Homegrown art crime is the subject of Penelope Jackson’s book Art Thieves, Fakes and Fraudsters: The New Zealand Story. Documenting over 100 years of bad behaviour – from a nicked nude to an international court battle that saw works taken during WWII repatriated to Italy, and Goldie homages in between – Jackson exposes the underbelly of the arty kind.
Two priests, the old veteran Father Julián and his new younger Belgian colleague, Father Nicolás, and the social worker Luciana, work in a slum area of Buenos Aires known as Ciudad Oculta.
The streets of the world's most notorious slum, Rio de Janeiro's City of God, are a place where combat photographers fear to tread, police rarely go and residents are lucky if they live to the age of 20.
What better way to celebrate the exhibition Mary Quant: Fashion Revolutionary than two iconic, groovy, cinematic classics that will transport you back to the swinging sixties!
Alongside a fully stocked bar, you can catch A Hard Day’s Night – a 1964 rock-and-roll romp following "a day in the life" of The Beatles as fame takes them by storm – and mystery thriller Blow-Up, by critically acclaimed director Michelangelo Antonioni, wherein a bored mod-photographer discovers he’s unknowingly captured a crime scene on film. This event will be located at The Hollywood in Avondale, New Zealand’s longest-running cinema palace.
As Augusto Pinochet holds Chile in the grip of a dictatorship, a fifty-year-old man obsessed with John Travolta's character from Saturday Night Fever imitates his idol each weekend in a small bar on the outskirts of Santiago.
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