Exhibitions

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In the Presence of Absence: Early Modern Fragments
In the Presence of Absence: Early Modern Fragments

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Temples for the Gods
Temples for the Gods

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Free entry

Temples for the Gods

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Free entry

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Betty: The Work of Betty Curnow (1911–2005)
Betty: The Work of Betty Curnow (1911–2005)

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Free

Betty: The Work of Betty Curnow (1911–2005)

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Free

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Ann Shelton: Dark Matter
Ann Shelton: Dark Matter

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Free entry

Ann Shelton: Dark Matter

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Free entry

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Happy Birthday to New
Happy Birthday to New

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$5 - $7

Happy Birthday to New

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$5 - $7

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Richard Lewer: Collective Memory
Richard Lewer: Collective Memory

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Richard Lewer: Collective Memory

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All That Was Solid Melts
All That Was Solid Melts

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FREE

All That Was Solid Melts

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FREE

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Takoto
Takoto

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FREE

Takoto

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FREE

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The Walters Prize 2012
The Walters Prize 2012

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Free entry

The Walters Prize 2012

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Free entry

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The Walters Prize 2002
The Walters Prize 2002

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Free entry

The Walters Prize 2002

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Free entry

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Mystic Truths
Mystic Truths

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Free entry

Mystic Truths

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Free entry

Events

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Curator's tour: Early Modern Fragments
Curator's tour: Early Modern Fragments

3pm

Join Assistant Curator Emma Jameson for an insight into her exhibition In the Presence of Absence: Early Modern Fragments.

Curator's tour: Early Modern Fragments

3pm

View Event
Easy Listening: Martine Syms
Easy Listening: Martine Syms

6pm

Free

On the occasion of Artspace’s current exhibition Potentially Yours, The Coming Community, exhibiting artist Martine Syms will present her performative lecture, Misdirected Kiss.

Easy Listening: Martine Syms

6pm

Free

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Members Preview: All That Was Solid Melts
Members Preview: All That Was Solid Melts

5–9pm

FREE (Members only)

We welcome Gallery Members to attend the preview of All That Was Solid Melts on Friday 4 June. The exhibition will be open exclusively to Members from 5–9pm. Join the Membership team and Senior Curator Global Contemporary Art, Juliana Engberg in the café, for a glass of wine and a chance to meet other art lovers (nibbles provided).

Please present your membership card at the front desk to receive a wristband for entry. 

Members Preview: All That Was Solid Melts

5–9pm

FREE (Members only)

Artworks

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Not on display

Fragments underfoot
Fragments underfoot

John Weeks

Production date
Unknown
Medium
tempera on board
Size (h x w)
432 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased with the aid of a grant from the Queen Elizabeth II Arts Council of New Zealand, 1970
Accession no
1970/1/29
Fragments underfoot

John Weeks

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Not on display

Varie capitelli e frammenti di colonne (Various capitals and fragments of columns)
Varie capitelli e frammenti di colonne (Various capitals and fragments of column...

Giovanni Battista Piranesi

Production date
circa 1753
Medium
etching
Size (h x w)
444 x 247 mm
Credit line
Auckland Art Gallery Toi o Tāmaki
Accession no
U/313
Varie capitelli e frammenti di colonne (Various capitals and fragments of column...

Giovanni Battista Piranesi

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Not on display

Social Fragments
Social Fragments

Richard Killeen

Production date
1997
Medium
acrylic and gesso on aluminium
Size (h x w)
1280 x 1309 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2000
Accession no
2000/17
Social Fragments

Richard Killeen

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Not on display

Eastern Fragments 3
Eastern Fragments 3

Henry Bell

Production date
Unknown
Medium
oil and polyurethene on board
Size (h x w)
292 x 216 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1966
Accession no
1966/5
Eastern Fragments 3

Henry Bell

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On display

Roman torso of a naked youth
Roman torso of a naked youth

Unknown artist

On display

Production date
circa 1st century-circa 2nd century
Medium
marble
Size (h x w)
580 x 240 x 170 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, on loan from a private collection
Accession no
L2015/27
Roman torso of a naked youth

Unknown artist

On display

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Not on display

Antique ancient altar with surrounding ruins
Antique ancient altar with surrounding ruins

Giovanni Battista Piranesi

Production date
circa 1743
Medium
etching, four states with burin work
Size (h x w)
270 x 375 mm
Credit line
Auckland Art Gallery Toi o Tāmaki
Accession no
U/169
Antique ancient altar with surrounding ruins

Giovanni Battista Piranesi

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Not on display

Capital and base of a column (Vitruvius II)
Capital and base of a column (Vitruvius II)

Hans Beham

Production date
1543
Medium
engraving
Size (h x w)
77 x 50 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/20
Capital and base of a column (Vitruvius II)

Hans Beham

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Not on display

XXVII. Uno de'. . Frammenti dell' antica pianta di Roma conservati nel Campidoglio indicante la pianta della scena del Teatro di Marcello. (One of the fragments of the ancient plan of Rome, preserved on the Capitoline, which shows the plan of the stage building of the Theatre of Marcellus).
XXVII. Uno de'. . Frammenti dell' antica pianta di Roma conservati nel Campidog...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
390 x 590 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/51
XXVII. Uno de'. . Frammenti dell' antica pianta di Roma conservati nel Campidog...

Giovanni Battista Piranesi

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Not on display

Au milieu, le dessus d'une main gauche; aux quatre angles, quatre autres mains plus petites
Au milieu, le dessus d'une main gauche; aux quatre angles, quatre autres mains p...

Stefano Della Bella

Production date
1641
Medium
etching
Size (h x w)
125 x 150 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/1/44
Au milieu, le dessus d'une main gauche; aux quatre angles, quatre autres mains p...

Stefano Della Bella

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Not on display

Deux mains jointes et appuyées sur un bout de baton, et trois autres mains separées
Deux mains jointes et appuyées sur un bout de baton, et trois autres mains separ...

Stefano Della Bella

Production date
1641
Medium
etching
Size (h x w)
117 x 150 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/1/43
Deux mains jointes et appuyées sur un bout de baton, et trois autres mains separ...

Stefano Della Bella

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Not on display

Quatre pieds ombre's et un au trait
Quatre pieds ombre's et un au trait

Stefano Della Bella

Production date
1641
Medium
etching
Size (h x w)
125 x 150 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/1/45
Quatre pieds ombre's et un au trait

Stefano Della Bella

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Not on display

Quatre pieds gauches, dont trois ombres et un au trait
Quatre pieds gauches, dont trois ombres et un au trait

Stefano Della Bella

Production date
1641
Medium
etching
Size (h x w)
125 x 150 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/1/46
Quatre pieds gauches, dont trois ombres et un au trait

Stefano Della Bella

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Not on display

XXXXVIII. A. Pianta degli avanzi del Portico fabbricato da M. Emilio Lepido, e P. Emilio Paolo fuori della Porta Trigemina nell' Emporio alla ripa del Tevere (Plan of the remains of the arcade built by M Aemilius Lepidus and P. Aemilius Paullus outside the Porta Trigemina at the Emporium on the bank of the Tiber)
XXXXVIII. A. Pianta degli avanzi del Portico fabbricato da M. Emilio Lepido, e...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
393 x 240 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/70
XXXXVIII. A. Pianta degli avanzi del Portico fabbricato da M. Emilio Lepido, e...

Giovanni Battista Piranesi

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Not on display

Rosone con Maschera; Orologio Solare
Rosone con Maschera; Orologio Solare

Unknown artist

Production date
1787
Medium
etching
Size (h x w)
140 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/36/28
Rosone con Maschera; Orologio Solare

Unknown artist

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Not on display

Blasted Trunk and Folded Hills
Blasted Trunk and Folded Hills

Graham Sutherland

Production date
1943
Medium
colour lithograph
Size (h x w)
253 x 382 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, transferred from the E H McCormick Research Library, 1984
Accession no
1984/36
Blasted Trunk and Folded Hills

Graham Sutherland

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Not on display

Trois orgilles, un nez en profil et une bouche
Trois orgilles, un nez en profil et une bouche

Stefano Della Bella

Production date
1641
Medium
etching
Size (h x w)
125 x 150 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/1/42
Trois orgilles, un nez en profil et une bouche

Stefano Della Bella

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Not on display

Dimostrazione in grande di alcune delle parti del second' ordine del second'ordine del Serraglio delle fiere fabbricato da Domizano (LVI) (Reconstruction of some of the details of the second order of the animal cages built by Domitian)
Dimostrazione in grande di alcune delle parti del second' ordine del second'ordi...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
400 x 257 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/78
Dimostrazione in grande di alcune delle parti del second' ordine del second'ordi...

Giovanni Battista Piranesi

View Artwork

Not on display

Trace of a Silent Bell #4
Trace of a Silent Bell #4

Robert Owen

Production date
1994
Medium
shattered auto windscreen glass, Tibetan bronze, spot light
Size (h x w)
198 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1994
Accession no
1994/13/1
Trace of a Silent Bell #4

Robert Owen

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Not on display

Avanzi di un Collegio di Silvano Aureliano distanti circa quattro miglia da Roma fuori della Porta Maggiore nel luogo denominato Le Cento-Celle spettante all' eccellentissima Casa Barberini (Ruins of a college of Silvanus Aurelianus about four miles from Rome outside the Porta Maggiore in the place called the Hundred Cells, belonging to the most excellent family Barberini family)
Avanzi di un Collegio di Silvano Aureliano distanti circa quattro miglia da Roma...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
453 x 286 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/79
Avanzi di un Collegio di Silvano Aureliano distanti circa quattro miglia da Roma...

Giovanni Battista Piranesi

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Not on display

Dimostrazione in grande della modinatura della cornice della parte opposta della facciata del Portico d'Ottavia (Reconstruction of the details of the molding on the cornice of the rear facade of the Portico of Octavia)
Dimostrazione in grande della modinatura della cornice della parte opposta della...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
394 x 252 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/66
Dimostrazione in grande della modinatura della cornice della parte opposta della...

Giovanni Battista Piranesi

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Not on display

Dismostransi nella Tav presente la Pianta, ed Elevaziona del Ponte oggi detto Quarttro Capai egli e antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica (Shown in this Plate are the plan and elevation of the bridge now called the Ponte dei Quattro Capi (Bridge of the Four Heads) which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendent of the Streets who built it at the end of the Republic 62 BC)
Dismostransi nella Tav presente la Pianta, ed Elevaziona del Ponte oggi detto Qu...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
393 x 590 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1971
Accession no
1971/21/2
Dismostransi nella Tav presente la Pianta, ed Elevaziona del Ponte oggi detto Qu...

Giovanni Battista Piranesi

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Not on display

Sept yeux, dont cinq au trait et deux ombres ...
Sept yeux, dont cinq au trait et deux ombres ...

Stefano Della Bella

Production date
1641
Medium
etching
Size (h x w)
125 x 150 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/1/41
Sept yeux, dont cinq au trait et deux ombres ...

Stefano Della Bella

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Not on display

Dimostrazione dell' avanzo de' portici ch' erano d'innanzi ai Septi Giuli (Reconstruction of the remains of the arcades which were in front of the Septum Julium)
Dimostrazione dell' avanzo de' portici ch' erano d'innanzi ai Septi Giuli (Recon...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
402 x 257 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/69
Dimostrazione dell' avanzo de' portici ch' erano d'innanzi ai Septi Giuli (Recon...

Giovanni Battista Piranesi

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Not on display

XXII. A. Pianta del Ponte Ferrato detto dagl' Antiquari Cestio ... (A. Plan of Ponte Ferrato, called the Bridge of Cestius by antiquarians ...)
XXII. A. Pianta del Ponte Ferrato detto dagl' Antiquari Cestio ... (A. Plan of...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
335 x 600 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/46
XXII. A. Pianta del Ponte Ferrato detto dagl' Antiquari Cestio ... (A. Plan of...

Giovanni Battista Piranesi

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Not on display

XXXVII Dimostrazione in grande delle parti del second' ordine del Teatro di Marcello (Reconstruction of details of the second order of the Theatre of Marcellus)
XXXVII Dimostrazione in grande delle parti del second' ordine del Teatro di Marc...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
393 x 249 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/61
XXXVII Dimostrazione in grande delle parti del second' ordine del Teatro di Marc...

Giovanni Battista Piranesi

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Not on display

Dimostrazione in grande delle parti del Tempio della Fortuna Virile. LII.. (Reconstruction of details from the Temple of Fortuna Virilis).
Dimostrazione in grande delle parti del Tempio della Fortuna Virile. LII.. (Reco...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
542 x 412 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/74
Dimostrazione in grande delle parti del Tempio della Fortuna Virile. LII.. (Reco...

Giovanni Battista Piranesi

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Not on display

XXXVI Dimostrazione in grande delle parti del second' ordine del Teatro Di Marcello (Reconstruction of details of the second order of the Theatre of Marcellus
XXXVI Dimostrazione in grande delle parti del second' ordine del Teatro Di Marc...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
439 x 248 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/60
XXXVI Dimostrazione in grande delle parti del second' ordine del Teatro Di Marc...

Giovanni Battista Piranesi

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Not on display

Dimostrazione in grande delle parti del Tempio della Fortuna Virile (Reconstruction of details from the Temple of Fortuna Virilis)
Dimostrazione in grande delle parti del Tempio della Fortuna Virile (Reconstruct...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
542 x 416 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/73
Dimostrazione in grande delle parti del Tempio della Fortuna Virile (Reconstruct...

Giovanni Battista Piranesi

View Artwork

Not on display

Pianta del serraglio delle fiere fabbricato da Domiziano per uso dell' Anfiteatro ... (Plan of the animal cages built by Domitian for the Amphitheatre ...)
Pianta del serraglio delle fiere fabbricato da Domiziano per uso dell' Anfiteatr...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
400 x 600 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/75
Pianta del serraglio delle fiere fabbricato da Domiziano per uso dell' Anfiteatr...

Giovanni Battista Piranesi

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Not on display

Two Antique Busts
Two Antique Busts

John Miller

Production date
18th century
Medium
etching (cut in two)
Size (h x w)
228 x 178 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/36/38/2
Two Antique Busts

John Miller

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Not on display

Dimostrazione in grande di alcune delle parti del primo ordine del Teatro Di Marcello (Reconstruction of some details of the first order of the Theatre of Marcellus)
Dimostrazione in grande di alcune delle parti del primo ordine del Teatro Di Mar...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
400 x 256 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/58
Dimostrazione in grande di alcune delle parti del primo ordine del Teatro Di Mar...

Giovanni Battista Piranesi

View Artwork

Not on display

Spaccato di uno degli Archi di mezzo del Ponte d'Elio Adriano ... (Vertical section of one of the arches in the middle of the Bridge of Hadrian ...)
Spaccato di uno degli Archi di mezzo del Ponte d'Elio Adriano ... (Vertical sect...

Giovanni Battista Piranesi

Production date
circa 1756
Medium
etching
Size (h x w)
394 x 470 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/39
Spaccato di uno degli Archi di mezzo del Ponte d'Elio Adriano ... (Vertical sect...

Giovanni Battista Piranesi

View Artwork

Not on display

XLVI.A. Pianta dell' avanzo del Portico di Filippo (A. plan of the remains of the Portico of Philip [L. Marcius Philippus] ...)
XLVI.A. Pianta dell' avanzo del Portico di Filippo (A. plan of the remains of th...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
355 x 250 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/68
XLVI.A. Pianta dell' avanzo del Portico di Filippo (A. plan of the remains of th...

Giovanni Battista Piranesi

View Artwork

Not on display

XXIX. Sezione di uno de' Cunei del Teatro di Marcello (Section of one of the banks of seats in the Theatre of Marcellus)
XXIX. Sezione di uno de' Cunei del Teatro di Marcello (Section of one of the ba...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
449 x 863 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/53
XXIX. Sezione di uno de' Cunei del Teatro di Marcello (Section of one of the ba...

Giovanni Battista Piranesi

View Artwork

Not on display

Dimostrazione in grande di alcune delle parti del Portico d'Ottavia (Reconstruction of some of the details of the Portico of Octavia)
Dimostrazione in grande di alcune delle parti del Portico d'Ottavia (Reconstruct...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
457 x 548 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/65
Dimostrazione in grande di alcune delle parti del Portico d'Ottavia (Reconstruct...

Giovanni Battista Piranesi

View Artwork

Not on display

Spaccato degli Speroni, i quali servono di contrafforti al gran Fondamento del Maus d'Elio Adriano. (Vertical section of the buttresses which counterbalance the massive foundations of the Mausoleum of Hadrian).
Spaccato degli Speroni, i quali servono di contrafforti al gran Fondamento del M...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
347 x 233 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/36
Spaccato degli Speroni, i quali servono di contrafforti al gran Fondamento del M...

Giovanni Battista Piranesi

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Re-constructing Arcadia: Early Modern Fragments Image
Re-constructing Arcadia: Early Modern Fragments

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Negative Capability (2)

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On the Mend: Part II

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Pause for effect – Fiona Pardington: A Beautiful Hesitation comes to Auckland Ar...
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