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Tira Walsh | Urbanize III
Tira Walsh | Urbanize III

FREE

Tira Walsh | Urbanize III

FREE

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Light from Tate: 1700s to Now
Light from Tate: 1700s to Now

Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

Light from Tate: 1700s to Now

Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

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ArtLab
ArtLab

FREE

ArtLab

FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

FREE

Manpower: Myths of Masculinity

FREE

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Guide Kaiārahi
Guide Kaiārahi

FREE

Guide Kaiārahi

FREE

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Lecture series: Masters of Light, 1700s to Now (II)
Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

Lecture Series Masters of Light – Day 2

Sun 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre-stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art, and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 1.

Image credit: Wassily Kandinsky Swinging

 

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Lecture series: Masters of Light, 1700s to Now (I)
Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

Masters of Light, 1700s to Now

Sun 21 and 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 2 .

Image credit: Johannes Vermeer The Milkmaid 

Note: the artwork above will be discussed in this series, but is currently not on display at Auckland Art Gallery.

 

BOOK HERE

 

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NZSL Tour of Light From Tate
NZSL Tour of Light From Tate

2–3.30pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

NZSL Tour of Light From Tate

2–3.30pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

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April School Holiday Programme
April School Holiday Programme

9am–3pm daily

From $72 plus booking fees Book now

April School Holiday Programme

9am–3pm daily

From $72 plus booking fees Book now

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Yoga and Art Immersion
Yoga and Art Immersion

Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

Yoga and Art Immersion

Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

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Whānau drop-ins – New activities each weekend!
Whānau drop-ins – New activities each weekend!

Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am–3pm.

 

 

 

 

 

Whānau drop-ins – New activities each weekend!

Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

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Lunchtime Drop-in Drawing
Lunchtime Drop-in Drawing

Fridays 12-1pm

FREE

Lunchtime Drop-in Drawing

Fridays 12-1pm

FREE

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ArtLab | Shadow and Light
ArtLab | Shadow and Light

10am – 5pm, every day

FREE

ArtLab | Shadow and Light

10am – 5pm, every day

FREE

Artworks

View Artwork

Not on display

A Well-known beauty of Edo leaning on the railing of a house. In the background a scene of Asakura Park
A Well-known beauty of Edo leaning on the railing of a house. In the background...

Keisai Eisen

Production date
1815-1842
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
371 x 250 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M120
View Artwork

Not on display

Mariko: Katsumi of the Owariya
Mariko: Katsumi of the Owariya

Keisai Eisen

Production date
1821-1823
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
360 x 245 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M126
View Artwork

Not on display

Kegon no taki, santaki no sono ikkei (The Kegon Falls, One of the Three Waterfalls)
Kegon no taki, santaki no sono ikkei (The Kegon Falls, One of the Three Waterfal...

Keisai Eisen

Production date
circa 1845
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
342 x 228 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M129
View Artwork

Not on display

Woman seated on a bench with two children
Woman seated on a bench with two children

Keisai Eisen

Production date
circa 1810-1848
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
369 x 250 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M123
View Artwork

Not on display

The River Carnival at Ryogoku (May)
The River Carnival at Ryogoku (May)

Keisai Eisen

Production date
1815-1842
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
364 x 233 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M124
View Artwork

Not on display

Ōgiya uchi Hanaōgi Yoshino Tatsuta (Courtesan Hanaōgi of the Ōgiya House and Her Two Apprentices Yoshino and Tatsuta)
Ōgiya uchi Hanaōgi Yoshino Tatsuta (Courtesan Hanaōgi of the Ōgiya House and Her...

Keisai Eisen

Production date
1815-1842
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 264 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M128
View Artwork

Not on display

Keiji Sanbijin, one of the three beautiful girls kept in a castle
Keiji Sanbijin, one of the three beautiful girls kept in a castle

Keisai Eisen

Production date
1815-1842
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
384 x 261 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M118
View Artwork

Not on display

Imayō sugata kagami (Voluptuous Forms in the Mirror Following the Latest Trends)
Imayō sugata kagami (Voluptuous Forms in the Mirror Following the Latest Trends)

Keisai Eisen

Production date
1815-1842
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
383 x 260 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M121
View Artwork

Not on display

Floating World Beauties through the Twelve Months: The Star Festival in the Seventh Month
Floating World Beauties through the Twelve Months: The Star Festival in the Seve...

Keisai Eisen

Production date
circa 1835
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
360 x 234 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M122
View Artwork

Not on display

Umewaka
Umewaka

Keisai Eisen

Production date
1815-1842
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
369 x 251 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M115
View Artwork

Not on display

Nakamanji-rō Yatsuhashi (Courtesan Yatsuhashi of the Nakamanji-rō House)
Nakamanji-rō Yatsuhashi (Courtesan Yatsuhashi of the Nakamanji-rō House)

Keisai Eisen

Production date
1815-1842
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
380 x 266 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M116
View Artwork

Not on display

A Courtesan on parade with her attendant
A Courtesan on parade with her attendant

Keisai Eisen

Production date
1815-1842
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
383 x 261 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M119
View Artwork

Not on display

Shin-Yoshiwara Edo-chō san chōme Ōgiya uchi Hanaōgi (Courtesan Hanaogi from the Ogiya House of Edo-chō in Shin-Yoshiwara)
Shin-Yoshiwara Edo-chō san chōme Ōgiya uchi Hanaōgi (Courtesan Hanaogi from the...

Keisai Eisen

Production date
1830-1840
Medium
woodcut
Size (h x w)
380 x 249 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr Dennis R Nathan, 1972
Accession no
1972/18/3
View Artwork

Not on display

Woman standing by a window outside a house
Woman standing by a window outside a house

Keisai Eisen

Production date
1815-1842
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
385 x 262 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M125
View Artwork

Not on display

Courtesan with two attendants
Courtesan with two attendants

Keisai Eisen

Production date
1815-1842
Medium
woodcut in three shades of blue
Size (h x w)
389 x 257 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M131
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