Exhibitions

Manpower: Myths of Masculinity — Manpower: Myths of Masculinity

15 Nov 2021 — 6 Aug 2023

FREE

Manpower: Myths of Masculinity

15 Nov 2021 — 6 Aug 2023

FREE

Window Work: Graham Fletcher

29 May 2003 — 28 Aug 2003

Free entry

Window Work: Graham Fletcher

29 May 2003 — 28 Aug 2003

Free entry

Malcolm Ross, Fiona Clark, Grant Lingard: Looking at Men — Malcolm Ross, Fiona Clark, Grant Lingard: Looking at Men

1 Dec 2021 — 27 Feb 2022

Malcolm Ross, Fiona Clark, Grant Lingard: Looking at Men

1 Dec 2021 — 27 Feb 2022

Alexis Hunter: Icons of Fearlessness — Alexis Hunter: Icons of Fearlessness

25 Jan 2018 — 27 May 2018

Alexis Hunter: Icons of Fearlessness

25 Jan 2018 — 27 May 2018

The Subject in the Land — The Subject in the Land

18 Jun 2016 — 20 May 2018

The Subject in the Land

18 Jun 2016 — 20 May 2018

FLAUNT: Art/Fashion/Culture

4 Oct 2003 — 8 Feb 2004

Adult: $7, Concession: $5, Children Under 12: Free, Friends of the Gallery: $4, Free entry on Mondays

FLAUNT: Art/Fashion/Culture

4 Oct 2003 — 8 Feb 2004

Adult: $7, Concession: $5, Children Under 12: Free, Friends of the Gallery: $4, Free entry on Mondays

Happy Birthday to New

24 Sep 2005 — 20 Nov 2005

$5 - $7

Happy Birthday to New

24 Sep 2005 — 20 Nov 2005

$5 - $7

5 4 3 2 1 : Auckland Artist Projects

22 Jul 2006 — 7 Jan 2007

Free entry

5 4 3 2 1 : Auckland Artist Projects

22 Jul 2006 — 7 Jan 2007

Free entry

Goldie & Lindauer: Approaching Portraiture — Goldie & Lindauer: Approaching Portraiture

26 Jun 2010 — 14 Aug 2011

Free entry

Goldie & Lindauer: Approaching Portraiture

26 Jun 2010 — 14 Aug 2011

Free entry

I'm Your Man (A Portrait of Leonard Cohen) — I'm Your Man (A Portrait of Leonard Cohen)

31 Aug 2020 — 6 Dec 2020

FREE

I'm Your Man (A Portrait of Leonard Cohen)

31 Aug 2020 — 6 Dec 2020

FREE

The Walters Prize 2008 — The Walters Prize 2008

13 Sep 2008 — 23 Nov 2008

Free entry

The Walters Prize 2008

13 Sep 2008 — 23 Nov 2008

Free entry

The Body Laid Bare: Masterpieces from Tate — The Body Laid Bare: Masterpieces from Tate

18 Mar 2017 — 16 Jul 2017

$23, Members and Children 12 and under FREE Buy tickets

The Body Laid Bare: Masterpieces from Tate

18 Mar 2017 — 16 Jul 2017

$23, Members and Children 12 and under FREE Buy tickets

Other People Think: Auckland’s Contemporary International Collection — Other People Think: Auckland’s Contemporary International Collection

10 Mar 2018 — 10 Jun 2018

Other People Think: Auckland’s Contemporary International Collection

10 Mar 2018 — 10 Jun 2018

Enduring Nature: Hoki Atu Hoki Mai

16 Jul 2004 — 3 Apr 2005

Free entry

Enduring Nature: Hoki Atu Hoki Mai

16 Jul 2004 — 3 Apr 2005

Free entry

Henry Fuseli: Dark Chambers of the Mind — Henry Fuseli: Dark Chambers of the Mind

30 Jun 2012 — 20 Jan 2013

Free entry

Henry Fuseli: Dark Chambers of the Mind

30 Jun 2012 — 20 Jan 2013

Free entry

Events

Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland — Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

8 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

Senior Curator of International Art, Dr Sophie Matthiesson explores some of the motivations behind the collecting and public display of male bodies in the early years of the Auckland Art Gallery (founded 1888) and considers the appeal and meaning of such frankly sensual images for their Victorian-era benefactors who purchased them. The notorious 1895 London trial and imprisonment of Irish poet and playwright Oscar Wilde for homosexuality suddenly altered consciousness across the British Empire. It impacts can be seen, she argues, in public debates about masculinity in New Zealand, and in institutional attitudes to the male nude in art in the following decades.

This lecture is the first in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Members

Talks and tours

Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

8 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World — Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

15 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

Drawing on heroes of classical mythology, the Iliad, Greek tragedy and their modern adaptations, Dr Anastasia Bakogianni explores what it meant to be a man in the ancient Greek world. Researching expectations placed upon men and the warrior ethos, she tracks its impact throughout the centuries and on the modern concept of masculinity. This lecture is the second in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Members

Talks and tours

Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

15 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

Manpower Lectures – #3 The New Mail Order — Manpower Lectures – #3 The New Mail Order

22 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

When Eugen Sandow, the father of modern bodybuilding, toured New Zealand in the summer of 1902-03, his aim was to reshape the nation. Long before the likes of Charles Atlas peddled mail order muscle programmes, the Sandow System was embraced by men throughout New Zealand. Eager to flex and pose and dream of a new male order, these men joined local gyms, entered bodybuilding contests, and even strutted their stuff in local beauty competitions. In this lecture, Dr Caroline Daley reveals the bodies of early twentieth century men and questions whether our fixation with rugby players, farmers and soldiers means we’re missing the pleasure that comes from gazing upon the world’s most perfectly developed man and his local acolytes.

This lecture is the third in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Members

Talks and tours

Manpower Lectures – #3 The New Mail Order

22 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

Manpower Lectures – #4 Queer and Now (online) — Manpower Lectures – #4 Queer and Now (online)

29 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

What's queer about long-nineteenth-century British art now? Answering this question, Edwards address two entirely different examples: Henry Hugh Armstead’s mid-Victorian bronze statuette ‘Satan dismayed’ otherwise known as ‘Saint Michael and the Serpent’ (1852) and Henry Scott Tuke’s 1924 oil painting, ‘Companions’. Both artists remain marginalised, and have proven difficult to canonise for different reasons: Armstead as a predominantly decorative artist in a canon still primarily oriented towards the two-dimensional and the category of fine art, and Tuke because of the open secret of the pederastic character of his work, at a moment in which childhood sexual abuse remains one of the key cultural issues of our time. What might we learn from returning to think about both?

This lecture is a pre-recorded lecture that will be made available to ticketholders to watch in their own time. This lecture is the fourth in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Members

Talks and tours

Manpower Lectures – #4 Queer and Now (online)

29 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

The nude reviewed: Looking at images of the human body in art history — The nude reviewed: Looking at images of the human body in art history

14 Jun 2017 — 1 Jul 2017 6–8pm

$150 members, $190 non-members Book now

Join Associate Professor Linda Tyler, Director, Centre for Art Studies, The University of Auckland, and Milica Madanović, MA Belgrade, for a four-week Continuing Education course on The nude reviewed: Looking at images of the human body in art history.

Members

Workshops

The nude reviewed: Looking at images of the human body in art history

14 Jun 2017 — 1 Jul 2017 6–8pm

$150 members, $190 non-members Book now

The nude reviewed: Looking at images of the human body in art history — The nude reviewed: Looking at images of the human body in art history

9 May 2017 — 30 May 2017 11am–1pm

SOLD OUT

Join Associate Professor Linda Tyler, Director, Centre for Art Studies, The University of Auckland, and Milica Madanović, MA Belgrade, for a four-week Continuing Education course on The nude reviewed: Looking at images of the human body in art history.

Members

Workshops

The nude reviewed: Looking at images of the human body in art history

9 May 2017 — 30 May 2017 11am–1pm

SOLD OUT

SOLD OUT | Fierce: Aaja Nachle presents Fierce Fairytales — SOLD OUT | Fierce: Aaja Nachle presents Fierce Fairytales

18 Mar 2022 — 20 Mar 2022 Multiple sessions

Free - bookings essential

Performances

SOLD OUT | Fierce: Aaja Nachle presents Fierce Fairytales

18 Mar 2022 — 20 Mar 2022 Multiple sessions

Free - bookings essential

Performances

Mary Quant closing event — Mary Quant closing event

12 Mar 2022 9.45am - 2.45pm

Free - bookings essential

Special events

Mary Quant

Mary Quant closing event

12 Mar 2022 9.45am - 2.45pm

Free - bookings essential

Doc Edge Presents: World Shorts II — Doc Edge Presents: World Shorts II

3 Jun 2019 2-3.35pm

$18.45 Book now

As part of the 14th International Documentary Film Festival, Doc Edge in association with RNZ presents a series of documentary screenings at the Gallery.

Films

Doc Edge Presents: World Shorts II

3 Jun 2019 2-3.35pm

$18.45 Book now

Films

5 musical arrangements for 5 rooms — 5 musical arrangements for 5 rooms

19 Mar 2022 12-1pm and 2-3pm

Free - bookings essential Book now

Performances

5 musical arrangements for 5 rooms

19 Mar 2022 12-1pm and 2-3pm

Free - bookings essential Book now

Performances

Agency and aesthetics: A symposium on the expanded field of photography — Agency and aesthetics: A symposium on the expanded field of photography

31 Mar 2017 — 1 Apr 2017

Free – registrations required Book now

This day-long symposium invites artists, writers, critics, academics and others to reflect on the work that photographs can do today and the changing significance of the image as a social or cultural representation.

Talks and tours

Agency and aesthetics: A symposium on the expanded field of photography

31 Mar 2017 — 1 Apr 2017

Free – registrations required Book now

Talks and tours

Lecture Series: A Sweeping Survey of European Art History — Lecture Series: A Sweeping Survey of European Art History

19 Jul 2023 — 14 Nov 2023 10.30—11.30am and 6:15pm – 7:15pm

Early Bird Member series: $90.00(+ booking fees) Available until 1 June Members series: $105.00 (+ booking fees) Available 1 Jun Buy tickets

Members

Lecture Series: A Sweeping Survey of European Art History

19 Jul 2023 — 14 Nov 2023 10.30—11.30am and 6:15pm – 7:15pm

Early Bird Member series: $90.00(+ booking fees) Available until 1 June Members series: $105.00 (+ booking fees) Available 1 Jun Buy tickets

Members

Artworks

Advanced search

Male Skylark — Male Skylark

Thomas Lewin

Production date

1827

Medium

gouache

Size (h x w)

360 x 315 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M1885/57

Male Skylark

Clematis, male — Clematis, male

John Moore

Production date

1930s

Medium

woodcut

Size (h x w)

88 x 90 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Josephine K Forbes in memory of her uncle, John L Moore, 1991

Accession no

1991/20/4

Clematis, male

A Huia Male Stone Hammer ; a Huia Female Bone Pick — A Huia Male Stone Hammer ; a Huia Female Bone Pick

Christine Hellyar

Production date

1982

Medium

ink on paper

Size (h x w)

650 x 500 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1987

Accession no

1987/44/4

A Huia Male Stone Hammer ; a Huia Female Bone Pick

Christine Hellyar

Unidentified male — Unidentified male

Hartley Webster

Production date

1863-1875

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/33/2/12

Unidentified male

Hartley Webster

Untitled [male sitter] — Untitled [male sitter]

Margaret Preston

Production date

Unknown

Medium

charcoal

Size (h x w)

367 x 260 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/360

Untitled [male sitter]

Margaret Preston

Unidentified male — Unidentified male

George Pulman

Production date

Unknown

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1994

Accession no

1994/48/21

Unidentified male

Unidentified male — Unidentified male

Hartley Webster

Production date

1863-1875

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/33/2/5

Unidentified male

Hartley Webster

Female/Male figures — Female/Male figures

Ross Ritchie

Production date

1984

Medium

oil on canvas

Size (h x w)

838 x 755 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1986

Accession no

1986/12

Female/Male figures

Untitled (Male Rock/Pop Singer) — Untitled (Male Rock/Pop Singer)

Ronnie van Hout

Production date

1993

Medium

embroidery cotton on cotton duck

Size (h x w)

500 x 350 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1994

Accession no

C1994/1/522

Untitled (Male Rock/Pop Singer)

Ronnie van Hout

Male nude, seated and standing — Male nude, seated and standing

Rembrandt van Rijn

Production date

circa 1646

Medium

etching

Size (h x w)

194 x 127 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1955

Accession no

1955/18/8

Male nude, seated and standing

Rembrandt van Rijn

Aphrodite — Aphrodite

Tanya Ashken

Production date

1967

Medium

Carrara marble

Size (h x w)

755 x 260 x 220 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2020

Accession no

2020/26

Aphrodite

Male Order — Male Order

Julian Dashper

Production date

1989-1990

Medium

silver gelatin print, pencil drawing

Size (h x w)

625 x 575 mm

Credit line

Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2016

Accession no

C2016/1/20/3.1-2

Male Order

Unidentified male — Unidentified male

William Collis

Production date

Unknown

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1994

Accession no

1994/48/25

Unidentified male

Unidentified male — Unidentified male

James Foy

Production date

1863-1875

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/33/2/41

Unidentified male

Unidentified male — Unidentified male

Unknown artist

Production date

1863-1875

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/33/2/1

Unidentified male

Talosaga pouli: Ancient worship of the black lizard by night — Talosaga pouli: Ancient worship of the black lizard by night

Fatu Feu'u

Production date

2001

Medium

woodcut

Size (h x w)

988 x 1291 x 45 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2002

Accession no

2002/25/1

Talosaga pouli: Ancient worship of the black lizard by night

Unidentified male — Unidentified male

Thomas Price

Production date

1863-1875

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/33/2/4

Unidentified male

Unidentified male — Unidentified male

E S Richards

Production date

1863-1975

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/33/2/23

Unidentified male

Unidentified male — Unidentified male

Hartley Webster

Production date

1863-1875

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/33/2/13

Unidentified male

Hartley Webster

Unidentified male — Unidentified male

E S Richards

Production date

1863-1875

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/33/2/25

Unidentified male

Unidentified male — Unidentified male

Thomas Price

Production date

1863-1875

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/33/2/7

Unidentified male

Unidentified male — Unidentified male

Thomas Price

Production date

1863-1875

Medium

albumen silver photograph

Size (h x w)

60 x 100 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/33/2/8

Unidentified male

Asmat Wood Male Figure

Production date: Unknown
Medium: wood
Size (h x w): 930 x 270 x 220 mm
Credit line: Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1984
Accession no: C1994/1/135

Asmat Wood Male Figure

Tamati Waka Te Puhi — Tamati Waka Te Puhi

James Foy

Production date

1863-1875

Medium

albumen silver photograph

Size (h x w)

100 x 60 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/33/2/40

Tamati Waka Te Puhi

[North African townscene with camel] — [North African townscene with camel]

John Weeks

Production date

Unknown

Medium

oil and pastel on paper

Size (h x w)

181 x 231 mm

Credit line

John Weeks Archive, E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of the estate of Peter O'Connor, 2010

Accession no

RC2010/1/9/8

[North African townscene with camel]

Male Shield Fern — Male Shield Fern

Fiona MacDonald

Production date

1993

Medium

collage, off-set lithograph

Size (h x w)

323 x 220 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1995

Accession no

1994/30/3

Male Shield Fern

Fiona MacDonald

Male symbol II (hand on chest) — Male symbol II (hand on chest)

Sharyn Black

Production date

01 Aug 1977

Medium

photograph

Size (h x w)

140 x 207 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2010

Accession no

2010/14/145

Male symbol II (hand on chest)

The glorious dead — The glorious dead

Richard Killeen

Production date

1968

Medium

oil on canvas

Size (h x w)

792 x 787 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Richard Killeen, 2000

Accession no

2000/11

The glorious dead

Richard Killeen

Hercules Killing the Hydra of Lerna — Hercules Killing the Hydra of Lerna

Giovanni Caraglio Rosso Fiorentino

Production date

circa 1524

Medium

engraving

Size (h x w)

216 x 180 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Ann Andrews and Robert Newton, 1993

Accession no

1992/36

Hercules Killing the Hydra of Lerna

Giovanni Caraglio Rosso Fiorentino

Huria Matenga Ngarongoa (Julia Martin) — Huria Matenga Ngarongoa (Julia Martin)

Gottfried Lindauer

Production date

1874

Medium

oil on canvas

Size (h x w)

825 x 710 x 70 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr H E Partridge, 1915

Accession no

1915/2/15

Huria Matenga Ngarongoa (Julia Martin)

Gottfried Lindauer

Sean and Lisa — Sean and Lisa

Rebecca Swan

Production date

1999

Medium

silver gelatin selenium toned

Size (h x w)

780 x 895 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 2019

Accession no

2019/6/7

Sean and Lisa

Male portrait with cartridge belt — Male portrait with cartridge belt

Thomas Andrew

Production date

Unknown

Medium

albumen print

Size (h x w)

148 x 103 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2002

Accession no

2002/20/5

Male portrait with cartridge belt

Portrait of David Cowan — Portrait of David Cowan

Henry Raeburn

Production date

circa 1823

Medium

oil on canvas

Size (h x w)

590 x 490 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, bequest of the Barbara Coughlan Estate, 2009

Accession no

2010/3

Portrait of David Cowan

Three ladders — Three ladders

Don Driver

Production date

1981

Medium

tea chest, overcoat, ladder

Size (h x w)

595 x 505 x 410 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1982

Accession no

1982/29

Three ladders

Boys in a tree — Boys in a tree

Robert N Field

Production date

1951

Medium

linocut

Size (h x w)

158 x 148 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1980

Accession no

1980/40/5

Boys in a tree

George — George

Frances Hodgkins

Production date

circa 1896

Medium

watercolour

Size (h x w)

454 x 315 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1972

Accession no

1972/2

George

Frances Hodgkins

Archives

Advanced search

John Weeks Archive — John Weeks Archive

Production date

Unknown

Credit line

E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of the Estate of Peter O'Connor, 2010

Accession no

RC2010/1

John Weeks Archive

Ideas

Fiona Pardington: The Sex of Metals I and II Image — Fiona Pardington: The Sex of Metals I and II
Audio

Fiona Pardington: The Sex of Metals I and II

Audio

Articles

2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Films of Sriwhana Spong Image — 2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Fi...

2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Fi...

22 Dec 2022

Kirsty Baker

Max Oettli's Night Beat Image — Max Oettli's Night Beat

Max Oettli's Night Beat

21 Apr 2022

Richard Wolfe

Rifling through the Top Drawer: Looking through Grant Lingard Image — Rifling through the Top Drawer: Looking through Grant Lingard

Rifling through the Top Drawer: Looking through Grant Lingard

02 Mar 2022

Jeremiah Boniface

In Conversation: The significant influence of Mary Quant on Kate Sylvester Image — In Conversation: The significant influence of Mary Quant on Kate Sylvester

In Conversation: The significant influence of Mary Quant on Kate Sylvester

15 Feb 2022

Dan Ahwa & Kate Sylvester

A Moment of Optimism Image — A Moment of Optimism

A Moment of Optimism

30 Aug 2021

Francis McWhannell

Forensics on fashion

Forensics on fashion

24 Feb 2016

The Wonderland Album – New Zealand Part 2

The Wonderland Album – New Zealand Part 2

24 Feb 2016

Snapshots - 10

Snapshots - 10

24 Feb 2016

Visual forensics of Oriental Bay Image — Visual forensics of Oriental Bay

Visual forensics of Oriental Bay

24 Feb 2016

Rachel Whiteread Image — Rachel Whiteread

Rachel Whiteread

11 Jan 2016

The hardest words to say… Image — The hardest words to say…

The hardest words to say…

30 Dec 2015

Remembering Alexis Hunter Image — Remembering Alexis Hunter

Remembering Alexis Hunter

30 Dec 2015

Vaslav Nijinsky (1) Image — Vaslav Nijinsky (1)

Vaslav Nijinsky (1)

21 Dec 2015

Jan Nigro 1920-2012 Image — Jan Nigro 1920-2012

Jan Nigro 1920-2012

16 Dec 2015

Kura Te Waru Rewiri Image — Kura Te Waru Rewiri

Kura Te Waru Rewiri

16 Dec 2015

More

Nau mai, haere mai! Auckland Art Gallery Toi o Tāmaki re-opens its doors and announces spring/summer exhibition schedule Image — Nau mai, haere mai! Auckland Art Gallery Toi o Tāmaki re-opens its doors and ann...

Nau mai, haere mai! Auckland Art Gallery Toi o Tāmaki re-opens its doors and ann...

New video series offers a Pacific perspective on the nude Image — New video series offers a Pacific perspective on the nude

New video series offers a Pacific perspective on the nude

Universal experiences of love and loss reflected in internationally acclaimed video homage to music legend Leonard Cohen Image — Universal experiences of love and loss reflected in internationally acclaimed vi...

Universal experiences of love and loss reflected in internationally acclaimed vi...

Current and upcoming exhibitions Image — Current and upcoming exhibitions

Current and upcoming exhibitions

Three new artist projects launch at Auckland Art Gallery Toi o Tāmaki Image — Three new artist projects launch at Auckland Art Gallery Toi o Tāmaki

Three new artist projects launch at Auckland Art Gallery Toi o Tāmaki

New release: A first look at Auckland Art Gallery’s 2021 autumn/winter exhibitions Image — New release: A first look at Auckland Art Gallery’s 2021 autumn/winter exhibitio...

New release: A first look at Auckland Art Gallery’s 2021 autumn/winter exhibitio...