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Towards Auckland: Colin McCahon the Gallery Years
Towards Auckland: Colin McCahon the Gallery Years

Free entry

Towards Auckland: Colin McCahon the Gallery Years

Free entry

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Giselle – What becomes of the broken hearted
Giselle – What becomes of the broken hearted

2pm

Mary-Jane O’Reilly’s condensed contemporary ballet is a high-intensity, 20-minute excerpt of a full-length work that draws its stylistic landscape from post-WW2 film noir.

 

 

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Giselle – What becomes of the broken hearted
Giselle – What becomes of the broken hearted

2pm

Mary-Jane O’Reilly’s condensed contemporary ballet is a high-intensity, 20-minute excerpt of a full-length work that draws its stylistic landscape from post-WW2 film noir.

 

 

View Event
POSTPONED Kintsugi workshop
POSTPONED Kintsugi workshop

10.30am–1pm

Members $125, Non-Members $185 (includes a Membership). Book now

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs. Learn how to piece your broken ceramics back together with beauty in this workshop led by Yuka O’Shannessy.

POSTPONED Kintsugi workshop

10.30am–1pm

Members $125, Non-Members $185 (includes a Membership). Book now

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SOLD OUT Kintsugi workshop - November
SOLD OUT Kintsugi workshop - November

10.30am–1.30pm

Members $125, Non-Members $185 (includes a Membership)

Please note: This event has sold out.

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT Kintsugi workshop - November

10.30am–1.30pm

Members $125, Non-Members $185 (includes a Membership)

View Event
SOLD OUT: Kintsugi workshop - March
SOLD OUT: Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

Please note: This event is now sold out.

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT: Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

View Event
SOLD OUT: Kintsugi workshop - May
SOLD OUT: Kintsugi workshop - May

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

Please note: This event has sold out.

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT: Kintsugi workshop - May

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

View Event
SOLD OUT Kintsugi workshop
SOLD OUT Kintsugi workshop

10.30am–1pm & 2pm–4pm

Members $125, Non-Members $185 (includes a Membership) Book now

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT Kintsugi workshop

10.30am–1pm & 2pm–4pm

Members $125, Non-Members $185 (includes a Membership) Book now

View Event
Laurie McCallum on George McCulloch and Frank Bramley's For of Such is the Kingdom of Heaven
Laurie McCallum on George McCulloch and Frank Bramley's For of Such is the Kingd...

3pm

Free

Join historian and writer Laurie McCallum for the intriguing story behind one of the Gallery’s most popular paintings –  Frank Bramley's For of Such is the Kingdom of Heaven – and how it came to Auckland.

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Doc Edge presents: Bugs (2016)
Doc Edge presents: Bugs (2016)

1pm

Free

Enjoy a free screening of Bugs, a documentary about a chef and a food lab researcher who go globe-trotting to investigate edible insects.

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Short film programme
Short film programme

12.15pm

Free

Auckland Art Gallery, in partnership with Alliance Française Auckland, is pleased to offer you free animated short film screenings, for children and adults, over the September school holidays.

Short film programme

12.15pm

Free

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Short film programme
Short film programme

12.15pm

Free

Auckland Art Gallery, in partnership with Alliance Française Auckland, is pleased to offer you free animated short film screenings, for children and adults, over the September school holidays.

Short film programme

12.15pm

Free

View Event
German documentary films
German documentary films

12pm

Free

To celebrate the 70th anniversary of the founding of the DEFA (Deutsche Film-AG) Studio in East Germany, the Goethe-Institut New Zealand presents in its Winter Film Series at the Auckland Art Gallery a film programme highlighting different themes and genres that were important to the DEFA.

German documentary films

12pm

Free

Artworks

View Artwork

Not on display

How is the hammer broken
How is the hammer broken

Colin McCahon

Production date
1961
Medium
oil (alkyd) on hardboard
Size (h x w)
1218 x 905 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1981
Accession no
1981/11
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Not on display

(domestic architecture), Broken Hill, NSW, 9 August 1997
(domestic architecture), Broken Hill, NSW, 9 August 1997

Laurence Aberhart

Production date
1997
Medium
gelatin silver print
Size (h x w)
201 x 250 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1998
Accession no
1998/27/4
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Not on display

Klondyke Property Mine Broken Hill
Klondyke Property Mine Broken Hill

Joseph Goodhart

Production date
1925
Medium
etching, aquatint and surface tone
Size (h x w)
289 x 226 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1928
Accession no
1928/5/1
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Not on display

Mir Isse
Mir Isse

Gunter Christmann

Production date
1990
Medium
acrylic on canvas
Size (h x w)
2440 x 1675 x 25 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1990
Accession no
1990/47
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Not on display

Repainting the Te Awhina
Repainting the Te Awhina

Ron Stenberg

Production date
circa 1938
Medium
oil on board
Size (h x w)
495 x 540 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Friends of the Auckland Art Gallery, 1996
Accession no
1995/33
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Not on display

Broken Hill, New South Wales, 10 August 1997
Broken Hill, New South Wales, 10 August 1997

Laurence Aberhart

Production date
1997
Medium
gold and selenium toned gelatin silver print
Size (h x w)
245 x 195 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, gift from the collection of Peter Fay, 2013
Accession no
C2013/1/39/2
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Not on display

An Allegation of Violence
An Allegation of Violence

Barry Cleavin

Production date
1988
Medium
etching and aquatint, intaglio print
Size (h x w)
255 x 260 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1988
Accession no
1989/12/1
View Artwork

Not on display

Skewbald
Skewbald

Rosalie Gascoigne

Production date
1993
Medium
enamel, masonite
Size (h x w)
1525 x 4270 x 1220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1994
Accession no
1994/12/1
View Artwork

Not on display

Chiang Mai Family
Chiang Mai Family

Jae Hoon Lee

Production date
2007
Medium
single channel video, standard definition (SD), 16:9, colour, stereo sound
Size (h x w)
12min 24sec
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2011
Accession no
2011/15/3
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Not on display

Madonna and Child
Madonna and Child

Marco d' Oggiono

Production date
circa 1490
Medium
tempera on panel
Size (h x w)
655 x 530 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, purchased with the assistance of the National Art Collection Fund, 1966
Accession no
M1966/1
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Not on display

Black painting: Blue/Orange/Indigo
Black painting: Blue/Orange/Indigo

Ralph Hotere

Production date
1969
Medium
brolite lacquer on board
Size (h x w)
1219 x 609 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1970
Accession no
1970/2/3
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Not on display

Weeping Over A Deceased Chief
Weeping Over A Deceased Chief

J W Giles George French Angas

Production date
Unknown
Medium
handcoloured lithograph
Size (h x w)
251 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/14/5
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Not on display

Pietà (The 'Caprarola' Lamentation)
Pietà (The 'Caprarola' Lamentation)

Annibale Carracci

Production date
1597
Medium
etching with engraving and drypoint
Size (h x w)
124 x 163 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/30
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Not on display

Peasant Settling his Debt
Peasant Settling his Debt

Adriaen van Ostade

Production date
circa 1650-circa 1653
Medium
etching
Size (h x w)
102 x 85 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/105
View Artwork

Not on display

Samoan woman in yellow
Samoan woman in yellow

Louise Henderson

Production date
1954
Medium
oil on canvas
Size (h x w)
627 x 1113 x 100 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2005
Accession no
2005/18
View Artwork

Not on display

Untitled (no date)
Untitled (no date)

Buck Nin

Production date
circa 1976
Medium
acrylic on hardboard
Size (h x w)
1005 x 1205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2017
Accession no
2017/27
View Artwork

Not on display

Black painting: Orange/Blue/Indigo
Black painting: Orange/Blue/Indigo

Ralph Hotere

Production date
1969
Medium
brolite lacquer on board
Size (h x w)
1219 x 609 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1970
Accession no
1970/2/1
View Artwork

Not on display

Nine Swimming Pools
Nine Swimming Pools

Ed Ruscha

Production date
1968
Medium
paper
Size (h x w)
178 x 140 x 5 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, transferred from the E H McCormick Research Library, gift of the artist, 1978
Accession no
2003/24/13
View Artwork

Not on display

Coblenz near the Mosel Bridge
Coblenz near the Mosel Bridge

John Kinder

Production date
1844
Medium
pencil, watercolour and gouache
Size (h x w)
240 x 171 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1978
Accession no
1978/1/6
View Artwork

Not on display

Black painting: Yellow/Violet/Indigo
Black painting: Yellow/Violet/Indigo

Ralph Hotere

Production date
1969
Medium
brolite lacquer on board
Size (h x w)
1219 x 609 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1970
Accession no
1970/2/5
View Artwork

Not on display

Black painting: Green/Red/Indigo
Black painting: Green/Red/Indigo

Ralph Hotere

Production date
1969
Medium
brolite lacquer on board
Size (h x w)
1219 x 609 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1970
Accession no
1970/2/4
View Artwork

Not on display

Black painting: Red/Green/Indigo
Black painting: Red/Green/Indigo

Ralph Hotere

Production date
1969
Medium
brolite lacquer on board
Size (h x w)
1219 x 609 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1970
Accession no
1970/2/6
View Artwork

Not on display

Black painting: Purple/Yellow/Indigo
Black painting: Purple/Yellow/Indigo

Ralph Hotere

Production date
1969
Medium
brolite lacquer on board
Size (h x w)
1219 x 609 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1970
Accession no
1970/2/2
View Artwork

Not on display

There's no place like home
There's no place like home

Ani O'Neill

Production date
1998
Medium
wool
Size (h x w)
108 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2001
Accession no
2001/28
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