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Relevance
Title (A to Z)
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Seasonal allegory with Adam and Eve — Seasonal allegory with Adam and Eve

Leandro Bassano

Production date

circa 1580

Medium

oil on canvas

Size (h x w)

775 x 1111 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, purchased 1961

Accession no

M1961/2

Seasonal allegory with Adam and Eve

Leandro Bassano

L'enfant prodigue est equipe de nouveau — L'enfant prodigue est equipe de nouveau

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

61 x 80 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/804

L'enfant prodigue est equipe de nouveau

On tue le veau gras — On tue le veau gras

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

62 x 80 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/803

On tue le veau gras

The Infant Christ Borne Aloft by Putti, with Allegories of the Arts — The Infant Christ Borne Aloft by Putti, with Allegories of the Arts

Anton Teutenberg

Production date

1857

Medium

pen and ink, with traces of graphite, on paper

Size (h x w)

367 x 275 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2013

Accession no

2013/38

The Infant Christ Borne Aloft by Putti, with Allegories of the Arts

Anton Teutenberg

L'enfant prodigue implore la misericorde divine — L'enfant prodigue implore la misericorde divine

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

63 x 81 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/801

L'enfant prodigue implore la misericorde divine

Le Festin — Le Festin

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

60 x 79 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/805

Le Festin

L'enfant prodigue revient a la maison paternelle — L'enfant prodigue revient a la maison paternelle

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

60 x 80 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/802

L'enfant prodigue revient a la maison paternelle

Beauty directed by Prudence rejects with Scorn the Solicitations of Folly — Beauty directed by Prudence rejects with Scorn the Solicitations of Folly

Jean-Marie Delattre Angelica Kauffmann

Production date

1783

Medium

stipple engraving

Size (h x w)

425 x 350 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 2003

Accession no

2003/48

Beauty directed by Prudence rejects with Scorn the Solicitations of Folly

Jean-Marie Delattre Angelica Kauffmann

Study for Industrial Labour (roadmenders in the Place de la Concorde, Paris) — Study for Industrial Labour (roadmenders in the Place de la Concorde, Paris)

Henri Martin

Production date

1925-1926

Medium

oil on canvas

Size (h x w)

597 x 749 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1959

Accession no

1959/18

Study for Industrial Labour (roadmenders in the Place de la Concorde, Paris)

L'enfant prodigue est ruine — L'enfant prodigue est ruine

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

61 x 81 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/799

L'enfant prodigue est ruine

Allegory of Vanity — Allegory of Vanity

Henry Fuseli

Production date

1811

Medium

pen, pencil and watercolour

Size (h x w)

200 x 271 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1965

Accession no

1965/61

Allegory of Vanity

Christian Admitted at the Gate — Christian Admitted at the Gate

Unknown artist

Production date

late 18th century

Medium

etching

Size (h x w)

142 x 85 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/233/2

Christian Admitted at the Gate

Christian under Mount-Sinai — Christian under Mount-Sinai

Unknown artist

Production date

late 18th century

Medium

etching

Size (h x w)

142 x 85 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/233/1

Christian under Mount-Sinai

Christian passing the River Jordan — Christian passing the River Jordan

Unknown artist

Production date

late 18th century

Medium

etching

Size (h x w)

144 x 87 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/233/7

Christian passing the River Jordan

Les adieux — Les adieux

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

60 x 80 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/797

Les adieux

Standfast in the river exhorting his friends — Standfast in the river exhorting his friends

Unknown artist

Production date

18th century

Medium

etching

Size (h x w)

142 x 85 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/233/11

Standfast in the river exhorting his friends

Truth and Faith — Truth and Faith

Adrian Collaert Maarten de Vos

Production date

late 16th century

Medium

engraving

Size (h x w)

228 x 300 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/32/4

Truth and Faith

Adrian Collaert Maarten de Vos

Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For the Bulls and Wnd). — Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

Production date

1877

Medium

etching, aquatint and drypoint

Size (h x w)

240 x 353 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/61

Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

Christian ascends the Hill Difficulty — Christian ascends the Hill Difficulty

Unknown artist

Production date

late 18th century

Medium

etching

Size (h x w)

138 x 83 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/233/4

Christian ascends the Hill Difficulty

Greatheart Kills Giant Grim — Greatheart Kills Giant Grim

Unknown artist

Production date

late 18th century

Medium

etching

Size (h x w)

142 x 85 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/233/10

Greatheart Kills Giant Grim

Christian passing the valley of the Shadow of Death — Christian passing the valley of the Shadow of Death

Unknown artist

Production date

late 18th century

Medium

etching

Size (h x w)

143 x 87 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/233/6

Christian passing the valley of the Shadow of Death

Peace, Goodwill Towards Men

Production date: Unknown
Medium: oil on canvas
Size (h x w): 1190 x 1365 mm
Credit line: Auckland Art Gallery Toi o Tāmaki, gift of John Bridgewater, 1890
Accession no: 1890/1

Peace, Goodwill Towards Men

Faith, Hope and Charity — Faith, Hope and Charity

Adrian Collaert Maarten de Vos

Production date

late 16th century

Medium

engraving

Size (h x w)

230 x 299 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/32/1

Faith, Hope and Charity

Adrian Collaert Maarten de Vos

The alliance of Peace and Abundance — The alliance of Peace and Abundance

Bartolomeo Coriolano

Production date

1627

Medium

woodcut

Size (h x w)

214 x 154 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004

Accession no

2004/30/62

The alliance of Peace and Abundance

Bartolomeo Coriolano

El Vergonzoso. (The Shamefaced One). — El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

Production date

circa 1799

Medium

etching and aquatint

Size (h x w)

215 x 151 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/6

El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

Aguarda que te unten. (Wait Till You've Been Annointed). — Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

Production date

1797-1798

Medium

etching, burnished aquatint and drypoint

Size (h x w)

215 x 152 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/7/2/10

Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

Jubilation — Jubilation

A Lois White

Production date

1948

Medium

oil on cardboard

Size (h x w)

585 x 380 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased with funds from the M A Serra Trust, 1990

Accession no

1990/29

Jubilation

Patience, Obedience, Work and Perserverance — Patience, Obedience, Work and Perserverance

Adrian Collaert Maarten de Vos

Production date

late 16th century

Medium

engraving

Size (h x w)

225 x 300 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/32/3

Patience, Obedience, Work and Perserverance

Adrian Collaert Maarten de Vos

L'enfant prodigue garde des pourceaux — L'enfant prodigue garde des pourceaux

Jacques Callot

Production date

1635

Medium

etching

Size (h x w)

62 x 80 mm

Credit line

Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982

Accession no

M1982/1/2/800

L'enfant prodigue garde des pourceaux

Allegorical figure with a bridle — Allegorical figure with a bridle

Melchior Feselen

Production date

early 16th century

Medium

steel engraving

Size (h x w)

138 x 78 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1954

Accession no

1954/25/4

Allegorical figure with a bridle

Melchior Feselen

Farándula de Charlatanes. (Charlatans' Show). — Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Production date

Post 1814

Medium

etching, aquatint or lavis, drypoint and burin

Size (h x w)

169 x 217 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/59

Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw). — Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

Production date

circa 1810-1820

Medium

etching and burnished aquatint

Size (h x w)

243 x 354 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1981

Accession no

1981/50/63

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

Christiana Knocking at the Gate — Christiana Knocking at the Gate

Unknown artist

Production date

late 18th century

Medium

etching

Size (h x w)

142 x 85 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/233/9

Christiana Knocking at the Gate

No nay que da voces. (It's No Use Crying Out). — No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

Production date

circa 1816

Medium

etching, burnished aquatint, burin and burnisher

Size (h x w)

154 x 205 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, purchased 1959

Accession no

1959/16/2/1

No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

A Chorus of Singers — A Chorus of Singers

William Hogarth

Production date

1737

Medium

etching

Size (h x w)

178 x 166 mm

Credit line

Auckland Art Gallery Toi o Tāmaki, gift of Gordon H Brown, 1999

Accession no

1999/17/2

A Chorus of Singers

William Hogarth

Christiana receives a Messsage to follow her Husband — Christiana receives a Messsage to follow her Husband

Unknown artist

Production date

late 18th century

Medium

etching

Size (h x w)

142 x 85 mm

Credit line

Auckland Art Gallery Toi o Tāmaki

Accession no

U/233/8

Christiana receives a Messsage to follow her Husband

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Old stories, new voices Image — Old stories, new voices

Old stories, new voices

30 Dec 2015

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