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British and French Modernism — British and French Modernism

3 Sep 2011 — 31 Oct 2012

Free entry

British and French Modernism

3 Sep 2011 — 31 Oct 2012

Free entry

Passion and Politics: Two centuries of British art

27 Jan 2007 — 30 Sep 2007

Free entry

Passion and Politics: Two centuries of British art

27 Jan 2007 — 30 Sep 2007

Free entry

The 3rd Auckland Triennial: turbulence — The 3rd Auckland Triennial: turbulence

9 Mar 2007 — 4 Jun 2007

Free entry

The 3rd Auckland Triennial: turbulence

9 Mar 2007 — 4 Jun 2007

Free entry

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Mackelvie Society Lectures: Howard Hodgkin and India — Mackelvie Society Lectures: Howard Hodgkin and India

8 Jun 2021 6 – 7pm

Free, Gallery and Mackelvie Society Members only (RSVP required) Book now

In advance of an exhibition on the history and meanings of colour (2022), Senior Curator of International Art, Dr Sophie Matthiesson explores exuberant paintings of British painter Howard Hodgkin through his relationship to India and its artistic traditions. Gallery and Mackelvie Society Members only. Please note, this lecture will be held onsite in the Gallery Auditorium. As spaces are limited, please register for a free ticket using the booking link.

Members

Talks and tours

Mackelvie Society Lectures: Howard Hodgkin and India

8 Jun 2021 6 – 7pm

Free, Gallery and Mackelvie Society Members only (RSVP required) Book now

Members
Talks and tours

Mackelvie Society Lectures: Treasures of the Grand Tour: Italy through British eyes — Mackelvie Society Lectures: Treasures of the Grand Tour: Italy through British e...

9 Mar 2021 7.30 – 8.30pm

Free, Gallery and Mackelvie Society Members only

Join Senior Curator of International Art, Dr Sophie Matthiesson, to explore the ‘lure of Italy’ for British tourists in the eighteenth century in this online lecture. Gallery and Mackelvie Society Members only.

Members

Talks and tours

Mackelvie Society Lectures: Treasures of the Grand Tour: Italy through British e...

9 Mar 2021 7.30 – 8.30pm

Free, Gallery and Mackelvie Society Members only

Members
Talks and tours

Mackelvie Society Lectures: Ben Nicholson, Piet Mondrian and the quest for precision — Mackelvie Society Lectures: Ben Nicholson, Piet Mondrian and the quest for preci...

7 Sep 2021 7.30 – 8.30pm

Free, Gallery and Mackelvie Society Members only

Join Senior Curator of International Art, Dr Sophie Matthiesson as she reconstructs the artistic dialogue between Dutch abstract painter, Piet Mondrian and his younger British colleague, Ben Nicholson. Their relationship flourished in north London in late 1938, when the two friends worked side by side in neighbouring studios as the clouds of World War II gathered. Gallery and Mackelvie Society Members only.

Members

Talks and tours

Mackelvie Society Lectures: Ben Nicholson, Piet Mondrian and the quest for preci...

7 Sep 2021 7.30 – 8.30pm

Free, Gallery and Mackelvie Society Members only

Members
Talks and tours

Dr Jennifer Curtin: The Changing Landscape of Australian Aboriginal Politics

6 May 2018 1pm

Join Dr Jennifer Curtin for a talk on the changing landscape of Australian Aboriginal politics.

Talks and tours

Dr Jennifer Curtin: The Changing Landscape of Australian Aboriginal Politics

6 May 2018 1pm

Talks and tours

Manpower Lectures – #4 Queer and Now (online) — Manpower Lectures – #4 Queer and Now (online)

29 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

What's queer about long-nineteenth-century British art now? Answering this question, Edwards address two entirely different examples: Henry Hugh Armstead’s mid-Victorian bronze statuette ‘Satan dismayed’ otherwise known as ‘Saint Michael and the Serpent’ (1852) and Henry Scott Tuke’s 1924 oil painting, ‘Companions’. Both artists remain marginalised, and have proven difficult to canonise for different reasons: Armstead as a predominantly decorative artist in a canon still primarily oriented towards the two-dimensional and the category of fine art, and Tuke because of the open secret of the pederastic character of his work, at a moment in which childhood sexual abuse remains one of the key cultural issues of our time. What might we learn from returning to think about both?

This lecture is a pre-recorded lecture that will be made available to ticketholders to watch in their own time. This lecture is the fourth in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Members

Talks and tours

Manpower Lectures – #4 Queer and Now (online)

29 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

Members
Talks and tours

Mackelvie Society Lectures: Painting as protest in the prisons of the French Revolution — Mackelvie Society Lectures: Painting as protest in the prisons of the French Rev...

13 Apr 2021 7.30 – 8.30pm

Free, Gallery and Mackelvie Society Members only

Senior Curator of International Art, Dr Sophie Matthiesson uncovers the extraordinary story behind a group of well-known landscapes painted on plates by the renowned French landscape and decorative artist Hubert Robert (1733-1808) during his imprisonment as a political suspect during the Terror. Gallery and Mackelvie Society Members only.

Members

Talks and tours

Mackelvie Society Lectures: Painting as protest in the prisons of the French Rev...

13 Apr 2021 7.30 – 8.30pm

Free, Gallery and Mackelvie Society Members only

Members
Talks and tours

Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland — Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

8 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

Senior Curator of International Art, Dr Sophie Matthiesson explores some of the motivations behind the collecting and public display of male bodies in the early years of the Auckland Art Gallery (founded 1888) and considers the appeal and meaning of such frankly sensual images for their Victorian-era benefactors who purchased them. The notorious 1895 London trial and imprisonment of Irish poet and playwright Oscar Wilde for homosexuality suddenly altered consciousness across the British Empire. It impacts can be seen, she argues, in public debates about masculinity in New Zealand, and in institutional attitudes to the male nude in art in the following decades.

This lecture is the first in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Members

Talks and tours

Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

8 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

Members
Talks and tours

Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World — Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

15 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

Drawing on heroes of classical mythology, the Iliad, Greek tragedy and their modern adaptations, Dr Anastasia Bakogianni explores what it meant to be a man in the ancient Greek world. Researching expectations placed upon men and the warrior ethos, she tracks its impact throughout the centuries and on the modern concept of masculinity. This lecture is the second in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Members

Talks and tours

Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

15 Mar 2022 6—7pm

Members $100, Non-Members $190, Students $80 Book now

Members
Talks and tours

Swinging Sixties: Double Feature — Swinging Sixties: Double Feature

27 Feb 2022 3.15—8.30pm

From $15 Book now

What better way to celebrate the exhibition Mary Quant: Fashion Revolutionary than two iconic, groovy, cinematic classics that will transport you back to the swinging sixties!

Alongside a fully stocked bar, you can catch A Hard Day’s Night – a 1964 rock-and-roll romp following "a day in the life" of The Beatles as fame takes them by storm – and mystery thriller Blow-Up, by critically acclaimed director Michelangelo Antonioni, wherein a bored mod-photographer discovers he’s unknowingly captured a crime scene on film. This event will be located at The Hollywood in Avondale, New Zealand’s longest-running cinema palace.

Films

Members

Swinging Sixties: Double Feature

27 Feb 2022 3.15—8.30pm

From $15 Book now

Films
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Relevance
Title (A to Z)
Title (Z to A)
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Production date (oldest first)
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Accession date (oldest first)
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Group of Country People — Group of Country People

Thomas Rowlandson

Production date

1777-1827

Medium

pen and watercolour

Size (h x w)

143 x 100 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885

Accession no

M1885/1/97

Group of Country People

Thomas Rowlandson

The Deliverance of Saint Peter from Prison — The Deliverance of Saint Peter from Prison

Edward Portbury William Hilton the Younger

Production date

1843

Medium

steel engraving

Size (h x w)

485 x 371 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/174

The Deliverance of Saint Peter from Prison

Edward Portbury William Hilton the Younger

East frieze - Women with jugs, weavers, marshall, 5 eponymous heroes — East frieze - Women with jugs, weavers, marshall, 5 eponymous heroes

John Henning

Production date

Unknown

Medium

plaster

Size (h x w)

64 x 237 x 11 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/17

East frieze - Women with jugs, weavers, marshall, 5 eponymous heroes

East frieze - Women with jugs and bowls led by woman with incense burner — East frieze - Women with jugs and bowls led by woman with incense burner

John Henning

Production date

Unknown

Medium

plaster

Size (h x w)

63 x 240 x 9 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/13

East frieze - Women with jugs and bowls led by woman with incense burner

South frieze - Men with sacrificial cattle — South frieze - Men with sacrificial cattle

John Henning

Production date

Unknown

Medium

plaster

Size (h x w)

60 x 239 x 9 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/20

South frieze - Men with sacrificial cattle

North Frieze - Lapiths battling with Centaurs — North Frieze - Lapiths battling with Centaurs

John Henning

Production date

Unknown

Medium

plaster

Size (h x w)

62 x 238 x 10 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/31

North Frieze - Lapiths battling with Centaurs

East frieze - Marshal and women with jugs and bowls — East frieze - Marshal and women with jugs and bowls

John Henning

Production date

Unknown

Medium

plaster

Size (h x w)

60 x 238 x 10 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/18

East frieze - Marshal and women with jugs and bowls

East frieze - Hermes, Dionysis, Demeter, Ares, Poseidon, Apollo, Artemis, Aphrodite, Eros — East frieze - Hermes, Dionysis, Demeter, Ares, Poseidon, Apollo, Artemis, Aphro...

John Henning

On display

Production date

Unknown

Medium

plaster

Size (h x w)

62 x 234 x 11 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/15

East frieze - Hermes, Dionysis, Demeter, Ares, Poseidon, Apollo, Artemis, Aphro...

On display

South frieze - Charioteers and citizens — South frieze - Charioteers and citizens

John Henning

On display

Production date

Unknown

Medium

plaster

Size (h x w)

62 x 236 x 9 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/22

South frieze - Charioteers and citizens

On display

South frieze - Elders, musicians, sacrificial cattle — South frieze - Elders, musicians, sacrificial cattle

John Henning

Production date

Unknown

Medium

plaster

Size (h x w)

61 x 238 x 10 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/21

South frieze - Elders, musicians, sacrificial cattle

North frieze - Horsemen — North frieze - Horsemen

John Henning

Production date

Unknown

Medium

plaster

Size (h x w)

64 x 238 x 10 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/6

North frieze - Horsemen

South frieze - Men with sacrificial cattle — South frieze - Men with sacrificial cattle

John Henning

Production date

Unknown

Medium

plaster

Size (h x w)

61 x 238 x 8 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/19

South frieze - Men with sacrificial cattle

North frieze - Horsemen — North frieze - Horsemen

John Henning

Production date

Unknown

Medium

plaster

Size (h x w)

62 x 240 x 9 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/5

North frieze - Horsemen

North frieze - Horsemen — North frieze - Horsemen

John Henning

Production date

Unknown

Medium

plaster

Size (h x w)

62 x 236 x 11 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/7

North frieze - Horsemen

South frieze - Cavalry horsemen — South frieze - Cavalry horsemen

John Henning

Production date

Unknown

Medium

plaster

Size (h x w)

61 x 240 x 10 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/426/27

South frieze - Cavalry horsemen

Durham Miner's gala — Durham Miner's gala

Christopher Killip

Production date

1987

Medium

gelatin silver print

Size (h x w)

403 x 506 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1987

Accession no

1987/29/9

Durham Miner's gala

Christopher Killip

By the Rivers of Babylon (design for a stained glass window, Kirkcaldy) — By the Rivers of Babylon (design for a stained glass window, Kirkcaldy)

Edward Burne-Jones

Production date

1889

Medium

charcoal

Size (h x w)

2290 x 767 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Viscount Leverhulme, 1924. Frame restoration sponsored by Elly Blanche.

Accession no

1924/5/2

By the Rivers of Babylon (design for a stained glass window, Kirkcaldy)

Edward Burne-Jones

Shakespeare: Midsummer-Night's Dream, Act IV, Scene I, Oberon, Queen of the Fairies, Puck, Bottom and Fairies attending — Shakespeare: Midsummer-Night's Dream, Act IV, Scene I, Oberon, Queen of the Fair...

Thomas Ryder & Thomas Ryder Jnr Henry Fuseli

Production date

1803

Medium

mezzotint on wove paper

Size (h x w)

510 x 662 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2002

Accession no

2002/9/4

Shakespeare: Midsummer-Night's Dream, Act IV, Scene I, Oberon, Queen of the Fair...

Thomas Ryder & Thomas Ryder Jnr Henry Fuseli

The Creche — The Creche

Francis McCracken

Production date

1942

Medium

oil on canvas

Size (h x w)

1276 x 768 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1961

Accession no

1961/28/3

The Creche

Francis McCracken

Persecution To The Grave — Persecution To The Grave

Thomas Rowlandson

Production date

1777-1827

Medium

pen and wash

Size (h x w)

162 x 231 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr Wallace Alexander, 1940

Accession no

1940/4/2

Persecution To The Grave

Thomas Rowlandson

Whatiwhatihoe (King's Residence) — Whatiwhatihoe (King's Residence)

Alfred Burton

Production date

1885

Medium

albumen silver photograph

Size (h x w)

146 x 200 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1997

Accession no

1997/34/4

Whatiwhatihoe (King's Residence)

Happy New Year — Happy New Year

Percy Thomas

Production date

1871

Medium

etching

Size (h x w)

100 x 133 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mrs Ada Chapman Taylor, 1930

Accession no

1930/4/25

Happy New Year

Sweethearts and Wives — Sweethearts and Wives

Philip Morris

Production date

Unknown

Medium

oil on canvas

Size (h x w)

1245 x 2006 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/102

Sweethearts and Wives

For Total Abstainers — For Total Abstainers

George Du Maurier

Production date

1876

Medium

sepia ink

Size (h x w)

150 x 225 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1955

Accession no

1955/23/10

For Total Abstainers

George Du Maurier

In the Garden — In the Garden

William Lee-Hankey

Production date

1889-1952

Medium

etching

Size (h x w)

222 x 177 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1955

Accession no

1955/51/2

In the Garden

William Lee-Hankey

Refugees Outside A City Gate — Refugees Outside A City Gate

Thomas Rowlandson

Production date

1777-1827

Medium

pen and watercolour

Size (h x w)

168 x 217 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr Wallace Alexander, 1940

Accession no

1940/4/3

Refugees Outside A City Gate

Thomas Rowlandson

Camden Town — Camden Town

James Boswell

Production date

1936

Medium

lithograph

Size (h x w)

616 x 476 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1940

Accession no

1940/3/40

Camden Town

Elihu rebukes Job and his friends — Elihu rebukes Job and his friends

William Blake

Production date

1825

Medium

engraving

Size (h x w)

534 x 432 x 22 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1980

Accession no

1980/10/12

Elihu rebukes Job and his friends

A Night Dance by Women, in Hapaee — A Night Dance by Women, in Hapaee

John Webber William Sharp

Production date

1784

Medium

engraving

Size (h x w)

406 x 560 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2006

Accession no

2006/3/7

A Night Dance by Women, in Hapaee

John Webber William Sharp

A Chorus of Singers — A Chorus of Singers

William Hogarth

Production date

1737

Medium

etching

Size (h x w)

178 x 166 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Gordon H Brown, 1999

Accession no

1999/17/2

A Chorus of Singers

William Hogarth

Bill Shepherd speaks at Pratt Street, Camden Town — Bill Shepherd speaks at Pratt Street, Camden Town

James Boswell

Production date

1934

Medium

lithograph

Size (h x w)

290 x 446 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1940

Accession no

1940/3/21

Bill Shepherd speaks at Pratt Street, Camden Town

Old People — Old People

Gwendolin Raverat

Production date

1932

Medium

wood engraving

Size (h x w)

105 x 128 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Rex Nan Kivell, 1953

Accession no

1953/2/239

Old People

Gwendolin Raverat

Sull's Dismissal — Sull's Dismissal

The Dalziel Brothers Unknown artist

Production date

1839-1893

Medium

wood engraving

Size (h x w)

108 x 161 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939

Accession no

1939/4/152

Sull's Dismissal

The Dalziel Brothers Unknown artist

Arrested for debt — Arrested for debt

William Hogarth

Production date

circa 1735

Medium

engraving

Size (h x w)

459 x 577 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Professor and Mrs A G Bogle, 2002

Accession no

2002/13/4

Arrested for debt

William Hogarth

In Good Faith — In Good Faith

George Du Maurier

Production date

1894

Medium

pen and ink

Size (h x w)

161 x 140 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the Trustees of the Estate of Mr George Du Maurier, 1934

Accession no

1934/6/1

In Good Faith

George Du Maurier

The fat stock market — The fat stock market

Clare Leighton

Production date

circa 1933

Medium

wood engraving

Size (h x w)

290 x 383 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Rex Nan Kivell, 1953

Accession no

1953/2/214

The fat stock market

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Auckland Art Gallery Toi o Tāmaki: A Place for Art Image — Auckland Art Gallery Toi o Tāmaki: A Place for Art
Publication

Auckland Art Gallery Toi o Tāmaki: A Place for Art

Publication

Articles

Gilbert & George in Conversation with Senior Curator Ron Brownson Image — Gilbert & George in Conversation with Senior Curator Ron Brownson

Gilbert & George in Conversation with Senior Curator Ron Brownson

01 Jul 2022

Gilbert & George in conversation with Ron Brownson

In Conversation: The significant influence of Mary Quant on Kate Sylvester Image — In Conversation: The significant influence of Mary Quant on Kate Sylvester

In Conversation: The significant influence of Mary Quant on Kate Sylvester

15 Feb 2022

Dan Ahwa & Kate Sylvester

Cecil looking at Henry and Christopher and Augustus

Cecil looking at Henry and Christopher and Augustus

24 Feb 2016

Agnes Martin’s words

Agnes Martin’s words

17 Feb 2016

The Photography Curator and Collector known as Sam Wagstaff Jr (1921-1987)

The Photography Curator and Collector known as Sam Wagstaff Jr (1921-1987)

17 Feb 2016

WITH OFFENSIVE CANDOUR - Bulletin Artists in the Collection of the Auckland Art...

WITH OFFENSIVE CANDOUR - Bulletin Artists in the Collection of the Auckland Art...

17 Feb 2016

One Hundred Photographs

One Hundred Photographs

17 Feb 2016

Francis Bacon and David Sylvester

Francis Bacon and David Sylvester

17 Feb 2016

Jim Allen

Jim Allen

26 Jan 2016

Staff spotlight: Mathew Norman

Staff spotlight: Mathew Norman

26 Jan 2016

The Perfect Portrait Image — The Perfect Portrait

The Perfect Portrait

11 Jan 2016

The diversity of My Country Image — The diversity of My Country

The diversity of My Country

06 Jan 2016

Meet the interns: Kyla Mackenzie Image — Meet the interns: Kyla Mackenzie

Meet the interns: Kyla Mackenzie

16 Dec 2015

George Silk’s Papuan samaritan

George Silk’s Papuan samaritan

16 Dec 2015

Report from Venice: All the World's Futures Image — Report from Venice: All the World's Futures

Report from Venice: All the World's Futures

26 Nov 2015

More

New video series offers a Pacific perspective on the nude Image — New video series offers a Pacific perspective on the nude

New video series offers a Pacific perspective on the nude

Contemporary culture icons, Gilbert & George, bring their provocative signature style to Tāmaki Makaurau Image — Contemporary culture icons, Gilbert & George, bring their provocative signature...

Contemporary culture icons, Gilbert & George, bring their provocative signature...

World Architecture Festival names Auckland Art Gallery building of the year Image — World Architecture Festival names Auckland Art Gallery building of the year

World Architecture Festival names Auckland Art Gallery building of the year

New book celebrates Auckland Art Gallery’s award-winning architecture Image — New book celebrates Auckland Art Gallery’s award-winning architecture

New book celebrates Auckland Art Gallery’s award-winning architecture

Ann Shelton: Dark Matter to open at Auckland Art Gallery Toi o Tāmaki Image — Ann Shelton: Dark Matter to open at Auckland Art Gallery Toi o Tāmaki

Ann Shelton: Dark Matter to open at Auckland Art Gallery Toi o Tāmaki

Auckland Art Gallery’s Collection Re-examined through a New Suite of Shows Image — Auckland Art Gallery’s Collection Re-examined through a New Suite of Shows

Auckland Art Gallery’s Collection Re-examined through a New Suite of Shows

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