Exhibitions

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Tira Walsh | Urbanize III
Tira Walsh | Urbanize III

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FREE

Tira Walsh | Urbanize III

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FREE

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Light from Tate: 1700s to Now
Light from Tate: 1700s to Now

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Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

Light from Tate: 1700s to Now

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Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

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Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection
Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection

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Free

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Suji Park: Meonji Soojibga | Dust Collector
Suji Park: Meonji Soojibga | Dust Collector

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FREE

Suji Park: Meonji Soojibga | Dust Collector

—

FREE

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ArtLab
ArtLab

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FREE

ArtLab

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FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

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FREE

Manpower: Myths of Masculinity

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FREE

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Guide Kaiārahi
Guide Kaiārahi

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FREE

Guide Kaiārahi

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FREE

Events

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Lecture series: Masters of Light, 1700s to Now (II)
Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

Lecture Series Masters of Light – Day 2

Sun 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre-stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art, and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 1.

Image credit: Wassily Kandinsky Swinging

 

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Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

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Rhythms of the Brain: NZTrio with Simon Ingram
Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

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Lecture series: Masters of Light, 1700s to Now (I)
Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

Masters of Light, 1700s to Now

Sun 21 and 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 2 .

Image credit: Johannes Vermeer The Milkmaid 

Note: the artwork above will be discussed in this series, but is currently not on display at Auckland Art Gallery.

 

BOOK HERE

 

Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

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NZSL Tour of Light From Tate
NZSL Tour of Light From Tate

2–3.30pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

NZSL Tour of Light From Tate

2–3.30pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

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April School Holiday Programme
April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

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Yoga and Art Immersion
Yoga and Art Immersion

— Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

Yoga and Art Immersion

— Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

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Whānau drop-ins – New activities each weekend!
Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am–3pm.

 

 

 

 

 

Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

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Lunchtime Drop-in Drawing
Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

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ArtLab | Shadow and Light
ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

Artworks

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View Artwork

Not on display

Taranaki from Cardiff, Taranaki, 12 July 1991
Taranaki from Cardiff, Taranaki, 12 July 1991

Laurence Aberhart

Production date
1991
Medium
gelatin silver print, toned with gold and selenium
Size (h x w)
200 x 255 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2009
Accession no
2009/17
Taranaki from Cardiff, Taranaki, 12 July 1991

Laurence Aberhart

View Artwork

Not on display

Catholic Church, Motukaraka, Hokianga Harbour, Northland, 3 May 1982
Catholic Church, Motukaraka, Hokianga Harbour, Northland, 3 May 1982

Laurence Aberhart

Production date
1982
Medium
silver gelatin, gold and selenium toned
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, with support from Laurence Aberhart, Greta North and Gow Langsford Gallery, 2017
Accession no
2017/22/50
Catholic Church, Motukaraka, Hokianga Harbour, Northland, 3 May 1982

Laurence Aberhart

View Artwork

Not on display

St. Gabrial’s Catholic Church, Pawarenga, Whangape Harbour, Northland, 4 May 1982
St. Gabrial’s Catholic Church, Pawarenga, Whangape Harbour, Northland, 4 May 198...

Laurence Aberhart

Production date
1982
Medium
silver gelatin, selenium toned
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased with support from Laurence Aberhart, Greta North and Gow Langsford Gallery, 2017
Accession no
2017/22/52
St. Gabrial’s Catholic Church, Pawarenga, Whangape Harbour, Northland, 4 May 198...

Laurence Aberhart

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Not on display

Mrs Peri's Church, Pawarenga, Whangape Harbour, 4 May 1982
Mrs Peri's Church, Pawarenga, Whangape Harbour, 4 May 1982

Laurence Aberhart

Production date
1982
Medium
silver gelatin, gold and selenium toned
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased with support from Laurence Aberhart, Greta North and Gow Langsford Gallery, 2017
Accession no
2017/22/53
Mrs Peri's Church, Pawarenga, Whangape Harbour, 4 May 1982

Laurence Aberhart

View Artwork

Not on display

Anglican Church, Pawarenga Peninsula, Whangape Harbour, Northland, 10 May 1982
Anglican Church, Pawarenga Peninsula, Whangape Harbour, Northland, 10 May 1982

Laurence Aberhart

Production date
1982
Medium
silver gelatin, gold and selenium toned
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased with support from Laurence Aberhart, Greta North and Gow Langsford Gallery, 2017
Accession no
2017/22/57
Anglican Church, Pawarenga Peninsula, Whangape Harbour, Northland, 10 May 1982

Laurence Aberhart

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Not on display

Church, Oruru, Northland, 15 May 1982
Church, Oruru, Northland, 15 May 1982

Laurence Aberhart

Production date
1982
Medium
silver gelatin, selenium toned
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased with support from Laurence Aberhart, Greta North and Gow Langsford Gallery, 2017
Accession no
2017/22/63
Church, Oruru, Northland, 15 May 1982

Laurence Aberhart

View Artwork

Not on display

St. Peters Catholic Church, Herekino, Northland 18 April 2017
St. Peters Catholic Church, Herekino, Northland 18 April 2017

Laurence Aberhart

Production date
2017
Medium
silver gelatin, selenium toned
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased with support from Laurence Aberhart, Greta North and Gow Langsford Gallery, 2017
Accession no
2017/22/70
St. Peters Catholic Church, Herekino, Northland 18 April 2017

Laurence Aberhart

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Not on display

Interior: Anglican Church, Ahipara, Northland
Interior: Anglican Church, Ahipara, Northland

Laurence Aberhart

Production date
1982-1983
Medium
black and white photograph
Size (h x w)
192 x 246 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1983
Accession no
1983/67/9
Interior: Anglican Church, Ahipara, Northland

Laurence Aberhart

View Artwork

Not on display

View #1, Fort Jervois, Ripapa Island, Lyttleton Harbour, 14 March 2000
View #1, Fort Jervois, Ripapa Island, Lyttleton Harbour, 14 March 2000

Laurence Aberhart

Production date
2000
Medium
gelatin silver print
Size (h x w)
170 x 245 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2001
Accession no
C2001/1/17/1
View #1, Fort Jervois, Ripapa Island, Lyttleton Harbour, 14 March 2000

Laurence Aberhart

View Artwork

Not on display

View #2, Fort Jervois, Ripapa Island, Lyttleton Harbour, 14 March 2000
View #2, Fort Jervois, Ripapa Island, Lyttleton Harbour, 14 March 2000

Laurence Aberhart

Production date
2000
Medium
gelatin silver print
Size (h x w)
170 x 245 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2001
Accession no
C2001/1/17/2
View #2, Fort Jervois, Ripapa Island, Lyttleton Harbour, 14 March 2000

Laurence Aberhart

View Artwork

Not on display

Flag and Bridge, Selma, Alabama, 15 September 1988
Flag and Bridge, Selma, Alabama, 15 September 1988

Laurence Aberhart

Production date
1988
Medium
black and white photograph
Size (h x w)
200 x 247 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1989
Accession no
1989/43/1
Flag and Bridge, Selma, Alabama, 15 September 1988

Laurence Aberhart

View Artwork

Not on display

Vicksburg, Mississippi 1988. (Referential to Walker Evans and a joke in the decorative style)
Vicksburg, Mississippi 1988. (Referential to Walker Evans and a joke in the deco...

Laurence Aberhart

Production date
1988
Medium
black and white photograph
Size (h x w)
196 x 244 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1989
Accession no
1989/43/5
Vicksburg, Mississippi 1988. (Referential to Walker Evans and a joke in the deco...

Laurence Aberhart

View Artwork

Not on display

Taranaki (no date), 1986
Taranaki (no date), 1986

Laurence Aberhart

Production date
1986
Medium
gelatin silver print
Size (h x w)
240 x 300 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 1998
Accession no
1998/14/3
Taranaki (no date), 1986

Laurence Aberhart

View Artwork

Not on display

Interior, Church, Pakanae, Hokianga Harbour, Northland, 22 April 1982
Interior, Church, Pakanae, Hokianga Harbour, Northland, 22 April 1982

Laurence Aberhart

Production date
1982
Medium
silver gelatin printing out paper print, gold toned
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, with support from Laurence Aberhart, Greta North and Gow Langsford Gallery, 2017
Accession no
2017/22/5
Interior, Church, Pakanae, Hokianga Harbour, Northland, 22 April 1982

Laurence Aberhart

View Artwork

Not on display

Catholic Cross, Puketapu, Hawke's Bay, June 1982
Catholic Cross, Puketapu, Hawke's Bay, June 1982

Laurence Aberhart

Production date
1982
Medium
black and white photograph
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/49/1
Catholic Cross, Puketapu, Hawke's Bay, June 1982

Laurence Aberhart

View Artwork

Not on display

Taranaki (towards Taranaki, obscured), Wanganui, 12 December 1986
Taranaki (towards Taranaki, obscured), Wanganui, 12 December 1986

Laurence Aberhart

Production date
1986
Medium
gelatin silver print
Size (h x w)
240 x 306 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 1998
Accession no
1998/14/8
Taranaki (towards Taranaki, obscured), Wanganui, 12 December 1986

Laurence Aberhart

View Artwork

Not on display

Interior: Hop Yick Cheong, Christchurch, 1983
Interior: Hop Yick Cheong, Christchurch, 1983

Laurence Aberhart

Production date
1983
Medium
black and white photograph
Size (h x w)
200 x 246 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/49/4
Interior: Hop Yick Cheong, Christchurch, 1983

Laurence Aberhart

View Artwork

Not on display

St. Marks Anglican Church, Oturu, Northland, 13 May 1982
St. Marks Anglican Church, Oturu, Northland, 13 May 1982

Laurence Aberhart

Production date
1982
Medium
silver gelatin, gold and selenium toned
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased with support from Laurence Aberhart, Greta North and Gow Langsford Gallery, 2017
Accession no
2017/22/60
St. Marks Anglican Church, Oturu, Northland, 13 May 1982

Laurence Aberhart

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Not on display

St. Clement’s Anglican Church, Ahipara, Northland, 15 May 1982
St. Clement’s Anglican Church, Ahipara, Northland, 15 May 1982

Laurence Aberhart

Production date
1982
Medium
silver gelatin, gold and selenium toned
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased with support from Laurence Aberhart, Greta North and Gow Langsford Gallery, 2017
Accession no
2017/22/61
St. Clement’s Anglican Church, Ahipara, Northland, 15 May 1982

Laurence Aberhart

View Artwork

Not on display

St. Mathew’s Anglican Church, Parapara, Northland, 15 May 1982
St. Mathew’s Anglican Church, Parapara, Northland, 15 May 1982

Laurence Aberhart

Production date
1982
Medium
silver gelatin, selenium toned
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased with support from Laurence Aberhart, Greta North and Gow Langsford Gallery, 2017
Accession no
2017/22/62
St. Mathew’s Anglican Church, Parapara, Northland, 15 May 1982

Laurence Aberhart

View Artwork

Not on display

Interior: #3 Ellison House, Taumutu, Canterbury
Interior: #3 Ellison House, Taumutu, Canterbury

Laurence Aberhart

Production date
1983
Medium
black and white photograph
Size (h x w)
202 x 248 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1983
Accession no
1983/67/14
Interior: #3 Ellison House, Taumutu, Canterbury

Laurence Aberhart

View Artwork

Not on display

Porch Detail: Eripitana, Te Whaiti, Ureweras
Porch Detail: Eripitana, Te Whaiti, Ureweras

Laurence Aberhart

Production date
1982
Medium
black and white photograph
Size (h x w)
196 x 246 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1983
Accession no
1983/67/16
Porch Detail: Eripitana, Te Whaiti, Ureweras

Laurence Aberhart

View Artwork

Not on display

Family Church (Methodist) Whirinaki, Hokianga Harbour, Northland
Family Church (Methodist) Whirinaki, Hokianga Harbour, Northland

Laurence Aberhart

Production date
1982
Medium
black and white photograph
Size (h x w)
193 x 244 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1983
Accession no
1983/67/7
Family Church (Methodist) Whirinaki, Hokianga Harbour, Northland

Laurence Aberhart

View Artwork

Not on display

Lyttleton Heads. Lyttleton
Lyttleton Heads. Lyttleton

Laurence Aberhart

Production date
1979-1980
Medium
black and white photograph, toned in gold chloride
Size (h x w)
197 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/34/10
Lyttleton Heads. Lyttleton

Laurence Aberhart

View Artwork

Not on display

Broken Hill, New South Wales, 10 August 1997
Broken Hill, New South Wales, 10 August 1997

Laurence Aberhart

Production date
1997
Medium
gold and selenium toned gelatin silver print
Size (h x w)
245 x 195 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, gift from the collection of Peter Fay, 2013
Accession no
C2013/1/39/2
Broken Hill, New South Wales, 10 August 1997

Laurence Aberhart

View Artwork

Not on display

Ipswich, Queensland, 28 August 1997
Ipswich, Queensland, 28 August 1997

Laurence Aberhart

Production date
1997
Medium
gold and selenium toned gelatin silver print
Size (h x w)
195 x 245 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2013
Accession no
C2013/1/39/3
Ipswich, Queensland, 28 August 1997

Laurence Aberhart

View Artwork

Not on display

Ipswich, Queensland, 29 August 1997
Ipswich, Queensland, 29 August 1997

Laurence Aberhart

Production date
1997
Medium
gold and selenium toned gelatin silver print
Size (h x w)
195 x 245 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2013
Accession no
C2013/1/39/4
Ipswich, Queensland, 29 August 1997

Laurence Aberhart

View Artwork

Not on display

Lange Callahan Cemetery, Cut-off, Louisiana, 8 October 1988
Lange Callahan Cemetery, Cut-off, Louisiana, 8 October 1988

Laurence Aberhart

Production date
1988
Medium
black and white photograph
Size (h x w)
200 x 243 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1989
Accession no
1989/43/2
Lange Callahan Cemetery, Cut-off, Louisiana, 8 October 1988

Laurence Aberhart

View Artwork

Not on display

Taranaki, from Oeo Road, under moonlight, 27-28 September 1999
Taranaki, from Oeo Road, under moonlight, 27-28 September 1999

Laurence Aberhart

Production date
1999
Medium
gelatin silver print
Size (h x w)
170 x 245 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2001
Accession no
C2001/1/17/5
Taranaki, from Oeo Road, under moonlight, 27-28 September 1999

Laurence Aberhart

View Artwork

Not on display

Highway 51, Mississippi, 29 September 1988
Highway 51, Mississippi, 29 September 1988

Laurence Aberhart

Production date
1988
Medium
black and white photograph
Size (h x w)
197 x 246 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1989
Accession no
1989/43/3
Highway 51, Mississippi, 29 September 1988

Laurence Aberhart

View Artwork

Not on display

Landscape near Mohaka, 5 June 1989
Landscape near Mohaka, 5 June 1989

Laurence Aberhart

Production date
1989
Medium
black and white photograph
Size (h x w)
195 x 243 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1989
Accession no
1989/43/6
Landscape near Mohaka, 5 June 1989

Laurence Aberhart

View Artwork

Not on display

Taranaki, 9 December 1986 (#2)
Taranaki, 9 December 1986 (#2)

Laurence Aberhart

Production date
1986
Medium
gelatin silver print
Size (h x w)
256 x 306 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 1998
Accession no
1998/14/4
Taranaki, 9 December 1986 (#2)

Laurence Aberhart

View Artwork

Not on display

Taranaki (and cloud), Wanganui, 15 April 1986
Taranaki (and cloud), Wanganui, 15 April 1986

Laurence Aberhart

Production date
1986
Medium
gelatin silver print
Size (h x w)
259 x 306 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 1998
Accession no
1998/14/6
Taranaki (and cloud), Wanganui, 15 April 1986

Laurence Aberhart

View Artwork

Not on display

Interior #2 Te Rapunga, Waiomio, Northland, November 1984
Interior #2 Te Rapunga, Waiomio, Northland, November 1984

Laurence Aberhart

Production date
1984
Medium
black and white photograph
Size (h x w)
195 x 248 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/49/2
Interior #2 Te Rapunga, Waiomio, Northland, November 1984

Laurence Aberhart

View Artwork

Not on display

Totara North Cemetery #1, Northland, 31 August 2004
Totara North Cemetery #1, Northland, 31 August 2004

Laurence Aberhart

Production date
2004
Medium
gelatin silver print
Size (h x w)
195 x 245 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2004
Accession no
C2004/1/31
Totara North Cemetery #1, Northland, 31 August 2004

Laurence Aberhart

View Artwork

Not on display

Catholic Church, Omania, Northland, 30 April 1982
Catholic Church, Omania, Northland, 30 April 1982

Laurence Aberhart

Production date
1982
Medium
silver gelatin, selenium toned
Size (h x w)
194 x 245 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, with support from Laurence Aberhart, Greta North and Gow Langsford Gallery, 2017
Accession no
2017/22/47
Catholic Church, Omania, Northland, 30 April 1982

Laurence Aberhart

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Ron Brownson (1952–2023) Image
Ron Brownson (1952–2023)

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Tributes to Ron Brownson Image
Tributes to Ron Brownson

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Ans Westra (1936–2023) Image
Ans Westra (1936–2023)

Julia Waite

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Recent acquisition: 'Paysage à l’Écluse (Landscape with a Lock)', 1886–87 by Albert Dubois-Pillet Image
Recent acquisition: 'Paysage à l’Écluse (Landscape with a Lock)', 1886–87 by Alb...

Sophie Matthiesson

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Dr Benjamin Pittman ONZM (1947–2023): Rangatira, Kaumatua, Ngāpuhi, Ngāti Hao, Te Parawhau, Ngāti Hau. Artist, Historian, Educator. Image
Dr Benjamin Pittman ONZM (1947–2023): Rangatira, Kaumatua, Ngāpuhi, Ngāti Hao, T...

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2022 Michèle Whitecliffe Art Writing Prize winner – ‘Building a Weight/Jumping a Breakwater’ Image
2022 Michèle Whitecliffe Art Writing Prize winner – ‘Building a Weight/Jumping a...

Lachlan Taylor

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2022 Michèle Whitecliffe Art Writing Prize runner-up – Opt, Co-opt and Co-ops: Politicised Participation in Recent Art from Aotearoa. Image
2022 Michèle Whitecliffe Art Writing Prize runner-up – Opt, Co-opt and Co-ops: P...

Mikayla Journée

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2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Films of Sriwhana Spong Image
2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Fi...

Kirsty Baker

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Traces through Time: Digitising Archival Exhibition Photographs at the E H McCormick Research Library Image
Traces through Time: Digitising Archival Exhibition Photographs at the E H McCor...

Hélena Lunt

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Community and Collaboration: Learning with Kaiako, Robin White, Ebonie Fifita and Workshop Artists Image
Community and Collaboration: Learning with Kaiako, Robin White, Ebonie Fifita an...

Isabel Michell

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In Memory of Marylyn Mayo: Creating a Legacy of Support Image
In Memory of Marylyn Mayo: Creating a Legacy of Support

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The Fantastical World of Felix Kelly: A Life and an Archive Image
The Fantastical World of Felix Kelly: A Life and an Archive

Dr Don Bassett

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Beyond the Walls: Art as a Community Catalyst Image
Beyond the Walls: Art as a Community Catalyst

Mosese Uhila

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Declaration: Publishing a Pacific Feminist Agenda Image
Declaration: Publishing a Pacific Feminist Agenda

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Top Five New Books in the E H McCormick Research Library Image
Top Five New Books in the E H McCormick Research Library

Tamsyn Bayliss

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Jim Allen: 1922 to Today Image
Jim Allen: 1922 to Today

Natasha Conland

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The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of the Christian Orthodox World' Image
The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of t...

Gordon Morrison

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Gilbert & George in Conversation with Senior Curator Ron Brownson Image
Gilbert & George in Conversation with Senior Curator Ron Brownson

Gilbert & George in conversation with Ron Brownson

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Yona Lee: An Arrangement for 5 Rooms Image
Yona Lee: An Arrangement for 5 Rooms

Natasha Conland & Yona Lee

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'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition Image
'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition

Caroline McBride

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Max Oettli's Night Beat Image
Max Oettli's Night Beat

Richard Wolfe

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Make Your Mark! Squiggla at ArtLab Image
Make Your Mark! Squiggla at ArtLab

Michelle Wilkinson & Sue Gardiner

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An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna' Image
An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna'

Ron Brownson

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Rifling through the Top Drawer: Looking through Grant Lingard Image
Rifling through the Top Drawer: Looking through Grant Lingard

Jeremiah Boniface

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Max Oettli: Visible Evidence Image
Max Oettli: Visible Evidence

Ron Brownson & Max Oettli

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In Conversation: The significant influence of Mary Quant on Kate Sylvester Image
In Conversation: The significant influence of Mary Quant on Kate Sylvester

Dan Ahwa & Kate Sylvester

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Julie Watson and Julia Waite in Conversation About the Rainbow Tick Image
Julie Watson and Julia Waite in Conversation About the Rainbow Tick

Julia Waite & Julie Watson

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Clown Time Image
Clown Time

Juliana Engberg

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New Zealand Swings Image
New Zealand Swings

Doris de Pont

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The Wellbeing Complex Image
The Wellbeing Complex

Alena Kavka

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The restorative potential of earth-centred practices Image
The restorative potential of earth-centred practices

Robyn Maree Pickens

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Escapism Image
Escapism

Karen Walker & Priscilla Southcombe

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What Do We Show the World? Image
What Do We Show the World?

Emily Cormack

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The Back of the Painting – A Journey Image
The Back of the Painting – A Journey

Sarah Hillary

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In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962) Image
In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962)

Natasha Conland

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A Moment of Optimism Image
A Moment of Optimism

Francis McWhannell

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Architecture Image
Architecture
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Honour board Image
Honour board
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Walters Prize Image
Walters Prize
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Chartwell Trust Image
Chartwell Trust
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James Tannock Mackelvie Image
James Tannock Mackelvie
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Mackelvie Trust Image
Mackelvie Trust
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Sir George Grey Image
Sir George Grey
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Sir Rex Nan Kivell Image
Sir Rex Nan Kivell
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The Edmiston Trust Image
The Edmiston Trust
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The Ilene and Laurence Dakin Bequest Image
The Ilene and Laurence Dakin Bequest
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Awards Image
Awards
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Services Image
Services
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Experience Auckland Image
Experience Auckland
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Corban Estate Arts Centre Image
Corban Estate Arts Centre
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Depot Artspace Image
Depot Artspace
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Franklin Arts Centre Image
Franklin Arts Centre
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Gus Fisher Gallery Image
Gus Fisher Gallery
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Papakura Art Gallery Image
Papakura Art Gallery
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Te Tuhi Image
Te Tuhi
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Café Image
Café
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Request a print Image
Request a print
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Services Image
Services
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Education groups Image
Education groups
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Primary learning Image
Primary learning
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Exhibition information Image
Exhibition information
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Foundation programme: Portraiture and Identity Image
Foundation programme: Portraiture and Identity
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Foundation programme: Signs and Symbols Image
Foundation programme: Signs and Symbols
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Foundation programme: Storytelling Image
Foundation programme: Storytelling
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Special studio programme: Experiments with Paint Image
Special studio programme: Experiments with Paint
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A thousand words: Analysing visual texts in the Gallery Image
A thousand words: Analysing visual texts in the Gallery
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Mix and Match, and bespoke programmes Image
Mix and Match, and bespoke programmes
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Media Image
Media
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Auckland Zoo Image
Auckland Zoo
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Four artists announced for the Walters Prize 2016 Image
Four artists announced for the Walters Prize 2016
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LEGO fans set to let loose at Auckland Art Gallery Image
LEGO fans set to let loose at Auckland Art Gallery
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Friends of Gallery gift important artwork in first-time exhibition of paintings by senior Auckland artist Image
Friends of Gallery gift important artwork in first-time exhibition of paintings...