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Exhibitions

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Performance Portraits — Performance Portraits

10 Dec 2016 — 8 Apr 2018

Performance Portraits

10 Dec 2016 — 8 Apr 2018

Max Gimblett: The Brush of All Things

19 Jun 2004 — 29 Aug 2004

$5 - $7

Max Gimblett: The Brush of All Things

19 Jun 2004 — 29 Aug 2004

$5 - $7

Events

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Performances

In conversation with Nathan Coley: A Place Beyond Belief — In conversation with Nathan Coley: A Place Beyond Belief

1 Dec 2019 2–3pm

FREE

Join us to hear acclaimed Scottish artist, Nathan Coley, talk about his practice and our major new acquisition A Place Beyond Belief, with international curator and writer, Juliana Engberg.

Talks and tours

In conversation with Nathan Coley: A Place Beyond Belief

1 Dec 2019 2–3pm

FREE

Talks and tours

She Claims: Art Matters #4 – Janet Lilo and Ane Tonga — She Claims: Art Matters #4 – Janet Lilo and Ane Tonga

4 Jul 2018 5.30–7.30pm

Members $25, non-Members $75 Book now

Join us at She Claims: Art Matters, a series of events where you’ll rub elbows with creatives and critics while celebrating the ideas, voices and power of creative women. Session four is a conversation between Janet Lilo and Ane Tonga.

Members

Talks and tours

She Claims: Art Matters #4 – Janet Lilo and Ane Tonga

4 Jul 2018 5.30–7.30pm

Members $25, non-Members $75 Book now

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Artworks

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Relevance
Title (A to Z)
Title (Z to A)
Production date (newest first)
Production date (oldest first)
Accession date (newest first)
Accession date (oldest first)
Artist surname (A to Z)
Artist surname (Z to A)

Hill and Telephone Poles — Hill and Telephone Poles

Edward Weston Cole Weston

Production date

1937

Medium

black and white photograph

Size (h x w)

188 x 242 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1978

Accession no

1978/2/4

Hill and Telephone Poles

Edward Weston Cole Weston

My Devotion Poles

Christine Hellyar

Production date: 1976
Medium: latex rubber and aluminium
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1977
Accession no: 1977/32

My Devotion Poles

Christine Hellyar

Ritual and Formation — Ritual and Formation

Peter Robinson

Production date

2013

Medium

wool felt, aluminium rods

Size (h x w)

2600 x 9750 x 500 mm

Credit line

Auckland Art Gallery Toi o Tāmaki and Chartwell Collection, purchased 2013

Accession no

2013/23

Ritual and Formation

Untitled — Untitled

Giuseppe Romeo

Production date

1986

Medium

acrylic and varnish on cardboard

Size (h x w)

2621 x 455 x 45 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988

Accession no

C1994/1/268

Untitled

Bird Street, Kowloon, Hong Kong, 10 June 1997 — Bird Street, Kowloon, Hong Kong, 10 June 1997

Laurence Aberhart

Production date

1997

Medium

platinum print

Size (h x w)

254 x 201 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1998

Accession no

1998/27/2

Bird Street, Kowloon, Hong Kong, 10 June 1997

Laurence Aberhart

South Bank, Middlesborough

Production date: 1987
Medium: gelatin silver print
Size (h x w): 406 x 505 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1987
Accession no: 1987/29/79

South Bank, Middlesborough

Power Pole Acrobats — Power Pole Acrobats

George Adkin

Production date

Unknown

Medium

black and white photograph, reprint

Size (h x w)

114 x 184 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1978

Accession no

1978/4

Power Pole Acrobats

Sight. Near Balclutha — Sight. Near Balclutha

Laurence Aberhart

Production date

1979-1980

Medium

black and white photograph, toned in gold chloride

Size (h x w)

195 x 247 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/34/5

Sight. Near Balclutha

Laurence Aberhart

Hau Hau war pole, Rongo Niu — Hau Hau war pole, Rongo Niu

Anne Noble

Production date

1982

Medium

gelatin silver print

Size (h x w)

171 x 342 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2000

Accession no

2000/3/1

Hau Hau war pole, Rongo Niu

Dis-used Ratana Meeting House, Te Kuiti — Dis-used Ratana Meeting House, Te Kuiti

Laurence Aberhart

Production date

1982

Medium

black and white photograph

Size (h x w)

195 x 245 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1983

Accession no

1983/67/5

Dis-used Ratana Meeting House, Te Kuiti

Laurence Aberhart

Oroua Downs, Manawatu — Oroua Downs, Manawatu

Richard Collins

Production date

1967

Medium

gelatin silver print

Size (h x w)

116 x 170 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1999

Accession no

1999/31/2

Oroua Downs, Manawatu

Richard Collins

Easington, County Durham

Production date: 1987
Medium: gelatin silver print
Size (h x w): 406 x 506 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1987
Accession no: 1987/29/56

Easington, County Durham

The Tube Staircase

Production date: 1929
Medium: linocut
Size (h x w): 517 x 320 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, gift of Rex Nan Kivell, 1953
Accession no: 1953/2/168

The Tube Staircase

Queen Street towards the South, at the intersection of Wellesley Street — Queen Street towards the South, at the intersection of Wellesley Street

Charles Spencer

Production date

circa 1904

Medium

albumen print

Size (h x w)

150 x 203 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1983

Accession no

1983/13/5

Queen Street towards the South, at the intersection of Wellesley Street

Charles Spencer

Fishermen With Nets

Production date: 1951
Medium: woodcut
Size (h x w): 386 x 376 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no: 1955/28/7

Fishermen With Nets

The Junction, South Bank

Production date: 1987
Medium: gelatin silver print
Size (h x w): 405 x 504 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1987
Accession no: 1987/29/64

The Junction, South Bank

Clay Lane Furnaces

Production date: 1987
Medium: gelatin silver print
Size (h x w): 406 x 505 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1987
Accession no: 1987/29/77

Clay Lane Furnaces

Blackburn Mill

Production date: circa 1930
Medium: oil and pencil on paper
Size (h x w): 275 x 375 mm
Credit line: Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, purchased 1990
Accession no: M1990/23

Blackburn Mill

The Four Net Menders

Robert Von Neumann

Production date: 1934
Medium: woodcut
Size (h x w): 280 x 212 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1950
Accession no: 1950/7

The Four Net Menders

Robert Von Neumann

Ohinemutu — Ohinemutu

Alfred Burton

Production date

circa 1885

Medium

gelatin silver bromide dry plate

Size (h x w)

144 x 202 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1982

Accession no

1982/49/11

Ohinemutu

Great North Road - Approaching London — Great North Road - Approaching London

James Boswell

Production date

1938

Medium

lithograph

Size (h x w)

410 x 538 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1940

Accession no

1940/3/4

Great North Road - Approaching London

Shortland Crescent, Auckland — Shortland Crescent, Auckland

Alfred Burton

Production date

1870s

Medium

albumen

Size (h x w)

142 x 184 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1989

Accession no

1989/55/2

Shortland Crescent, Auckland

Kamala and Maggie, Mornington, Dunedin, 1978 — Kamala and Maggie, Mornington, Dunedin, 1978

Laurence Aberhart

Production date

1978

Medium

gold and selenium-toned gelatin silver print

Size (h x w)

200 x 252 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/2/4

Kamala and Maggie, Mornington, Dunedin, 1978

Laurence Aberhart

For the true anatomy - Pegasus — For the true anatomy - Pegasus

Barry Cleavin

Production date

1975

Medium

etching and aquatint

Size (h x w)

208 x 238 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1982

Accession no

1982/44/10

For the true anatomy - Pegasus

The Miner's Strike, Easington — The Miner's Strike, Easington

Christopher Killip

Production date

1987

Medium

gelatin silver print

Size (h x w)

280 x 341 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1987

Accession no

1987/29/34

The Miner's Strike, Easington

Christopher Killip

Ponsonby Road Reservoir Corner — Ponsonby Road Reservoir Corner

Harold Young

Production date

1899

Medium

watercolour

Size (h x w)

171 x 184 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1936

Accession no

1936/26/11

Ponsonby Road Reservoir Corner

Subdivision 1966 — Subdivision 1966

Marti Friedlander

Production date

2000

Medium

gelatin silver prints, toned with gold

Size (h x w)

479 x 479 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Marti Friedlander, with assistance from the Elise Mourant Bequest, 2001

Accession no

2000/28/77

Subdivision 1966

Marti Friedlander

Arriving at Takaparawha Marae, Orakei, late afternoon, 31 January — Arriving at Takaparawha Marae, Orakei, late afternoon, 31 January

Gil Hanly

Production date

1984

Medium

black and white photograph

Size (h x w)

290 x 394 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1986

Accession no

1986/22/7

Arriving at Takaparawha Marae, Orakei, late afternoon, 31 January

Wallsend on Tyne (snow) — Wallsend on Tyne (snow)

Christopher Killip

Production date

1987

Medium

gelatin silver print

Size (h x w)

406 x 508 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1987

Accession no

1987/29/27

Wallsend on Tyne (snow)

Christopher Killip

Queen Street, Auckland — Queen Street, Auckland

Unknown artist

Production date

Unknown

Medium

gelatin silver print

Size (h x w)

111 x 161 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1990

Accession no

1990/14/10

Queen Street, Auckland

Queen Street at the intersection of Victoria Street West, Auckland — Queen Street at the intersection of Victoria Street West, Auckland

Charles Spencer

Production date

circa 1904

Medium

albumen print

Size (h x w)

150 x 203 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1983

Accession no

1983/13/4

Queen Street at the intersection of Victoria Street West, Auckland

Charles Spencer

Queen Street, Auckland towards the North — Queen Street, Auckland towards the North

Charles Spencer

Production date

circa 1905

Medium

albumen print

Size (h x w)

150 x 202 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1983

Accession no

1983/13/7

Queen Street, Auckland towards the North

Charles Spencer

Vicksburg, Mississippi 1988. (Referential to Walker Evans and a joke in the decorative style) — Vicksburg, Mississippi 1988. (Referential to Walker Evans and a joke in the deco...

Laurence Aberhart

Production date

1988

Medium

black and white photograph

Size (h x w)

196 x 244 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1989

Accession no

1989/43/5

Vicksburg, Mississippi 1988. (Referential to Walker Evans and a joke in the deco...

Laurence Aberhart

Canoe, Fakaofo, Tokelau 1971 — Canoe, Fakaofo, Tokelau 1971

Marti Friedlander

Production date

2000

Medium

gelatin silver prints, toned with gold

Size (h x w)

785 x 635 x 35 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Marti Friedlander, with assistance from the Elise Mourant Bequest, 2001

Accession no

2000/28/106

Canoe, Fakaofo, Tokelau 1971

Marti Friedlander

Mechanics Bay — Mechanics Bay

Harold Young

Production date

1897

Medium

ink

Size (h x w)

146 x 235 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1936

Accession no

1936/26/27

Mechanics Bay

Le Serpent d'Airain (The Brazen Serpent) — Le Serpent d'Airain (The Brazen Serpent)

Ertinger Franz Raymond de Lafage

Production date

1683

Medium

etching

Size (h x w)

472 x 302 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1955

Accession no

1955/36/7

Le Serpent d'Airain (The Brazen Serpent)

Ertinger Franz Raymond de Lafage

Archives

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Title (A to Z)
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John Weeks Archive — John Weeks Archive

Production date

Unknown

Credit line

E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of the Estate of Peter O'Connor, 2010

Accession no

RC2010/1

John Weeks Archive

Ideas

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Articles

Edward Weston

Edward Weston

24 Feb 2016

Gough Whitlam’s cultural legacy – a game-changer for the public imagination Image — Gough Whitlam’s cultural legacy – a game-changer for the public imagination

Gough Whitlam’s cultural legacy – a game-changer for the public imagination

06 Jan 2016

The diversity of My Country Image — The diversity of My Country

The diversity of My Country

06 Jan 2016

More

A world undone: Works from the Chartwell Collection probes the boundaries of the art object Image — A world undone: Works from the Chartwell Collection probes the boundaries of the...

A world undone: Works from the Chartwell Collection probes the boundaries of the...

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