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Other People Think: Auckland’s Contemporary International Collection — Other People Think: Auckland’s Contemporary International Collection

10 Mar 2018 — 10 Jun 2018

Other People Think: Auckland’s Contemporary International Collection

10 Mar 2018 — 10 Jun 2018

Passion and Politics: Two centuries of British art

27 Jan 2007 — 30 Sep 2007

Free entry

Passion and Politics: Two centuries of British art

27 Jan 2007 — 30 Sep 2007

Free entry

Goya: Folly and War — Goya: Folly and War

18 Sep 2014 — 8 Feb 2015

Free entry

Goya: Folly and War

18 Sep 2014 — 8 Feb 2015

Free entry

Temples for the Gods — Temples for the Gods

3 Sep 2011 — 7 Oct 2013

Free entry

Temples for the Gods

3 Sep 2011 — 7 Oct 2013

Free entry

Hei konei mai: We'll meet again

28 Jan 2006 — 29 Feb 2008

Free entry

Hei konei mai: We'll meet again

28 Jan 2006 — 29 Feb 2008

Free entry

Picturing History: Goldie to Cotton — Picturing History: Goldie to Cotton

25 Apr 2009 — 21 Feb 2010

Free entry

Picturing History: Goldie to Cotton

25 Apr 2009 — 21 Feb 2010

Free entry

Te Moananui a Kiwa

23 Apr 2005 — 22 Jan 2006

Free entry

Te Moananui a Kiwa

23 Apr 2005 — 22 Jan 2006

Free entry

Taste: Food and Feasting in Art — Taste: Food and Feasting in Art

21 Nov 2009 — 14 Feb 2010

$5 - $7

Taste: Food and Feasting in Art

21 Nov 2009 — 14 Feb 2010

$5 - $7

The 3rd Auckland Triennial: turbulence — The 3rd Auckland Triennial: turbulence

9 Mar 2007 — 4 Jun 2007

Free entry

The 3rd Auckland Triennial: turbulence

9 Mar 2007 — 4 Jun 2007

Free entry

The 5th Auckland Triennial: If you were to live here... — The 5th Auckland Triennial: If you were to live here...

10 May 2013 — 11 Aug 2013

Free entry

The 5th Auckland Triennial: If you were to live here...

10 May 2013 — 11 Aug 2013

Free entry

Events

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Back Office: Creative Practice — Back Office: Creative Practice

16 Apr 2021 6–6.30pm

Free for Members (RSVP required)

Each month, we’re passing the mic to the people we work with to share the stories from the Back Office. Be it their favourite artwork, research or experiences on the job, they’ll be sharing their projects and passions.

Members

Talks and tours

Back Office: Creative Practice

16 Apr 2021 6–6.30pm

Free for Members (RSVP required)

Members
Talks and tours

Apocalypse: World War I (Parts 1 and 2) — Apocalypse: World War I (Parts 1 and 2)

23 Apr 2016 1pm

Free

Drawing from over 500 hours of archival footage, much of it previously unseen, Apocalypse: WWI traces the journeys of civilians and soldiers who fought for survival in one of the darkest times in history.

Films

Apocalypse: World War I (Parts 1 and 2)

23 Apr 2016 1pm

Free

Films

SOLD OUT | Fierce: Aaja Nachle presents Fierce Fairytales — SOLD OUT | Fierce: Aaja Nachle presents Fierce Fairytales

18 Mar 2022 — 20 Mar 2022 Multiple sessions

Free - bookings essential

Performances

SOLD OUT | Fierce: Aaja Nachle presents Fierce Fairytales

18 Mar 2022 — 20 Mar 2022 Multiple sessions

Free - bookings essential

Performances

Manpower Lectures – #3 The New Mail Order — Manpower Lectures – #3 The New Mail Order

22 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

When Eugen Sandow, the father of modern bodybuilding, toured New Zealand in the summer of 1902-03, his aim was to reshape the nation. Long before the likes of Charles Atlas peddled mail order muscle programmes, the Sandow System was embraced by men throughout New Zealand. Eager to flex and pose and dream of a new male order, these men joined local gyms, entered bodybuilding contests, and even strutted their stuff in local beauty competitions. In this lecture, Dr Caroline Daley reveals the bodies of early twentieth century men and questions whether our fixation with rugby players, farmers and soldiers means we’re missing the pleasure that comes from gazing upon the world’s most perfectly developed man and his local acolytes.

This lecture is the third in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Members

Talks and tours

Manpower Lectures – #3 The New Mail Order

22 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

Members
Talks and tours

Artworks

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Relevance
Title (A to Z)
Title (Z to A)
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Production date (oldest first)
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Artist surname (Z to A)

Old Mission School, Three Kings — Old Mission School, Three Kings

Trevor Lloyd

Production date

circa 1924

Medium

drypoint

Size (h x w)

78 x 169 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Connie and Olive Lloyd, 1973

Accession no

1973/7/95

Old Mission School, Three Kings

Die heiligen drei Könige (The Three Kings) — Die heiligen drei Könige (The Three Kings)

Karl Schmidt-Rottluff

Production date

1917

Medium

woodcut

Size (h x w)

500 x 390 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the Estate of Dr Rosa Schapire, 1956

Accession no

1956/14/5

Die heiligen drei Könige (The Three Kings)

Karl Schmidt-Rottluff

Saint Ladislas, roi — Saint Ladislas, roi

Jacques Callot

Production date

1630s

Medium

etching

Size (h x w)

216 x 125 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/450

Saint Ladislas, roi

King George and Party at Palace — King George and Party at Palace

Frederick Sears

Production date

1903

Medium

gelatin silver print

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1999

Accession no

1999/37/82

King George and Party at Palace

Frederick Sears

Faith, Hope and Charity — Faith, Hope and Charity

Adrian Collaert Maarten de Vos

Production date

late 16th century

Medium

engraving

Size (h x w)

230 x 299 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/32/1

Faith, Hope and Charity

Adrian Collaert Maarten de Vos

King Lear — King Lear

Tony Fomison

Production date

1985

Medium

lithograph

Size (h x w)

242 x 300 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1985

Accession no

1985/38/9

King Lear

Holy Family and the Three Magi — Holy Family and the Three Magi

Francesco Bartolozzi Giovan Francesco Barbieri known as Guercino

Production date

1764

Medium

etching

Size (h x w)

343 x 470 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr G M Mitford, 1883

Accession no

1883/1/1

Holy Family and the Three Magi

Francesco Bartolozzi Giovan Francesco Barbieri known as Guercino

A Night dance by women, in Hapaee — A Night dance by women, in Hapaee

Morris John Webber

Production date

18th century

Medium

engraving

Size (h x w)

228 x 342 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/166

A Night dance by women, in Hapaee

Morris John Webber

King George I — King George I

Michael Dahl

Production date

Unknown

Medium

oil on canvas

Size (h x w)

1385 x 1151 x 70 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of His Excellency the Governor General, Sir Willoughby Norrie, 1957

Accession no

1957/12/1

King George I

King George III — King George III

Allan Ramsay

Production date

circa 1761

Medium

oil on canvas

Size (h x w)

1486 x 1235 x 74 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Sir Willoughby Norrie, 1957

Accession no

1957/12/2

King George III

Saint Edilburge, fille du roi d'Angleterre — Saint Edilburge, fille du roi d'Angleterre

Jacques Callot

Production date

1630s

Medium

etching

Size (h x w)

216 x 125 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/461

Saint Edilburge, fille du roi d'Angleterre

Philip IV of Spain — Philip IV of Spain

Wenceslaus Hollar

Production date

1652

Medium

etching

Size (h x w)

223 x 167 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/3/243

Philip IV of Spain

Wenceslaus Hollar

Saint Emeri, roi de Hongrie — Saint Emeri, roi de Hongrie

Jacques Callot

Production date

1630s

Medium

etching

Size (h x w)

216 x 125 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/630

Saint Emeri, roi de Hongrie

Charles II — Charles II

Wenceslaus Hollar Jan van den Hoecke

Production date

1650

Medium

etching

Size (h x w)

106 x 83 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M2001/32/32

Charles II

Wenceslaus Hollar Jan van den Hoecke

Saint Wenceslas, roi — Saint Wenceslas, roi

Jacques Callot

Production date

1630s

Medium

etching

Size (h x w)

216 x 125 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/582

Saint Wenceslas, roi

Charles II — Charles II

Wenceslaus Hollar Anthony van Dyck

Production date

1649

Medium

etching

Size (h x w)

258 x 191 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/3/230

Charles II

Wenceslaus Hollar Anthony van Dyck

Shakespeare: Second Part of King Henry the Fourth, Act II, Scene IV — Shakespeare: Second Part of King Henry the Fourth, Act II, Scene IV

William Satchwell Leney Henry Fuseli

Production date

1795

Medium

mezzotint on wove paper

Size (h x w)

710 x 540 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2002

Accession no

2002/9/3

Shakespeare: Second Part of King Henry the Fourth, Act II, Scene IV

William Satchwell Leney Henry Fuseli

Saint Edouard, roi d'Angleterre — Saint Edouard, roi d'Angleterre

Jacques Callot

Production date

1630s

Medium

etching

Size (h x w)

216 x 125 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/329

Saint Edouard, roi d'Angleterre

Saint Henri, roi — Saint Henri, roi

Jacques Callot

Production date

1630s

Medium

etching

Size (h x w)

216 x 125 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/472

Saint Henri, roi

King Charles Statue — King Charles Statue

Kenzo Takekoshi

Production date

circa 1917

Medium

aquatint

Size (h x w)

325 x 207 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/198

King Charles Statue

Kenzo Takekoshi

David Before Saul — David Before Saul

Wenceslaus Hollar Hans Holbein the Younger

Production date

17th century

Medium

etching

Size (h x w)

57 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/3/3

David Before Saul

Wenceslaus Hollar Hans Holbein the Younger

Henry VIII — Henry VIII

Wenceslaus Hollar Hans Holbein the Younger

Production date

1647

Medium

etching

Size (h x w)

104 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/3/223

Henry VIII

Wenceslaus Hollar Hans Holbein the Younger

Charles I — Charles I

Unknown artist Wenceslaus Hollar Anthony van Dyck

Production date

Post 1649

Medium

etching

Size (h x w)

140 x 106 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M2001/32/33

Charles I

Unknown artist Wenceslaus Hollar Anthony van Dyck

Joao IV, King of Portugal; the Murder of Miguel de Vasconcelos — Joao IV, King of Portugal; the Murder of Miguel de Vasconcelos

Wenceslaus Hollar

Production date

1640-1644

Medium

etching

Size (h x w)

116 x 179 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/3/38

Joao IV, King of Portugal; the Murder of Miguel de Vasconcelos

Wenceslaus Hollar

Saint Louis, roi de France — Saint Louis, roi de France

Jacques Callot

Production date

1630s

Medium

etching

Size (h x w)

216 x 125 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/532

Saint Louis, roi de France

Saint David, roi et prophete — Saint David, roi et prophete

Jacques Callot

Production date

1630s

Medium

etching

Size (h x w)

216 x 125 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/710

Saint David, roi et prophete

Tawhiao Matutaera Potatau Te Wherowhero — Tawhiao Matutaera Potatau Te Wherowhero

Gottfried Lindauer

Production date

1882

Medium

oil on canvas

Size (h x w)

1023 x 847 x 55 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr H E Partridge, 1915

Accession no

1915/2/18

Tawhiao Matutaera Potatau Te Wherowhero

Gottfried Lindauer

Edmund, roi d'Angleterre, martyr — Edmund, roi d'Angleterre, martyr

Jacques Callot

Production date

1630s

Medium

etching

Size (h x w)

216 x 125 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/654

Edmund, roi d'Angleterre, martyr

Meeting with King Togia, of Niue — Meeting with King Togia, of Niue

Frederick Sears

Production date

1903

Medium

gelatin silver print

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1999

Accession no

1999/37/60

Meeting with King Togia, of Niue

Frederick Sears

George VI — George VI

Henry Rayner

Production date

1939

Medium

drypoint

Size (h x w)

180 x 127 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1947

Accession no

1947/1

George VI

Portrait of the Emperor Ferdinand I — Portrait of the Emperor Ferdinand I

Barthel Beham

Production date

1531

Medium

engraving (1st of 2 stages)

Size (h x w)

208 x 134 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/17

Portrait of the Emperor Ferdinand I

Rangitakina. A Chief of the Bay of Plenty, on the East Coast — Rangitakina. A Chief of the Bay of Plenty, on the East Coast

George French Angas W Hawkins

Production date

circa 1847

Medium

hand coloured lithograph

Size (h x w)

543 x 365 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2009

Accession no

2009/16/10/1

Rangitakina. A Chief of the Bay of Plenty, on the East Coast

George French Angas W Hawkins

Charles II as Prince of Wales — Charles II as Prince of Wales

Wenceslaus Hollar

Production date

1641

Medium

etching

Size (h x w)

120 x 76 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M2001/32/31

Charles II as Prince of Wales

Wenceslaus Hollar

The Reception of Captain Cook in Hapaee — The Reception of Captain Cook in Hapaee

Unknown artist John Webber

Production date

Unknown

Medium

engraving

Size (h x w)

219 x 349 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/287

The Reception of Captain Cook in Hapaee

Unknown artist John Webber

The Play Scene in Hamlet — The Play Scene in Hamlet

Alfred Domett Daniel Maclise

Production date

Unknown

Medium

oil on canvas

Size (h x w)

2770 x 1550 x 30 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr Alfred Domett, 1887

Accession no

1887/7

The Play Scene in Hamlet

Alfred Domett Daniel Maclise

Charles I Crowned by Justice — Charles I Crowned by Justice

Wenceslaus Hollar

Production date

1639

Medium

etching

Size (h x w)

263 x 193 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/3/30

Charles I Crowned by Justice

Wenceslaus Hollar

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