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The 5th Auckland Triennial: If you were to live here... — The 5th Auckland Triennial: If you were to live here...

10 May 2013 — 11 Aug 2013

Free entry

The 5th Auckland Triennial: If you were to live here...

10 May 2013 — 11 Aug 2013

Free entry

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Relevance
Title (A to Z)
Title (Z to A)
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Artist surname (Z to A)

Epistomadologies (5) — Epistomadologies (5)

John Reynolds

Production date

2001

Medium

oil stick on metallic paper

Size (h x w)

1000 x 700 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery and the artist, 2002

Accession no

2002/26/18

Epistomadologies (5)

The Sea

Production date: 2013
Medium: enamel and acrylic paint
Credit line: Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2014
Accession no: C2014/1/7/1

The Sea

Kalashnikov Copy

Jacqueline Fraser

Production date: 2002
Medium: oil stick and marker pen on fabric
Size (h x w): 300 x 305 mm
Credit line: Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2002
Accession no: C2002/1/23

Kalashnikov Copy

Jacqueline Fraser

No. 1 Puma — No. 1 Puma

Philip Trusttum

Production date

1982

Medium

gouache

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1982

Accession no

1982/50

No. 1 Puma

Philip Trusttum

Theralar

Nicola Farquhar

Production date: 2016
Medium: oil on canvas
Size (h x w): 1350 x 1000 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 2016
Accession no: 2016/35

Theralar

Nicola Farquhar

Epistomadologies (47) — Epistomadologies (47)

John Reynolds

Production date

2001

Medium

oil stick on metallic paper

Size (h x w)

1000 x 700 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery and the artist, 2002

Accession no

2002/26/3

Epistomadologies (47)

Epistomadologies (58) — Epistomadologies (58)

John Reynolds

Production date

2001

Medium

oil stick on metallic paper

Size (h x w)

1000 x 700 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery and the artist, 2002

Accession no

2002/26/15

Epistomadologies (58)

Mobiles — Mobiles

Philip Trusttum

Production date

circa 1978

Medium

acrylic on duck canvas

Size (h x w)

1829 x 3124 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1978

Accession no

1978/36

Mobiles

Philip Trusttum

Textile Design — Textile Design

May Smith

Production date

circa 1935

Medium

linocut

Size (h x w)

300 x 230 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1979

Accession no

1979/42/4

Textile Design

Untitled — Untitled

Wayne Youle

Production date

2006

Medium

acrylic and pencil on paper

Size (h x w)

168 x 179 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2011

Accession no

2011/23/3

Untitled

Head in the Light — Head in the Light

Paul Johns

Production date

1977

Medium

photograph

Size (h x w)

559 x 635 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1977

Accession no

1977/68

Head in the Light

Carnations

Production date: 1939
Medium: colour lithograph
Size (h x w): 221 x 157 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, gift of Rex Nan Kivell, 1953
Accession no: 1953/2/47

Carnations

Neenish Tarts — Neenish Tarts

Peter Peryer

Production date

1983

Medium

photograph

Size (h x w)

260 x 390 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1994

Accession no

1994/2/2/2

Neenish Tarts

Moemoea I — Moemoea I

Wayne Youle

Production date

2000

Medium

Indian ink on card

Size (h x w)

325 x 750 x 42 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2011

Accession no

2011/23/1

Moemoea I

Untitled — Untitled

Wayne Youle

Production date

2005

Medium

acrylic and pencil on paper

Size (h x w)

377 x 300 x 42 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2011

Accession no

2011/23/2

Untitled

Untitled — Untitled

Wayne Youle

Production date

2006

Medium

acrylic and pencil on paper

Size (h x w)

91 x 139 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2011

Accession no

2011/23/4

Untitled

Epistomadologies (29) — Epistomadologies (29)

John Reynolds

Production date

2001

Medium

oil stick on metallic paper

Size (h x w)

1000 x 700 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery and the artist, 2002

Accession no

2002/26/2

Epistomadologies (29)

White on White, No 1

Theodore Argeropolos

Production date: 1972
Medium: print
Size (h x w): 229 x 400 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1973
Accession no: 1973/27/2

White on White, No 1

Theodore Argeropolos

Hellebore for Georg Trakl — Hellebore for Georg Trakl

Ronald Kitaj

Production date

1965

Medium

serigraph

Size (h x w)

768 x 565 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1974

Accession no

1974/45/2

Hellebore for Georg Trakl

Untitled — Untitled

Wayne Youle

Production date

2007

Medium

acrylic and pencil on paper

Size (h x w)

156 x 275 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2011

Accession no

2011/23/5

Untitled

Jar of pattern sky — Jar of pattern sky

Richard Killeen

Production date

2001

Medium

acrylic on powdercoated aluminium

Size (h x w)

480 x 415 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2002

Accession no

C2002/1/18

Jar of pattern sky

Richard Killeen

DPM2 — DPM2

Graham Fletcher

Production date

2001

Medium

enamel on tapa canvas

Size (h x w)

1600 x 2400 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2001

Accession no

2001/24

DPM2

Graham Fletcher

What is a Comparison? — What is a Comparison?

Ronald Kitaj

Production date

1964

Medium

serigraph

Size (h x w)

787 x 562 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1974

Accession no

1974/45/1

What is a Comparison?

Design for Tapestry — Design for Tapestry

Humphrey Spender

Production date

Unknown

Medium

mixed (crayon and watercolour)

Size (h x w)

294 x 379 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Lucy Carrington Wertheim, 1948

Accession no

1948/7/122

Design for Tapestry

Humphrey Spender

Social Fragments — Social Fragments

Richard Killeen

Production date

1997

Medium

acrylic and gesso on aluminium

Size (h x w)

1280 x 1309 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2000

Accession no

2000/17

Social Fragments

Richard Killeen

Red Label (1st state) — Red Label (1st state)

Robin White Itoiningaina Catholic Women's Training Centre

Production date

1998

Medium

woven pandanus, commercial dye, traditional dye

Size (h x w)

320 x 410 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2000

Accession no

2000/12/10

Red Label (1st state)

Robin White Itoiningaina Catholic Women's Training Centre

Fresh Bread (1st state) — Fresh Bread (1st state)

Robin White Itoiningaina Catholic Women's Training Centre

Production date

1998

Medium

woven pandanus, commercial dye, traditional dye

Size (h x w)

320 x 410 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2000

Accession no

2000/12/4

Fresh Bread (1st state)

Robin White Itoiningaina Catholic Women's Training Centre

Taula aitu — Taula aitu

Fatu Feu'u

Production date

1996

Medium

lithograph and woodcut

Size (h x w)

604 x 745 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2000

Accession no

2000/23/2

Taula aitu

New Angel (1st state) — New Angel (1st state)

Robin White Itoiningaina Catholic Women's Training Centre

Production date

1998

Medium

woven pandanus, commercial dye, traditional dye

Size (h x w)

320 x 410 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2000

Accession no

2000/12/1

New Angel (1st state)

Robin White Itoiningaina Catholic Women's Training Centre

New Angel (final state) — New Angel (final state)

Robin White Itoiningaina Catholic Women's Training Centre

Production date

1998

Medium

woven pandanus, commercial dye, traditional dye

Size (h x w)

320 x 410 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2000

Accession no

2000/12/3

New Angel (final state)

Robin White Itoiningaina Catholic Women's Training Centre

Red Label (2nd state) — Red Label (2nd state)

Robin White Itoiningaina Catholic Women's Training Centre

Production date

1998

Medium

woven pandanus, commercial dye, traditional dye

Size (h x w)

320 x 410 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2000

Accession no

2000/12/11

Red Label (2nd state)

Robin White Itoiningaina Catholic Women's Training Centre

Fresh Bread (2nd state) — Fresh Bread (2nd state)

Robin White Itoiningaina Catholic Women's Training Centre

Production date

1998

Medium

woven pandanus, commercial dye, traditional dye

Size (h x w)

320 x 410 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2000

Accession no

2000/12/5

Fresh Bread (2nd state)

Robin White Itoiningaina Catholic Women's Training Centre

Safety Matches (1st state) — Safety Matches (1st state)

Robin White Itoiningaina Catholic Women's Training Centre

Production date

1998

Medium

woven pandanus, commercial dye, traditional dye

Size (h x w)

320 x 410 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2000

Accession no

2000/12/7

Safety Matches (1st state)

Robin White Itoiningaina Catholic Women's Training Centre

Woman Airing Her Dirty Linen in Public — Woman Airing Her Dirty Linen in Public

Gavin Bishop

Production date

1968

Medium

silkscreen

Size (h x w)

914 x 584 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1968

Accession no

1968/36/2

Woman Airing Her Dirty Linen in Public

Composition — Composition

Frances Hunt

Production date

circa 1949

Medium

oil on board

Size (h x w)

443 x 341 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/37/1

Composition

New Angel (2nd state) — New Angel (2nd state)

Robin White Itoiningaina Catholic Women's Training Centre

Production date

1998

Medium

woven pandanus, commercial dye, traditional dye

Size (h x w)

320 x 410 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2000

Accession no

2000/12/2

New Angel (2nd state)

Robin White Itoiningaina Catholic Women's Training Centre

Archives

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Dates:

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Title (A to Z)
Title (Z to A)
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Accession date (oldest first)

John Weeks Archive — John Weeks Archive

Production date

Unknown

Credit line

E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of the Estate of Peter O'Connor, 2010

Accession no

RC2010/1

John Weeks Archive

Ideas

Content type:

Audio

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Publication

Video

Title (A to Z)
Title (Z to A)
Post date (newest first)
Post date (oldest first)

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Articles

Len Lye Centre – an Architecture of Deleuzian Folds Image — Len Lye Centre – an Architecture of Deleuzian Folds

Len Lye Centre – an Architecture of Deleuzian Folds

26 Nov 2015

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