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Civilisation, Photography, Now
Civilisation, Photography, Now

Civilisation, Photography, Now

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John Reynolds: The Violet Hour
John Reynolds: The Violet Hour

John Reynolds: The Violet Hour

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Flight Plan
Flight Plan

Flight Plan

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Kintsugi workshop - November
Kintsugi workshop - November

10.30am–1.30pm

Members $125, Non-Members $185 (includes a Membership) Book now

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

Kintsugi workshop - November

10.30am–1.30pm

Members $125, Non-Members $185 (includes a Membership) Book now

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Behind the Scenes: Conservation Tour - October
Behind the Scenes: Conservation Tour - October

10.30–11.30am & 12–1pm

$50 Non-Members, $40 AAG Members Book now

Join us for a rare opportunity to go behind the scenes at the Gallery and visit the painting and paper conservation studios. More than just a tour, you will meet the conservators and see some of their current projects.

Behind the Scenes: Conservation Tour - October

10.30–11.30am & 12–1pm

$50 Non-Members, $40 AAG Members Book now

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AKL, Now, Next.
AKL, Now, Next.

6–7.30pm

Book now

Speakers from the diverse industries shaping our future come together to present their version of ‘what next’ for Auckland.

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Members talk | War Damaged Musical Instruments
Members talk | War Damaged Musical Instruments

10.15–11.15am

Free for Members, RSVP required

Senior Curator, Global Contemporary Art, Juliana Engberg muses on the poignant sound work War Damaged Musical Instruments by acclaimed international artist, Susan Philipsz. 

Members talk | War Damaged Musical Instruments

10.15–11.15am

Free for Members, RSVP required

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The liveable city: Place-making and public art
The liveable city: Place-making and public art

4–6pm

$22, Members only Book now

How does art transform our experience of living in an intensely urban setting?

Public Art Project Manager Kim Martinengo gives an insightful talk on placemaking and pop-up art in Tāmaki Makaurau, followed by a guided tour, led by Lucy Moore, of open-air artworks in the area surrounding our Gallery.

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School Holiday Programme Week 1: Music
School Holiday Programme Week 1: Music

$70 —$80 Book now

School holidays at the art Gallery!

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Colin McCahon: Is This the Promised Land?
Colin McCahon: Is This the Promised Land?

2–3.30pm

Members $15, Non-Members $20 Book now

Join esteemed New Zealand writer Peter Simpson who will speak in conversation with Julia Waite, Curator New Zealand art, about his latest book, the sequel – COLIN MCCAHON: IS THIS THE PROMISED LAND? VOL.2 1960–1987.

Colin McCahon: Is This the Promised Land?

2–3.30pm

Members $15, Non-Members $20 Book now

Artworks

View Artwork

Not on display

Man seated by a small table
Man seated by a small table

Utagawa Kuniyoshi

Production date
1794-1832
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
363 x 256 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M60
View Artwork

Not on display

Sangokushi Chohan hashi no zu (The Three Kingdoms: Chohan Bridge)
Sangokushi Chohan hashi no zu (The Three Kingdoms: Chohan Bridge)

Utagawa Kuniyoshi

Production date
1852
Medium
woodcut : nishiki-e (full colour) technique
Size (h x w)
370 x 256 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939
Accession no
1939/4/10
View Artwork

Not on display

Sangokushi Chohan hashi no zu (The Three Kingdoms: Chohan Bridge)
Sangokushi Chohan hashi no zu (The Three Kingdoms: Chohan Bridge)

Utagawa Kuniyoshi

Production date
1852
Medium
woodcut : nishiki-e (full colour) technique
Size (h x w)
370 x 256 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939
Accession no
1939/4/8
View Artwork

Not on display

Sangokushi Chohan hashi no zu (The Three Kingdoms: Chohan Bridge)
Sangokushi Chohan hashi no zu (The Three Kingdoms: Chohan Bridge)

Utagawa Kuniyoshi

Production date
1852
Medium
woodcut : nishiki-e (full colour) technique
Size (h x w)
375 x 254 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939
Accession no
1939/4/9
View Artwork

Not on display

Samurai threatened by two cats
Samurai threatened by two cats

Utagawa Kuniyoshi

Production date
1794-1832
Medium
woodcut - sumizuri-e (black ink)
Size (h x w)
365 x 258 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M1
View Artwork

Not on display

Masuzawa Toji, first class top spinner
Masuzawa Toji, first class top spinner

Utagawa Kuniyoshi

Production date
1794-1832
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
360 x 245 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M130
View Artwork

Not on display

No. 45, Sumino Juheiji Tsugufusa
No. 45, Sumino Juheiji Tsugufusa

Utagawa Kuniyoshi

Production date
1847
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 272 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M133
View Artwork

Not on display

Actor
Actor

Utagawa Kuniyoshi

Production date
1794-1832
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
342 x 226 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M134
View Artwork

Not on display

Nagato no kuni Akama no ura ni oite Genpei ôg assen Heike ichimon kotogotoku horobiru zu (In the Great Battle Between the Minamoto and the Taira in Akama Bay in Nagato Province, the Taira Clan Is Utterly Destroyed)
Nagato no kuni Akama no ura ni oite Genpei ôg assen Heike ichimon kotogotoku hor...

Utagawa Kuniyoshi

Production date
circa 1845
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
367 x 271 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M135
View Artwork

Not on display

Nagato no kuni Akama no ura ni oite Genpei ôg assen Heike ichimon kotogotoku horobiru zu (In the Great Battle Between the Minamoto and the Taira in Akama Bay in Nagato Province, the Taira Clan Is Utterly Destroyed)
Nagato no kuni Akama no ura ni oite Genpei ôg assen Heike ichimon kotogotoku hor...

Utagawa Kuniyoshi

Production date
circa 1845
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
367 x 271 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M136
View Artwork

Not on display

Nagato no kuni Akama no ura ni oite Genpei ôg assen Heike ichimon kotogotoku horobiru zu (In the Great Battle Between the Minamoto and the Taira in Akama Bay in Nagato Province, the Taira Clan Is Utterly Destroyed)
Nagato no kuni Akama no ura ni oite Genpei ôg assen Heike ichimon kotogotoku hor...

Utagawa Kuniyoshi

Production date
circa 1845
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
367 x 271 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M137
View Artwork

Not on display

Sono Seki Kokon Muso no Yushi Sama-no-suke Mitsuhara wa
Sono Seki Kokon Muso no Yushi Sama-no-suke Mitsuhara wa

Utagawa Kuniyoshi

Production date
1847-1850
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 271 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M141
View Artwork

Not on display

Sono Seki Kokon Muso no Yushi Sama-no-suke Mitsuhara wa
Sono Seki Kokon Muso no Yushi Sama-no-suke Mitsuhara wa

Utagawa Kuniyoshi

Production date
1847-1850
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 271 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M142
View Artwork

Not on display

Sono Seki Kokon Muso no Yushi Sama-no-suke Mitsuhara wa
Sono Seki Kokon Muso no Yushi Sama-no-suke Mitsuhara wa

Utagawa Kuniyoshi

Production date
1847-1850
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 271 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M143
View Artwork

Not on display

Nakamura Utaemon IV as Kō no Moronō (top), under attack by Onoe Kikugoro III as Oboshi Yuranosuke
Nakamura Utaemon IV as Kō no Moronō (top), under attack by Onoe Kikugoro III as...

Utagawa Kuniyoshi

Production date
1847
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
374 x 256 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M154
View Artwork

Not on display

Onoe Kikugoro III as Oboshi Yuronosuke and Nakamura Utaemon IV in an unidentified role
Onoe Kikugoro III as Oboshi Yuronosuke and Nakamura Utaemon IV in an unidentifie...

Utagawa Kuniyoshi

Production date
1847
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
374 x 256 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M155
View Artwork

Not on display

Actors Ichimura Uzaemon XII as Oboshi Yuranosuke, and Iwai Kumesaburo III as Oboshi Rikiya Yoshikane
Actors Ichimura Uzaemon XII as Oboshi Yuranosuke, and Iwai Kumesaburo III as Obo...

Utagawa Kuniyoshi

Production date
1847
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
372 x 256 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M156
View Artwork

Not on display

An Actor in female dress
An Actor in female dress

Utagawa Kuniyoshi

Production date
1794-1832
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
380 x 259 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M157
View Artwork

Not on display

Ise-no-tayu
Ise-no-tayu

Utagawa Kuniyoshi

Production date
1846
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 252 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M158
View Artwork

Not on display

A Man spinning a top
A Man spinning a top

Utagawa Kuniyoshi

Production date
1794-1832
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
358 x 243 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M162
View Artwork

Not on display

A samurai
A samurai

Utagawa Kuniyoshi

Production date
1847-1848
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
367 x 251 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M174
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