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Relevance
Title (A to Z)
Title (Z to A)
Production date (newest first)
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Peaceful Pacific Tools : Two Dusters and Two Fans — Peaceful Pacific Tools : Two Dusters and Two Fans

Christine Hellyar

Production date

1985

Medium

ink

Size (h x w)

650 x 500 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1987

Accession no

1987/44/6

Peaceful Pacific Tools : Two Dusters and Two Fans

Christine Hellyar

Wife of the London Mayor — Wife of the London Mayor

Wenceslaus Hollar

Production date

1649

Medium

etching and engraving

Size (h x w)

91 x 58 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M1885/21/1/4

Wife of the London Mayor

Wenceslaus Hollar

Spanish Noblewoman — Spanish Noblewoman

Wenceslaus Hollar

Production date

1649

Medium

etching

Size (h x w)

92 x 58 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M1885/21/1/10

Spanish Noblewoman

Wenceslaus Hollar

Onono Komachi and Arihara no Narihira — Onono Komachi and Arihara no Narihira

Toyokuni V Kunisada III - Kochoro

Production date

1847-1852

Medium

woodcut : nishiki-e (full colour) technique

Size (h x w)

375 x 255 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939

Accession no

1939/4/30

Onono Komachi and Arihara no Narihira

Toyokuni V Kunisada III - Kochoro

A Courtesan about to Compose A New Year's Poem on a Fan — A Courtesan about to Compose A New Year's Poem on a Fan

Katsukawa Shuntei

Production date

circa 1816

Medium

woodcut - nishiki-e (full colour) technique

Size (h x w)

193 x 173 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M59

A Courtesan about to Compose A New Year's Poem on a Fan

Katsukawa Shuntei

A Woman with a fan, standing, seen from the back — A Woman with a fan, standing, seen from the back

Henry Fuseli

On display

Production date

1791

Medium

pencil with blue, brown, black and pink wash, body colour

Size (h x w)

233 x 188 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1965

Accession no

1965/44

A Woman with a fan, standing, seen from the back

On display

La dame a l'eventail — La dame a l'eventail

Jacques Callot

Production date

1624

Medium

etching

Size (h x w)

143 x 93 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/204

La dame a l'eventail

Women Resting in the Votive Picture Hall at Asakusa — Women Resting in the Votive Picture Hall at Asakusa

Chobunsai Eishi

Production date

1792-1793

Medium

woodcut - nishiki-e (full colour) technique

Size (h x w)

373 x 247 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M26

Women Resting in the Votive Picture Hall at Asakusa

Chobunsai Eishi

Portrait of a Lady La Marquise — Portrait of a Lady La Marquise

William Frith

On display

Production date

1885

Medium

oil on canvas

Size (h x w)

762 x 609 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1975

Accession no

1975/2

Portrait of a Lady La Marquise

On display

Woman from a Samurai Household on a Visit to a Shrine — Woman from a Samurai Household on a Visit to a Shrine

Utagawa Kunisada

Production date

early 1830s

Medium

woodcut - nishiki-e (full colour) technique

Size (h x w)

207 x 185 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M71

Woman from a Samurai Household on a Visit to a Shrine

Utagawa Kunisada

Bijin waka sannin (Three Young Beauties) — Bijin waka sannin (Three Young Beauties)

Kikugawa Eizan

Production date

1815-1842

Medium

woodcut - nishiki-e (full colour) technique

Size (h x w)

393 x 270 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M114

Bijin waka sannin (Three Young Beauties)

Lola de Valence — Lola de Valence

Edouard Manet

Production date

1862

Medium

etching

Size (h x w)

266 x 185 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1956

Accession no

1956/31/2

Lola de Valence

Two women and boy with umbrella — Two women and boy with umbrella

Katsukawa Shunshō

Production date

circa 1746-circa 1792

Medium

woodcut - nishiki-e (full colour) technique

Size (h x w)

265 x 194 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M10

Two women and boy with umbrella

Katsukawa Shunshō

Mikado — Mikado

Russell Clark

Production date

Unknown

Medium

ink, gouache

Size (h x w)

180 x 245 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1977

Accession no

1977/71/6

Mikado

Gobind Singh Holding a Hawk, with Two Servants in Attendance — Gobind Singh Holding a Hawk, with Two Servants in Attendance

Unknown artist Sikh School

Production date

circa 1850

Medium

tempera

Size (h x w)

242 x 189 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/208

Gobind Singh Holding a Hawk, with Two Servants in Attendance

Unknown artist Sikh School

Religious man being transported on an elephant — Religious man being transported on an elephant

Unknown artist Sikh School

Production date

circa 1850

Medium

tempera

Size (h x w)

233 x 161 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/209

Religious man being transported on an elephant

Unknown artist Sikh School

Five children performing the dance of the Fifth Month, a lady with a fan looks on — Five children performing the dance of the Fifth Month, a lady with a fan looks o...

Chobunsai Eishi

Production date

1815-1842

Medium

woodcut - nishiki-e (full colour) technique

Size (h x w)

254 x 187 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M25

Five children performing the dance of the Fifth Month, a lady with a fan looks o...

Chobunsai Eishi

Fortune telling — Fortune telling

Sensho

Production date

1847-1848

Medium

woodcut - nishiki-e (full colour) technique

Size (h x w)

368 x 249 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M4

Fortune telling

Portrait of a Lady — Portrait of a Lady

Dirck Santvoort

Production date

1637

Medium

oil on panel

Size (h x w)

1213 x 895 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr P A N Nathan, 1963

Accession no

1963/18

Portrait of a Lady

Dirck Santvoort

Woman with Fan — Woman with Fan

Unknown artist

Production date

18th century?

Medium

etching

Size (h x w)

273 x 188 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr G M Mitford, 1883

Accession no

1883/1/54/1

Woman with Fan

Kadomatsu saruwaka (A Saruwaka Performance before a New Year's Decoration) — Kadomatsu saruwaka (A Saruwaka Performance before a New Year's Decoration)

Torii Kiyomitsu

Production date

circa 1804

Medium

woodcut : nishiki-e (full colour) technique

Size (h x w)

196 x 524 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939

Accession no

1939/4/144

Kadomatsu saruwaka (A Saruwaka Performance before a New Year's Decoration)

Torii Kiyomitsu

Dame Whina Cooper at Waitangi, 1981 — Dame Whina Cooper at Waitangi, 1981

Ans Westra

Production date

1984

Medium

gelatin silver print

Size (h x w)

269 x 317 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1997

Accession no

1997/27/28

Dame Whina Cooper at Waitangi, 1981

Mitate Hakkei; Night rain at Gion (left hand sheet of Triad) — Mitate Hakkei; Night rain at Gion (left hand sheet of Triad)

Andō Hiroshige

Production date

circa 1850

Medium

woodcut - nishiki-e (full colour) technique

Size (h x w)

368 x 271 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M100

Mitate Hakkei; Night rain at Gion (left hand sheet of Triad)

Andō Hiroshige

The River Carnival at Ryogoku (May) — The River Carnival at Ryogoku (May)

Keisai Eisen

Production date

1815-1842

Medium

woodcut - nishiki-e (full colour) technique

Size (h x w)

364 x 233 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M124

The River Carnival at Ryogoku (May)

Summer — Summer

Wenceslaus Hollar

Production date

1641

Medium

etching

Size (h x w)

246 x 175 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M2001/32/30

Summer

Wenceslaus Hollar

A nobleman visiting a holy man, each with their attendant — A nobleman visiting a holy man, each with their attendant

Unknown artist Sikh School

Production date

circa 1850

Medium

tempera

Size (h x w)

254 x 205 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/206

A nobleman visiting a holy man, each with their attendant

Unknown artist Sikh School

Sikh Ruler seated on a terrace, leaning on a bolster, with two attendants, one holding a fly whisk — Sikh Ruler seated on a terrace, leaning on a bolster, with two attendants, one h...

Unknown artist Sikh School

Production date

circa 1850

Medium

tempera

Size (h x w)

238 x 187 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/207

Sikh Ruler seated on a terrace, leaning on a bolster, with two attendants, one h...

Unknown artist Sikh School

Effects des Habitans des Iles des Amis — Effects des Habitans des Iles des Amis

P Dien Jacques Perée

Production date

1791

Medium

engraving on paper

Size (h x w)

392 x 242 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1964

Accession no

1965/1/32

Effects des Habitans des Iles des Amis

P Dien Jacques Perée

Summer — Summer

Wenceslaus Hollar

Production date

1644

Medium

etching

Size (h x w)

181 x 130 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/3/43

Summer

Wenceslaus Hollar

Three ladies crossing a footbridge, one carries a samisen — Three ladies crossing a footbridge, one carries a samisen

Utagawa Kuniyasu

Production date

1786-1865

Medium

woodcut - nishiki-e (full colour) technique

Size (h x w)

256 x 378 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M42

Three ladies crossing a footbridge, one carries a samisen

Utagawa Kuniyasu

Her First Love Letter — Her First Love Letter

Marcus Stone

On display

Production date

1889

Medium

oil on canvas

Size (h x w)

1100 x 1683 x 60 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Moss Davis, 1930

Accession no

1930/2/1

Her First Love Letter

On display

The Introduction — The Introduction

George Du Maurier

Production date

1882

Medium

pen and ink

Size (h x w)

138 x 110 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the Trustees of the Estate of Mr George du Maurier, 1934

Accession no

1934/6/2

The Introduction

George Du Maurier

Theatrical Scene — Theatrical Scene

Harold Collins

Production date

Unknown

Medium

watercolour, gouache

Size (h x w)

178 x 250 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr W D Collins, 1979

Accession no

1979/6/12

Theatrical Scene

Practice makes Perfect — Practice makes Perfect

George Du Maurier

Production date

19th century

Medium

pen and ink

Size (h x w)

287 x 345 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1980

Accession no

1980/20/4

Practice makes Perfect

George Du Maurier

Fishing — Fishing

Lawrence Alma-Tadema

Production date

1875

Medium

watercolour

Size (h x w)

252 x 458 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr F J Nettlefold, 1948

Accession no

1948/14/2

Fishing

Lawrence Alma-Tadema

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John Weeks Archive — John Weeks Archive

Production date

Unknown

Credit line

E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of the Estate of Peter O'Connor, 2010

Accession no

RC2010/1

John Weeks Archive

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