View Exhibition
vocabulary of solitude by Ugo Rondinone
vocabulary of solitude by Ugo Rondinone

FREE

vocabulary of solitude by Ugo Rondinone

FREE

View Exhibition
Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

FREE

Manpower: Myths of Masculinity

FREE

View Exhibition
Romancing the Collection
Romancing the Collection

FREE

Romancing the Collection

FREE

View Exhibition
Guide Kaiārahi
Guide Kaiārahi

FREE

Guide Kaiārahi

FREE

View Event
Solacium – Live performance from the Human Kind Project
Solacium – Live performance from the Human Kind Project

6.30-8pm and 1-2.30pm

FREE

Solacium – Live performance from the Human Kind Project

6.30-8pm and 1-2.30pm

FREE

View Event
Manpower Lectures – #4 Queer and Now (online)
Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

What's queer about long-nineteenth-century British art now? Answering this question, Edwards address two entirely different examples: Henry Hugh Armstead’s mid-Victorian bronze statuette ‘Satan dismayed’ otherwise known as ‘Saint Michael and the Serpent’ (1852) and Henry Scott Tuke’s 1924 oil painting, ‘Companions’. Both artists remain marginalised, and have proven difficult to canonise for different reasons: Armstead as a predominantly decorative artist in a canon still primarily oriented towards the two-dimensional and the category of fine art, and Tuke because of the open secret of the pederastic character of his work, at a moment in which childhood sexual abuse remains one of the key cultural issues of our time. What might we learn from returning to think about both?

This lecture is a pre-recorded lecture that will be made available to ticketholders to watch in their own time. This lecture is the fourth in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

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Embroidery Workshop – Spring Stitch Zen
Embroidery Workshop – Spring Stitch Zen

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Sunday 28 November. It will now go ahead on Sunday 27 March 2022 (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods for a fun and relaxing day of creative stitch in the Members Lounge. After a long winter, find your zen immersed in creativity and explore texture, fibres and colour. Fleur will support you to set your creativity free and make your own design using traditional and self-taught methods.

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A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki
A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki

Sun 27 March 2022, 10am–2pm

Adult: $95.00 Auckland Art Gallery Member: $85.00 Child (5 -13 yrs): $53.00 Children under 5: free Return Bus Ticket: (North Shore and Central departures) $20.00 On-site parking: per vehicle $20.00 NB: Ticketing fees will be applied by Eventfinda. Buy tickets

A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki

Sun 27 March 2022, 10am–2pm

Adult: $95.00 Auckland Art Gallery Member: $85.00 Child (5 -13 yrs): $53.00 Children under 5: free Return Bus Ticket: (North Shore and Central departures) $20.00 On-site parking: per vehicle $20.00 NB: Ticketing fees will be applied by Eventfinda. Buy tickets

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Embroidery Workshop – Creative Floral Basics
Embroidery Workshop – Creative Floral Basics

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Saturday 27 November. It will now go ahead on Saturday 26 March 2022 (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods to create your own mini floral embroidery. Enjoy a day in the Members lounge surrounded by beautiful blooms and immersed in creativity as Fleur shares her favourite supplies, tips & techniques. You will be supported to create your own design and set your creativity free. 

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Manpower Lectures – #3 The New Mail Order
Manpower Lectures – #3 The New Mail Order

6—7pm

Members $100, Non-Members $190, Students $80 Book now

When Eugen Sandow, the father of modern bodybuilding, toured New Zealand in the summer of 1902-03, his aim was to reshape the nation. Long before the likes of Charles Atlas peddled mail order muscle programmes, the Sandow System was embraced by men throughout New Zealand. Eager to flex and pose and dream of a new male order, these men joined local gyms, entered bodybuilding contests, and even strutted their stuff in local beauty competitions. In this lecture, Dr Caroline Daley reveals the bodies of early twentieth century men and questions whether our fixation with rugby players, farmers and soldiers means we’re missing the pleasure that comes from gazing upon the world’s most perfectly developed man and his local acolytes.

This lecture is the third in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism. 

Manpower Lectures – #3 The New Mail Order

6—7pm

Members $100, Non-Members $190, Students $80 Book now

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Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World
Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

6—7pm

Members $100, Non-Members $190, Students $80 Book now

Drawing on heroes of classical mythology, the Iliad, Greek tragedy and their modern adaptations, Dr Anastasia Bakogianni explores what it meant to be a man in the ancient Greek world. Researching expectations placed upon men and the warrior ethos, she tracks its impact throughout the centuries and on the modern concept of masculinity.  This lecture is the second in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

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Yoga and Art Immersion
Yoga and Art Immersion

Tuesdays 5.30 – 6.30pm, Sundays 9 – 10.00am

Public $15, Members $12

Yoga and Art Immersion

Tuesdays 5.30 – 6.30pm, Sundays 9 – 10.00am

Public $15, Members $12

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Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland
Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

6—7pm

Members $100, Non-Members $190, Students $80 Book now

Senior Curator of International Art, Dr Sophie Matthiesson explores some of the motivations behind the collecting and public display of male bodies in the early years of the Auckland Art Gallery (founded 1888) and considers the appeal and meaning of such frankly sensual images for their Victorian-era benefactors who purchased them. The notorious 1895 London trial and imprisonment of Irish poet and playwright Oscar Wilde for homosexuality suddenly altered consciousness across the British Empire. It impacts can be seen, she argues, in public debates about masculinity in New Zealand, and in institutional attitudes to the male nude in art in the following decades.

This lecture is the first in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

6—7pm

Members $100, Non-Members $190, Students $80 Book now

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SOLD OUT: Kintsugi workshop - March
SOLD OUT: Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

Please note: This event is now sold out.

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT: Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

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Swinging Sixties: Double Feature
Swinging Sixties: Double Feature

3.15—8.30pm

From $15 Book now

What better way to celebrate the exhibition Mary Quant: Fashion Revolutionary than two iconic, groovy, cinematic classics that will transport you back to the swinging sixties!

Alongside a fully stocked bar, you can catch A Hard Day’s Night – a 1964 rock-and-roll romp following "a day in the life" of The Beatles as fame takes them by storm – and mystery thriller Blow-Up, by critically acclaimed director Michelangelo Antonioni, wherein a bored mod-photographer discovers he’s unknowingly captured a crime scene on film. This event will be located at The Hollywood in Avondale, New Zealand’s longest-running cinema palace.

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Rainbow artists talk about their lives
Rainbow artists talk about their lives

7pm-8pm

Free, booking essential. Book now

Rainbow artists talk about their lives

7pm-8pm

Free, booking essential. Book now

View Event
Swinging Sixties in Auckland - How Quant Sparked Our Boutique Culture
Swinging Sixties in Auckland - How Quant Sparked Our Boutique Culture

6—7pm

Members $14, Non-Members $20 Book now

Swinging Sixties in Auckland - how Quant sparked our boutique culture.

In this talk, fashion historian Angela Lassig will chart the rise of boutique culture in the back streets and side alleys of 60s Auckland, exploring the fashion, music and makeup that energised a generation.  

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Friday Lates: Drop-in Drawing
Friday Lates: Drop-in Drawing

Fridays 6.30–8pm

FREE

Join us for a special edition of our Friday Lates Drop-in Drawing on 21 January with Off the Wall Drawing. Then, inspired by our fabulous exhibition Mary Quant: Fashion Revolutionary, join us on 28 January for Drop in Drawing – '60s style

Friday Lates: Drop-in Drawing

Fridays 6.30–8pm

FREE

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Quant-inspired Fashion Illustration Workshop
Quant-inspired Fashion Illustration Workshop

10.30am—3pm

From $150 Book now

Harnessing the youthful spirit of the sixties and embracing new mass-production techniques, Mary Quant created a new look for modern women. Be inspired by Quant's work and play around with different materials and styles to create your own mini fashion sketch portfolio.

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SOLD OUT | Fashion Icons: how Mary Quant influenced Kate Sylvester
SOLD OUT | Fashion Icons: how Mary Quant influenced Kate Sylvester

3—4pm

Talk - Standard $15, Talk - Members $13.50 Book now

Celebrate Mary Quant: Fashion Revolutionary with a conversation between Aotearoa New Zealand fashion designer Kate Sylvester and Creative and Fashion Director of Viva Magazine, Dan Ahwa. Following the talk, Members can enjoy an exclusive opportunity to meet Kate Sylvester in the Members Lounge.

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Friday Lates
Friday Lates

Fridays until 9pm

FREE

Friday Lates

Fridays until 9pm

FREE

View Event
Off the Wall Drawing
Off the Wall Drawing

6.30 – 8pm

FREE

Off the Wall Drawing

6.30 – 8pm

FREE

View Event
Whānau drop-ins – New activities each weekend!
Whānau drop-ins – New activities each weekend!

Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am–3pm.

 

 

 

 

 

Whānau drop-ins – New activities each weekend!

Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

View Event
Hīkoi toiora
Hīkoi toiora

2pm every Sat & Sun, or on request.

$25/$22.50 (Members) Book now

Hīkoi toiora

2pm every Sat & Sun, or on request.

$25/$22.50 (Members) Book now

Artworks

View Artwork

Not on display

La translation de Saint Nicolas
La translation de Saint Nicolas

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/392
View Artwork

Not on display

Saint Gangulphe, martyr
Saint Gangulphe, martyr

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/395
View Artwork

Not on display

Saint Edilburge, fille du roi d'Angleterre
Saint Edilburge, fille du roi d'Angleterre

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/461
View Artwork

Not on display

Le paysan qui salue
Le paysan qui salue

Jacques Callot

Production date
1621
Medium
etching
Size (h x w)
58 x 86 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/46
View Artwork

Not on display

Saint Procope, martyr
Saint Procope, martyr

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/462
View Artwork

Not on display

Saint Denis Saint Rustique et Saint Eluethere
Saint Denis Saint Rustique et Saint Eluethere

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/598
View Artwork

Not on display

Saint Mercure, soldat
Saint Mercure, soldat

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/662
View Artwork

Not on display

Le porte etendard
Le porte etendard

Jacques Callot

Production date
1621
Medium
etching
Size (h x w)
55 x 81 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/73
View Artwork

Not on display

Sainte Madeleine Repentante
Sainte Madeleine Repentante

Jacques Callot

Production date
circa 1632
Medium
etching and engraving
Size (h x w)
64 x 43 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/737
View Artwork

Not on display

Le lavement des pieds
Le lavement des pieds

Jacques Callot

Production date
circa 1619-1624
Medium
etching and burin
Size (h x w)
118 x 220 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/87
View Artwork

Not on display

Frontispice
Frontispice

Jacques Callot

Production date
1621
Medium
etching and burin
Size (h x w)
70 x 94 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/111
View Artwork

Not on display

Le portement de croix
Le portement de croix

Jacques Callot

Production date
circa 1623
Medium
etching
Size (h x w)
76 x 57 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/193
View Artwork

Not on display

Mors Beatae Virignis Mariae
Mors Beatae Virignis Mariae

Jacques Callot

Production date
1633
Medium
etching
Size (h x w)
70 x 45 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1976
Accession no
1976/16/1/6
View Artwork

Not on display

1er Intermede: Le g'eant Tiphee sous le mont Ischia (First Interlude: The giant Typheus on Mount Ischia)
1er Intermede: Le g'eant Tiphee sous le mont Ischia (First Interlude: The giant...

Jacques Callot

Production date
1616
Medium
etching
Size (h x w)
285 x 202 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/26
View Artwork

Not on display

Saint Germanique
Saint Germanique

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/260
View Artwork

Not on display

Saint Cyriaqu, Saint Large et Saint Smaragde
Saint Cyriaqu, Saint Large et Saint Smaragde

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/324
View Artwork

Not on display

Saint Patrice, eveque d'Irlande
Saint Patrice, eveque d'Irlande

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/326
View Artwork

Not on display

Saint Louis, roi de France
Saint Louis, roi de France

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/532
View Artwork

Not on display

Saint Philippe, fondateur de l'Ordre des Servites
Saint Philippe, fondateur de l'Ordre des Servites

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/529
View Artwork

Not on display

Saint Abraham, patriarche
Saint Abraham, patriarche

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/599
View Artwork

Not on display

Saint André, apotre et martyr
Saint André, apotre et martyr

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/669
View Artwork

Not on display

Saint Conrad, eveque
Saint Conrad, eveque

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/664
View Artwork

Not on display

Cavalry combat with pistols
Cavalry combat with pistols

Jacques Callot

Production date
circa 1632-circa 1635
Medium
etching
Size (h x w)
46 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/731
View Artwork

Not on display

Le Massacre des Innocents (Massacre of the Innocents)
Le Massacre des Innocents (Massacre of the Innocents)

Jacques Callot

Production date
circa 1617-1625
Medium
etching
Size (h x w)
141 x 103 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/86
View Artwork

Not on display

Le moulin a eau
Le moulin a eau

Jacques Callot

Production date
1618
Medium
etching
Size (h x w)
84 x 218 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/84
View Artwork

Not on display

Le jardin (The garden)
Le jardin (The garden)

Jacques Callot

Production date
1618
Medium
etching
Size (h x w)
85 x 217 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/82
View Artwork

Not on display

Le couronnement d'epines
Le couronnement d'epines

Jacques Callot

Production date
circa 1619-1624
Medium
etching and burin
Size (h x w)
111 x 215 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/90
View Artwork

Not on display

La halte des bohemiens: les diseurs de bonne-aventure
La halte des bohemiens: les diseurs de bonne-aventure

Jacques Callot

Production date
circa 1621
Medium
etching
Size (h x w)
125 x 237 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/108
View Artwork

Not on display

Defaite de la cavalerie turque (Defeat of the Turkish Cavalry)
Defaite de la cavalerie turque (Defeat of the Turkish Cavalry)

Jacques Callot

Production date
1615-1619
Medium
engraving
Size (h x w)
225 x 300 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/11
View Artwork

Not on display

Cucorongna - Pernoualla
Cucorongna - Pernoualla

Jacques Callot

Production date
1621
Medium
etching and burin
Size (h x w)
72 x 94 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/112
View Artwork

Not on display

Jesus comparait devant Caiphe
Jesus comparait devant Caiphe

Jacques Callot

Production date
circa 1623
Medium
etching
Size (h x w)
76 x 56 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/190
View Artwork

Not on display

Jesus est perce d'une lance
Jesus est perce d'une lance

Jacques Callot

Production date
circa 1623
Medium
etching
Size (h x w)
75 x 57 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/195
View Artwork

Not on display

Combat d'Avigliano
Combat d'Avigliano

Jacques Callot

Production date
circa 1630-circa 1661
Medium
etching
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/818
View Artwork

Not on display

L'enrolement des troupes (Enlisting troops)
L'enrolement des troupes (Enlisting troops)

Jacques Callot

Production date
1615-1619
Medium
engraving
Size (h x w)
228 x 303 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/9
View Artwork

Not on display

La Cène
La Cène

Jacques Callot

Production date
circa 1624-circa 1625
Medium
etching and burin
Size (h x w)
120 x 225 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/88
View Artwork

Not on display

Saint Prisque, vierge et martyre
Saint Prisque, vierge et martyre

Jacques Callot

Production date
1630s
Medium
etching
Size (h x w)
216 x 125 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/2/259
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