish on cardboard

Size (h x w)

2621 x 455 x 45 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/268

Untitled

South Bank, Middlesborough

Production date: 1987
Medium: gelatin silver print
Size (h x w): 406 x 505 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1987
Accession no: 1987/29/79

South Bank, Middlesborough

Hau Hau war pole, Rongo Niu — Hau Hau war pole, Rongo Niu

Anne Noble

Production date

1982

Medium

gelatin silver print

Size (h x w)

171 x 342 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2000

Accession no

2000/3/1

Hau Hau war pole, Rongo Niu

Sight. Near Balclutha — Sight. Near Balclutha

Laurence Aberhart

Production date

1979-1980

Medium

black and white photograph, toned in gold chloride

Size (h x w)

195 x 247 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/34/5

Sight. Near Balclutha

Laurence Aberhart

The Tube Staircase

Production date: 1929
Medium: linocut
Size (h x w): 517 x 320 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, gift of Rex Nan Kivell, 1953
Accession no: 1953/2/168

The Tube Staircase

Easington, County Durham

Production date: 1987
Medium: gelatin silver print
Size (h x w): 406 x 506 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1987
Accession no: 1987/29/56

Easington, County Durham

Fishermen With Nets

Production date: 1951
Medium: woodcut
Size (h x w): 386 x 376 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no: 1955/28/7

Fishermen With Nets

The Junction, South Bank

Production date: 1987
Medium: gelatin silver print
Size (h x w): 405 x 504 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1987
Accession no: 1987/29/64

The Junction, South Bank

Queen Street towards the South, at the intersection of Wellesley Street — Queen Street towards the South, at the intersection of Wellesley Street

Charles Spencer

Production date

circa 1904

Medium

albumen print

Size (h x w)

150 x 203 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1983

Accession no

1983/13/5

Queen Street towards the South, at the intersection of Wellesley Street

Charles Spencer

Great North Road - Approaching London — Great North Road - Approaching London

James Boswell

Production date

1938

Medium

lithograph

Size (h x w)

410 x 538 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1940

Accession no

1940/3/4

Great North Road - Approaching London

Subdivision 1966 — Subdivision 1966

Marti Friedlander

Production date

2000

Medium

gelatin silver print, toned with gold

Size (h x w)

479 x 479 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Marti Friedlander, with assistance from the Elise Mourant Bequest, 2001

Accession no

2000/28/77

Subdivision 1966

Marti Friedlander

Dis-used Ratana Meeting House, Te Kuiti — Dis-used Ratana Meeting House, Te Kuiti

Laurence Aberhart

Production date

1982

Medium

black and white photograph

Size (h x w)

195 x 245 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1983

Accession no

1983/67/5

Dis-used Ratana Meeting House, Te Kuiti

Laurence Aberhart

Blackburn Mill

Production date: circa 1930
Medium: oil and pencil on paper
Size (h x w): 275 x 375 mm
Credit line: Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, purchased 1990
Accession no: M1990/23

Blackburn Mill

The Four Net Menders

Robert Von Neumann

Production date: 1934
Medium: woodcut
Size (h x w): 280 x 212 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1950
Accession no: 1950/7

The Four Net Menders

Robert Von Neumann

Clay Lane Furnaces

Production date: 1987
Medium: gelatin silver print
Size (h x w): 406 x 505 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1987
Accession no: 1987/29/77

Clay Lane Furnaces

Oroua Downs, Manawatu — Oroua Downs, Manawatu

Richard Collins

Production date

1967

Medium

gelatin silver print

Size (h x w)

116 x 170 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1999

Accession no

1999/31/2

Oroua Downs, Manawatu

Richard Collins

For the true anatomy - Pegasus — For the true anatomy - Pegasus

Barry Cleavin

Production date

1975

Medium

etching and aquatint

Size (h x w)

208 x 238 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1982

Accession no

1982/44/10

For the true anatomy - Pegasus

The Miner's Strike, Easington — The Miner's Strike, Easington

Christopher Killip

Production date

1987

Medium

gelatin silver print

Size (h x w)

280 x 341 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1987

Accession no

1987/29/34

The Miner's Strike, Easington

Christopher Killip

Wallsend on Tyne (snow) — Wallsend on Tyne (snow)

Christopher Killip

Production date

1987

Medium

gelatin silver print

Size (h x w)

406 x 508 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1987

Accession no

1987/29/27

Wallsend on Tyne (snow)

Christopher Killip

Reminiscence of Barnet Fair — Reminiscence of Barnet Fair

Percy Thomas

Production date

1874

Medium

etching

Size (h x w)

95 x 68 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mrs Ada Chapman Taylor, 1930

Accession no

1930/4/1

Reminiscence of Barnet Fair

Kamala and Maggie, Mornington, Dunedin, 1978 — Kamala and Maggie, Mornington, Dunedin, 1978

Laurence Aberhart

Production date

1978

Medium

gold and selenium-toned gelatin silver print

Size (h x w)

200 x 252 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/2/4

Kamala and Maggie, Mornington, Dunedin, 1978

Laurence Aberhart

Ohinemutu — Ohinemutu

Alfred Burton

Production date

circa 1885

Medium

gelatin silver bromide dry plate

Size (h x w)

144 x 202 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1982

Accession no

1982/49/11

Ohinemutu

Mechanics Bay — Mechanics Bay

Harold Young

Production date

1897

Medium

ink

Size (h x w)

146 x 235 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1936

Accession no

1936/26/27

Mechanics Bay

Wakapuaka, Nelson — Wakapuaka, Nelson

Gary Baigent

Production date

1966

Medium

black and white photograph

Size (h x w)

230 x 350 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1997

Accession no

1997/13/1

Wakapuaka, Nelson

Queen Street at the intersection of Victoria Street West, Auckland — Queen Street at the intersection of Victoria Street West, Auckland

Charles Spencer

Production date

circa 1904

Medium

albumen print

Size (h x w)

150 x 203 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1983

Accession no

1983/13/3

Queen Street at the intersection of Victoria Street West, Auckland

Charles Spencer

Union Bank of Australia, corner of Wellesley and Queen Street, looking towards the West — Union Bank of Australia, corner of Wellesley and Queen Street, looking towards t...

Charles Spencer

Production date

circa 1905

Medium

albumen print

Size (h x w)

150 x 202 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1983

Accession no

1983/13/8

Union Bank of Australia, corner of Wellesley and Queen Street, looking towards t...

Charles Spencer

Backs, Corner Parnell Road and Garfield Street — Backs, Corner Parnell Road and Garfield Street

John Fields

Production date

circa 1971-circa 1972

Medium

black and white photograph

Size (h x w)

153 x 244 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of John Stacpoole and John Fields, 1983

Accession no

1983/53/32

Backs, Corner Parnell Road and Garfield Street

Bealey Gorge, West Coast Road — Bealey Gorge, West Coast Road

Walter Burton Alfred Burton

Production date

circa 1885

Medium

albumen print

Size (h x w)

140 x 202 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1976

Accession no

1976/15/61

Bealey Gorge, West Coast Road

Walter Burton Alfred Burton

Queen Street at the intersection of Victoria Street West, Auckland — Queen Street at the intersection of Victoria Street West, Auckland

Charles Spencer

Production date

circa 1904

Medium

albumen print

Size (h x w)

150 x 203 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1983

Accession no

1983/13/4

Queen Street at the intersection of Victoria Street West, Auckland

Charles Spencer

Arriving at Takaparawha Marae, Orakei, late afternoon, 31 January — Arriving at Takaparawha Marae, Orakei, late afternoon, 31 January

Gil Hanly

Production date

1984

Medium

black and white photograph

Size (h x w)

290 x 394 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1986

Accession no

1986/22/7

Arriving at Takaparawha Marae, Orakei, late afternoon, 31 January

Vicksburg, Mississippi 1988. (Referential to Walker Evans and a joke in the decorative style) — Vicksburg, Mississippi 1988. (Referential to Walker Evans and a joke in the deco...

Laurence Aberhart

Production date

1988

Medium

black and white photograph

Size (h x w)

196 x 244 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1989

Accession no

1989/43/5

Vicksburg, Mississippi 1988. (Referential to Walker Evans and a joke in the deco...

Laurence Aberhart

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John Weeks Archive — John Weeks Archive

Production date

Unknown

Credit line

E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of the Estate of Peter O'Connor, 2010

Accession no

RC2010/1

John Weeks Archive

Ideas

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Articles

Edward Weston

Edward Weston

24 Feb 2016

Gough Whitlam’s cultural legacy – a game-changer for the public imagination Image — Gough Whitlam’s cultural legacy – a game-changer for the public imagination

Gough Whitlam’s cultural legacy – a game-changer for the public imagination

06 Jan 2016

The diversity of My Country Image — The diversity of My Country

The diversity of My Country

06 Jan 2016

More

A world undone: Works from the Chartwell Collection probes the boundaries of the art object Image — A world undone: Works from the Chartwell Collection probes the boundaries of the...

A world undone: Works from the Chartwell Collection probes the boundaries of the...

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