Exhibitions

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Light from Tate: 1700s to Now
Light from Tate: 1700s to Now

—

Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

Light from Tate: 1700s to Now

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Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

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Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection
Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection

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Free

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Walls to Live Beside, Rooms to Own: The Chartwell Show
Walls to Live Beside, Rooms to Own: The Chartwell Show

—

FREE

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Suji Park: Meonji Soojibga | Dust Collector
Suji Park: Meonji Soojibga | Dust Collector

—

FREE

Suji Park: Meonji Soojibga | Dust Collector

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FREE

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ArtLab
ArtLab

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FREE

ArtLab

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FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

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FREE

Manpower: Myths of Masculinity

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FREE

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Romancing the Collection
Romancing the Collection

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FREE

Romancing the Collection

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FREE

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Guide Kaiārahi
Guide Kaiārahi

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FREE

Guide Kaiārahi

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FREE

Events

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Lecture series: Masters of Light, 1700s to Now (II)
Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

Lecture Series Masters of Light – Day 2

Sun 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre-stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art, and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 1.

Image credit: Wassily Kandinsky Swinging

 

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Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

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Rhythms of the Brain: NZTrio with Simon Ingram
Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

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Lecture series: Masters of Light, 1700s to Now (I)
Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

Masters of Light, 1700s to Now

Sun 21 and 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 2 .

Image credit: Johannes Vermeer The Milkmaid 

Note: the artwork above will be discussed in this series, but is currently not on display at Auckland Art Gallery.

 

BOOK HERE

 

Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

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April School Holiday Programme
April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

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Audio Described Tour for blind and low vision visitors | Light from Tate
Audio Described Tour for blind and low vision visitors | Light from Tate

10.30am–12.00pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

Audio Described Tour for blind and low vision visitors | Light from Tate

10.30am–12.00pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

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Young Members | Poetic Soundscapes
Young Members | Poetic Soundscapes

6.30—8.30pm

Members $20 (and bring a friend), Non-members $30.00 (and bring a friend) Buy tickets

Young Members | Poetic Soundscapes

6.30—8.30pm

Members $20 (and bring a friend), Non-members $30.00 (and bring a friend) Buy tickets

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Light Abounds: Paint & Sip Sessions
Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

Members $67.50, Non-members $75 | Exhibition admission additional Book now

Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

Members $67.50, Non-members $75 | Exhibition admission additional Book now

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SOLD OUT | Pop-up vintage photography studio
SOLD OUT | Pop-up vintage photography studio

— 10am–5pm

General $150, Members $135 Book now

SOLD OUT | Pop-up vintage photography studio

— 10am–5pm

General $150, Members $135 Book now

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Yoga and Art Immersion
Yoga and Art Immersion

— Sundays 9am-10am

Public $18 (plus booking fee), Members $16.20 (plus booking fee) Book now

Yoga and Art Immersion

— Sundays 9am-10am

Public $18 (plus booking fee), Members $16.20 (plus booking fee) Book now

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Contemporary Conversations – The Chartwell Show
Contemporary Conversations – The Chartwell Show

— Fridays 1.30 – 2pm

Free - bookings essential Book now

Contemporary Conversations – The Chartwell Show

— Fridays 1.30 – 2pm

Free - bookings essential Book now

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Lunchtime Drop-in Drawing
Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

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ArtLab | Shadow and Light
ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

Artworks

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View Artwork

Not on display

No. 10
No. 10

Max Gimblett

Production date
1982-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/314
No. 10

Max Gimblett

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Not on display

No. 14
No. 14

Max Gimblett

Production date
1983-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/318
No. 14

Max Gimblett

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Not on display

The Kiss
The Kiss

Max Gimblett

Production date
1991
Medium
gesso, water gilded silver and lacquer on wood panel
Size (h x w)
1016 x 1016 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 1994
Accession no
1994/27/3
The Kiss

Max Gimblett

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Not on display

The Beer Inks - 3, S.P. as Jake Berthot
The Beer Inks - 3, S.P. as Jake Berthot

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
381 x 559 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/1
The Beer Inks - 3, S.P. as Jake Berthot

Max Gimblett

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Not on display

The Beer Inks - 31, S.P. as Giacometti
The Beer Inks - 31, S.P. as Giacometti

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/6
The Beer Inks - 31, S.P. as Giacometti

Max Gimblett

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Not on display

Ancestor - Len Lye
Ancestor - Len Lye

Max Gimblett

Production date
1980
Medium
acrylic polymer, pencil on Arches Aquarelle French 300lb Cold Press mould made paper
Size (h x w)
572 x 775 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/12
Ancestor - Len Lye

Max Gimblett

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Not on display

Blossom
Blossom

Max Gimblett

Production date
2007
Medium
pencil, ink on Arches Aquarelle French 300lb Rough mould made paper
Size (h x w)
591 x 768 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/20
Blossom

Max Gimblett

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Not on display

Cerulean Blue - To Len Lye
Cerulean Blue - To Len Lye

Max Gimblett

Production date
1981
Medium
acrylic polymer on canvas
Size (h x w)
2290 x 2285 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1981
Accession no
C1994/1/69
Cerulean Blue - To Len Lye

Max Gimblett

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Not on display

Pearl of the Pacific
Pearl of the Pacific

Max Gimblett

Production date
1986-1987
Medium
acrylic polymer on Arches Aquarelle French 555lb Rough 100% cotton handmade paper
Size (h x w)
762 x 1067 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/15
Pearl of the Pacific

Max Gimblett

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Not on display

Pearl of the Pacific - Call
Pearl of the Pacific - Call

Max Gimblett

Production date
1986-1987
Medium
acrylic polymer, metallic pigments, pencil on Arches Aquarelle French 555lb 100% cotton handmade paper
Size (h x w)
749 x 1048 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/16
Pearl of the Pacific - Call

Max Gimblett

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Not on display

Brother
Brother

Max Gimblett

Production date
2002
Medium
ink, pencil, mica on Twin Rocker Oldenberger American 100% cotton handmade paper
Size (h x w)
559 x 699 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/28
Brother

Max Gimblett

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Not on display

Disasters of War - after Goya, drawings towards etchings - 30, Memory
Disasters of War - after Goya, drawings towards etchings - 30, Memory

Max Gimblett

Production date
2005
Medium
pencil, ink, acrylic polymer, mica on Lana Aquarelle French Hot Press mould made paper
Size (h x w)
762 x 572 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/35
Disasters of War - after Goya, drawings towards etchings - 30, Memory

Max Gimblett

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Not on display

No. 5
No. 5

Max Gimblett

Production date
1982-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/309
No. 5

Max Gimblett

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Not on display

No. 13
No. 13

Max Gimblett

Production date
1982-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/317
No. 13

Max Gimblett

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Not on display

No. 16
No. 16

Max Gimblett

Production date
1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/320
No. 16

Max Gimblett

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No. 9
No. 9

Max Gimblett

Production date
1983-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/313
No. 9

Max Gimblett

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No. 20
No. 20

Max Gimblett

Production date
1987-1988
Medium
acrylic polymer and pencil on paper
Size (h x w)
775 x 575 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/324
No. 20

Max Gimblett

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The Beer Inks - 12, the Walking Talking Radiator
The Beer Inks - 12, the Walking Talking Radiator

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/4
The Beer Inks - 12, the Walking Talking Radiator

Max Gimblett

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Not on display

No. 12
No. 12

Max Gimblett

Production date
1984
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/316
No. 12

Max Gimblett

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Not on display

The Beer Inks - 4, Max & His Friends
The Beer Inks - 4, Max & His Friends

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/8
The Beer Inks - 4, Max & His Friends

Max Gimblett

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Not on display

Ming Circle
Ming Circle

Max Gimblett

Production date
1980
Medium
acrylic polymer on Arches Aquarelle French 555lb Rough mould made paper
Size (h x w)
737 x 1054 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/11
Ming Circle

Max Gimblett

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Not on display

Ivory black/prussian blue
Ivory black/prussian blue

Max Gimblett

Production date
1981
Medium
oil and wax on canvas
Size (h x w)
1525 x 1525 x 40 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/42/2
Ivory black/prussian blue

Max Gimblett

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Mrs. Gimblett in All Her Beauty - the exquisite corpse
Mrs. Gimblett in All Her Beauty - the exquisite corpse

Max Gimblett

Production date
2000
Medium
ink, pencil, mica on Gampi Torinoko White 100% Gampi Japanese handmade paper
Size (h x w)
559 x 762 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/27
Mrs. Gimblett in All Her Beauty - the exquisite corpse

Max Gimblett

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The Forces
The Forces

Max Gimblett

Production date
2002-2003
Medium
ink on Thailand Embossed Crocodile Sulfite machine made paper
Size (h x w)
686 x 495 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/29
The Forces

Max Gimblett

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Not on display

Disasters of War - after Goya, drawings towards etchings - 18, Crash
Disasters of War - after Goya, drawings towards etchings - 18, Crash

Max Gimblett

Production date
2005
Medium
pencil, ink, acrylic polymer, mica, silver leaf, shellac on Lana Aquarelle French Hot Press mould made paper
Size (h x w)
762 x 572 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/33
Disasters of War - after Goya, drawings towards etchings - 18, Crash

Max Gimblett

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Not on display

No. 18
No. 18

Max Gimblett

Production date
1988
Medium
acrylic polymer and pencil on paper
Size (h x w)
775 x 575 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/322
No. 18

Max Gimblett

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Not on display

No. 19
No. 19

Max Gimblett

Production date
1987-1988
Medium
acrylic polymer and pencil on paper
Size (h x w)
775 x 575 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/323
No. 19

Max Gimblett

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Enso
Enso

Max Gimblett

Production date
2003
Medium
sumi ink on dyed Indigo Japanese handmade paper
Size (h x w)
940 x 356 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/45
Enso

Max Gimblett

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Buddha Amida
Buddha Amida

Max Gimblett

Production date
1985
Medium
metallic pigment and acrylic on canvas
Size (h x w)
3050 x 3050 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 1998
Accession no
1998/17
Buddha Amida

Max Gimblett

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Not on display

Cerulean Blue - To Len Lye
Cerulean Blue - To Len Lye

Max Gimblett

Production date
1982
Medium
acrylic polymer on paper
Size (h x w)
580 x 762 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1982
Accession no
C1994/1/86
Cerulean Blue - To Len Lye

Max Gimblett

View Artwork

Not on display

No. 8
No. 8

Max Gimblett

Production date
1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
775 x 575 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/312
No. 8

Max Gimblett

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Not on display

The Beer Inks - 9, Barb (Marion Moore) on the Rock in Bloomington from Maxhaircuttings
The Beer Inks - 9, Barb (Marion Moore) on the Rock in Bloomington from Maxhaircu...

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/2
The Beer Inks - 9, Barb (Marion Moore) on the Rock in Bloomington from Maxhaircu...

Max Gimblett

View Artwork

Not on display

Untitled Suite of Four
Untitled Suite of Four

Max Gimblett

Production date
1981
Medium
pencil and polymer on paper
Size (h x w)
580 x 770 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1981
Accession no
C1994/1/70.1-4
Untitled Suite of Four

Max Gimblett

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Not on display

Red Black White Gold
Red Black White Gold

Max Gimblett

Production date
1984-1985
Medium
metallic pigments and acrylic polymer on canvas
Size (h x w)
386 x 385 x 65 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1985
Accession no
C1994/1/158
Red Black White Gold

Max Gimblett

View Artwork

Not on display

No. 11
No. 11

Max Gimblett

Production date
1982-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/315
No. 11

Max Gimblett

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Not on display

The Beer Inks - 13, First Shout
The Beer Inks - 13, First Shout

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/5
The Beer Inks - 13, First Shout

Max Gimblett

Archives

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Max Gimblett Publications
Max Gimblett Publications
Production date
1978-2005
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett, 2007
Accession no
RC2007/10
Max Gimblett Publications

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Light from Tate: 1700s to Now in conversation Image
Light from Tate: 1700s to Now in conversation

Video

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Marti Friedlander: Photographs Image
Marti Friedlander: Photographs

Publication

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Turuki Turuki! Paneke Paneke! When Māori Art Became Contemporary Image
Turuki Turuki! Paneke Paneke! When Māori Art Became Contemporary

Publication

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Mystic Truths Image
Mystic Truths
 Publication
Mystic Truths

Publication

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Masters of the Bitten Line: Etching in the Age of Rembrandt Image
Masters of the Bitten Line: Etching in the Age of Rembrandt

Publication

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Frances Hodgkins: Leitmotif Image
Frances Hodgkins: Leitmotif

Publication

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Judy Millar: "I (will), (should), (can), (must), (may), would like to express" Image
Judy Millar: "I (will), (should), (can), (must), (may), would like to express"

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Michael Smither: The Wonder Years Image
Michael Smither: The Wonder Years

Publication

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Snake Oil: Chartwell Acquisitions 2002-5 Image
Snake Oil: Chartwell Acquisitions 2002-5

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Mixed-Up Childhood Image
Mixed-Up Childhood

Publication

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Through the Eyes of Shirin Neshat Image
Through the Eyes of Shirin Neshat

Publication

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Golden: Celebrating 50 Years of the Friends of the Gallery Image
Golden: Celebrating 50 Years of the Friends of the Gallery

Publication

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Max Gimblett: The Brush of All Things Image
Max Gimblett: The Brush of All Things

Publication

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Shane Cotton Image
Shane Cotton
 Publication
Shane Cotton

Publication

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John Kinder’s New Zealand Image
John Kinder’s New Zealand

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Flaunt: Art/Fashion/Culture Image
Flaunt: Art/Fashion/Culture

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Everyday Miracles: The Art of Stanley Spencer Image
Everyday Miracles: The Art of Stanley Spencer

Publication

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Nine Lives: The 2003 Chartwell Exhibition Image
Nine Lives: The 2003 Chartwell Exhibition

Publication

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Greer Twiss: Theatre Workshop Image
Greer Twiss: Theatre Workshop

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Fatu Feu’u: O le Tautai Samoa: Checklist Image
Fatu Feu’u: O le Tautai Samoa: Checklist

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Fatu Feu’u: O le Tautai Samoa Image
Fatu Feu’u: O le Tautai Samoa

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Brett Graham: Moenga Roa Image
Brett Graham: Moenga Roa

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The Big Bang Theory: Recent Chartwell Acquisitions Image
The Big Bang Theory: Recent Chartwell Acquisitions

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Gretchen Albrecht: Illuminations Image
Gretchen Albrecht: Illuminations

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The Cartoon Show Image
The Cartoon Show
 Publication
The Cartoon Show

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Purangiaho: Seeing Clearly Image
Purangiaho: Seeing Clearly

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Multistylus Programme: Recent Chartwell Acquisitions Image
Multistylus Programme: Recent Chartwell Acquisitions

Publication

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John Pule: People Get Ready Image
John Pule: People Get Ready

Publication

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The Crystal Chain Gang: Prismatic Geometry in Recent Art Image
The Crystal Chain Gang: Prismatic Geometry in Recent Art

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Pat Hanly: Pure Painting Image
Pat Hanly: Pure Painting

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The Chartwell Collection: Recent Acquisitions Image
The Chartwell Collection: Recent Acquisitions

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Stories We Tell Ourselves: The Paintings of Richard Killeen Image
Stories We Tell Ourselves: The Paintings of Richard Killeen

Publication

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Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Collection Image
Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Co...

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Urewera Mural: Colin McCahon Image
Urewera Mural: Colin McCahon

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John Ioane: Fale Sā Image
John Ioane: Fale Sā

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Terry Urbahn: The Karaokes Image
Terry Urbahn: The Karaokes

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Articles

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Ron Brownson (1952–2023) Image
Ron Brownson (1952–2023)

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Tributes to Ron Brownson Image
Tributes to Ron Brownson

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Ans Westra (1936–2023) Image
Ans Westra (1936–2023)

Julia Waite

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Recent acquisition: 'Paysage à l’Écluse (Landscape with a Lock)', 1886–87 by Albert Dubois-Pillet Image
Recent acquisition: 'Paysage à l’Écluse (Landscape with a Lock)', 1886–87 by Alb...

Sophie Matthiesson

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Dr Benjamin Pittman ONZM (1947–2023): Rangatira, Kaumatua, Ngāpuhi, Ngāti Hao, Te Parawhau, Ngāti Hau. Artist, Historian, Educator. Image
Dr Benjamin Pittman ONZM (1947–2023): Rangatira, Kaumatua, Ngāpuhi, Ngāti Hao, T...

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2022 Michèle Whitecliffe Art Writing Prize winner – ‘Building a Weight/Jumping a Breakwater’ Image
2022 Michèle Whitecliffe Art Writing Prize winner – ‘Building a Weight/Jumping a...

Lachlan Taylor

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2022 Michèle Whitecliffe Art Writing Prize runner-up – Opt, Co-opt and Co-ops: Politicised Participation in Recent Art from Aotearoa. Image
2022 Michèle Whitecliffe Art Writing Prize runner-up – Opt, Co-opt and Co-ops: P...

Mikayla Journée

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2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Films of Sriwhana Spong Image
2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Fi...

Kirsty Baker

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Traces through Time: Digitising Archival Exhibition Photographs at the E H McCormick Research Library Image
Traces through Time: Digitising Archival Exhibition Photographs at the E H McCor...

Hélena Lunt

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Community and Collaboration: Learning with Kaiako, Robin White, Ebonie Fifita and Workshop Artists Image
Community and Collaboration: Learning with Kaiako, Robin White, Ebonie Fifita an...

Isabel Michell

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In Memory of Marylyn Mayo: Creating a Legacy of Support Image
In Memory of Marylyn Mayo: Creating a Legacy of Support

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The Fantastical World of Felix Kelly: A Life and an Archive Image
The Fantastical World of Felix Kelly: A Life and an Archive

Dr Don Bassett

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Beyond the Walls: Art as a Community Catalyst Image
Beyond the Walls: Art as a Community Catalyst

Mosese Uhila

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Declaration: Publishing a Pacific Feminist Agenda Image
Declaration: Publishing a Pacific Feminist Agenda

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Top Five New Books in the E H McCormick Research Library Image
Top Five New Books in the E H McCormick Research Library

Tamsyn Bayliss

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Jim Allen: 1922 to Today Image
Jim Allen: 1922 to Today

Natasha Conland

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The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of the Christian Orthodox World' Image
The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of t...

Gordon Morrison

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Gilbert & George in Conversation with Senior Curator Ron Brownson Image
Gilbert & George in Conversation with Senior Curator Ron Brownson

Gilbert & George in conversation with Ron Brownson

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Yona Lee: An Arrangement for 5 Rooms Image
Yona Lee: An Arrangement for 5 Rooms

Natasha Conland & Yona Lee

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'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition Image
'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition

Caroline McBride

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Max Oettli's Night Beat Image
Max Oettli's Night Beat

Richard Wolfe

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Make Your Mark! Squiggla at ArtLab Image
Make Your Mark! Squiggla at ArtLab

Michelle Wilkinson & Sue Gardiner

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An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna' Image
An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna'

Ron Brownson

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Rifling through the Top Drawer: Looking through Grant Lingard Image
Rifling through the Top Drawer: Looking through Grant Lingard

Jeremiah Boniface

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Max Oettli: Visible Evidence Image
Max Oettli: Visible Evidence

Ron Brownson & Max Oettli

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In Conversation: The significant influence of Mary Quant on Kate Sylvester Image
In Conversation: The significant influence of Mary Quant on Kate Sylvester

Dan Ahwa & Kate Sylvester

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Julie Watson and Julia Waite in Conversation About the Rainbow Tick Image
Julie Watson and Julia Waite in Conversation About the Rainbow Tick

Julia Waite & Julie Watson

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Clown Time Image
Clown Time

Juliana Engberg

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New Zealand Swings Image
New Zealand Swings

Doris de Pont

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The Wellbeing Complex Image
The Wellbeing Complex

Alena Kavka

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The restorative potential of earth-centred practices Image
The restorative potential of earth-centred practices

Robyn Maree Pickens

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Escapism Image
Escapism

Karen Walker & Priscilla Southcombe

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What Do We Show the World? Image
What Do We Show the World?

Emily Cormack

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The Back of the Painting – A Journey Image
The Back of the Painting – A Journey

Sarah Hillary

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In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962) Image
In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962)

Natasha Conland

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A Moment of Optimism Image
A Moment of Optimism

Francis McWhannell

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Architecture Image
Architecture
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Honour board Image
Honour board
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Walters Prize Image
Walters Prize
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Chartwell Trust Image
Chartwell Trust
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James Tannock Mackelvie Image
James Tannock Mackelvie
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Mackelvie Trust Image
Mackelvie Trust
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Sir George Grey Image
Sir George Grey
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Sir Rex Nan Kivell Image
Sir Rex Nan Kivell
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The Edmiston Trust Image
The Edmiston Trust
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The Ilene and Laurence Dakin Bequest Image
The Ilene and Laurence Dakin Bequest
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Awards Image
Awards
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Services
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Experience Auckland Image
Experience Auckland
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Corban Estate Arts Centre Image
Corban Estate Arts Centre
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Depot Artspace Image
Depot Artspace
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Franklin Arts Centre Image
Franklin Arts Centre
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Gus Fisher Gallery Image
Gus Fisher Gallery
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Papakura Art Gallery Image
Papakura Art Gallery
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Te Tuhi Image
Te Tuhi
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Café
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Request a print Image
Request a print
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Services
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Education groups Image
Education groups
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Primary learning Image
Primary learning
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Exhibition information Image
Exhibition information
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Foundation programme: Portraiture and Identity Image
Foundation programme: Portraiture and Identity
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Foundation programme: Signs and Symbols Image
Foundation programme: Signs and Symbols
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Foundation programme: Storytelling Image
Foundation programme: Storytelling
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Special studio programme: Experiments with Paint Image
Special studio programme: Experiments with Paint
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A thousand words: Analysing visual texts in the Gallery Image
A thousand words: Analysing visual texts in the Gallery
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Mix and Match, and bespoke programmes Image
Mix and Match, and bespoke programmes
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Media Image
Media
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Auckland Zoo Image
Auckland Zoo
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Four artists announced for the Walters Prize 2016 Image
Four artists announced for the Walters Prize 2016
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LEGO fans set to let loose at Auckland Art Gallery Image
LEGO fans set to let loose at Auckland Art Gallery
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Friends of Gallery gift important artwork in first-time exhibition of paintings by senior Auckland artist Image
Friends of Gallery gift important artwork in first-time exhibition of paintings...