Exhibitions

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The Discerning Eye: Collecting Della Bella and Callot
The Discerning Eye: Collecting Della Bella and Callot

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Free entry

The Discerning Eye: Collecting Della Bella and Callot

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Free entry

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A Puppet, a Pauper, a Pirate, a Poet, a Pawn and a King
A Puppet, a Pauper, a Pirate, a Poet, a Pawn and a King

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Free entry

A Puppet, a Pauper, a Pirate, a Poet, a Pawn and a King

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Free entry

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Wonderful, Crazy, Subversive: The John B Turner Archive
Wonderful, Crazy, Subversive: The John B Turner Archive

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Painting Nature
Painting Nature

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Free entry

Painting Nature

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Free entry

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Property of a Gentleman
Property of a Gentleman

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Free entry

Property of a Gentleman

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Free entry

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

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FREE

Manpower: Myths of Masculinity

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FREE

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Suji Park: Meonji Soojibga | Dust Collector
Suji Park: Meonji Soojibga | Dust Collector

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FREE

Suji Park: Meonji Soojibga | Dust Collector

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FREE

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Temples for the Gods
Temples for the Gods

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Free entry

Temples for the Gods

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Free entry

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In the Presence of Absence: Early Modern Fragments
In the Presence of Absence: Early Modern Fragments

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The Julian and Josie Robertson Promised Gift: An Exclusive Preview
The Julian and Josie Robertson Promised Gift: An Exclusive Preview

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Free entry

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Guerrilla Girls: Reinventing the ‘F’ Word – Feminism!
Guerrilla Girls: Reinventing the ‘F’ Word – Feminism!

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Te Hei Tiki
Te Hei Tiki

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$5 - $7

Te Hei Tiki

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$5 - $7

Events

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My Art Collectors Series launch
My Art Collectors Series launch

2.30–4pm

SOLD OUT

The My Art Collectors Series celebrates collecting art and creates a platform to hear from collectors, curators and artists with the aim of inspiring the art lovers and collectors of today and tomorrow.  

My Art Collectors Series launch

2.30–4pm

SOLD OUT

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My Art Collector Series: Caring for Your Collection
My Art Collector Series: Caring for Your Collection

5.45–7pm

FREE Book now

Preventive conservation isn't just for museums – it’s for all collectors.

My Art Collector Series: Caring for Your Collection

5.45–7pm

FREE Book now

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My Art Collector Series: Auckland Art Fair VIP visit
My Art Collector Series: Auckland Art Fair VIP visit

2–4.30pm

$245 for Members; $295 for non-Members (incl one year membership) Buy tickets

Want to know what’s hot in contemporary art right now? Join us for a bespoke, curated visit to the Auckland Art Fair on the VIP Preview day

My Art Collector Series: Auckland Art Fair VIP visit

2–4.30pm

$245 for Members; $295 for non-Members (incl one year membership) Buy tickets

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My Art Collectors Series: K Road and Arch Hill Gallery Tour 1
My Art Collectors Series: K Road and Arch Hill Gallery Tour 1

11.30–1pm

Members $10, non-Members $60 (incl one-year membership) Buy tickets

Join art writer and curator Francis McWhannell as he takes you on a guided tour of his selection of dealer galleries around Karangahape Road and Arch Hill. 

My Art Collectors Series: K Road and Arch Hill Gallery Tour 1

11.30–1pm

Members $10, non-Members $60 (incl one-year membership) Buy tickets

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My Art Collector Series: Collecting Art – An Insider’s View
My Art Collector Series: Collecting Art – An Insider’s View

5.45–7pm

FREE Members-only

Associate Professor Linda Tyler chairs a panel of art pundits, who will give you an insider’s view to collecting art.

My Art Collector Series: Collecting Art – An Insider’s View

5.45–7pm

FREE Members-only

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The Faces I Have Seen: Clay-making with Suji Park
The Faces I Have Seen: Clay-making with Suji Park

11am – 2pm

FREE

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My Art Collectors Series Panel Discussion: The Artist Has to Live Unlike Everybody Else
My Art Collectors Series Panel Discussion: The Artist Has to Live Unlike Everybo...

6–7.30pm

FREE for Members, $7.50 for non-Members Book now

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SOLD OUT My Art Collectors Series: K Road and Arch Hill Gallery Tour 3
SOLD OUT My Art Collectors Series: K Road and Arch Hill Gallery Tour 3

11.30–1pm

Members $10, non-Members $60 (incl one-year membership)

Please note that this event is sold out.

Join art writer and curator Francis McWhannell as he takes you on a guided tour of his selection of dealer galleries around Karangahape Road and Arch Hill. 

SOLD OUT My Art Collectors Series: K Road and Arch Hill Gallery Tour 3

11.30–1pm

Members $10, non-Members $60 (incl one-year membership)

View Event
SOLD OUT My Art Collectors Series: K Road and Arch Hill Gallery Tour 2
SOLD OUT My Art Collectors Series: K Road and Arch Hill Gallery Tour 2

11.30–1pm

Members $10, non-Members $60 (incl one-year membership)

Please note that this event is sold out.

Join art writer and curator Francis McWhannell as he takes you on a guided tour of his selection of dealer galleries around Karangahape Road and Arch Hill. 

SOLD OUT My Art Collectors Series: K Road and Arch Hill Gallery Tour 2

11.30–1pm

Members $10, non-Members $60 (incl one-year membership)

View Event
Art Lovers' Films: The Price of Everything
Art Lovers' Films: The Price of Everything

6pm

Members $26, General admission $28 Buy tickets

Art Lovers’ Film presents The Price of Everything (2018), a funny, insightful and at times jaw-dropping documentary about the current contemporary art market

Art Lovers' Films: The Price of Everything

6pm

Members $26, General admission $28 Buy tickets

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Skadi Heckmueller: Private collections in Australia
Skadi Heckmueller: Private collections in Australia

11am

Free for Members

Skadi Heckmueller, author of Private: A guide to personal art collections in Australia and New Zealand, will reveal some of Australasia’s most intriguing private contemporary art collections.

Skadi Heckmueller: Private collections in Australia

11am

Free for Members

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Rob Gardiner in conversation with Natasha Conland
Rob Gardiner in conversation with Natasha Conland

3pm

Free

Join Chartwell Trust founder Rob Gardiner in conversation with Curator, Contemporary Art, Natasha Conland as they discuss the current exhibition Shout Whisper Wail!

Rob Gardiner in conversation with Natasha Conland

3pm

Free

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POSTPONED Honestly Speaking: Speaking Honestly
POSTPONED Honestly Speaking: Speaking Honestly

6–8pm

Members and U35* $20, non-Members $30 (*U35 – 35 years and under) Book now

A poet, a performance artist and an art critic walk into an exhibition - it's Carrie Rudzinski, Sarita Das and Lucinda Bennett speaking honestly. These three contemporary voices provide fresh interpretation as they untangle, interrogate and vivify the works in our new exhibition Honestly Speaking: the Word, the Body and the Internet. With drinks and exclusive after-hours viewing, this night of activation is not to be missed.

POSTPONED Honestly Speaking: Speaking Honestly

6–8pm

Members and U35* $20, non-Members $30 (*U35 – 35 years and under) Book now

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A conversation about Gilbert & George
A conversation about Gilbert & George

12 - 1pm

Free - bookings essential Book now

A conversation about Gilbert & George

12 - 1pm

Free - bookings essential Book now

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Manpower Lectures – #4 Queer and Now (online)
Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

What's queer about long-nineteenth-century British art now? Answering this question, Edwards address two entirely different examples: Henry Hugh Armstead’s mid-Victorian bronze statuette ‘Satan dismayed’ otherwise known as ‘Saint Michael and the Serpent’ (1852) and Henry Scott Tuke’s 1924 oil painting, ‘Companions’. Both artists remain marginalised, and have proven difficult to canonise for different reasons: Armstead as a predominantly decorative artist in a canon still primarily oriented towards the two-dimensional and the category of fine art, and Tuke because of the open secret of the pederastic character of his work, at a moment in which childhood sexual abuse remains one of the key cultural issues of our time. What might we learn from returning to think about both?

This lecture is a pre-recorded lecture that will be made available to ticketholders to watch in their own time. This lecture is the fourth in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

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Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World
Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

6—7pm

Members $100, Non-Members $190, Students $80 Book now

Drawing on heroes of classical mythology, the Iliad, Greek tragedy and their modern adaptations, Dr Anastasia Bakogianni explores what it meant to be a man in the ancient Greek world. Researching expectations placed upon men and the warrior ethos, she tracks its impact throughout the centuries and on the modern concept of masculinity.  This lecture is the second in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

6—7pm

Members $100, Non-Members $190, Students $80 Book now

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Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland
Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

6—7pm

Members $100, Non-Members $190, Students $80 Book now

Senior Curator of International Art, Dr Sophie Matthiesson explores some of the motivations behind the collecting and public display of male bodies in the early years of the Auckland Art Gallery (founded 1888) and considers the appeal and meaning of such frankly sensual images for their Victorian-era benefactors who purchased them. The notorious 1895 London trial and imprisonment of Irish poet and playwright Oscar Wilde for homosexuality suddenly altered consciousness across the British Empire. It impacts can be seen, she argues, in public debates about masculinity in New Zealand, and in institutional attitudes to the male nude in art in the following decades.

This lecture is the first in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

6—7pm

Members $100, Non-Members $190, Students $80 Book now

View Event
Manpower Lectures – #3 The New Mail Order
Manpower Lectures – #3 The New Mail Order

6—7pm

Members $100, Non-Members $190, Students $80 Book now

When Eugen Sandow, the father of modern bodybuilding, toured New Zealand in the summer of 1902-03, his aim was to reshape the nation. Long before the likes of Charles Atlas peddled mail order muscle programmes, the Sandow System was embraced by men throughout New Zealand. Eager to flex and pose and dream of a new male order, these men joined local gyms, entered bodybuilding contests, and even strutted their stuff in local beauty competitions. In this lecture, Dr Caroline Daley reveals the bodies of early twentieth century men and questions whether our fixation with rugby players, farmers and soldiers means we’re missing the pleasure that comes from gazing upon the world’s most perfectly developed man and his local acolytes.

This lecture is the third in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism. 

Manpower Lectures – #3 The New Mail Order

6—7pm

Members $100, Non-Members $190, Students $80 Book now

Artworks

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View Artwork

Not on display

The Right Honourable Sir George Grey, Governor of New Zealand
The Right Honourable Sir George Grey, Governor of New Zealand

William Alais Unknown artist Illustrated News of the World

Production date
05 Apr 1863
Medium
steel engraving
Size (h x w)
216 x 168 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2010
Accession no
2010/5/5
The Right Honourable Sir George Grey, Governor of New Zealand

William Alais Unknown artist Illustrated News of the World

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Not on display

Thomas Howard, Earl of Arundel
Thomas Howard, Earl of Arundel

Wenceslaus Hollar Anthony van Dyck

Production date
1639
Medium
etching
Size (h x w)
227 x 190 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/3/200
Thomas Howard, Earl of Arundel

Wenceslaus Hollar Anthony van Dyck

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Not on display

The Butterfly Collector
The Butterfly Collector

Dwight Sturges

Production date
1894-1940
Medium
etching and drypoint
Size (h x w)
184 x 143 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/51/1
The Butterfly Collector

Dwight Sturges

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Not on display

Woodland Scene
Woodland Scene

Studio of Hobbema Meindert Hobbema

Production date
17th century
Medium
oil on canvas
Size (h x w)
741 x 922 x 45 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2015
Accession no
2015/23
Woodland Scene

Studio of Hobbema Meindert Hobbema

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Not on display

Barr Photo Archive of Artists and Studios
Barr Photo Archive of Artists and Studios

Jim Barr and Mary Barr

Production date
1972-2018
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Jim Barr and Mary Barr, 2018
Accession no
RC2020/3
Barr Photo Archive of Artists and Studios

Jim Barr and Mary Barr

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Not on display

Antique ancient altar with surrounding ruins
Antique ancient altar with surrounding ruins

Giovanni Battista Piranesi

Production date
circa 1743
Medium
etching, four states with burin work
Size (h x w)
270 x 375 mm
Credit line
Auckland Art Gallery Toi o Tāmaki
Accession no
U/169
Antique ancient altar with surrounding ruins

Giovanni Battista Piranesi

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Not on display

Barr Archive on et al.
Barr Archive on et al.

Jim Barr and Mary Barr

Production date
1902-2004
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Jim Barr and Mary Barr, 2018
Accession no
RC2020/4
Barr Archive on et al.

Jim Barr and Mary Barr

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Not on display

Christ bearing the Cross
Christ bearing the Cross

Wilhelm de Haen Albrecht Dürer

Production date
17th century?
Medium
engraving
Size (h x w)
114 x 73 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1885/90/1/1
Christ bearing the Cross

Wilhelm de Haen Albrecht Dürer

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Not on display

Christ bearing the Cross
Christ bearing the Cross

Wilhelm de Haen Albrecht Dürer

Production date
17th century?
Medium
engraving
Size (h x w)
114 x 73 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1885/90/1/2
Christ bearing the Cross

Wilhelm de Haen Albrecht Dürer

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Not on display

Le Chapeau épinglé (Pinning the hat)
Le Chapeau épinglé (Pinning the hat)

Auguste Renoir

Production date
1893
Medium
etching and drypoint
Size (h x w)
133 x 94 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1974
Accession no
1974/3/2
Le Chapeau épinglé (Pinning the hat)

Auguste Renoir

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Not on display

Jim and Mary Barr 1978
Jim and Mary Barr 1978

Marti Friedlander

Production date
2000
Medium
gelatin silver print, toned with gold
Size (h x w)
479 x 322 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Marti Friedlander, with assistance from the Elise Mourant Bequest, 2001
Accession no
2000/28/155
Jim and Mary Barr 1978

Marti Friedlander

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Not on display

Veneration of The Holy Coat of Trier, Translation of the Relics of Saint Leopold
Veneration of The Holy Coat of Trier, Translation of the Relics of Saint Leopold

Albrecht Dürer

Production date
circa 1512
Medium
woodcut
Size (h x w)
112 x 159 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/42/5
Veneration of The Holy Coat of Trier, Translation of the Relics of Saint Leopold

Albrecht Dürer

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Not on display

Felix Kelly Archive
Felix Kelly Archive

Don Bassett Felix Kelly

Production date
circa 1916-2016
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Don Bassett, 2022
Accession no
RC2022/3
Felix Kelly Archive

Don Bassett Felix Kelly

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Not on display

Cornwall Park
Cornwall Park

H Senior John Haley

Production date
circa 1920
Medium
colour aquatint
Size (h x w)
112 x 156 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1930
Accession no
1930/21
Cornwall Park

H Senior John Haley

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Seated Nude in Profile
Seated Nude in Profile

Walter Sickert

Production date
circa 1910-circa 1914
Medium
pencil
Size (h x w)
385 x 280 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/2/5
Seated Nude in Profile

Walter Sickert

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Not on display

A Village fair (Village festival in honour of Saint Hubert and Saint Anthony)
A Village fair (Village festival in honour of Saint Hubert and Saint Anthony)

Pieter Brueghel the Younger

Production date
Unknown
Medium
oil on panel
Size (h x w)
1118 x 1651 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, purchased 1961
Accession no
M1961/1
A Village fair (Village festival in honour of Saint Hubert and Saint Anthony)

Pieter Brueghel the Younger

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Not on display

Guzzle
Guzzle

Charles Jacque

Production date
1849
Medium
etching
Size (h x w)
128 x 152 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1885/13
Guzzle

Charles Jacque

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Entree de M. de Macey
Entree de M. de Macey

Jacques Callot

Production date
1627
Medium
etching
Size (h x w)
145 x 220 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/211
Entree de M. de Macey

Jacques Callot

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Not on display

Three Heads of Women, one asleep
Three Heads of Women, one asleep

Rembrandt van Rijn

Production date
1637
Medium
etching
Size (h x w)
127 x 90 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1961
Accession no
1961/4/4
Three Heads of Women, one asleep

Rembrandt van Rijn

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Entree de MM. de Vroncourt, Tyllon et Marimont
Entree de MM. de Vroncourt, Tyllon et Marimont

Jacques Callot

Production date
1627
Medium
etching
Size (h x w)
147 x 220 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/212
Entree de MM. de Vroncourt, Tyllon et Marimont

Jacques Callot

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Entree du duc Charles IV
Entree du duc Charles IV

Jacques Callot

Production date
1627
Medium
etching
Size (h x w)
150 x 240 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/216
Entree du duc Charles IV

Jacques Callot

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Entree du Prince de Pfaltzbourg.
Entree du Prince de Pfaltzbourg.

Jacques Callot

Production date
1627
Medium
etching
Size (h x w)
152 x 240 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/210
Entree du Prince de Pfaltzbourg.

Jacques Callot

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Not on display

Design for A Cartouche and Head Studies
Design for A Cartouche and Head Studies

Agostino Carracci

Production date
16th century
Medium
pen, ink and chalk on paper
Size (h x w)
268 x 172 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1962
Accession no
1962/26/1
Design for A Cartouche and Head Studies

Agostino Carracci

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Nouvelle-Calédonie, Grànde Case indigène sur le chemin de Ballade à Poepo [New Caledonia : Large native hut]
Nouvelle-Calédonie, Grànde Case indigène sur le chemin de Ballade à Poepo [New C...

Charles Meryon

Production date
1845
Medium
etching
Size (h x w)
122 x 230 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1964
Accession no
1964/1/2
Nouvelle-Calédonie, Grànde Case indigène sur le chemin de Ballade à Poepo [New C...

Charles Meryon

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Entree de M. de Brionne
Entree de M. de Brionne

Jacques Callot

Production date
1627
Medium
etching
Size (h x w)
153 x 240 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/214
Entree de M. de Brionne

Jacques Callot

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Not on display

Peasant Regarding a Dish of Eggs
Peasant Regarding a Dish of Eggs

David Teniers the Younger

Production date
1625-1690
Medium
etching
Size (h x w)
119 x 92 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/42/17
Peasant Regarding a Dish of Eggs

David Teniers the Younger

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Not on display

L'Empire c'est la paix.. [The Empire means peace.].
L'Empire c'est la paix.. [The Empire means peace.].

Honoré Daumier

Production date
1871
Medium
lithograph
Size (h x w)
229 x 185 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/5
L'Empire c'est la paix.. [The Empire means peace.].

Honoré Daumier

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Not on display

Entree de Monseigneur Henry de Lorraine
Entree de Monseigneur Henry de Lorraine

Jacques Callot

Production date
1627
Medium
etching
Size (h x w)
152 x 240 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/215
Entree de Monseigneur Henry de Lorraine

Jacques Callot

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Not on display

Peasant Settling his Debt
Peasant Settling his Debt

Adriaen van Ostade

Production date
circa 1650-circa 1653
Medium
etching
Size (h x w)
102 x 85 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/105
Peasant Settling his Debt

Adriaen van Ostade

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Not on display

Oceanie, Ilots a Uven, Wallis (Uvea: Loyalty Islands)
Oceanie, Ilots a Uven, Wallis (Uvea: Loyalty Islands)

Charles Meryon

Production date
1863
Medium
etching
Size (h x w)
159 x 346 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1964
Accession no
1964/1/4
Oceanie, Ilots a Uven, Wallis (Uvea: Loyalty Islands)

Charles Meryon

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Not on display

Baigneuse Assise
Baigneuse Assise

Auguste Renoir

Production date
circa 1897
Medium
etching
Size (h x w)
220 x 137 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/5
Baigneuse Assise

Auguste Renoir

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Not on display

Elizabeth Castle, Jersey
Elizabeth Castle, Jersey

Wenceslaus Hollar

Production date
1650-1651
Medium
etching
Size (h x w)
58 x 131 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/3/97
Elizabeth Castle, Jersey

Wenceslaus Hollar

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Not on display

Nouvelle Zelande, Presq'ile de Banks
Nouvelle Zelande, Presq'ile de Banks

Charles Meryon

Production date
1863
Medium
etching
Size (h x w)
108 x 300 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1964
Accession no
1964/1/3
Nouvelle Zelande, Presq'ile de Banks

Charles Meryon

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Portrait of a man. [verso: Self Portrait].
Portrait of a man. [verso: Self Portrait].

Ottavio Leoni

Production date
1618-1630
Medium
pen and brown ink [etching (verso)]
Size (h x w)
131 x 100 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1957
Accession no
1957/23/2
Portrait of a man. [verso: Self Portrait].

Ottavio Leoni

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Not on display

The Coast Near Plymouth
The Coast Near Plymouth

Wenceslaus Hollar

Production date
1676
Medium
etching
Size (h x w)
66 x 141 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/3/105
The Coast Near Plymouth

Wenceslaus Hollar

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Not on display

Dover Castle
Dover Castle

Wenceslaus Hollar

Production date
1652-1677
Medium
etching
Size (h x w)
58 x 132 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/3/102
Dover Castle

Wenceslaus Hollar

Archives

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Barr Archive on et al.
Barr Archive on et al.
Production date
1902-2004
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Jim Barr and Mary Barr, 2018
Accession no
RC2020/4
Barr Archive on et al.
View Archive
Barr Photo Archive of Artists and Studios
Barr Photo Archive of Artists and Studios
Production date
1972-2018
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Jim Barr and Mary Barr, 2018
Accession no
RC2020/3
Barr Photo Archive of Artists and Studios
View Archive
Felix Kelly Archive
Felix Kelly Archive
Production date
circa 1916-2016
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Don Bassett, 2022
Accession no
RC2022/3
Felix Kelly Archive

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Promised Gift of Julian and Josie Robertson Image
Promised Gift of Julian and Josie Robertson

Publication

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Contemporary New Zealand Realist Paintings Image
Contemporary New Zealand Realist Paintings

Publication

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Sculpture in France Image
Sculpture in France

Publication

Articles

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'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition Image
'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition

Caroline McBride

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Archiving for Artists Image
Archiving for Artists

Caroline McBride

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2 days to go.....installing the exhibition Image
2 days to go.....installing the exhibition

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Horatio Ross and Son by Roger Fenton Image
Horatio Ross and Son by Roger Fenton

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A brilliant essay by Charles Brasch Image
A brilliant essay by Charles Brasch

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Get ready to feast your eyes... Image
Get ready to feast your eyes...

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The Wonderful and Terrible World of David Wojnarowicz Image
The Wonderful and Terrible World of David Wojnarowicz

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The tale behind our new acquisition Image
The tale behind our new acquisition

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Josie Robertson Image
Josie Robertson

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Auckland Art Gallery to launch My Art Collector Series Image
Auckland Art Gallery to launch My Art Collector Series
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Julian and Josie Robertson Collection Image
Julian and Josie Robertson Collection
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Private collector brings leading contemporary art to New Zealand Image
Private collector brings leading contemporary art to New Zealand
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Nau mai, haere mai! Auckland Art Gallery Toi o Tāmaki re-opens its doors and announces spring/summer exhibition schedule Image
Nau mai, haere mai! Auckland Art Gallery Toi o Tāmaki re-opens its doors and ann...
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Services Image
Services
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Chartwell Trust Image
Chartwell Trust
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New release: A first look at Auckland Art Gallery’s 2021 autumn/winter exhibitions Image
New release: A first look at Auckland Art Gallery’s 2021 autumn/winter exhibitio...
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Original artworks by iconic Mexican artist Frida Kahlo coming to Auckland next month Image
Original artworks by iconic Mexican artist Frida Kahlo coming to Auckland next...
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Caring for your works of art Image
Caring for your works of art
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FAQs Image
FAQs