Exhibitions

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Michel Tuffery: Mata Mata
Michel Tuffery: Mata Mata

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Michel Tuffery: Mata Mata

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John Reynolds: Epistomadologies
John Reynolds: Epistomadologies

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Free entry

John Reynolds: Epistomadologies

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Free entry

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Everyday Minimal
Everyday Minimal

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Free entry

Everyday Minimal

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Free entry

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Yuki Kihara and John Pule
Yuki Kihara and John Pule

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Free entry

Yuki Kihara and John Pule

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Free entry

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CULTURAL ID; Marae, Maunga, Motu
CULTURAL ID; Marae, Maunga, Motu

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FREE

CULTURAL ID; Marae, Maunga, Motu

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FREE

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Local Revolutionaries: Art & Change 1965–1986
Local Revolutionaries: Art & Change 1965–1986

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Free entry

Local Revolutionaries: Art & Change 1965–1986

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Free entry

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Nine Lives: The Chartwell Exhibition 2003
Nine Lives: The Chartwell Exhibition 2003

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$5 - $7

Nine Lives: The Chartwell Exhibition 2003

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$5 - $7

Events

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Social Painting Workshop: Paint like Rita Angus
Social Painting Workshop: Paint like Rita Angus

10.30am – 1pm

Members $90, non-Members $140 Book now

Discover your inner artist, and learn how to copy Rita Angus' 1965 painting Scrub burning, Northern Hawke's Bay which is currently on display in the exhibition Earthly Visions.

Social Painting Workshop: Paint like Rita Angus

10.30am – 1pm

Members $90, non-Members $140 Book now

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Alfredo Jaar: It is Difficult
Alfredo Jaar: It is Difficult

6pm

SOLD OUT

Artist, architect and filmmaker Alfredo Jaar presents his first lecture in New Zealand.

Alfredo Jaar: It is Difficult

6pm

SOLD OUT

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Manpower Lectures – #4 Queer and Now (online)
Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

What's queer about long-nineteenth-century British art now? Answering this question, Edwards address two entirely different examples: Henry Hugh Armstead’s mid-Victorian bronze statuette ‘Satan dismayed’ otherwise known as ‘Saint Michael and the Serpent’ (1852) and Henry Scott Tuke’s 1924 oil painting, ‘Companions’. Both artists remain marginalised, and have proven difficult to canonise for different reasons: Armstead as a predominantly decorative artist in a canon still primarily oriented towards the two-dimensional and the category of fine art, and Tuke because of the open secret of the pederastic character of his work, at a moment in which childhood sexual abuse remains one of the key cultural issues of our time. What might we learn from returning to think about both?

This lecture is a pre-recorded lecture that will be made available to ticketholders to watch in their own time. This lecture is the fourth in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

Artworks

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View Artwork

Not on display

Collage of burning pastures
Collage of burning pastures

Paul Jackson

Production date
1979
Medium
watercolour
Size (h x w)
562 x 760 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/22
Collage of burning pastures

Paul Jackson

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Not on display

Scrub burning, Northern Hawke's Bay
Scrub burning, Northern Hawke's Bay

Rita Angus

Production date
1965
Medium
oil on board
Size (h x w)
803 x 801 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1966
Accession no
1966/20
Scrub burning, Northern Hawke's Bay

Rita Angus

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Not on display

Pillaging and burning a village
Pillaging and burning a village

Jacques Callot Israel Henriet

Production date
1633
Medium
etching
Size (h x w)
84 x 188 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885
Accession no
M1885/6/9/6
Pillaging and burning a village

Jacques Callot Israel Henriet

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Not on display

Moses and the burning bush
Moses and the burning bush

Abraham de Bruyn Pieter van der Borcht

Production date
1583
Medium
engraving
Size (h x w)
114 x 73 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1885/86/11
Moses and the burning bush

Abraham de Bruyn Pieter van der Borcht

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Not on display

Burning Rocks
Burning Rocks

Gabor Peterdi

Production date
Unknown
Medium
relief etching
Size (h x w)
578 x 825 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1962
Accession no
1962/12
Burning Rocks

Gabor Peterdi

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The Burning of the Boyd, Whangaroa Harbour, 1809
The Burning of the Boyd, Whangaroa Harbour, 1809

Walter Wright

Production date
1908
Medium
oil on canvas
Size (h x w)
1248 x 1770 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Auckland Picture Purchase Fund, 1908
Accession no
1908/1/3
The Burning of the Boyd, Whangaroa Harbour, 1809

Walter Wright

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Not on display

Burning Rubbish
Burning Rubbish

Christopher Killip

Production date
1987
Medium
gelatin silver print
Size (h x w)
403 x 510 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1987
Accession no
1987/29/6
Burning Rubbish

Christopher Killip

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Not on display

Burning Hills, Takaka
Burning Hills, Takaka

Leo Bensemann

Production date
1973
Medium
oil on Swedish hardboard
Size (h x w)
815 x 1460 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased with the assistance of Peter Jarvis, in memory of Adrienne Jarvis, 2011
Accession no
2011/10
Burning Hills, Takaka

Leo Bensemann

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Not on display

Saint Thyrse et Saint Callinique
Saint Thyrse et Saint Callinique

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/693
Saint Thyrse et Saint Callinique

Jacques Callot

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Not on display

The City Saved (London Burning)
The City Saved (London Burning)

Henry Stockley

Production date
1941
Medium
oil on board
Size (h x w)
616 x 463 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Lucy Carrington Wertheim, 1948
Accession no
1948/7/36
The City Saved (London Burning)

Henry Stockley

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Not on display

Ixion slaying Phorbas and Polymelus in revenge of his mother, Megara, who, having refused them as suitors, was killed by them
Ixion slaying Phorbas and Polymelus in revenge of his mother, Megara, who, havin...

Henry Fuseli

Production date
1810
Medium
pen and black ink, with grey, pink and green wash
Size (h x w)
254 x 196 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/59
Ixion slaying Phorbas and Polymelus in revenge of his mother, Megara, who, havin...

Henry Fuseli

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Not on display

Young men in the fiery furnace
Young men in the fiery furnace

Eric Ravilious

Production date
1929
Medium
wood engraving
Size (h x w)
180 x 126 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Rex Nan Kivell, 1953
Accession no
1953/2/258
Young men in the fiery furnace

Eric Ravilious

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Illustration to Poem I Blazing Taper on Lofty Hills
Illustration to Poem I Blazing Taper on Lofty Hills

Graham Sutherland

Production date
1943
Medium
colour lithograph
Size (h x w)
258 x 382 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Rex Nan Kivell, 1953
Accession no
1953/2/2
Illustration to Poem I Blazing Taper on Lofty Hills

Graham Sutherland

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Pillaging a Monastry
Pillaging a Monastry

Israel Henriet Jacques Callot

Production date
17th century
Medium
etching
Size (h x w)
52 x 115 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885
Accession no
M1885/6/3
Pillaging a Monastry

Israel Henriet Jacques Callot

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Not on display

The Promised Land
The Promised Land

Colin McCahon

Production date
Aug 1948
Medium
oil on canvas
Size (h x w)
1045 x 1475 x 33 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the McCahon Family, 1988
Accession no
1989/51/1
The Promised Land

Colin McCahon

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Cupid burning his bow and arrow
Cupid burning his bow and arrow

Francesco Bartolozzi Giovan Francesco Barbieri known as Guercino

Production date
circa 1764-1790s
Medium
etching and engraving in sepia ink
Size (h x w)
216 x 188 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr G M Mitford, 1883
Accession no
1883/1/20
Cupid burning his bow and arrow

Francesco Bartolozzi Giovan Francesco Barbieri known as Guercino

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Not on display

Saint Laurent, martyr
Saint Laurent, martyr

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/509
Saint Laurent, martyr

Jacques Callot

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Not on display

Devastating a Monastery
Devastating a Monastery

Jacques Callot Israel Henriet

Production date
1633
Medium
etching
Size (h x w)
102 x 208 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885
Accession no
M1885/6/9/5
Devastating a Monastery

Jacques Callot Israel Henriet

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Not on display

Saint Timon, diacre
Saint Timon, diacre

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/365
Saint Timon, diacre

Jacques Callot

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Saint Ananie, Saint Azarie et Saint Misael
Saint Ananie, Saint Azarie et Saint Misael

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/696
Saint Ananie, Saint Azarie et Saint Misael

Jacques Callot

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Not on display

The Charred remains of the forest
The Charred remains of the forest

Julius Geissler

Production date
1919
Medium
pen
Size (h x w)
235 x 311 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr John Leech and the Old Colonist's Museum, 1926
Accession no
1926/5/3
The Charred remains of the forest

Julius Geissler

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Not on display

A Fireside
A Fireside

Eric Fitch Daglish

Production date
circa 1920s-1940s
Medium
wood engraving
Size (h x w)
163 x 137 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Rex Nan Kivell, 1953
Accession no
1953/2/227
A Fireside

Eric Fitch Daglish

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Not on display

Pillage et incendie d'un village
Pillage et incendie d'un village

Jacques Callot

Production date
1632
Medium
etching
Size (h x w)
56 x 115 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/745
Pillage et incendie d'un village

Jacques Callot

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Untitled
Untitled

Carl Geissler

Production date
1950
Medium
watercolour
Size (h x w)
250 x 311 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr Alan Taylor, 1979
Accession no
1979/29/5
Untitled

Carl Geissler

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Saint Eustrate et Saint Oreste
Saint Eustrate et Saint Oreste

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/688
Saint Eustrate et Saint Oreste

Jacques Callot

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Not on display

Saint Nemese, martyr
Saint Nemese, martyr

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/699
Saint Nemese, martyr

Jacques Callot

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Not on display

The Stake
The Stake

Jacques Callot Israel Henriet

Production date
1633
Medium
etching
Size (h x w)
103 x 205 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885
Accession no
M1885/6/9/12
The Stake

Jacques Callot Israel Henriet

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Not on display

Australian Landscape - Burnt Trees
Australian Landscape - Burnt Trees

Gordon McAuslan

Production date
Unknown
Medium
watercolour
Size (h x w)
242 x 265 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1947
Accession no
1947/3
Australian Landscape - Burnt Trees

Gordon McAuslan

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Illustration from Homiletic Book: To be a bad man must be bad
Illustration from Homiletic Book: To be a bad man must be bad

Unknown artist

Production date
19th century
Medium
etching
Size (h x w)
135 x 73 mm
Credit line
Auckland Art Gallery Toi o Tāmaki
Accession no
U/232
Illustration from Homiletic Book: To be a bad man must be bad

Unknown artist

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Not on display

Civilised
Civilised

A Lois White

Production date
circa 1942
Medium
oil on cardboard
Size (h x w)
765 x 610 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1992
Accession no
1992/4/1
Civilised

A Lois White

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Not on display

Clearing the bush with fire
Clearing the bush with fire

Julius Geissler

Production date
1919
Medium
pen
Size (h x w)
235 x 324 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr John Leech and the Old Colonist's Museum, 1926
Accession no
1926/5/2
Clearing the bush with fire

Julius Geissler

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Not on display

Me warm now
Me warm now

George Baxter

Production date
1853
Medium
Baxter print
Size (h x w)
255 x 183 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939
Accession no
1939/4/6
Me warm now

George Baxter

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Not on display

Pillage et incendie d'un village (Plundering and burning a village)
Pillage et incendie d'un village (Plundering and burning a village)

Jacques Callot

Production date
1633
Medium
etching
Size (h x w)
106 x 209 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/754
Pillage et incendie d'un village (Plundering and burning a village)

Jacques Callot

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Not on display

The Plague
The Plague

Hans Feibusch

Production date
Unknown
Medium
colour lithograph
Size (h x w)
523 x 436 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Rex Nan Kivell, 1953
Accession no
1953/2/59
The Plague

Hans Feibusch

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Not on display

Untitled
Untitled

Carl Geissler

Production date
1951
Medium
watercolour
Size (h x w)
255 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr Alan Taylor, 1979
Accession no
1979/29/9
Untitled

Carl Geissler

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Not on display

Ixion
Ixion

Hendrik Goltzius Cornelis Cornelisz. van Haarlem

Production date
1588
Medium
engraving
Size (h x w)
310 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1978
Accession no
1978/16/4
Ixion

Hendrik Goltzius Cornelis Cornelisz. van Haarlem

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Articles

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Please ignore my Latin Image
Please ignore my Latin

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Leo Bensemann (1912-1986) Image
Leo Bensemann (1912-1986)

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New Zealand Maritime Museum Image
New Zealand Maritime Museum
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Climate catastrophe explored in performance art at Auckland Art Gallery Toi o Tāmaki Image
Climate catastrophe explored in performance art at Auckland Art Gallery Toi o T...
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Remembering Rita Angus Image
Remembering Rita Angus