View Exhibition
John Reynolds: Epistomadologies
John Reynolds: Epistomadologies

Free entry

John Reynolds: Epistomadologies

Free entry

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Love, Longing, Loss
Love, Longing, Loss

Love, Longing, Loss

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Te Kore, Te Po, Te Ao Marama
Te Kore, Te Po, Te Ao Marama

FREE

Te Kore, Te Po, Te Ao Marama

FREE

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The Walters Prize 2012
The Walters Prize 2012

Free entry

The Walters Prize 2012

Free entry

View Exhibition
Lee Mingwei and His Relations: The Art of Participation
Lee Mingwei and His Relations: The Art of Participation

$10 – $12.50, Members FREE, Children 12 and under FREE Buy tickets

Lee Mingwei and His Relations: The Art of Participation

$10 – $12.50, Members FREE, Children 12 and under FREE Buy tickets

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After 523 Years: Vicente Ovalle
After 523 Years: Vicente Ovalle

8.30pm

Free

A descendant of the Muiscas tribe in Colombia, Vicente Ovalle has a profound respect for the tribe’s connection with the Earth and the land, which has also greatly inspired his philosophy. The connection between the land and culture is a theme that permeates his artwork. Each piece Ovalle creates tells a story that links back to his indigenous roots and combines influences from Māori and Pacific Island culture.

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La danza de la realidad (The Dance of Reality) 2013
La danza de la realidad (The Dance of Reality) 2013

1pm

Free

Based on Jorodowsky’s life, the film blends his personal history with metaphor, mythology and poetry and reflects his philosophy that reality is not objective but rather a 'dance' created by our own imaginations. 

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After hours talk: Taro Shinoda in conversation with Rhana Devenport
After hours talk: Taro Shinoda in conversation with Rhana Devenport

6pm

Free

Join 2017 McCahon House international artist in residence, Taro Shinoda in conversation with Auckland Art Gallery Director Rhana Devenport.

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After hours talk: Daniel von Sturmer
After hours talk: Daniel von Sturmer

6pm

Free

Join Melbourne-based artist Daniel von Sturmer for a discussion on selected recent works and how studio practice can shape thinking, and thinking can shape studio practice. 

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Film screening: The HeART of the Matter
Film screening: The HeART of the Matter

6–8pm

FREE

Join us in celebrating Luit Bieringa’s documentary The heART of the matter, featuring several of the artists currently on show in Toi Tū Toi Ora: Contemporary Māori Art.

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Shout Whisper Wail!: Continuing Education Lecture Series
Shout Whisper Wail!: Continuing Education Lecture Series

2.30–4pm

$85 Members, $115 non-Members Book now

Join co-director of The Chartwell Trust Sue Gardiner as each week she explores the background to the exhibition Shout Whisper Wail!: The 2017 Chartwell Show.

Shout Whisper Wail!: Continuing Education Lecture Series

2.30–4pm

$85 Members, $115 non-Members Book now

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Visible (and Invisible) Voices
Visible (and Invisible) Voices

10.30am–11.30am

FREE

Visible Voices presents a Tongan lens on John Webber drawings (takohi) and images ('ata) of early European contact with Tonga (c. 1784).

We are excited to host a research presentation by Hūfanga Dr ‘Ōkusitino Māhina followed by a panel discussion in response to his learnings and findings.

Visible (and Invisible) Voices

10.30am–11.30am

FREE

Artworks

View Artwork

Not on display

The Philosophy of Leibniz
The Philosophy of Leibniz

Beauvais Lyons

Production date
1990
Medium
lithograph
Size (h x w)
561 x 466 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1999
Accession no
1999/16/4
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Not on display

Epistomadologies (63)
Epistomadologies (63)

John Reynolds

Production date
2001
Medium
oil stick on metallic paper
Size (h x w)
1000 x 700 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery and the artist, 2002
Accession no
2002/26/21
View Artwork

Not on display

Untitled
Untitled

Giovanni Intra

Production date
1995-1996
Medium
acrylic on gesso on paper
Size (h x w)
2800 x 2800 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1996
Accession no
C1996/1/4.1-65
View Artwork

Not on display

Blind I-II (component parts of the sound installation 'the visible that was')
Blind I-II (component parts of the sound installation 'the visible that was')

l budd et al.

Production date
1996
Medium
acrylic and coloured pencil on blinds
Size (h x w)
1330 x 2530 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 1997
Accession no
C1997/1/7/1-2
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Not on display

A Lecture on Robert Macnish's 'Philosophy of Sleep'
A Lecture on Robert Macnish's 'Philosophy of Sleep'

Unknown artist

Production date
circa 1827
Medium
pen and ink with wash
Size (h x w)
162 x 208 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1974
Accession no
1974/12
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Not on display

Waimangu (Japanese Style)
Waimangu (Japanese Style)

Melvin Day

Production date
1950
Medium
oil on board
Size (h x w)
530 x 615 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Melvin and Oroya Day, 2015
Accession no
2015/25/5
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Not on display

Untitled
Untitled

Taro Shinoda

Production date
2017
Medium
screenprint and ink on paper
Size (h x w)
560 x 760 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2018
Accession no
2018/9/2
View Artwork

Not on display

Untitled
Untitled

Taro Shinoda

Production date
2017
Medium
screenprint and ink on paper
Size (h x w)
560 x 760 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2018
Accession no
2018/9/1
View Artwork

Not on display

Clear Zero Shift
Clear Zero Shift

Peter Robinson

Production date
2005
Medium
Perspex
Size (h x w)
8500 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, gift of the artist and Sue Crockford Gallery, 2008
Accession no
C2008/1/15
View Artwork

Not on display

The Wind in a frolic
The Wind in a frolic

James Chapman-Taylor

Production date
circa 1945
Medium
gelatin silver photographic print
Size (h x w)
385 x 299 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1990
Accession no
1990/43/3
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Not on display

Diva
Diva

Lisa Reihana

Production date
2007
Medium
digital photograph printed on Fuji Crystal Archive resin coated paper mounted on 4mm aluminium
Size (h x w)
2000 x 1200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, purchased with assistance from the Gallery, 2010
Accession no
2010/25/3
View Artwork

Not on display

Victor Sitting
Victor Sitting

Lisa Reihana

Production date
2007
Medium
digital photograph printed on Fuji Crystal Archive resin coated paper mounted on 4mm aluminium
Size (h x w)
2000 x 1200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, purchased with assistance from the Gallery, 2010
Accession no
2010/25/2
View Artwork

Not on display

Ranginui
Ranginui

Lisa Reihana

Production date
2007
Medium
digital photograph printed on Fuji Crystal Archive resin coated paper mounted on 4mm aluminium. C print.
Size (h x w)
2000 x 1200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, purchased with assistance from the Gallery, 2010
Accession no
2010/25/4
View Artwork

Not on display

Null and Void
Null and Void

Peter Robinson

Production date
2001
Medium
custom wood, lacquer
Size (h x w)
800 x 583 x 1935 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2006
Accession no
C2006/1/15/1.1-11
View Artwork

Not on display

The Urban Warrior
The Urban Warrior

Lisa Reihana

Production date
2007
Medium
digital photograph printed on Fuji Crystal Archive resin coated paper mounted on 4mm aluminium
Size (h x w)
2000 x 1200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, purchased with assistance from the Gallery, 2010
Accession no
2010/25/5
View Artwork

Not on display

Dandy
Dandy

Lisa Reihana

Production date
2007
Medium
digital photograph printed on Fuji Crystal Archive resin coated paper mounted on 4mm aluminium
Size (h x w)
2000 x 1200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, purchased with assistance from the Gallery, 2010
Accession no
2010/25/1
View Artwork

Not on display

I Am I, I Am Not I
I Am I, I Am Not I

Peter Robinson

Production date
2001
Medium
Lambda print
Size (h x w)
3190 x 1200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2001
Accession no
2001/21
View Artwork

Not on display

Tukutuku Terrain
Tukutuku Terrain

Lisa Reihana

Production date
2007
Medium
two-channel video, standard definition (SD), 16:9, colour, silent
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2010
Accession no
2010/25/7.1-2
View Artwork

Not on display

Maui
Maui

Lisa Reihana

Production date
2007
Medium
digital photograph printed on Fuji Crystal Archive resin coated paper mounted on 4mm aluminium
Size (h x w)
2000 x 1200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, purchased with assistance from the Gallery, 2010
Accession no
2010/25/6
View Artwork

Not on display

In Search of Vanished Blood
In Search of Vanished Blood

Nalini Malani

Production date
2012
Medium
single channel digital video, 16:9, colour, sound
Size (h x w)
11min
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of an anonymous donor, 2014
Accession no
2014/11
View Artwork

Not on display

Passchendaele
Passchendaele

Michael Parekōwhai

Production date
2001
Medium
C-type photograph
Size (h x w)
1555 x 1255 x 55 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2001
Accession no
2001/16/2
View Artwork

Not on display

Etaples
Etaples

Michael Parekōwhai

Production date
2001
Medium
C-type photograph
Size (h x w)
1500 x 1200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2001
Accession no
2001/16/1
View Artwork

Not on display

Boulogne
Boulogne

Michael Parekōwhai

Production date
2001
Medium
C-type photograph
Size (h x w)
1500 x 1200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2001
Accession no
2001/16/3
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Frequency Image
Frequency

Zena Elliott & Olivia Boswell

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