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Civilisation, Photography, Now
Civilisation, Photography, Now

Coming soon

Civilisation, Photography, Now

Coming soon

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The Body Reborn
The Body Reborn

The Body Reborn

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Radical Beginnings
Radical Beginnings

Radical Beginnings

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Seeing Moana Oceania
Seeing Moana Oceania

Seeing Moana Oceania

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Flight Plan
Flight Plan

Flight Plan

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Love, Longing, Loss
Love, Longing, Loss

Love, Longing, Loss

View Event
1000 Paper Cranes Challenge
1000 Paper Cranes Challenge

11am–4pm

FREE

1000 Paper Cranes Challenge

11am–4pm

FREE

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Zine Lino Printmaking Workshop
Zine Lino Printmaking Workshop

10.30am–3.30pm

General admission, $28 plus fees; Creative Caregivers, $40 plus fees (includes two people) Book now

Zine Lino Printmaking Workshop

10.30am–3.30pm

General admission, $28 plus fees; Creative Caregivers, $40 plus fees (includes two people) Book now

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Zine Zone Drop In
Zine Zone Drop In

11am–4pm

FREE

Zine Zone Drop In

11am–4pm

FREE

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Zine Binding Workshop
Zine Binding Workshop

11am–2pm

General admission, $28 plus fees; Creative Caregivers, $40 plus fees (includes two people) Book now

Zine Binding Workshop

11am–2pm

General admission, $28 plus fees; Creative Caregivers, $40 plus fees (includes two people) Book now

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Japonism in Fashion lecture: 1860s to 1930s
Japonism in Fashion lecture: 1860s to 1930s

5.30pm–6.45pm

Members $15, non-Members $20 Book now

In 2003, textile and dress historian Angela Lassig brought the exhibition Japonism in Fashion, initiated and developed by the Kyoto Costume Institute in 1989, to Te Papa Tongarewa and Christchurch Art Gallery. Now she will give two lectures on this topic as part of our events programme for the exhibition Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan.

Japonism in Fashion lecture: 1860s to 1930s

5.30pm–6.45pm

Members $15, non-Members $20 Book now

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SOLD OUT Kintsugi workshop
SOLD OUT Kintsugi workshop

10.30am–1pm & 2pm–4pm

Members $125, Non-Members $185 (includes a Membership) Book now

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT Kintsugi workshop

10.30am–1pm & 2pm–4pm

Members $125, Non-Members $185 (includes a Membership) Book now

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Japonism in Fashion lecture: 1930s to the present day
Japonism in Fashion lecture: 1930s to the present day

5.30pm–6.45pm

Members $15, non-Members $20 Book now

In 2003, textile and dress historian Angela Lassig brought the exhibition Japonism in Fashion, initiated and developed by the Kyoto Costume Institute in 1989, to Te Papa Tongarewa and Christchurch Art Gallery. Now she will give two lectures on this topic as part of our events programme for the exhibition Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan.

Japonism in Fashion lecture: 1930s to the present day

5.30pm–6.45pm

Members $15, non-Members $20 Book now

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Simon Devitt photography workshop
Simon Devitt photography workshop

11am–3.30pm

$150 for Members, $210 for Non Members (includes one-year Gallery Membership) Book now

Photographer, lecturer and award-winning publisher Simon Devitt is back with his half-day workshop in which you will discover new perspectives and work on further developing your own visual language through photography. Walk away with fresh ideas on how to use photography as a storytelling medium, drawing inspiration from our upcoming exhibition Civilisation, Photography, Now.

 

Simon Devitt photography workshop

11am–3.30pm

$150 for Members, $210 for Non Members (includes one-year Gallery Membership) Book now

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Japanese Woodblock Workshops
Japanese Woodblock Workshops

FREE, booking is recommended Book now

These July school holidays join us at the Gallery for an exciting hands-on Japanese woodblock printing workshop that has been inspired by our current exhibition, Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan.

Japanese Woodblock Workshops

FREE, booking is recommended Book now

Artworks

View Artwork

Not on display

Red Black White Gold
Red Black White Gold

Max Gimblett

Production date
1984-1985
Medium
metallic pigments and acrylic polymer on canvas
Size (h x w)
386 x 385 x 65 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1985
Accession no
C1994/1/158
View Artwork

Not on display

Cerulean Blue - To Len Lye
Cerulean Blue - To Len Lye

Max Gimblett

Production date
1982
Medium
acrylic polymer on paper
Size (h x w)
580 x 762 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1982
Accession no
C1994/1/86
View Artwork

Not on display

No. 1
No. 1

Max Gimblett

Production date
1982-1986
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/305
View Artwork

Not on display

No. 16
No. 16

Max Gimblett

Production date
1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/320
View Artwork

Not on display

The Beer Inks - 13, First Shout
The Beer Inks - 13, First Shout

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/5
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Not on display

The Beer Inks - 4, Max & His Friends
The Beer Inks - 4, Max & His Friends

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/8
View Artwork

Not on display

Boundry Bridge
Boundry Bridge

Max Gimblett

Production date
2004
Medium
ink on Arches Aquarelle French 300lb Rough mould made paper
Size (h x w)
572 x 762 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/25
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Not on display

Pearl of the Pacific - Call
Pearl of the Pacific - Call

Max Gimblett

Production date
1986-1987
Medium
acrylic polymer, metallic pigments, pencil on Arches Aquarelle French 555lb 100% cotton handmade paper
Size (h x w)
749 x 1048 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/16
View Artwork

Not on display

Witness
Witness

Max Gimblett

Production date
1987
Medium
acrylic polymer on Arches Aquarelle French 300lb Cold Press mould made paper
Size (h x w)
762 x 572 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/14
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Not on display

Disasters of War - after Goya, drawings towards etchings - 7, Mirrors
Disasters of War - after Goya, drawings towards etchings - 7, Mirrors

Max Gimblett

Production date
2005
Medium
pencil, ink, mica, silver leaf, shellac on Lana Aquarelle French Hot Press mould made paper
Size (h x w)
572 x 762 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/31
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Not on display

The 10,000 things
The 10,000 things

Max Gimblett

Production date
2001
Medium
sumi ink, vinyl polymer on Cal Ling Winter Thailand machine made paper
Size (h x w)
648 x 940 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/43
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Not on display

Monk - 2
Monk - 2

Max Gimblett

Production date
1990
Medium
ink on HMP Verona American 100% cotton handmade paper
Size (h x w)
508 x 686 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/38
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Not on display

One stroke bone
One stroke bone

Max Gimblett

Production date
1979
Medium
sumi ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
2286 x 559 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/50.1-3
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Not on display

Enso
Enso

Max Gimblett

Production date
2003
Medium
sumi ink on dyed Indigo Japanese handmade paper
Size (h x w)
940 x 356 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/45
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Not on display

No. 6
No. 6

Max Gimblett

Production date
1983-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/310
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Not on display

The Beer Inks - 9, Barb (Marion Moore) on the Rock in Bloomington from Maxhaircuttings
The Beer Inks - 9, Barb (Marion Moore) on the Rock in Bloomington from Maxhaircu...

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
559 x 381 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/2
View Artwork

Not on display

Jade Space
Jade Space

Max Gimblett

Production date
1979
Medium
acrylic, pencil on Arches Aquarelle French 300lb Rough mould made paper
Size (h x w)
584 x 749 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/10
View Artwork

Not on display

The Bath of the Last Supper Crossed with the Grail
The Bath of the Last Supper Crossed with the Grail

Max Gimblett

Production date
2003-2005
Medium
pencil, ink, acrylic polymer, copper leaf, palladium leaf on Arches Aquarelle French 300lb Rough mould made paper
Size (h x w)
572 x 762 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/24
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Not on display

Blossom
Blossom

Max Gimblett

Production date
2007
Medium
pencil, ink on Arches Aquarelle French 300lb Rough mould made paper
Size (h x w)
591 x 768 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/20
View Artwork

Not on display

Lord Ganesha
Lord Ganesha

Max Gimblett

Production date
1986
Medium
acrylic polymer on Arches Aquarelle French 555lb Cold Press 100% cotton handmade paper
Size (h x w)
762 x 1067 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/18
View Artwork

Not on display

Brother
Brother

Max Gimblett

Production date
2002
Medium
ink, pencil, mica on Twin Rocker Oldenberger American 100% cotton handmade paper
Size (h x w)
559 x 699 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/28
View Artwork

Not on display

Disasters of War - after Goya, drawings towards etchings - 18, Crash
Disasters of War - after Goya, drawings towards etchings - 18, Crash

Max Gimblett

Production date
2005
Medium
pencil, ink, acrylic polymer, mica, silver leaf, shellac on Lana Aquarelle French Hot Press mould made paper
Size (h x w)
762 x 572 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/33
View Artwork

Not on display

Disasters of War - after Goya, drawings towards etchings - 30, Memory
Disasters of War - after Goya, drawings towards etchings - 30, Memory

Max Gimblett

Production date
2005
Medium
pencil, ink, acrylic polymer, mica on Lana Aquarelle French Hot Press mould made paper
Size (h x w)
762 x 572 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/35
View Artwork

Not on display

Heart vine
Heart vine

Max Gimblett

Production date
2000
Medium
sumi ink on Sunomi Craft Japanese Kozo and Sulfite handmade paper
Size (h x w)
978 x 660 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/40
View Artwork

Not on display

All mind no mind - 11
All mind no mind - 11

Max Gimblett

Production date
1983
Medium
sumi ink on Kochai Japanese Kozo and Sulfite handmade paper
Size (h x w)
660 x 508 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/47
View Artwork

Not on display

No. 17
No. 17

Max Gimblett

Production date
1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/321
View Artwork

Not on display

No. 20
No. 20

Max Gimblett

Production date
1987-1988
Medium
acrylic polymer and pencil on paper
Size (h x w)
775 x 575 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/324
View Artwork

Not on display

No. 4 - For Colin McCahon
No. 4 - For Colin McCahon

Max Gimblett

Production date
1982-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/308
View Artwork

Not on display

No. 14
No. 14

Max Gimblett

Production date
1983-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/318
View Artwork

Not on display

Untitled Suite of Four
Untitled Suite of Four

Max Gimblett

Production date
1981
Medium
pencil and polymer on paper
Size (h x w)
580 x 770 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1981
Accession no
C1994/1/70.1-4
View Artwork

Not on display

No. 11
No. 11

Max Gimblett

Production date
1982-1987
Medium
acrylic polymer and pencil on paper
Size (h x w)
575 x 775 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1988
Accession no
C1994/1/315
View Artwork

Not on display

Ivory black/prussian blue
Ivory black/prussian blue

Max Gimblett

Production date
1981
Medium
oil and wax on canvas
Size (h x w)
1525 x 1525 x 40 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/42/2
View Artwork

Not on display

The Red Sea
The Red Sea

Max Gimblett

Production date
1995
Medium
acrylic polymer on linen canvas
Size (h x w)
2030 x 6090 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1997
Accession no
C1997/1/30/1-3
View Artwork

Not on display

The Beer Inks - 3, S.P. as Jake Berthot
The Beer Inks - 3, S.P. as Jake Berthot

Max Gimblett

Production date
1975
Medium
ink on Aquarius American cotton and fiberglass machine made paper
Size (h x w)
381 x 559 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/1
View Artwork

Not on display

Forbidden
Forbidden

Max Gimblett

Production date
2003-2004
Medium
pencil, ink, various leafs on Arches Aquarelle French 300lb Rough mould made paper
Size (h x w)
572 x 762 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/23
View Artwork

Not on display

White/Black - for Paul Valery
White/Black - for Paul Valery

Max Gimblett

Production date
1980
Medium
acrylic, pencil on Arches Aquarelle French 300lb Rough mould made paper
Size (h x w)
578 x 756 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett and Barbara Kirshenblatt-Gimblett, through the Auckland Art Gallery Foundation, 2008
Accession no
2008/6/9
View Archive
Max Gimblett Publications
Max Gimblett Publications
Production date
1978-2005
Credit line
E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Max Gimblett, 2007
Accession no
RC2007/10

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