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Talk: Brent Harris and the Artists that Influenced His Practice — Talk: Brent Harris and the Artists that Influenced His Practice

10 May 2023

Pay-what-you-can $0, $10, $20 Book now

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Talk: Brent Harris and the Artists that Influenced His Practice

10 May 2023

Pay-what-you-can $0, $10, $20 Book now

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Special events

An artist’s tour with Brent Harris and Jane Devery — An artist’s tour with Brent Harris and Jane Devery

6 May 2023 11–11.45am & 1–1.45pm

FREE Book now

Talks and tours

An artist’s tour with Brent Harris and Jane Devery

6 May 2023 11–11.45am & 1–1.45pm

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Relevance
Title (A to Z)
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Seasonal allegory with Adam and Eve — Seasonal allegory with Adam and Eve

Leandro Bassano

Production date

circa 1580

Medium

oil on canvas

Size (h x w)

775 x 1111 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, purchased 1961

Accession no

M1961/2

Seasonal allegory with Adam and Eve

Leandro Bassano

Southwark Fair — Southwark Fair

William Hogarth

Production date

1734

Medium

engraving

Size (h x w)

346 x 451 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1990

Accession no

1990/27

Southwark Fair

William Hogarth

Allegory of learning — Allegory of learning

Guido Reni

Production date

1600-1640

Medium

etching

Size (h x w)

150 x 178 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1962

Accession no

1962/10/7

Allegory of learning

Allegory of Fortune — Allegory of Fortune

Simone Cantarini Guido Reni

Production date

circa 1635-circa 1636

Medium

etching

Size (h x w)

233 x 140 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004

Accession no

2004/30/39

Allegory of Fortune

Simone Cantarini Guido Reni

Allegory of the Arts — Allegory of the Arts

Jean Corneille

Production date

1649-1695

Medium

etching

Size (h x w)

273 x 277 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of George Manners Mitford, 1883

Accession no

1883/1/49

Allegory of the Arts

A Cavalry Battle — A Cavalry Battle

Salvator Rosa

Production date

1645-1652

Medium

oil on canvas

Size (h x w)

1486 x 2184 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1970

Accession no

1970/30

A Cavalry Battle

Allegorical figure with a bridle — Allegorical figure with a bridle

Melchior Feselen

Production date

early 16th century

Medium

steel engraving

Size (h x w)

138 x 78 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/25/4

Allegorical figure with a bridle

Melchior Feselen

El Vergonzoso. (The Shamefaced One). — El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching and aquatint

Size (h x w)

215 x 151 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/6

El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

Beauty directed by Prudence rejects with Scorn the Solicitations of Folly — Beauty directed by Prudence rejects with Scorn the Solicitations of Folly

Jean-Marie Delattre Angelica Kauffmann

Production date

1783

Medium

stipple engraving

Size (h x w)

425 x 350 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2003

Accession no

2003/48

Beauty directed by Prudence rejects with Scorn the Solicitations of Folly

Jean-Marie Delattre Angelica Kauffmann

Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For the Bulls and Wnd). — Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

Production date

1877

Medium

etching, aquatint and drypoint

Size (h x w)

240 x 353 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/61

Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

A Chorus of Singers — A Chorus of Singers

William Hogarth

Production date

1737

Medium

etching

Size (h x w)

178 x 166 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Gordon H Brown, 1999

Accession no

1999/17/2

A Chorus of Singers

William Hogarth

Farándula de Charlatanes. (Charlatans' Show). — Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Production date

Post 1814

Medium

etching, aquatint or lavis, drypoint and burin

Size (h x w)

169 x 217 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/59

Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw). — Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

Production date

circa 1810-1820

Medium

etching and burnished aquatint

Size (h x w)

243 x 354 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/63

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

The alliance of Peace and Abundance — The alliance of Peace and Abundance

Bartolomeo Coriolano

Production date

1627

Medium

woodcut

Size (h x w)

214 x 154 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004

Accession no

2004/30/62

The alliance of Peace and Abundance

Bartolomeo Coriolano

Aguarda que te unten. (Wait Till You've Been Annointed). — Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

Production date

1797-1798

Medium

etching, burnished aquatint and drypoint

Size (h x w)

215 x 152 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/10

Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

Peace, Goodwill Towards Men

Production date: Unknown
Medium: oil on canvas
Size (h x w): 1190 x 1365 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, gift of John Bridgewater, 1890
Accession no: 1890/1

Peace, Goodwill Towards Men

No nay que da voces. (It's No Use Crying Out). — No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

Production date

circa 1816

Medium

etching, burnished aquatint, burin and burnisher

Size (h x w)

154 x 205 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1959

Accession no

1959/16/2/1

No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

Por tremor no pierdas honor. (Do Not Lose Honour Through Fear). — Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

Production date

circa 1816

Medium

etching, burnished aquatint and drypoint

Size (h x w)

220 x 317 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1984

Accession no

1984/43/2

Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

Narcissus

Production date: Unknown
Medium: oil on canvas
Size (h x w): 508 x 609 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1968
Accession no: 1968/25

Narcissus

Linda maestra!. (Pretty Teacher). — Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching with burnished aquatint and drypoint

Size (h x w)

210 x 150 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/11

Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

Tu que no puedes. (Thou Who Cannot). — Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching and burnished aquatint

Size (h x w)

216 x 151 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/5

Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

Napoleon I — Napoleon I

Bertel Thorvaldsen

Production date

circa 1830

Medium

marble

Size (h x w)

1040 x 720 x 440 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Moss Davis, 1927

Accession no

1927/2/11

Napoleon I

Bertel Thorvaldsen

Pobrecitas!. (Poor Little Girls!). — Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching and burnished aquatint

Size (h x w)

216 x 150 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1959

Accession no

1959/16/1/1

Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

Volaverunt. (They Have Flown). — Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching with aquatint and drypoint

Size (h x w)

214 x 150 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1971

Accession no

1971/14/1

Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

Se defiende bien. (He Defends Himself Well). — Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

Production date

Post 1814

Medium

etching, drypoint, burin and burnisher

Size (h x w)

174 x 216 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/64

Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

Tobias — Tobias

John Greenwood Rembrandt van Rijn

Production date

circa 1760s-1770s

Medium

etching

Size (h x w)

118 x 144 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/87

Tobias

John Greenwood Rembrandt van Rijn

Scene in Bridewell Prison — Scene in Bridewell Prison

William Hogarth

Production date

1732

Medium

engraving

Size (h x w)

455 x 575 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Dr Walter Auburn through the Friends of the Auckland Art Gallery, 1979

Accession no

1979/41/4

Scene in Bridewell Prison

William Hogarth

Que sacrificio!. (What a Sacrifice!). — Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching, burnished aquatint and drypoint

Size (h x w)

200 x 150 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/2

Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

Ysele quema la Casa. (And His House is on Fire). — Ysele quema la Casa. (And His House is on Fire).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching and burnished aquatint

Size (h x w)

215 x 153 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/3

Ysele quema la Casa. (And His House is on Fire).

Francisco de Goya y Lucientes

The Young Heir takes Possession — The Young Heir takes Possession

William Hogarth

Production date

circa 1735

Medium

engraving

Size (h x w)

464 x 575 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Professor and Mrs A G Bogle, 2002

Accession no

2002/13/1

The Young Heir takes Possession

William Hogarth

La faliacion. (The Betrothal). — La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching and aquatint

Size (h x w)

215 x 152 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/7

La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

Espiró sin remedio. (There Was Nothing to be Done and He Died). — Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

Production date

circa 1810-1820

Medium

burin, burnished aquatint, lavis, burin and burnisher

Size (h x w)

150 x 203 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/58

Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

Y aun no se van!. (And Still They Don't Go!). — Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching, burnished aquatint and burin

Size (h x w)

215 x 151 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/8

Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

Arrested for debt — Arrested for debt

William Hogarth

Production date

circa 1735

Medium

engraving

Size (h x w)

459 x 577 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Professor and Mrs A G Bogle, 2002

Accession no

2002/13/4

Arrested for debt

William Hogarth

Marriage à la Mode — Marriage à la Mode

Thomas Cook William Hogarth

On display

Production date

1797

Medium

steel engraving

Size (h x w)

350 x 445 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1955

Accession no

1955/17/8/3

Marriage à la Mode

Thomas Cook William Hogarth

On display

Fuerte cosa es!. (That's Tough!). — Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

Production date

1810

Medium

etching, burnished aquatint, drypoint

Size (h x w)

153 x 205 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/60

Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

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Articles

O Happy Posterity: Laurence Simmons on Marco d’Oggiono and the Plague Image — O Happy Posterity: Laurence Simmons on Marco d’Oggiono and the Plague

O Happy Posterity: Laurence Simmons on Marco d’Oggiono and the Plague

05 May 2020

Laurence Simmons

Michael Parekowhai: The Promised Land Image — Michael Parekowhai: The Promised Land

Michael Parekowhai: The Promised Land

02 Dec 2015

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Family activities Image — Family activities

Family activities

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