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Mystic Truths
Mystic Truths

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Mystic Truths

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The Spirit of Justice
The Spirit of Justice

Daniel Maclise

Production date
1850
Medium
oil on canvas
Size (h x w)
2591 x 1524 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, gift of James Tannock Mackelvie, 1881
Accession no
M1881/1/1
The Spirit of Justice

Daniel Maclise

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Untitled (Gourd with mouth)
Untitled (Gourd with mouth)

Theo Schoon

Production date
Unknown
Medium
gelatin silver print
Size (h x w)
241 x 243 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1983
Accession no
1983/19/19
Untitled (Gourd with mouth)

Theo Schoon

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Pattern inspired by rain
Pattern inspired by rain

A Lois White

Production date
circa 1941
Medium
oil on cardboard
Size (h x w)
510 x 410 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1992
Accession no
1992/22
Pattern inspired by rain

A Lois White

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Taranaki, your past goes wayback
Taranaki, your past goes wayback

Tony Fomison

Production date
1985
Medium
lithograph
Size (h x w)
280 x 235 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/38/10
Taranaki, your past goes wayback

Tony Fomison

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Sky sky old mountain
Sky sky old mountain

Tony Fomison

Production date
1985
Medium
lithograph
Size (h x w)
280 x 235 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/38/11
Sky sky old mountain

Tony Fomison

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Roebuck Jones and the Cuniculus Kid
Roebuck Jones and the Cuniculus Kid

Michael Parekōwhai

Production date
2001
Medium
taxidermied rabbits, mixed media
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2002
Accession no
C2002/1/3.1-2
Roebuck Jones and the Cuniculus Kid

Michael Parekōwhai

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The alliance of Peace and Abundance
The alliance of Peace and Abundance

Bartolomeo Coriolano

Production date
1627
Medium
woodcut
Size (h x w)
214 x 154 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/62
The alliance of Peace and Abundance

Bartolomeo Coriolano

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Peace, Goodwill Towards Men
Peace, Goodwill Towards Men

Thomas Read

Production date
Unknown
Medium
oil on canvas
Size (h x w)
1190 x 1365 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of John Bridgewater, 1890
Accession no
1890/1
Peace, Goodwill Towards Men

Thomas Read

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Fortitude
Fortitude

Edward Burne-Jones

Production date
1878 {Begun in}
Medium
oil on canvas
Size (h x w)
3700 x 1640 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Moss Davis, 1926
Accession no
1926/3
Fortitude

Edward Burne-Jones

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Silver Testimonial presented to Doctor John Conolly
Silver Testimonial presented to Doctor John Conolly

John Samuel Hunt

Production date
1851
Medium
sterling silver
Size (h x w)
940 x 580 x 470 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr John Conolly, OCM, 1917
Accession no
1917/1/3
Silver Testimonial presented to Doctor John Conolly

John Samuel Hunt

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Autumn
Autumn

Wenceslaus Hollar

Production date
circa 1640s
Medium
etching
Size (h x w)
183 x 126 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M2001/32/28
Autumn

Wenceslaus Hollar

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Summer
Summer

Wenceslaus Hollar

Production date
1641
Medium
etching
Size (h x w)
246 x 175 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M2001/32/30
Summer

Wenceslaus Hollar

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Fortitude
Fortitude

Heinrich Aldegrever

Production date
1528
Medium
engraving
Size (h x w)
80 x 56 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885
Accession no
M1885/2/1
Fortitude

Heinrich Aldegrever

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Apollo Obeying Time
Apollo Obeying Time

Claude Lorrain

Production date
1662
Medium
etching
Size (h x w)
182 x 250 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1885/11/1
Apollo Obeying Time

Claude Lorrain

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Summer
Summer

Wenceslaus Hollar

Production date
1644
Medium
etching
Size (h x w)
181 x 130 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/3/43
Summer

Wenceslaus Hollar

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Man that is born of woman is of a few days, and full of trouble, he cometh forth like a flower and is cut down: he fleeth also as a shadow Job 14:12 (Topless massage parlour)
Man that is born of woman is of a few days, and full of trouble, he cometh forth...

Peter Bromhead

Production date
1976
Medium
ink on paper
Size (h x w)
208 x 184 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1976
Accession no
1976/54/7
Man that is born of woman is of a few days, and full of trouble, he cometh forth...

Peter Bromhead

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Finis
Finis

Charles de Sousy Ricketts

Production date
1881-1931
Medium
lithograph
Size (h x w)
305 x 235 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1983
Accession no
1983/27/4
Finis

Charles de Sousy Ricketts

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Cartoon: National Ideal: Raking in the Trade
Cartoon: National Ideal: Raking in the Trade

Livingstone Hopkins

Production date
1883-1913
Medium
wash and gouache
Size (h x w)
495 x 311 mm
Credit line
Auckland Art Gallery Toi o Tāmaki
Accession no
U/114
Cartoon: National Ideal: Raking in the Trade

Livingstone Hopkins

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The Angel with the Key of the Bottomless Pit
The Angel with the Key of the Bottomless Pit

Albrecht Dürer

Production date
circa 1498
Medium
woodcut
Size (h x w)
392 x 282 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Auckland Institute and Museum, 1968
Accession no
1968/8/1
The Angel with the Key of the Bottomless Pit

Albrecht Dürer

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Épouvantée de l'héritage.. [Dismayed with her legacy.].
Épouvantée de l'héritage.. [Dismayed with her legacy.].

Honoré Daumier

Production date
1871
Medium
lithograph
Size (h x w)
230 x 180 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/2
Épouvantée de l'héritage.. [Dismayed with her legacy.].

Honoré Daumier

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Spring
Spring

Wenceslaus Hollar

Production date
1644
Medium
etching
Size (h x w)
183 x 131 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/3/42
Spring

Wenceslaus Hollar

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Death alone shall part me and thee Ruth 1:17 (Television watcher)
Death alone shall part me and thee Ruth 1:17 (Television watcher)

Peter Bromhead

Production date
1976
Medium
ink on paper
Size (h x w)
208 x 182 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1976
Accession no
1976/54/4
Death alone shall part me and thee Ruth 1:17 (Television watcher)

Peter Bromhead

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Thank heaven I see a pawn shop; Australia goes to Uncle Sam for dollars
Thank heaven I see a pawn shop; Australia goes to Uncle Sam for dollars

David Low

Production date
Unknown
Medium
ink and wash
Size (h x w)
350 x 324 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/41/7
Thank heaven I see a pawn shop; Australia goes to Uncle Sam for dollars

David Low

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Allegory of learning
Allegory of learning

Guido Reni

Production date
1600-1640
Medium
etching
Size (h x w)
150 x 178 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1962
Accession no
1962/10/7
Allegory of learning

Guido Reni

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Preparatory Drawing for "Dance of Death"
Preparatory Drawing for "Dance of Death"

Peter Bromhead

Production date
Unknown
Medium
ink
Size (h x w)
209 x 181 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1977
Accession no
1977/12/1
Preparatory Drawing for "Dance of Death"

Peter Bromhead

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Preparatory Drawing for "Dance of Death"
Preparatory Drawing for "Dance of Death"

Peter Bromhead

Production date
Unknown
Medium
ink
Size (h x w)
209 x 181 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1977
Accession no
1977/12/2
Preparatory Drawing for "Dance of Death"

Peter Bromhead

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Si resucitará?. (Will She Rise Again?).
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnisher
Size (h x w)
171 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/3
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

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Ceci a tué cela.. [These are responsible for those.].
Ceci a tué cela.. [These are responsible for those.].

Honoré Daumier

Production date
1871
Medium
lithograph
Size (h x w)
238 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/4
Ceci a tué cela.. [These are responsible for those.].

Honoré Daumier

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For what is a man profited if he shall gain the whole world, and lose his own soul (Businessman) Matthew 16:26
For what is a man profited if he shall gain the whole world, and lose his own so...

Peter Bromhead

Production date
1976
Medium
ink on paper
Size (h x w)
208 x 182 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1976
Accession no
1976/54/8
For what is a man profited if he shall gain the whole world, and lose his own so...

Peter Bromhead

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Not on display

Murió la Verdad. (Truth Has Died).
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnisher
Size (h x w)
170 x 215 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/2
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

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Patientiae Triumphus (The Triumph of Patience)
Patientiae Triumphus (The Triumph of Patience)

Dirk Coornhaert Martin van Heemskerck

Production date
1559
Medium
engraving
Size (h x w)
182 x 259 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/38
Patientiae Triumphus (The Triumph of Patience)

Dirk Coornhaert Martin van Heemskerck

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And he that is today a king, tomorrow shall die Sirach (Ecclesiasticus) 10:10 (Rugby player)
And he that is today a king, tomorrow shall die Sirach (Ecclesiasticus) 10:10 (R...

Peter Bromhead

Production date
1976
Medium
ink on paper
Size (h x w)
208 x 182 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1976
Accession no
1976/54/2
And he that is today a king, tomorrow shall die Sirach (Ecclesiasticus) 10:10 (R...

Peter Bromhead

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In the sweat of thy face shalt thou eat bread Genesis 3:19 (Uncle Mac's)
In the sweat of thy face shalt thou eat bread Genesis 3:19 (Uncle Mac's)

Peter Bromhead

Production date
1976
Medium
ink on paper
Size (h x w)
208 x 182 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1976
Accession no
1976/54/6
In the sweat of thy face shalt thou eat bread Genesis 3:19 (Uncle Mac's)

Peter Bromhead

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Muratti's High Class Cigarettes (poster)
Muratti's High Class Cigarettes (poster)

Arthur Bonner

Production date
Unknown
Medium
chromolithograph
Size (h x w)
595 x 430 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist's daughter, Mrs P Wilson, 1976
Accession no
1976/47/6
Muratti's High Class Cigarettes (poster)

Arthur Bonner

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Woe, woe, woe, to the inhabiters of the earth Revelation 8:13 (Man spraying weedkiller)
Woe, woe, woe, to the inhabiters of the earth Revelation 8:13 (Man spraying weed...

Peter Bromhead

Production date
1976
Medium
ink on paper
Size (h x w)
209 x 183 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1976
Accession no
1976/54/1
Woe, woe, woe, to the inhabiters of the earth Revelation 8:13 (Man spraying weed...

Peter Bromhead

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Not on display

Patience, Obedience, Work and Perserverance
Patience, Obedience, Work and Perserverance

Adrian Collaert Maarten de Vos

Production date
late 16th century
Medium
engraving
Size (h x w)
225 x 300 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/32/3
Patience, Obedience, Work and Perserverance

Adrian Collaert Maarten de Vos

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The Walters Prize 2020: Nominees announced for New Zealand’s foremost contemporary art prize Image
The Walters Prize 2020: Nominees announced for New Zealand’s foremost contempora...