View Exhibition
Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

FREE

Manpower: Myths of Masculinity

FREE

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Romancing the Collection
Romancing the Collection

FREE

Romancing the Collection

FREE

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Guide Kaiārahi
Guide Kaiārahi

FREE

Guide Kaiārahi

FREE

View Exhibition
Bill Culbert | Slow Wonder
Bill Culbert | Slow Wonder

FREE

Bill Culbert | Slow Wonder

FREE

View Event
Kintsugi workshop - March
Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

Please note: This event was originally scheduled for Sunday 19 September. It will now go ahead on Sunday 6 March 2022 (restrictions allowing) and ticket holders have been contacted directly.

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

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Quant-inspired Fashion Illustration Workshop
Quant-inspired Fashion Illustration Workshop

10.30am—3pm

From $150 Book now

Harnessing the youthful spirit of the sixties and embracing new mass-production techniques, Mary Quant created a new look for modern women. Be inspired by Quants work and play around with different materials and styles to create your own mini fashion sketch portfolio.

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POSTPONED: Embroidery Workshop – Spring Stitch Zen
POSTPONED: Embroidery Workshop – Spring Stitch Zen

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Sunday 17 October. It will now go ahead on Sunday 28 November (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods for a fun and relaxing day of creative stitch in the Members Lounge. After a long winter, find your zen immersed in creativity and explore texture, fibres and colour. Fleur will support you to set your creativity free and make your own design using traditional and self-taught methods.

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POSTPONED: Embroidery Workshop – Creative Floral Basics
POSTPONED: Embroidery Workshop – Creative Floral Basics

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Saturday 16 October. It will now go ahead on Saturday 27 November (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods to create your own mini floral embroidery. Enjoy a day in the Members lounge surrounded by beautiful blooms and immersed in creativity as Fleur shares her favourite supplies, tips & techniques. You will be supported to create your own design and set your creativity free. 

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Art Rentals in the Age of Jane Austen
Art Rentals in the Age of Jane Austen

2—3pm

Members only – pay what you want Book now

Texas-based professor and writer, Janine Barchas returns to New Zealand to share some surprising findings about early art rentals.

Please note: This is an online event.

Art Rentals in the Age of Jane Austen

2—3pm

Members only – pay what you want Book now

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Yoga and Art Immersion
Yoga and Art Immersion

Weekly, Tuesday class, 5.30–6.30pm, Sunday class, 9–10.00am

Public $15, Members $12

Yoga and Art Immersion

Weekly, Tuesday class, 5.30–6.30pm, Sunday class, 9–10.00am

Public $15, Members $12

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A Slow Wander | A tour for the curious
A Slow Wander | A tour for the curious

1-1.45pm

FREE | Register Now

Join us for a specially designed interactive experience of Bill Culbert | Slow Wonder.  

A Slow Wander | A tour for the curious

1-1.45pm

FREE | Register Now

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Whānau drop-ins – New activities each weekend!
Whānau drop-ins – New activities each weekend!

Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am–3pm.

 

 

 

 

 

Whānau drop-ins – New activities each weekend!

Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

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Friday Lates
Friday Lates

Fridays until 9pm

FREE

Friday Lates

Fridays until 9pm

FREE

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Gallery tours
Gallery tours

11.30am and 1.30pm daily

FREE

Our friendly and knowledgeable team is here to introduce you to the art, artists, stories and histories that make up our Gallery.

Gallery tours

11.30am and 1.30pm daily

FREE

Artworks

View Artwork

Not on display

No. 13
No. 13

Max Gimblett

Production date
1982-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/317
View Artwork

Not on display

No. 10
No. 10

Max Gimblett

Production date
1982-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/314
View Artwork

Not on display

No. 14
No. 14

Max Gimblett

Production date
1983-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/318
View Artwork

Not on display

Cerulean Blue - To Len Lye
Cerulean Blue - To Len Lye

Max Gimblett

Production date
1981
Medium
acrylic polymer on canvas
Size (h x w)
2290 x 2285 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1981
Accession no
C1994/1/69
View Artwork

Not on display

No. 5
No. 5

Max Gimblett

Production date
1982-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/309
View Artwork

Not on display

Ancestor - Len Lye
Ancestor - Len Lye

Max Gimblett

Production date
1980
Medium
acrylic polymer, pencil on Arches Aquarelle French 300lb Cold Press mould made paper
Size (h x w)
572 x 775 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/12
View Artwork

Not on display

The Beer Inks - 3, S.P. as Jake Berthot
The Beer Inks - 3, S.P. as Jake Berthot

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
381 x 559 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/1
View Artwork

Not on display

Blossom
Blossom

Max Gimblett

Production date
2007
Medium
pencil, ink on Arches Aquarelle French 300lb Rough mould made paper
Size (h x w)
591 x 768 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/20
View Artwork

Not on display

The Beer Inks - 31, S.P. as Giacometti
The Beer Inks - 31, S.P. as Giacometti

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/6
View Artwork

Not on display

Pearl of the Pacific - Call
Pearl of the Pacific - Call

Max Gimblett

Production date
1986-1987
Medium
acrylic polymer, metallic pigments, pencil on Arches Aquarelle French 555lb 100% cotton handmade paper
Size (h x w)
749 x 1048 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/16
View Artwork

Not on display

Brother
Brother

Max Gimblett

Production date
2002
Medium
ink, pencil, mica on Twin Rocker Oldenberger American 100% cotton handmade paper
Size (h x w)
559 x 699 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/28
View Artwork

Not on display

Pearl of the Pacific
Pearl of the Pacific

Max Gimblett

Production date
1986-1987
Medium
acrylic polymer on Arches Aquarelle French 555lb Rough 100% cotton handmade paper
Size (h x w)
762 x 1067 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/15
View Artwork

Not on display

Disasters of War - after Goya, drawings towards etchings - 30, Memory
Disasters of War - after Goya, drawings towards etchings - 30, Memory

Max Gimblett

Production date
2005
Medium
pencil, ink, acrylic polymer, mica on Lana Aquarelle French Hot Press mould made paper
Size (h x w)
762 x 572 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/35
View Artwork

Not on display

The Kiss
The Kiss

Max Gimblett

Production date
1991
Medium
gesso, water gilded silver and lacquer on wood panel
Size (h x w)
1016 x 1016 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 1994
Accession no
1994/27/3
View Artwork

Not on display

No. 18
No. 18

Max Gimblett

Production date
1988
Medium
acrylic polymer and pencil on paper
Size (h x w)
775 x 575 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/322
View Artwork

Not on display

No. 20
No. 20

Max Gimblett

Production date
1987-1988
Medium
acrylic polymer and pencil on paper
Size (h x w)
775 x 575 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/324
View Artwork

Not on display

No. 12
No. 12

Max Gimblett

Production date
1984
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/316
View Artwork

Not on display

Cerulean Blue - To Len Lye
Cerulean Blue - To Len Lye

Max Gimblett

Production date
1982
Medium
acrylic polymer on paper
Size (h x w)
580 x 762 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1982
Accession no
C1994/1/86
View Artwork

Not on display

No. 16
No. 16

Max Gimblett

Production date
1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/320
View Artwork

Not on display

No. 19
No. 19

Max Gimblett

Production date
1987-1988
Medium
acrylic polymer and pencil on paper
Size (h x w)
775 x 575 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/323
View Artwork

Not on display

No. 9
No. 9

Max Gimblett

Production date
1983-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/313
View Artwork

Not on display

The Beer Inks - 12, the Walking Talking Radiator
The Beer Inks - 12, the Walking Talking Radiator

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/4
View Artwork

Not on display

The Beer Inks - 4, Max & His Friends
The Beer Inks - 4, Max & His Friends

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/8
View Artwork

Not on display

Ming Circle
Ming Circle

Max Gimblett

Production date
1980
Medium
acrylic polymer on Arches Aquarelle French 555lb Rough mould made paper
Size (h x w)
737 x 1054 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/11
View Artwork

Not on display

Mrs. Gimblett in All Her Beauty - the exquisite corpse
Mrs. Gimblett in All Her Beauty - the exquisite corpse

Max Gimblett

Production date
2000
Medium
ink, pencil, mica on Gampi Torinoko White 100% Gampi Japanese handmade paper
Size (h x w)
559 x 762 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/27
View Artwork

Not on display

The Forces
The Forces

Max Gimblett

Production date
2002-2003
Medium
ink on Thailand Embossed Crocodile Sulfite machine made paper
Size (h x w)
686 x 495 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/29
View Artwork

Not on display

Disasters of War - after Goya, drawings towards etchings - 18, Crash
Disasters of War - after Goya, drawings towards etchings - 18, Crash

Max Gimblett

Production date
2005
Medium
pencil, ink, acrylic polymer, mica, silver leaf, shellac on Lana Aquarelle French Hot Press mould made paper
Size (h x w)
762 x 572 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/33
View Artwork

Not on display

Enso
Enso

Max Gimblett

Production date
2003
Medium
sumi ink on dyed Indigo Japanese handmade paper
Size (h x w)
940 x 356 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/45
View Artwork

Not on display

Ivory black/prussian blue
Ivory black/prussian blue

Max Gimblett

Production date
1981
Medium
oil and wax on canvas
Size (h x w)
1525 x 1525 x 40 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/42/2
View Artwork

Not on display

Buddha Amida
Buddha Amida

Max Gimblett

Production date
1985
Medium
metallic pigment and acrylic on canvas
Size (h x w)
3050 x 3050 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 1998
Accession no
1998/17
View Artwork

Not on display

The Beer Inks - 9, Barb (Marion Moore) on the Rock in Bloomington from Maxhaircuttings
The Beer Inks - 9, Barb (Marion Moore) on the Rock in Bloomington from Maxhaircu...

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/2
View Artwork

Not on display

The Beer Inks - 13, First Shout
The Beer Inks - 13, First Shout

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/5
View Artwork

Not on display

Boundry Bridge
Boundry Bridge

Max Gimblett

Production date
2004
Medium
ink on Arches Aquarelle French 300lb Rough mould made paper
Size (h x w)
572 x 762 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/25
View Artwork

Not on display

Pearl of the Pacific - For Murakami Kagaku
Pearl of the Pacific - For Murakami Kagaku

Max Gimblett

Production date
1986-1987
Medium
acrylic polymer on Arches Aquarelle French 555lb Cold Press 100% cotton handmade paper
Size (h x w)
762 x 1067 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/17
View Artwork

Not on display

For Chris Wilmarth - in Memoriam
For Chris Wilmarth - in Memoriam

Max Gimblett

Production date
1988
Medium
acrylic polymer, white gold leaf on Arches Aquarelle French 300lb Cold Press mould made paper
Size (h x w)
762 x 559 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/13
View Artwork

Not on display

Blue Boy
Blue Boy

Max Gimblett

Production date
2007
Medium
pencil, ink on Arches Aquarelle French 300lb Rough mould made paper
Size (h x w)
591 x 768 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/19
View Archive
Max Gimblett Publications
Max Gimblett Publications
Production date
1978-2005
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett, 2007
Accession no
RC2007/10

Ideas

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NZ XI Image
NZ XI
Publication
NZ XI

Publication

Articles

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Frequency Image
Frequency

Zena Elliott & Olivia Boswell

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