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Relevance
Title (A to Z)
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Artist surname (Z to A)

Allegory of Vanity — Allegory of Vanity

Henry Fuseli

Production date

1811

Medium

pen, pencil and watercolour

Size (h x w)

200 x 271 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1965

Accession no

1965/61

Allegory of Vanity

Seasonal allegory with Adam and Eve — Seasonal allegory with Adam and Eve

Leandro Bassano

Production date

circa 1580

Medium

oil on canvas

Size (h x w)

775 x 1111 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, purchased 1961

Accession no

M1961/2

Seasonal allegory with Adam and Eve

Leandro Bassano

Allegory of Fortune — Allegory of Fortune

Simone Cantarini Guido Reni

Production date

circa 1635-circa 1636

Medium

etching

Size (h x w)

233 x 140 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004

Accession no

2004/30/39

Allegory of Fortune

Simone Cantarini Guido Reni

Southwark Fair — Southwark Fair

William Hogarth

Production date

1734

Medium

engraving

Size (h x w)

346 x 451 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1990

Accession no

1990/27

Southwark Fair

William Hogarth

Allegory of learning — Allegory of learning

Guido Reni

Production date

1600-1640

Medium

etching

Size (h x w)

150 x 178 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1962

Accession no

1962/10/7

Allegory of learning

Allegory of the Arts — Allegory of the Arts

Jean Corneille

Production date

1649-1695

Medium

etching

Size (h x w)

273 x 277 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of George Manners Mitford, 1883

Accession no

1883/1/49

Allegory of the Arts

Civil Discord — Civil Discord

Wenceslaus Hollar

Production date

1643

Medium

etching

Size (h x w)

67 x 105 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/3/35

Civil Discord

Wenceslaus Hollar

On tue le veau gras — On tue le veau gras

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

62 x 80 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/803

On tue le veau gras

L'enfant prodigue est equipe de nouveau — L'enfant prodigue est equipe de nouveau

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

61 x 80 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/804

L'enfant prodigue est equipe de nouveau

Civil Discord — Civil Discord

Wenceslaus Hollar

Production date

1643

Medium

etching

Size (h x w)

67 x 103 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/3/34

Civil Discord

Wenceslaus Hollar

Le Festin — Le Festin

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

60 x 79 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/805

Le Festin

L'enfant prodigue revient a la maison paternelle — L'enfant prodigue revient a la maison paternelle

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

60 x 80 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/802

L'enfant prodigue revient a la maison paternelle

A Cavalry Battle — A Cavalry Battle

Salvator Rosa

Production date

1645-1652

Medium

oil on canvas

Size (h x w)

1486 x 2184 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1970

Accession no

1970/30

A Cavalry Battle

Aphrodite carrying off Paris after his battle with Menelaus — Aphrodite carrying off Paris after his battle with Menelaus

Henry Fuseli

Production date

circa 1768-circa 1769

Medium

pen with grey and pink wash

Size (h x w)

218 x 178 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1965

Accession no

1965/52

Aphrodite carrying off Paris after his battle with Menelaus

L'enfant prodigue implore la misericorde divine — L'enfant prodigue implore la misericorde divine

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

63 x 81 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/801

L'enfant prodigue implore la misericorde divine

L'enfant prodigue est ruine — L'enfant prodigue est ruine

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

61 x 81 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/799

L'enfant prodigue est ruine

Les adieux — Les adieux

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

60 x 80 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/797

Les adieux

L'enfant prodigue garde des pourceaux — L'enfant prodigue garde des pourceaux

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

62 x 80 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/800

L'enfant prodigue garde des pourceaux

El Vergonzoso. (The Shamefaced One). — El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching and aquatint

Size (h x w)

215 x 151 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/6

El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For the Bulls and Wnd). — Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

Production date

1877

Medium

etching, aquatint and drypoint

Size (h x w)

240 x 353 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/61

Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

Beauty directed by Prudence rejects with Scorn the Solicitations of Folly — Beauty directed by Prudence rejects with Scorn the Solicitations of Folly

Jean-Marie Delattre Angelica Kauffmann

Production date

1783

Medium

stipple engraving

Size (h x w)

425 x 350 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2003

Accession no

2003/48

Beauty directed by Prudence rejects with Scorn the Solicitations of Folly

Jean-Marie Delattre Angelica Kauffmann

Allegorical figure with a bridle — Allegorical figure with a bridle

Melchior Feselen

Production date

early 16th century

Medium

steel engraving

Size (h x w)

138 x 78 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/25/4

Allegorical figure with a bridle

Melchior Feselen

Aguarda que te unten. (Wait Till You've Been Annointed). — Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

Production date

1797-1798

Medium

etching, burnished aquatint and drypoint

Size (h x w)

215 x 152 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/10

Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

The alliance of Peace and Abundance — The alliance of Peace and Abundance

Bartolomeo Coriolano

Production date

1627

Medium

woodcut

Size (h x w)

214 x 154 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004

Accession no

2004/30/62

The alliance of Peace and Abundance

Bartolomeo Coriolano

Farándula de Charlatanes. (Charlatans' Show). — Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Production date

Post 1814

Medium

etching, aquatint or lavis, drypoint and burin

Size (h x w)

169 x 217 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/59

Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw). — Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

Production date

circa 1810-1820

Medium

etching and burnished aquatint

Size (h x w)

243 x 354 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/63

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

A Chorus of Singers — A Chorus of Singers

William Hogarth

Production date

1737

Medium

etching

Size (h x w)

178 x 166 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Gordon H Brown, 1999

Accession no

1999/17/2

A Chorus of Singers

William Hogarth

Peace, Goodwill Towards Men

Production date: Unknown
Medium: oil on canvas
Size (h x w): 1190 x 1365 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, gift of John Bridgewater, 1890
Accession no: 1890/1

Peace, Goodwill Towards Men

Le partage des biens — Le partage des biens

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

62 x 81 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/796

Le partage des biens

No nay que da voces. (It's No Use Crying Out). — No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

Production date

circa 1816

Medium

etching, burnished aquatint, burin and burnisher

Size (h x w)

154 x 205 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1959

Accession no

1959/16/2/1

No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

L'enfant prodigue dissipe son bien — L'enfant prodigue dissipe son bien

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

60 x 79 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/798

L'enfant prodigue dissipe son bien

Por tremor no pierdas honor. (Do Not Lose Honour Through Fear). — Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

Production date

circa 1816

Medium

etching, burnished aquatint and drypoint

Size (h x w)

220 x 317 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1984

Accession no

1984/43/2

Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

Narcissus

Production date: Unknown
Medium: oil on canvas
Size (h x w): 508 x 609 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, purchased 1968
Accession no: 1968/25

Narcissus

Tu que no puedes. (Thou Who Cannot). — Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching and burnished aquatint

Size (h x w)

216 x 151 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/5

Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

Christian Admitted at the Gate — Christian Admitted at the Gate

Unknown artist

Production date

late 18th century

Medium

etching

Size (h x w)

142 x 85 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/233/2

Christian Admitted at the Gate

Se defiende bien. (He Defends Himself Well). — Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

Production date

Post 1814

Medium

etching, drypoint, burin and burnisher

Size (h x w)

174 x 216 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/64

Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

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Articles

O Happy Posterity: Laurence Simmons on Marco d’Oggiono and the Plague Image — O Happy Posterity: Laurence Simmons on Marco d’Oggiono and the Plague

O Happy Posterity: Laurence Simmons on Marco d’Oggiono and the Plague

05 May 2020

Laurence Simmons

Michael Parekowhai: The Promised Land Image — Michael Parekowhai: The Promised Land

Michael Parekowhai: The Promised Land

02 Dec 2015

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