Exhibitions

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Light from Tate: 1700s to Now
Light from Tate: 1700s to Now

—

Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

Light from Tate: 1700s to Now

—

Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

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Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection
Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection

—

Free

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Suji Park: Meonji Soojibga | Dust Collector
Suji Park: Meonji Soojibga | Dust Collector

—

FREE

Suji Park: Meonji Soojibga | Dust Collector

—

FREE

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ArtLab
ArtLab

—

FREE

ArtLab

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FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

—

FREE

Manpower: Myths of Masculinity

—

FREE

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Romancing the Collection
Romancing the Collection

—

FREE

Romancing the Collection

—

FREE

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Guide Kaiārahi
Guide Kaiārahi

—

FREE

Guide Kaiārahi

—

FREE

Events

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Lecture series: Masters of Light, 1700s to Now (II)
Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

Lecture Series Masters of Light – Day 2

Sun 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre-stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art, and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 1.

Image credit: Wassily Kandinsky Swinging

 

BOOK

Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

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Rhythms of the Brain: NZTrio with Simon Ingram
Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

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Lecture series: Masters of Light, 1700s to Now (I)
Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

Masters of Light, 1700s to Now

Sun 21 and 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 2 .

Image credit: Johannes Vermeer The Milkmaid 

Note: the artwork above will be discussed in this series, but is currently not on display at Auckland Art Gallery.

 

BOOK HERE

 

Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

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April School Holiday Programme
April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

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Audio Described Tour for blind and low vision visitors | Light from Tate
Audio Described Tour for blind and low vision visitors | Light from Tate

10.30am–12.00pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

Audio Described Tour for blind and low vision visitors | Light from Tate

10.30am–12.00pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

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Young Members | Poetic Soundscapes
Young Members | Poetic Soundscapes

6.30—8.30pm

Members $20 (and bring a friend), General admission $30.00 (and bring a friend) Buy tickets

Young Members | Poetic Soundscapes

6.30—8.30pm

Members $20 (and bring a friend), General admission $30.00 (and bring a friend) Buy tickets

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SOLD OUT | Light Abounds: Paint & Sip Sessions
SOLD OUT | Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

General admission $75 (+booking fees), Members $67.50 (+booking fees) | Exhibition admission additional Book now

SOLD OUT | Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

General admission $75 (+booking fees), Members $67.50 (+booking fees) | Exhibition admission additional Book now

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Yoga and Art Immersion
Yoga and Art Immersion

— Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

Yoga and Art Immersion

— Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

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Lunchtime Drop-in Drawing
Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

View Event
ArtLab | Shadow and Light
ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

Artworks

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View Artwork

Not on display

E Rua Ngaa Taniwha
E Rua Ngaa Taniwha

Jacqueline Fraser

Production date
1992
Medium
electric wire and gold braid
Size (h x w)
1450 x 1520 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1993
Accession no
C1994/1/399.1-2
E Rua Ngaa Taniwha

Jacqueline Fraser

View Artwork

Not on display

<<Infra-red decoy>> <<17.4.2003>>
<<Infra-red decoy>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/3
<<Infra-red decoy>> <<17.4.2003>>

Jacqueline Fraser

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Not on display

<<Nerve agent VX>> <<17.4.2003>>
<<Nerve agent VX>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/9
<<Nerve agent VX>> <<17.4.2003>>

Jacqueline Fraser

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Not on display

<<I know what I'm doing>> <<12 gauge shotgun>> <<17.4.2003>>
<<I know what I'm doing>> <<12 gauge shotgun>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/10
<<I know what I'm doing>> <<12 gauge shotgun>> <<17.4.2003>>

Jacqueline Fraser

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Not on display

Kalashnikov Copy
Kalashnikov Copy

Jacqueline Fraser

Production date
2002
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 305 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2002
Accession no
C2002/1/23
Kalashnikov Copy

Jacqueline Fraser

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Not on display

Hei Tiki
Hei Tiki

Jacqueline Fraser

Production date
1993
Medium
electric wire and raffia cord
Size (h x w)
710 x 1410 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1993
Accession no
C1994/1/398.1-22
Hei Tiki

Jacqueline Fraser

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Not on display

Te Toki (The Adze)
Te Toki (The Adze)

Jacqueline Fraser

Production date
1994
Medium
plastic coated electrical wire, raffia, nails
Size (h x w)
1500 x 6000 x 15 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 1994
Accession no
1994/26
Te Toki (The Adze)

Jacqueline Fraser

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Not on display

"Topless (The Hustler & Superstars)" "Untitled"
"Topless (The Hustler & Superstars)" "Untitled"

Jacqueline Fraser

Production date
2008
Medium
framed metallic photographic print, mounted on Dibond aluminium
Size (h x w)
1786 x 1285 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2008
Accession no
C2008/1/13
"Topless (The Hustler & Superstars)" "Untitled"

Jacqueline Fraser

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Not on display

Aflatoxin Bomb
Aflatoxin Bomb

Jacqueline Fraser

Production date
2002
Medium
oil stick and fabric marker pen on Parisian fabric
Size (h x w)
300 x 300 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 2002
Accession no
2003/5
Aflatoxin Bomb

Jacqueline Fraser

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Not on display

THE MAKING OF LITTLE NIKITA
THE MAKING OF LITTLE NIKITA

Jacqueline Fraser

Production date
2011
Medium
collage
Size (h x w)
609 x 519 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2012
Accession no
C2012/1/40/2.1-2
THE MAKING OF LITTLE NIKITA

Jacqueline Fraser

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Not on display

THE MAKING OF THE LANDLORD 2019
THE MAKING OF THE LANDLORD 2019

Jacqueline Fraser

Production date
2019
Medium
corflute, paper, sequins, textile, adhesive tape, metal staples
Size (h x w)
650 x 525 x 15 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 2019
Accession no
2019/18
THE MAKING OF THE LANDLORD 2019

Jacqueline Fraser

View Artwork

Not on display

"Those gorgeous Francois Pinault devotees are auditioning for Richard Prince, Baby"
"Those gorgeous Francois Pinault devotees are auditioning for Richard Prince, Ba...

Jacqueline Fraser

Production date
2008
Medium
photograph and fabric collage (Japanese wedding satin, sequin, tulle, nylon satin ribbon, diamantes and moulded plastic, found Christian Lacroix label, quilting)
Size (h x w)
1800 x 1800 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2008
Accession no
2008/18
"Those gorgeous Francois Pinault devotees are auditioning for Richard Prince, Ba...

Jacqueline Fraser

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Not on display

<<Benzodiazepine gas>> <<17.4.2003>>
<<Benzodiazepine gas>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/4
<<Benzodiazepine gas>> <<17.4.2003>>

Jacqueline Fraser

View Artwork

Not on display

<<Co-operate, baby>> <<unmanned C.I.A. drone>> <<17.4.2003>>
<<Co-operate, baby>> <<unmanned C.I.A. drone>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/6
<<Co-operate, baby>> <<unmanned C.I.A. drone>> <<17.4.2003>>

Jacqueline Fraser

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Not on display

<<You're a waste of space>> <<ricin>> <<17.4.2003>>
<<You're a waste of space>> <<ricin>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/7
<<You're a waste of space>> <<ricin>> <<17.4.2003>>

Jacqueline Fraser

View Artwork

Not on display

<<You don't believe I'm rich>> <<fentanyl & halothane cocktail>> <<17.4.2003>>
<<You don't believe I'm rich>> <<fentanyl & halothane cocktail>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/12
<<You don't believe I'm rich>> <<fentanyl & halothane cocktail>> <<17.4.2003>>

Jacqueline Fraser

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Not on display

THE MAKING OF AMERICAN GANGSTER 2012
THE MAKING OF AMERICAN GANGSTER 2012

Jacqueline Fraser

Production date
2012
Medium
archival paper, book and magazine collage, archival glue, acrylic paint, silver metallic card, clingwrap
Size (h x w)
1015 x 810 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2012
Accession no
C2012/1/40/4
THE MAKING OF AMERICAN GANGSTER 2012

Jacqueline Fraser

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Not on display

Those Tracey Emin simulations don't know shit from clay, DARLING
Those Tracey Emin simulations don't know shit from clay, DARLING

Jacqueline Fraser

Production date
2006
Medium
backlit photo, wig, faux fur, brushed velvet, diamantes, sequinned braid, pleated silk, sequinned taffeta, gold foil, artist's frame
Size (h x w)
1800 x 1800 x 160 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2012
Accession no
C2012/1/40/3
Those Tracey Emin simulations don't know shit from clay, DARLING

Jacqueline Fraser

View Artwork

Not on display

An obscure portrait extracted <<daisy chopper accelerated>>
An obscure portrait extracted <<daisy chopper accelerated>>

Jacqueline Fraser

Production date
2003
Medium
wire, faux fur from Chelsea NY
Size (h x w)
850 x 350 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/17
An obscure portrait extracted <<daisy chopper accelerated>>

Jacqueline Fraser

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Not on display

<<Not worth dying for>> <<e-bomb>> <<17.4.2003>>
<<Not worth dying for>> <<e-bomb>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/1
<<Not worth dying for>> <<e-bomb>> <<17.4.2003>>

Jacqueline Fraser

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Not on display

<<You are going to be "it">> <<smallpox virus>> <<17.4.2003>>
<<You are going to be "it">> <<smallpox virus>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/2
<<You are going to be "it">> <<smallpox virus>> <<17.4.2003>>

Jacqueline Fraser

View Artwork

Not on display

<<Surface-to-air batteries>> <<17.4.2003>>
<<Surface-to-air batteries>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/5
<<Surface-to-air batteries>> <<17.4.2003>>

Jacqueline Fraser

View Artwork

Not on display

THE MAKING OF THE FRENCH CONNECTION 2012
THE MAKING OF THE FRENCH CONNECTION 2012

Jacqueline Fraser

Production date
2012
Medium
archival card, collage
Size (h x w)
320 x 360 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2012
Accession no
C2012/1/40/1.1-3
THE MAKING OF THE FRENCH CONNECTION 2012

Jacqueline Fraser

View Artwork

Not on display

The Blessing - And she felt the brush of the silver fern as her swollen limbs subsided
The Blessing - And she felt the brush of the silver fern as her swollen limbs su...

Jacqueline Fraser

Production date
22 Oct 1997
Medium
garden wire and electrical cable
Size (h x w)
670 x 380 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the artist, 1997
Accession no
1997/30
The Blessing - And she felt the brush of the silver fern as her swollen limbs su...

Jacqueline Fraser

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Not on display

The Benediction of Goat Island our Saviour: A reclining view of our dear darling saviour from behind (with a cabbage tree fading), 1998
The Benediction of Goat Island our Saviour: A reclining view of our dear darling...

Jacqueline Fraser

Production date
1998
Medium
green wire, electric cable, Chinese shot silk chiffon, polyester chiffon, black pins
Size (h x w)
2700 x 2700 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2005
Accession no
2005/22/1
The Benediction of Goat Island our Saviour: A reclining view of our dear darling...

Jacqueline Fraser

View Artwork

Not on display

The Annunciation of Lord's River
The Annunciation of Lord's River

Jacqueline Fraser

Production date
1997
Medium
plastic coated electrical wire, lace
Size (h x w)
3000 x 7500 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1998
Accession no
C1998/1/14.1-20
The Annunciation of Lord's River

Jacqueline Fraser

View Artwork

Not on display

Room 202
Room 202

Jacqueline Fraser

Production date
circa 1987
Medium
bias piping, wire, plastic raffia, and rope
Size (h x w)
2860 x 260 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1987
Accession no
C1994/1/216
Room 202

Jacqueline Fraser

View Artwork

Not on display

The New Zealand Room
The New Zealand Room

Jacqueline Fraser

Production date
1986
Medium
mixed media
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1986
Accession no
1986/23/4
The New Zealand Room

Jacqueline Fraser

View Artwork

Not on display

<<Yes, I am famous>> <<nut & nail bomb>> <<17.4.2003>>
<<Yes, I am famous>> <<nut & nail bomb>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/8
<<Yes, I am famous>> <<nut & nail bomb>> <<17.4.2003>>

Jacqueline Fraser

View Artwork

Not on display

<<Anthrax>> <<17.4.2003>>
<<Anthrax>> <<17.4.2003>>

Jacqueline Fraser

Production date
2003
Medium
oil stick and marker pen on fabric
Size (h x w)
300 x 300 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/18/11
<<Anthrax>> <<17.4.2003>>

Jacqueline Fraser

View Artwork

Not on display

Untitled
Untitled

Jacqueline Fraser

Production date
1989
Medium
plastic and electric wire
Size (h x w)
1420 x 530 x 180 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1989
Accession no
C1994/1/331
Untitled

Jacqueline Fraser

Archives

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Light from Tate: 1700s to Now in conversation Image
Light from Tate: 1700s to Now in conversation

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Marti Friedlander: Photographs Image
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Natasha Conland

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The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of the Christian Orthodox World' Image
The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of t...

Gordon Morrison

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Gilbert & George in Conversation with Senior Curator Ron Brownson Image
Gilbert & George in Conversation with Senior Curator Ron Brownson

Gilbert & George in conversation with Ron Brownson

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Yona Lee: An Arrangement for 5 Rooms Image
Yona Lee: An Arrangement for 5 Rooms

Natasha Conland & Yona Lee

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'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition Image
'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition

Caroline McBride

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Max Oettli's Night Beat Image
Max Oettli's Night Beat

Richard Wolfe

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Make Your Mark! Squiggla at ArtLab Image
Make Your Mark! Squiggla at ArtLab

Michelle Wilkinson & Sue Gardiner

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An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna' Image
An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna'

Ron Brownson

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Rifling through the Top Drawer: Looking through Grant Lingard Image
Rifling through the Top Drawer: Looking through Grant Lingard

Jeremiah Boniface

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Max Oettli: Visible Evidence Image
Max Oettli: Visible Evidence

Ron Brownson & Max Oettli

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In Conversation: The significant influence of Mary Quant on Kate Sylvester Image
In Conversation: The significant influence of Mary Quant on Kate Sylvester

Dan Ahwa & Kate Sylvester

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Julie Watson and Julia Waite in Conversation About the Rainbow Tick Image
Julie Watson and Julia Waite in Conversation About the Rainbow Tick

Julia Waite & Julie Watson

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Clown Time Image
Clown Time

Juliana Engberg

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New Zealand Swings Image
New Zealand Swings

Doris de Pont

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The Wellbeing Complex Image
The Wellbeing Complex

Alena Kavka

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The restorative potential of earth-centred practices Image
The restorative potential of earth-centred practices

Robyn Maree Pickens

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Escapism Image
Escapism

Karen Walker & Priscilla Southcombe

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What Do We Show the World? Image
What Do We Show the World?

Emily Cormack

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The Back of the Painting – A Journey Image
The Back of the Painting – A Journey

Sarah Hillary

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In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962) Image
In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962)

Natasha Conland

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A Moment of Optimism Image
A Moment of Optimism

Francis McWhannell

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Architecture Image
Architecture
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Honour board Image
Honour board
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Walters Prize Image
Walters Prize
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Chartwell Trust Image
Chartwell Trust
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James Tannock Mackelvie Image
James Tannock Mackelvie
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Mackelvie Trust Image
Mackelvie Trust
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Sir George Grey Image
Sir George Grey
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Sir Rex Nan Kivell Image
Sir Rex Nan Kivell
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The Edmiston Trust Image
The Edmiston Trust
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The Ilene and Laurence Dakin Bequest Image
The Ilene and Laurence Dakin Bequest
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Awards Image
Awards
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Services Image
Services
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Experience Auckland Image
Experience Auckland
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Corban Estate Arts Centre Image
Corban Estate Arts Centre
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Depot Artspace Image
Depot Artspace
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Franklin Arts Centre Image
Franklin Arts Centre
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Gus Fisher Gallery Image
Gus Fisher Gallery
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Papakura Art Gallery Image
Papakura Art Gallery
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Te Tuhi Image
Te Tuhi
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Café Image
Café
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Request a print Image
Request a print
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Services Image
Services
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Education groups Image
Education groups
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Primary learning Image
Primary learning
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Exhibition information Image
Exhibition information
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Foundation programme: Portraiture and Identity Image
Foundation programme: Portraiture and Identity
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Foundation programme: Signs and Symbols Image
Foundation programme: Signs and Symbols
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Foundation programme: Storytelling Image
Foundation programme: Storytelling
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Special studio programme: Experiments with Paint Image
Special studio programme: Experiments with Paint
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A thousand words: Analysing visual texts in the Gallery Image
A thousand words: Analysing visual texts in the Gallery
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Mix and Match, and bespoke programmes Image
Mix and Match, and bespoke programmes
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Media Image
Media
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Auckland Zoo Image
Auckland Zoo
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Four artists announced for the Walters Prize 2016 Image
Four artists announced for the Walters Prize 2016
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LEGO fans set to let loose at Auckland Art Gallery Image
LEGO fans set to let loose at Auckland Art Gallery
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Friends of Gallery gift important artwork in first-time exhibition of paintings by senior Auckland artist Image
Friends of Gallery gift important artwork in first-time exhibition of paintings...