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Relevance
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Le paysan qui salue — Le paysan qui salue

Jacques Callot

Production date

1621

Medium

etching

Size (h x w)

58 x 86 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/46

Le paysan qui salue

Le gentilhomme au grand manteau, vu de face — Le gentilhomme au grand manteau, vu de face

Jacques Callot

Production date

1621

Medium

etching

Size (h x w)

57 x 86 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/53

Le gentilhomme au grand manteau, vu de face

Prince Henry, Poins and Falstaff — Prince Henry, Poins and Falstaff

Louis John Steele William Orchardson

Production date

circa 1880

Medium

etching

Size (h x w)

185 x 300 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1917

Accession no

1917/3

Prince Henry, Poins and Falstaff

Louis John Steele William Orchardson

Le gentilhomme qui salue tenant son feutre sous le bras — Le gentilhomme qui salue tenant son feutre sous le bras

Jacques Callot

Production date

1624

Medium

etching

Size (h x w)

145 x 94 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/197

Le gentilhomme qui salue tenant son feutre sous le bras

Le duel a l'epee et au poignard — Le duel a l'epee et au poignard

Jacques Callot

Production date

1621

Medium

etching

Size (h x w)

55 x 80 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/60

Le duel a l'epee et au poignard

Le porte etendard — Le porte etendard

Jacques Callot

Production date

1621

Medium

etching

Size (h x w)

55 x 81 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/73

Le porte etendard

Drawing of statue of man chained to anvil — Drawing of statue of man chained to anvil

Unknown artist

Production date

Unknown

Medium

conte and oil on paper

Size (h x w)

794 x 396 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/84

Drawing of statue of man chained to anvil

Restauration du dome de S. Maria del fiore a Florence (Restoration of the Dome of Santa Maria del Fiore in Florence) — Restauration du dome de S. Maria del fiore a Florence (Restoration of the Dome o...

Jacques Callot

Production date

1615-1619

Medium

engraving

Size (h x w)

225 x 302 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/6

Restauration du dome de S. Maria del fiore a Florence (Restoration of the Dome o...

Robert Burns — Robert Burns

Herbert Hampton

Production date

1899

Medium

bronze

Size (h x w)

840 x 330 x 230 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Moss Davis,1928

Accession no

1928/6/5

Robert Burns

Herbert Hampton

The First Meeting — The First Meeting

Studio of Swain Joseph Swain Frederick Walker

Production date

1855-1875

Medium

wood engraving

Size (h x w)

230 x 145 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939

Accession no

1939/4/160

The First Meeting

Studio of Swain Joseph Swain Frederick Walker

Saint Denis, the Champion of France, transformed into a 'Wild Buck' discovers his misfortune — Saint Denis, the Champion of France, transformed into a 'Wild Buck' discovers hi...

Charles Keene

Production date

1843-1891

Medium

crayon

Size (h x w)

159 x 237 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1956

Accession no

1956/2/10

Saint Denis, the Champion of France, transformed into a 'Wild Buck' discovers hi...

Le guerrier au chapeau orne d'une grande plume — Le guerrier au chapeau orne d'une grande plume

Jacques Callot

Production date

1624

Medium

etching

Size (h x w)

152 x 96 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/198

Le guerrier au chapeau orne d'une grande plume

Un Polonais en habit de cour, ... — Un Polonais en habit de cour, ...

Stefano Della Bella

Production date

circa 1647

Medium

etching

Size (h x w)

81 x 100 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/1/19

Un Polonais en habit de cour, ...

Stefano Della Bella

Peasant Regarding a Dish of Eggs — Peasant Regarding a Dish of Eggs

David Teniers the Younger

Production date

1625-1690

Medium

etching

Size (h x w)

119 x 92 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1955

Accession no

1955/42/17

Peasant Regarding a Dish of Eggs

David Teniers the Younger

Une batterie de canons tire contre une ville qu'on apercoit dans le lointain a'droite — Une batterie de canons tire contre une ville qu'on apercoit dans le lointain a'd...

Stefano Della Bella

Production date

1641

Medium

etching

Size (h x w)

85 x 140 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/1/30

Une batterie de canons tire contre une ville qu'on apercoit dans le lointain a'd...

Stefano Della Bella

Man with Crutches — Man with Crutches

Jean-Pierre Norblin

Production date

1787

Medium

etching

Size (h x w)

82 x 71 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr Wallace Alexander, 1940

Accession no

1940/4/32

Man with Crutches

Jean-Pierre Norblin

Be off with the old love before you are on with the new

Production date: Unknown
Medium: oil on canvas
Size (h x w): 250 x 311 x 17 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, gift of Dr Hugh Wansey Bayley, 1941
Accession no: 1941/9/5

Be off with the old love before you are on with the new

Sketch of a man with a staff — Sketch of a man with a staff

Unknown artist

Production date

19th century

Medium

watercolour

Size (h x w)

268 x 152 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/266

Sketch of a man with a staff

Fortune Teller — Fortune Teller

Louis-Félix de La Rue

Production date

18th century

Medium

ink and wash

Size (h x w)

174 x 160 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

MU/300

Fortune Teller

Louis-Félix de La Rue

Group of Country People — Group of Country People

Thomas Rowlandson

Production date

1777-1827

Medium

pen and watercolour

Size (h x w)

143 x 100 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885

Accession no

M1885/1/97

Group of Country People

Thomas Rowlandson

Two Young Herdsmen — Two Young Herdsmen

James Ward George Morland

Production date

1804

Medium

stipple engraving

Size (h x w)

254 x 352 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr J F S Briggs, 1959

Accession no

1959/1/2

Two Young Herdsmen

James Ward George Morland

Portrait of a Young Boy — Portrait of a Young Boy

Unknown artist

Production date

19th century

Medium

watercolour on Bristol paper, varnished

Size (h x w)

283 x 206 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/260

Portrait of a Young Boy

The Gossips — The Gossips

Thomas Rowlandson

Production date

1777-1827

Medium

pen and watercolour

Size (h x w)

129 x 90 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885

Accession no

M1885/1/102

The Gossips

Thomas Rowlandson

Maid Of Athens Ere We Part — Maid Of Athens Ere We Part

Thomas Rowlandson

Production date

1777-1827

Medium

pen and watercolour

Size (h x w)

134 x 104 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885

Accession no

M1885/1/112

Maid Of Athens Ere We Part

Thomas Rowlandson

Simon Lord Lovat — Simon Lord Lovat

William Hogarth

Production date

1746

Medium

etching

Size (h x w)

432 x 301 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1983

Accession no

1983/27/3

Simon Lord Lovat

William Hogarth

Smugglers — Smugglers

Thomas Rowlandson

Production date

1777-1827

Medium

pen and watercolour

Size (h x w)

182 x 141 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885

Accession no

M1885/1/94

Smugglers

Thomas Rowlandson

Train up your Parents the way they should go — Train up your Parents the way they should go

George Du Maurier

Production date

1896

Medium

pen and ink

Size (h x w)

318 x 195 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1980

Accession no

1980/20/2

Train up your Parents the way they should go

George Du Maurier

The Quacksalver — The Quacksalver

Francois Vivares Rembrandt van Rijn

Production date

1738-1780

Medium

etching

Size (h x w)

77 x 50 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki

Accession no

M1885/28/1

The Quacksalver

Francois Vivares Rembrandt van Rijn

A Soldier — A Soldier

Fred Walker

Production date

19th century?

Medium

watercolour and gouache on buff paper

Size (h x w)

330 x 225 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Mr Wallace Alexander, 1940

Accession no

1940/4/5

A Soldier

Sir Andrew Aguecheek, Sir Toby Belch and the Clown — Sir Andrew Aguecheek, Sir Toby Belch and the Clown

Peltro Tomkins Henry Bunbury

Production date

1792 {pub}

Medium

stipple engraving

Size (h x w)

350 x 451 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1942

Accession no

1942/5/19

Sir Andrew Aguecheek, Sir Toby Belch and the Clown

Peltro Tomkins Henry Bunbury

Tameing (sic) the Shrew — Tameing (sic) the Shrew

William Satchwell Leney Henry Bunbury

Production date

1793 {pub.}

Medium

stipple engraving

Size (h x w)

357 x 457 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1942

Accession no

1942/5/17

Tameing (sic) the Shrew

William Satchwell Leney Henry Bunbury

Illustration for "Pride and Prejudice", Chapter LX: "Now be sincere, did you admire me for my impertinence" — Illustration for "Pride and Prejudice", Chapter LX: "Now be sincere, did you adm...

Charles Brock

Production date

circa 1895

Medium

ink

Size (h x w)

355 x 277 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1931

Accession no

1931/1/10

Illustration for "Pride and Prejudice", Chapter LX: "Now be sincere, did you adm...

The Piper and the shepherd — The Piper and the shepherd

Paul Gavarni

Production date

19th century

Medium

lithograph

Size (h x w)

253 x 258 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939

Accession no

1939/4/70

The Piper and the shepherd

Falstaff at Justice Shallow's Mustering His Recruits — Falstaff at Justice Shallow's Mustering His Recruits

William Gardiner Henry Bunbury

Production date

1792

Medium

stipple engraving

Size (h x w)

355 x 455 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1942

Accession no

1942/5/16

Falstaff at Justice Shallow's Mustering His Recruits

William Gardiner Henry Bunbury

An Epicure Ordering His Dinner Before He Has Finished His Breakfast — An Epicure Ordering His Dinner Before He Has Finished His Breakfast

Thomas Rowlandson

Production date

circa 1790

Medium

pen and watercolour

Size (h x w)

106 x 184 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of James Tannock Mackelvie, 1885

Accession no

M1885/1/91

An Epicure Ordering His Dinner Before He Has Finished His Breakfast

Thomas Rowlandson

Al Conde Palatino. (At Count Palatine's). — Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

Production date

1797-1798

Medium

etching, aquatint, drypoint and burin

Size (h x w)

215 x 152 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/4

Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

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