View Exhibition
Fragile Beauty: Historic Japanese Graphic Art
Fragile Beauty: Historic Japanese Graphic Art

Free entry

Fragile Beauty: Historic Japanese Graphic Art

Free entry

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Tissot: Still on Top
Tissot: Still on Top

Free entry

Tissot: Still on Top

Free entry

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Dane Mitchell: Iris, Iris, Iris
Dane Mitchell: Iris, Iris, Iris

Dane Mitchell: Iris, Iris, Iris

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Mixed-Up Childhood
Mixed-Up Childhood

$5 – $7

Mixed-Up Childhood

$5 – $7

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Japanese Woodblock Workshops
Japanese Woodblock Workshops

FREE, booking is recommended Book now

These July school holidays join us at the Gallery for an exciting hands-on Japanese woodblock printing workshop that has been inspired by our current exhibition, Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan.

Japanese Woodblock Workshops

FREE, booking is recommended Book now

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SOLD OUT Kintsugi workshop
SOLD OUT Kintsugi workshop

10.30am–1pm & 2pm–4pm

Members $125, Non-Members $185 (includes a Membership) Book now

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT Kintsugi workshop

10.30am–1pm & 2pm–4pm

Members $125, Non-Members $185 (includes a Membership) Book now

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Curator's talk: Emma Jameson on our Monet
Curator's talk: Emma Jameson on our Monet

12.30pm

Fully booked

Join Assistant Curator Emma Jameson for a conversation about Auckland Art Gallery’s first painting by Claude Monet. Le pont japonais (Japanese Bridge) depicts Monet’s famous waterlily garden and Japanese bridge. Learn more about Monet’s techniques and the interesting history behind the painting. 

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Mackelvie Society Lectures: Monet’s Garden and the Japanese Bridge
Mackelvie Society Lectures: Monet’s Garden and the Japanese Bridge

7.30 – 8.30pm

Free, Gallery and Mackelvie Society Members only

Join Senior Curator of International Art, Dr Sophie Matthiesson to hear the story behind the creation of Claude Monet’s extraordinary water gardens at Giverny and the evolution of his Japanese bridge series, culminating in a discussion of a late bridge painting made by Monet, on loan at the Auckland Art Gallery Toi o Tāmaki. Gallery and Mackelvie Society Members only. 

Mackelvie Society Lectures: Monet’s Garden and the Japanese Bridge

7.30 – 8.30pm

Free, Gallery and Mackelvie Society Members only

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Lecture: The Art of Yayoi Kusama
Lecture: The Art of Yayoi Kusama

10.30am–12.30pm

Members $45, Non-members $55 Book now

Auckland Art Gallery Membership has partnered with The University of Auckland Public Programmes to provide a unique perspective on avant-garde Japanese artist Yayoi Kusama.

Lecture: The Art of Yayoi Kusama

10.30am–12.30pm

Members $45, Non-members $55 Book now

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SOLD OUT Japonism in Fashion lecture: 1930s to the present day
SOLD OUT Japonism in Fashion lecture: 1930s to the present day

5.30pm–6.45pm

Members $15, non-Members $20 Book now

In 2003, textile and dress historian Angela Lassig brought the exhibition Japonism in Fashion, initiated and developed by the Kyoto Costume Institute in 1989, to Te Papa Tongarewa and Christchurch Art Gallery. Now she will give two lectures on this topic as part of our events programme for the exhibition Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan.

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Japonism in Fashion lecture: 1860s to 1930s
Japonism in Fashion lecture: 1860s to 1930s

5.30pm–6.45pm

Members $15, non-Members $20 Book now

In 2003, textile and dress historian Angela Lassig brought the exhibition Japonism in Fashion, initiated and developed by the Kyoto Costume Institute in 1989, to Te Papa Tongarewa and Christchurch Art Gallery. Now she will give two lectures on this topic as part of our events programme for the exhibition Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan.

Japonism in Fashion lecture: 1860s to 1930s

5.30pm–6.45pm

Members $15, non-Members $20 Book now

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SOLD OUT Kintsugi workshop - November
SOLD OUT Kintsugi workshop - November

10.30am–1.30pm

Members $125, Non-Members $185 (includes a Membership)

Please note: This event has sold out.

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT Kintsugi workshop - November

10.30am–1.30pm

Members $125, Non-Members $185 (includes a Membership)

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Daniel Belton and Good Company Arts present Emaki 絵巻
Daniel Belton and Good Company Arts present Emaki 絵巻

11am–4pm

Free

Emaki is Daniel Belton and Good Company Arts' latest work featuring Japanese artists. It is a digital picture scroll of dance, sound and light with state of the art technology that connects Asian and South Pacific cultures, reflecting on the poetics of space, nature and art.

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POSTPONED Kintsugi workshop
POSTPONED Kintsugi workshop

10.30am–1pm

Members $125, Non-Members $185 (includes a Membership). Book now

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs. Learn how to piece your broken ceramics back together with beauty in this workshop led by Yuka O’Shannessy.

POSTPONED Kintsugi workshop

10.30am–1pm

Members $125, Non-Members $185 (includes a Membership). Book now

View Event
Lecture: The Art of Yayoi Kusama
Lecture: The Art of Yayoi Kusama

10.30am–12.30pm

Members $45, Non-members $55 Book now

Auckland Art Gallery Membership has partnered with The University of Auckland Public Programmes to provide a unique perspective on avant-garde Japanese artist Yayoi Kusama during Creative Week on Campus 2018.

Lecture: The Art of Yayoi Kusama

10.30am–12.30pm

Members $45, Non-members $55 Book now

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Artist talk: Naoka Tosa
Artist talk: Naoka Tosa

1.30–4pm

Free

Enjoy an artist talk and short exhibition by visiting Japanese artist Naoka Tosa. 

Artist talk: Naoka Tosa

1.30–4pm

Free

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One Enchanted Night: Exclusive Launch
One Enchanted Night: Exclusive Launch

6pm–12am

SOLD OUT: General admission, $20; VIP, $60; VIP Gold, $105 (plus booking fees)

Please note this event is sold out.

For One Enchanted Night, party under the cherry blossoms on our lantern-lit rooftop terrace, which is being transformed into a contemporary izakaya (pop-up bar) to celebrate the opening of our latest major exhibition, Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan.

One Enchanted Night: Exclusive Launch

6pm–12am

SOLD OUT: General admission, $20; VIP, $60; VIP Gold, $105 (plus booking fees)

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SOLD OUT: Kintsugi workshop - May
SOLD OUT: Kintsugi workshop - May

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

Please note: This event has sold out.

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT: Kintsugi workshop - May

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

View Event
Kintsugi workshop - March
Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

View Event
Curator's talk: Emma Jameson on our Monet
Curator's talk: Emma Jameson on our Monet

11am

Free for Members

Join Assistant Curator Emma Jameson for a conversation about Auckland Art Gallery’s first painting by Claude Monet. Le pont japonais (Japanese Bridge) depicts Monet’s famous waterlily garden and Japanese bridge. Learn more about Monet’s techniques and the interesting history behind the painting. 

View Event
Enchanted Worlds perfume workshop
Enchanted Worlds perfume workshop

10.30am–4pm

Members $335, Non Member $399 (includes a one-year Gallery Membership) Book now

In anticipation of our exhibition Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan, opening Sat 7 Mar, host Samantha Copland will guide you through a full day of fragrance design, inspired by Japanese flavours. 

Enchanted Worlds perfume workshop

10.30am–4pm

Members $335, Non Member $399 (includes a one-year Gallery Membership) Book now

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PechaKucha #61: 'Unstoppable'
PechaKucha #61: 'Unstoppable'

6.30–9pm

From $22 + booking fees Book now

PechaKucha Auckland (Japanese for “chit chat”) is a not-for-profit event collective celebrating Auckland’s creativity. 20 slides, 20 seconds of commentary per slide. That’s it. Hosted at the Gallery, the theme of chapter #61 is 'unstoppable'. Ten creatives share their work and anticipate this powerful future.

PechaKucha #61: 'Unstoppable'

6.30–9pm

From $22 + booking fees Book now

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An Enchanted Tea Experience
An Enchanted Tea Experience

11am–12.30pm & 2pm-3.30pm

$40 plus booking fees for Non Members, $22.50 plus booking fees for Gallery Members Book now

An Enchanted Tea Experience

11am–12.30pm & 2pm-3.30pm

$40 plus booking fees for Non Members, $22.50 plus booking fees for Gallery Members Book now

View Event
1000 Paper Cranes Challenge
1000 Paper Cranes Challenge

11am–4pm

FREE

1000 Paper Cranes Challenge

11am–4pm

FREE

View Event
Art Lovers' Films: Kusama – Infinity
Art Lovers' Films: Kusama – Infinity

6pm

Members $24.50, General admission $26.50 Buy tickets

Join us for an advance screening of Kusama – Infinity introduced by art historian Linda Tyler, Associate Professor in Museums and Cultural Heritage at the University of Auckland.

Art Lovers' Films: Kusama – Infinity

6pm

Members $24.50, General admission $26.50 Buy tickets

View Event
Artist talk: Dane Mitchell
Artist talk: Dane Mitchell

2pm

Join artist Dane Mitchell for a talk in his new exhibition Iris, Iris, Iris.

View Event
POSTPONED Ikebana-inspired workshop
POSTPONED Ikebana-inspired workshop

6–8pm

Members $200, non-Members $260 (includes a one-year Gallery Membership) Book now

POSTPONED Ikebana-inspired workshop

6–8pm

Members $200, non-Members $260 (includes a one-year Gallery Membership) Book now

View Event
SOLD OUT | Kintsugi Workshop - September
SOLD OUT | Kintsugi Workshop - September

10.30am–1.00pm

Book now

After a series of sold-out workshops, kintsugi practitioner and teacher Yuka O’Shannessy returns to show you how to piece your broken ceramics back together with beauty.

Artworks

View Artwork

On display

Le pont japonais (Japanese Bridge)
Le pont japonais (Japanese Bridge)

Claude Monet

On display

Production date
1918-1924
Medium
oil on canvas
Size (h x w)
1005 x 1115 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, on loan from the collection of Hideaki Fukutake
Accession no
L2016/18/1
View Artwork

Not on display

Waimangu (Japanese Style)
Waimangu (Japanese Style)

Melvin Day

Production date
1950
Medium
oil on board
Size (h x w)
530 x 615 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Melvin and Oroya Day, 2015
Accession no
2015/25/5
View Artwork

Not on display

Oniwaka Maru (Benkei in boyhood) as an apprentice monk at Shôshazan discomfiting the monks with whom he has quarrelled
Oniwaka Maru (Benkei in boyhood) as an apprentice monk at Shôshazan discomfiting...

Unknown artist

Production date
19th century?
Medium
ink
Size (h x w)
927 x 663 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1971
Accession no
1971/20/3/2
View Artwork

Not on display

Peterborough Cathedral
Peterborough Cathedral

Kenzo Takekoshi

Production date
1917
Medium
etching
Size (h x w)
391 x 255 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Jennifer Alliss, 2007
Accession no
2007/7
View Artwork

Not on display

Gion ô-torii (The Great Torii Gate of Gion Shrine)
Gion ô-torii (The Great Torii Gate of Gion Shrine)

Hasegawa Sodanobu I

Production date
1870-1871
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
171 x 235 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M187
View Artwork

Not on display

Kurodan Konkaikômyô-ji (Konkaikômyô-ji Temple in Kurodani)
Kurodan Konkaikômyô-ji (Konkaikômyô-ji Temple in Kurodani)

Hasegawa Sodanobu I

Production date
1870-1871
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
171 x 237 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M188
View Artwork

Not on display

The Shogun Hideyoshi in his encampment directing an attack on a fortress (right hand sheet of Triad)
The Shogun Hideyoshi in his encampment directing an attack on a fortress (right...

Ichimosai Yoshitsuru

Production date
circa 1866
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 252 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M177
View Artwork

Not on display

Lady and cat
Lady and cat

Utagawa Toyoshige II

Production date
circa 1797-1835
Medium
woodcut : nishiki-e (full colour) technique
Size (h x w)
364 x 260 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939
Accession no
1939/4/25
View Artwork

Not on display

Yoshitsune with his Attendants Scene from the Kabuki theatre
Yoshitsune with his Attendants Scene from the Kabuki theatre

Utagawa Kunisada

Production date
circa 1806-1865
Medium
ink
Size (h x w)
362 x 749 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1971
Accession no
1971/20/1
View Artwork

Not on display

Jiraiya Gôketsu Monogatari (centre sheet of Triad)
Jiraiya Gôketsu Monogatari (centre sheet of Triad)

Ichieisai Yoshitsuya

Production date
Unknown
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 250 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M182
View Artwork

Not on display

Sangokushi Chohan hashi no zu (The Three Kingdoms: Chohan Bridge)
Sangokushi Chohan hashi no zu (The Three Kingdoms: Chohan Bridge)

Utagawa Kuniyoshi

Production date
1852
Medium
woodcut : nishiki-e (full colour) technique
Size (h x w)
370 x 256 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939
Accession no
1939/4/8
View Artwork

Not on display

Pillar print: Lady in green and black kimono with red lining
Pillar print: Lady in green and black kimono with red lining

Utagawa Kunisada

Production date
1786-1865
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
675 x 227 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M76
View Artwork

Not on display

Shinban Kataki-uchi Soroi (right hand sheet of Triad)
Shinban Kataki-uchi Soroi (right hand sheet of Triad)

Utagawa Kuniyasu

Production date
1786-1865
Medium
woodcut : nishiki-e (full colour) technique
Size (h x w)
381 x 261 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939
Accession no
1939/4/20
View Artwork

Not on display

Yato Yomoshichi Norikane
Yato Yomoshichi Norikane

Utagawa Yoshitora

Production date
1847-1852
Medium
woodcut
Size (h x w)
365 x 250 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mrs Irwin, 1950
Accession no
1950/5/4
View Artwork

Not on display

The Syllable So: The Sacred Fence
The Syllable So: The Sacred Fence

Katsukawa Shunshō

Production date
1770-1773
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
212 x 157 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M9
View Artwork

Not on display

Untitled (Man and woman embracing, with an attendant)
Untitled (Man and woman embracing, with an attendant)

Suzuki Harunobu

Production date
circa 1745-1770
Medium
colour woodblock
Size (h x w)
205 x 270 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/29
View Artwork

Not on display

Onono Komachi and Arihara no Narihira
Onono Komachi and Arihara no Narihira

Toyokuni V Kunisada III - Kochoro

Production date
1847-1852
Medium
woodcut : nishiki-e (full colour) technique
Size (h x w)
375 x 255 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939
Accession no
1939/4/30
View Artwork

Not on display

A Courtesan
A Courtesan

Katsukawa Shunsen

Production date
circa 1781-1801
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
750 x 248 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M152
View Artwork

Not on display

Myôshin-ji Sekko matsu (Sekkô's Pine Tree at Myôshin-ji Temple
Myôshin-ji Sekko matsu (Sekkô's Pine Tree at Myôshin-ji Temple

Hasegawa Sodanobu I

Production date
1870-1871
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
170 x 237 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M192
View Artwork

Not on display

Samurai threatened by two cats
Samurai threatened by two cats

Utagawa Kuniyoshi

Production date
1794-1832
Medium
woodcut - sumizuri-e (black ink)
Size (h x w)
365 x 258 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1
View Artwork

Not on display

Lady in a snow-storm
Lady in a snow-storm

Kashösai Shunsen

Production date
1811
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 257 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, purchased 1949
Accession no
M36
View Artwork

Not on display

A Well-known beauty of Edo leaning on the railing of a house. In the background a scene of Asakura Park
A Well-known beauty of Edo leaning on the railing of a house. In the background...

Keisai Eisen

Production date
1815-1842
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
371 x 250 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M120
View Artwork

Not on display

Woman Trimming Her Nails
Woman Trimming Her Nails

Utagawa Kunisada

Production date
1843-1845
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
708 x 249 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M43
View Artwork

Not on display

Chion-in hondô no kasa o miru (Looking at the Main Hall of The Chion-in)
Chion-in hondô no kasa o miru (Looking at the Main Hall of The Chion-in)

Hasegawa Sodanobu I

Production date
1870-1871
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
171 x 238 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M191
View Artwork

Not on display

Treasure Ship, Spring Goddess
Treasure Ship, Spring Goddess

Mayumi Oda

Production date
1976
Medium
screenprint
Size (h x w)
912 x 612 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1977
Accession no
1977/29/1
View Artwork

Not on display

Woman presenting flowers to kneeling guests
Woman presenting flowers to kneeling guests

Utagawa Toyokuni I

Production date
circa 1789-1825
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
390 x 265 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M33
View Artwork

Not on display

Page from an illustrated book: Two women by the waterside, one beating cloth on a low roller frame
Page from an illustrated book: Two women by the waterside, one beating cloth on...

Yanagawa Shigenobu II

Production date
Unknown
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
194 x 137 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M168
View Artwork

Not on display

Bird on a branch
Bird on a branch

Shiko Munakata

Production date
1903-1975
Medium
watercolour
Size (h x w)
625 x 317 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1962
Accession no
1962/30/2
View Artwork

Not on display

Mata Meguri - Kurawa Haru no Irodori (centre sheet of Triad)
Mata Meguri - Kurawa Haru no Irodori (centre sheet of Triad)

Ikkeisai Yoshiiku

Production date
1879
Medium
woodcut : nishiki-e (full colour) technique
Size (h x w)
366 x 246 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939
Accession no
1939/4/32
View Artwork

Not on display

Eiyū-zoroi (A Gathering of Heroes)
Eiyū-zoroi (A Gathering of Heroes)

Utagawa Yoshitora

Production date
1860
Medium
ink
Size (h x w)
346 x 714 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1971
Accession no
1971/20/2
View Artwork

Not on display

Tsûtenkyô no momiji (Red Maple Trees at the Tsûtenkyô Bridge)
Tsûtenkyô no momiji (Red Maple Trees at the Tsûtenkyô Bridge)

Andō Hiroshige

Production date
circa 1834
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
234 x 350 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M78
View Artwork

Not on display

The Yodo River between Kyoto and Osaka
The Yodo River between Kyoto and Osaka

Utagawa Kunisada

Production date
1786-1865
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
259 x 384 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M58
View Artwork

Not on display

Yoshida-yama Kagura-oka (Mount Yoshida and Kagura Hill)
Yoshida-yama Kagura-oka (Mount Yoshida and Kagura Hill)

Hasegawa Sodanobu I

Production date
1870-1871
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
171 x 236 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M185
View Artwork

Not on display

Three women with umbrellas, Mount Fuji in background
Three women with umbrellas, Mount Fuji in background

Utagawa Hiroshige II

Production date
circa 1850
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
224 x 175 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M104
View Artwork

Not on display

Kôdai-ji aki no kei (Autumn Scene at Kôdai-ji Temple)
Kôdai-ji aki no kei (Autumn Scene at Kôdai-ji Temple)

Hasegawa Sodanobu I

Production date
1870-1871
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
171 x 237 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M184
View Artwork

Not on display

Lady in brown kimono, with black Obi
Lady in brown kimono, with black Obi

Kikugawa Eizan

Production date
circa 1797-1867
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
388 x 260 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M111
View Archive
Marti Friedlander Archive
Marti Friedlander Archive
Production date
1955-2017
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, on loan from the Gerrard and Marti Friedlander Charitable Trust, 2002
Accession no
RC2007/11
View Archive
Phil Dadson Archive
Phil Dadson Archive
Production date
1971-2011
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Philip Dadson, 2020
Accession no
RC2021/1

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