Exhibitions

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Max Oettli: Visible Evidence, Photographs 1965–1975
Max Oettli: Visible Evidence, Photographs 1965–1975

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FREE

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Mary Quant: Fashion Revolutionary
Mary Quant: Fashion Revolutionary

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From $20 Buy tickets

Mary Quant: Fashion Revolutionary

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From $20 Buy tickets

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Malcolm Ross, Fiona Clark, Grant Lingard: Looking at Men
Malcolm Ross, Fiona Clark, Grant Lingard: Looking at Men

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vocabulary of solitude by Ugo Rondinone
vocabulary of solitude by Ugo Rondinone

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FREE

vocabulary of solitude by Ugo Rondinone

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FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

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FREE

Manpower: Myths of Masculinity

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FREE

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Romancing the Collection
Romancing the Collection

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FREE

Romancing the Collection

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FREE

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Guide Kaiārahi
Guide Kaiārahi

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FREE

Guide Kaiārahi

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FREE

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Bill Culbert | Slow Wonder
Bill Culbert | Slow Wonder

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FREE

Bill Culbert | Slow Wonder

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FREE

Events

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Solacium – Live performance from the Human Kind Project
Solacium – Live performance from the Human Kind Project

— 6.30-8pm and 1-2.30pm

FREE

Solacium – Live performance from the Human Kind Project

— 6.30-8pm and 1-2.30pm

FREE

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Manpower Lectures – #4 Queer and Now (online)
Manpower Lectures – #4 Queer and Now (online)

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

What's queer about long-nineteenth-century British art now? Answering this question, Edwards address two entirely different examples: Henry Hugh Armstead’s mid-Victorian bronze statuette ‘Satan dismayed’ otherwise known as ‘Saint Michael and the Serpent’ (1852) and Henry Scott Tuke’s 1924 oil painting, ‘Companions’. Both artists remain marginalised, and have proven difficult to canonise for different reasons: Armstead as a predominantly decorative artist in a canon still primarily oriented towards the two-dimensional and the category of fine art, and Tuke because of the open secret of the pederastic character of his work, at a moment in which childhood sexual abuse remains one of the key cultural issues of our time. What might we learn from returning to think about both?

This lecture is a pre-recorded lecture that will be made available to ticketholders to watch in their own time. This lecture is the fourth in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #4 Queer and Now (online)

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

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Embroidery Workshop – Spring Stitch Zen
Embroidery Workshop – Spring Stitch Zen

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Sunday 28 November. It will now go ahead on Sunday 27 March 2022 (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods for a fun and relaxing day of creative stitch in the Members Lounge. After a long winter, find your zen immersed in creativity and explore texture, fibres and colour. Fleur will support you to set your creativity free and make your own design using traditional and self-taught methods.

Embroidery Workshop – Spring Stitch Zen

10.30am—4pm

From $310 Book now

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A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki
A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki

Sun 27 March 2022, 10am–2pm

Adult: $95.00 Auckland Art Gallery Member: $85.00 Child (5 -13 yrs): $53.00 Children under 5: free Return Bus Ticket: (North Shore and Central departures) $20.00 On-site parking: per vehicle $20.00 NB: Ticketing fees will be applied by Eventfinda. Buy tickets

A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki

Sun 27 March 2022, 10am–2pm

Adult: $95.00 Auckland Art Gallery Member: $85.00 Child (5 -13 yrs): $53.00 Children under 5: free Return Bus Ticket: (North Shore and Central departures) $20.00 On-site parking: per vehicle $20.00 NB: Ticketing fees will be applied by Eventfinda. Buy tickets

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Embroidery Workshop – Creative Floral Basics
Embroidery Workshop – Creative Floral Basics

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Saturday 27 November. It will now go ahead on Saturday 26 March 2022 (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods to create your own mini floral embroidery. Enjoy a day in the Members lounge surrounded by beautiful blooms and immersed in creativity as Fleur shares her favourite supplies, tips & techniques. You will be supported to create your own design and set your creativity free. 

Embroidery Workshop – Creative Floral Basics

10.30am—4pm

From $310 Book now

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Manpower Lectures – #3 The New Mail Order
Manpower Lectures – #3 The New Mail Order

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

When Eugen Sandow, the father of modern bodybuilding, toured New Zealand in the summer of 1902-03, his aim was to reshape the nation. Long before the likes of Charles Atlas peddled mail order muscle programmes, the Sandow System was embraced by men throughout New Zealand. Eager to flex and pose and dream of a new male order, these men joined local gyms, entered bodybuilding contests, and even strutted their stuff in local beauty competitions. In this lecture, Dr Caroline Daley reveals the bodies of early twentieth century men and questions whether our fixation with rugby players, farmers and soldiers means we’re missing the pleasure that comes from gazing upon the world’s most perfectly developed man and his local acolytes.

This lecture is the third in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism. 

Manpower Lectures – #3 The New Mail Order

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

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Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World
Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

Drawing on heroes of classical mythology, the Iliad, Greek tragedy and their modern adaptations, Dr Anastasia Bakogianni explores what it meant to be a man in the ancient Greek world. Researching expectations placed upon men and the warrior ethos, she tracks its impact throughout the centuries and on the modern concept of masculinity.  This lecture is the second in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

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Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland
Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

Senior Curator of International Art, Dr Sophie Matthiesson explores some of the motivations behind the collecting and public display of male bodies in the early years of the Auckland Art Gallery (founded 1888) and considers the appeal and meaning of such frankly sensual images for their Victorian-era benefactors who purchased them. The notorious 1895 London trial and imprisonment of Irish poet and playwright Oscar Wilde for homosexuality suddenly altered consciousness across the British Empire. It impacts can be seen, she argues, in public debates about masculinity in New Zealand, and in institutional attitudes to the male nude in art in the following decades.

This lecture is the first in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

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SOLD OUT: Kintsugi workshop - March
SOLD OUT: Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

Please note: This event is now sold out.

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT: Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

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Vintage Festival
Vintage Festival

10-5pm

FREE

Vintage Festival

10-5pm

FREE

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Swinging Sixties: Double Feature
Swinging Sixties: Double Feature

3.15—8.30pm

From $15 Book now

What better way to celebrate the exhibition Mary Quant: Fashion Revolutionary than two iconic, groovy, cinematic classics that will transport you back to the swinging sixties!

Alongside a fully stocked bar, you can catch A Hard Day’s Night – a 1964 rock-and-roll romp following "a day in the life" of The Beatles as fame takes them by storm – and mystery thriller Blow-Up, by critically acclaimed director Michelangelo Antonioni, wherein a bored mod-photographer discovers he’s unknowingly captured a crime scene on film. This event will be located at The Hollywood in Avondale, New Zealand’s longest-running cinema palace.

Swinging Sixties: Double Feature

3.15—8.30pm

From $15 Book now

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SOLD OUT | Tour the City with fashion expert Doris de Pont #3
SOLD OUT | Tour the City with fashion expert Doris de Pont #3

11am – 12pm

FREE

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Rainbow artists talk about their lives
Rainbow artists talk about their lives

7pm-8pm

Free, booking essential. Book now

Rainbow artists talk about their lives

7pm-8pm

Free, booking essential. Book now

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Fiona Clark: Unafraid | Special PRIDE Festival screening and conversation
Fiona Clark: Unafraid | Special PRIDE Festival screening and conversation

2pm-4pm

Free, booking essential. Book now

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GALS Auckland Rainbow Choir | A Celebration of 30 years
GALS Auckland Rainbow Choir | A Celebration of 30 years

3pm-4pm

Free, booking essential. Book now

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Swinging Sixties in Auckland - How Quant Sparked Our Boutique Culture
Swinging Sixties in Auckland - How Quant Sparked Our Boutique Culture

6—7pm

Members $14, Non-Members $20 Book now

Swinging Sixties in Auckland - how Quant sparked our boutique culture.

In this talk, fashion historian Angela Lassig will chart the rise of boutique culture in the back streets and side alleys of 60s Auckland, exploring the fashion, music and makeup that energised a generation.  

Swinging Sixties in Auckland - How Quant Sparked Our Boutique Culture

6—7pm

Members $14, Non-Members $20 Book now

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Design with the WOW Factor | Christopher Davis: A Creative Inspiration
Design with the WOW Factor | Christopher Davis: A Creative Inspiration

2pm-3pm

Free, booking essential.

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Friday Lates: Drop-in Drawing
Friday Lates: Drop-in Drawing

— Fridays 6.30–8pm

FREE

Join us for a special edition of our Friday Lates Drop-in Drawing on 21 January with Off the Wall Drawing. Then, inspired by our fabulous exhibition Mary Quant: Fashion Revolutionary, join us on 28 January for Drop in Drawing – '60s style! 

Friday Lates: Drop-in Drawing

— Fridays 6.30–8pm

FREE

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Yoga and Art Immersion
Yoga and Art Immersion

— Tuesdays 5.30 – 6.30pm, Sundays 9 – 10.00am

Public $15, Members $12

Yoga and Art Immersion

— Tuesdays 5.30 – 6.30pm, Sundays 9 – 10.00am

Public $15, Members $12

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Quant-inspired Fashion Illustration Workshop
Quant-inspired Fashion Illustration Workshop

10.30am—3pm

From $150 Book now

Harnessing the youthful spirit of the sixties and embracing new mass-production techniques, Mary Quant created a new look for modern women. Be inspired by Quant's work and play around with different materials and styles to create your own mini fashion sketch portfolio.

Quant-inspired Fashion Illustration Workshop

10.30am—3pm

From $150 Book now

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Mary Quant Minidress Masterclass
Mary Quant Minidress Masterclass

10.30 am - 12.30pm

From $22.50 Book now

Mary Quant Minidress Masterclass

10.30 am - 12.30pm

From $22.50 Book now

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Fashion Icons: how Mary Quant influenced Kate Sylvester
Fashion Icons: how Mary Quant influenced Kate Sylvester

3—4pm

Talk - Standard $15, Talk - Members $13.50 Book now

Celebrate Mary Quant: Fashion Revolutionary with a conversation between Aotearoa New Zealand fashion designer Kate Sylvester and Creative and Fashion Director of Viva Magazine, Dan Ahwa. Following the talk, Members can enjoy an exclusive opportunity to meet Kate Sylvester in the Members Lounge.

Fashion Icons: how Mary Quant influenced Kate Sylvester

3—4pm

Talk - Standard $15, Talk - Members $13.50 Book now

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Screen printing workshop with Hayley Pearce from The Art Room Limited | 29 Jan
Screen printing workshop with Hayley Pearce from The Art Room Limited | 29 Jan

10am-12pm

$75 Book now

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Evie Kemp and Havilah Arendse in conversation followed by a fashion show of Havilah Label
Evie Kemp and Havilah Arendse in conversation followed by a fashion show of Havi...

6-7.30pm

FREE but booking essential Book now

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Drop in Drawing – '60s style
Drop in Drawing – '60s style

6:30–8pm

FREE

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Become a World of WearableArt designer for the day
Become a World of WearableArt designer for the day

— 11am–2 pm

FREE

Become a World of WearableArt designer for the day

— 11am–2 pm

FREE

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Meet icons of the 1960’s
Meet icons of the 1960’s

2-3.30pm

From $18 Book now

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Screen printing workshop with Hayley Pearce from The Art Room Limited | 22 Jan
Screen printing workshop with Hayley Pearce from The Art Room Limited | 22 Jan

1-3pm

$75 Book now

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Friday Lates
Friday Lates

— Fridays until 9pm

FREE

Friday Lates

— Fridays until 9pm

FREE

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Off the Wall Drawing
Off the Wall Drawing

— Friday nights, from January 21 2022, 6.30 – 8pm

FREE

Off the Wall Drawing

— Friday nights, from January 21 2022, 6.30 – 8pm

FREE

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Make your own paper doll with artist Toni Mosley
Make your own paper doll with artist Toni Mosley

— 11am – 2pm

FREE

Make your own paper doll with artist Toni Mosley

— 11am – 2pm

FREE

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January School Holiday Programmes 2022
January School Holiday Programmes 2022

— 9am–3pm

$80 (+booking fees) per child, per day | $350 (+booking fees) per child, 5 days Book now

This January school holidays, the Gallery is proud to bring you a hands-on School Holiday Programme. 

January School Holiday Programmes 2022

— 9am–3pm

$80 (+booking fees) per child, per day | $350 (+booking fees) per child, 5 days Book now

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Whānau drop-ins – New activities each weekend!
Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am–3pm.

 

 

 

 

 

Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

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Hīkoi toiora
Hīkoi toiora

— 2pm every Sat & Sun, or on request.

$25/$22.50 (Members)

Hīkoi toiora

— 2pm every Sat & Sun, or on request.

$25/$22.50 (Members)

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A Slow Look
A Slow Look

— 1 hour

$25/22.50 (Members) 12 and under free

A Slow Look

— 1 hour

$25/22.50 (Members) 12 and under free

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Gallery tours
Gallery tours

— 11.30am and 1.30pm daily

FREE

Our friendly and knowledgeable team is here to introduce you to the art, artists, stories and histories that make up our Gallery.

Gallery tours

— 11.30am and 1.30pm daily

FREE

Artworks

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View Artwork

Not on display

Crie donc, mâtin! … gueule donc! … égosille toi donc et que ça finisse … ne pas fermer l’œil pour un méchant moutard !! le diable emporte les enfans ! je n’en veux plus … [Just keep on screaming you mastiff, go on bawling until you are hoarse and let it be over with ... wasn't able to close an eye all night because of this brat. May the devil take these children ... that's it for me!]
Crie donc, mâtin! … gueule donc! … égosille toi donc et que ça finisse … ne pas...

Honoré Daumier

Production date
06 Feb 1838
Medium
lithograph
Size (h x w)
220 x 295 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/2
Crie donc, mâtin! … gueule donc! … égosille toi donc et que ça finisse … ne pas...

Honoré Daumier

View Artwork

Not on display

Vilain dormeur va !. [Oh, you nasty sluggard!].
Vilain dormeur va !. [Oh, you nasty sluggard!].

Honoré Daumier

Production date
24 Sep 1838
Medium
lithograph
Size (h x w)
215 x 300 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/6
Vilain dormeur va !. [Oh, you nasty sluggard!].

Honoré Daumier

View Artwork

Not on display

Ceci a tué cela.. [These are responsible for those.].
Ceci a tué cela.. [These are responsible for those.].

Honoré Daumier

Production date
1871
Medium
lithograph
Size (h x w)
238 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/4
Ceci a tué cela.. [These are responsible for those.].

Honoré Daumier

View Artwork

Not on display

Mr. Vautour. – Bon ! ... voilà encore une maison qu'on abat ... je vais augmenter chacun de mes locataires de deux cents francs!. [Mr. Vautour: Marvellous, another house being demolished ... I'll be able to increase the rent by another 200 francs.].
Mr. Vautour. – Bon ! ... voilà encore une maison qu'on abat ... je vais augmente...

Honoré Daumier

Production date
21 Feb 1854
Medium
lithograph
Size (h x w)
206 x 261 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/13/1
Mr. Vautour. – Bon ! ... voilà encore une maison qu'on abat ... je vais augmente...

Honoré Daumier

View Artwork

Not on display

Mon cher ! vous vous êtes admirablement bien évanoui, cela a produit le plus grand effet ! – Bah ! vous trouvez! …….. [My dear! You fainted ... admirably. It really made a lasting impression! – Oh really, you think so?].
Mon cher ! vous vous êtes admirablement bien évanoui, cela a produit le plus gra...

Honoré Daumier

Production date
25 Jul 1838
Medium
lithograph
Size (h x w)
220 x 265 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/5
Mon cher ! vous vous êtes admirablement bien évanoui, cela a produit le plus gra...

Honoré Daumier

View Artwork

Not on display

La maman – Est il gentil à manger son sucre d'orge!!! … si on ne dirait pas un homme de vingt ans pour la raison! ... je veux qu’il soit avocat ... [The mother: Isn't he cute licking his barley sugar candy ... one would think a young man of twenty years ... He absolutely must become a lawyer!]
La maman – Est il gentil à manger son sucre d'orge!!! … si on ne dirait pas un h...

Honoré Daumier

Production date
21 Oct 1838
Medium
lithograph
Size (h x w)
242 x 265 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/7
La maman – Est il gentil à manger son sucre d'orge!!! … si on ne dirait pas un h...

Honoré Daumier

View Artwork

Not on display

Que diable Monsieur ne bougez donc pas les mains vous perdez la pose.. [For heaven's sake, Monsieur, don't move your hands or you'll lose the pose!].
Que diable Monsieur ne bougez donc pas les mains vous perdez la pose.. [For heav...

Honoré Daumier

Production date
01 Nov 1838
Medium
lithograph
Size (h x w)
230 x 295 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/8
Que diable Monsieur ne bougez donc pas les mains vous perdez la pose.. [For heav...

Honoré Daumier

View Artwork

Not on display

L'Empire c'est la paix.. [The Empire means peace.].
L'Empire c'est la paix.. [The Empire means peace.].

Honoré Daumier

Production date
1871
Medium
lithograph
Size (h x w)
229 x 185 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/5
L'Empire c'est la paix.. [The Empire means peace.].

Honoré Daumier

View Artwork

Not on display

UN FEU GRÉGEOIS. Mais, je ne saurais me tromper ... ce n'est pas une leçon de natation que ce monsieur donne à ma femme ... je commence à être bien inquie t... Adélaïde, nagez ... je vous enjoins de nager et surtout de venir me rejoindre! ... [A GREEK FIRE. I'm sure I'm not mistaken, it doesn't look like this gentleman is giving swimming instructions to my wife ... Adelaide, come on swim! ... I urge you to swim and rejoin me immediately!]
UN FEU GRÉGEOIS. Mais, je ne saurais me tromper ... ce n'est pas une leçon de na...

Honoré Daumier

Production date
21 Sep 1854
Medium
lithograph
Size (h x w)
198 x 269 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/12/3
UN FEU GRÉGEOIS. Mais, je ne saurais me tromper ... ce n'est pas une leçon de na...

Honoré Daumier

View Artwork

Not on display

Ça! ... un appartement de huit cents francs!.... mais j'userai pour plus de douze cents francs de chapeaux. [800 Francs for this apartment? I will wear out more than 1200 francs worth of hats.]
Ça! ... un appartement de huit cents francs!.... mais j'userai pour plus de douz...

Honoré Daumier

Production date
28 Feb 1854
Medium
lithograph
Size (h x w)
180 x 221 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/13/2
Ça! ... un appartement de huit cents francs!.... mais j'userai pour plus de douz...

Honoré Daumier

View Artwork

Not on display

Brigand de propriétaire ... qui ne veut me faire faire des réparations qu'au beau temps! .... [The landlord really is a real robber ... It seems he chooses to make roof repairs only during sunny weather ...].
Brigand de propriétaire ... qui ne veut me faire faire des réparations qu'au bea...

Honoré Daumier

Production date
1848
Medium
lithograph
Size (h x w)
258 x 225 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/13/5
Brigand de propriétaire ... qui ne veut me faire faire des réparations qu'au bea...

Honoré Daumier

View Artwork

Not on display

Tiens, voilà un écriteau que ma femme a passé ... à louer logement de garçon ... heureux celui qui ira l'habiter !.... [Well here is a poster my wife hasn't seen ... studio for rent ... happy the one who is going to live here ...].
Tiens, voilà un écriteau que ma femme a passé ... à louer logement de garçon ......

Honoré Daumier

Production date
1848
Medium
lithograph
Size (h x w)
255 x 215 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/13/7
Tiens, voilà un écriteau que ma femme a passé ... à louer logement de garçon ......

Honoré Daumier

View Artwork

Not on display

Pour aller jusqu'au coeur que vous voulez percer, Voila par quel chemin vos coups doivent passer.. [To reach the heart you want to stab, This is the way your knife needs to grab.].
Pour aller jusqu'au coeur que vous voulez percer, Voila par quel chemin vos coup...

Honoré Daumier

Production date
28 Mar 1839
Medium
lithograph
Size (h x w)
222 x 265 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/11
Pour aller jusqu'au coeur que vous voulez percer, Voila par quel chemin vos coup...

Honoré Daumier

View Artwork

Not on display

... princes trop généreux, En quelle extrémité me jetez-vous tous deux. (Bérénice). [... Charitable Princes. Into what misery are you both plunging me! (Bérénice)].
... princes trop généreux, En quelle extrémité me jetez-vous tous deux. (Bérénic...

Honoré Daumier

Production date
31 Mar 1839
Medium
lithograph
Size (h x w)
211 x 270 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/12
... princes trop généreux, En quelle extrémité me jetez-vous tous deux. (Bérénic...

Honoré Daumier

View Artwork

Not on display

Elle dort toujours! ... c'est bien amusant!! .... [She is still sleeping! ... That's really amazing!! ...].
Elle dort toujours! ... c'est bien amusant!! .... [She is still sleeping! ... Th...

Honoré Daumier

Production date
03 Mar 1839
Medium
lithograph
Size (h x w)
205 x 275 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/13
Elle dort toujours! ... c'est bien amusant!! .... [She is still sleeping! ... Th...

Honoré Daumier

View Artwork

Not on display

Pauvre France! ... le tronc est foudroyé, mais les racines tiennent bon! [Poor France ... the trunk was struck by lightening, but the roots hold fast]
Pauvre France! ... le tronc est foudroyé, mais les racines tiennent bon! [Poor F...

Honoré Daumier

Production date
1871
Medium
lithograph
Size (h x w)
234 x 193 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/7
Pauvre France! ... le tronc est foudroyé, mais les racines tiennent bon! [Poor F...

Honoré Daumier

View Artwork

Not on display

Une lecture intéressante et rafraîchissante. [An interesting and refreshing reading.]
Une lecture intéressante et rafraîchissante. [An interesting and refreshing read...

Honoré Daumier

Production date
26 Aug 1854
Medium
lithograph
Size (h x w)
205 x 263 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/8
Une lecture intéressante et rafraîchissante. [An interesting and refreshing read...

Honoré Daumier

View Artwork

Not on display

Marie-Louise-Charlotte-Philippine Pairie, fille soumise & patentée par la police.. [Marie Louise Charlotte Philippine Pairie, submissive girl, patented by the police.].
Marie-Louise-Charlotte-Philippine Pairie, fille soumise & patentée par la police...

Honoré Daumier

Production date
01 Jan 1835
Medium
lithograph
Size (h x w)
225 x 260 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/1
Marie-Louise-Charlotte-Philippine Pairie, fille soumise & patentée par la police...

Honoré Daumier

View Artwork

Not on display

Je veux laisser un monument impérissable de notre visite à cette falaise ... j'ajouterai aussi votre nom, Adélaïde, le respect que je professe pour le beau sexe m'en fait un devoir. [I want to leave an imperishable monument of our visit to this cliff ... I will also add your name, Adelaïde, as a proof of my esteem for the fair sex.]
Je veux laisser un monument impérissable de notre visite à cette falaise ... j'a...

Honoré Daumier

Production date
09 Oct 1854
Medium
lithograph
Size (h x w)
207 x 271 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/11/2
Je veux laisser un monument impérissable de notre visite à cette falaise ... j'a...

Honoré Daumier

View Artwork

Not on display

Madame Prudhomme, ne nous pressons pas, ne nous pressons pas, rappelons-nous que la dignité doit présider à tous les actes de notre vie ... la dignité seule, distingue l'homme du reste des animaux! ... [Madame Prudhomme, let's not hurry, let's recall that dignity should preside over all acts of life ... dignity alone distinguishes man from the rest of the animals]
Madame Prudhomme, ne nous pressons pas, ne nous pressons pas, rappelons-nous que...

Honoré Daumier

Production date
13 Sep 1854
Medium
lithograph
Size (h x w)
220 x 270 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/12/2
Madame Prudhomme, ne nous pressons pas, ne nous pressons pas, rappelons-nous que...

Honoré Daumier

View Artwork

Not on display

Croquis pris aux Champs Élysées.. [Sketch from the Champs Élysées].
Croquis pris aux Champs Élysées.. [Sketch from the Champs Élysées].

Honoré Daumier

Production date
03 Mar 1854
Medium
lithograph
Size (h x w)
193 x 268 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/13/3
Croquis pris aux Champs Élysées.. [Sketch from the Champs Élysées].

Honoré Daumier

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Not on display

Le Portier de Mr. Vautour. C'est inutile que je me dérange pour vous faire voir le logement qui est à louer ... nous ne voulons dans la maison ni chiens ni enfants !.... [The Porter of Monsieur Vautour. It's not necessary to go to the trouble to show you the apartment which is for rent ... we do not tolerate dogs or children in the house ...].
Le Portier de Mr. Vautour. C'est inutile que je me dérange pour vous faire voir...

Honoré Daumier

Production date
20 Apr 1854
Medium
lithograph
Size (h x w)
197 x 260 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/13/4
Le Portier de Mr. Vautour. C'est inutile que je me dérange pour vous faire voir...

Honoré Daumier

View Artwork

Not on display

Ah! ça mais ... arriverons nous bientôt?... [Oh really ... when will we finally be there?]
Ah! ça mais ... arriverons nous bientôt?... [Oh really ... when will we finally...

Honoré Daumier

Production date
1848
Medium
lithograph
Size (h x w)
245 x 215 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/13/6
Ah! ça mais ... arriverons nous bientôt?... [Oh really ... when will we finally...

Honoré Daumier

View Artwork

Not on display

C’est comme moi, tout comme moi ! … C’est la garde nationale qu’a fait mon malheur … une nuit … en patrouille ... j’ai voulu rentrer chez moi ... alors … j’ai vu la chose, comme je vous vois… [It's like me, exactly like me! ... the National Guard is the cause for my misfortune ... one night ... on patrol ... I wanted to return to my house ... then ... I had seen the thing, just as I see you ...]
C’est comme moi, tout comme moi ! … C’est la garde nationale qu’a fait mon malhe...

Honoré Daumier

Production date
28 Jan 1838
Medium
lithograph
Size (h x w)
195 x 278 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/1
C’est comme moi, tout comme moi ! … C’est la garde nationale qu’a fait mon malhe...

Honoré Daumier

View Artwork

Not on display

Est-il joli ! ... ce chérubin ! ... [How sweet he is! A real little angel!]
Est-il joli ! ... ce chérubin ! ... [How sweet he is! A real little angel!]

Honoré Daumier

Production date
17 Feb 1839
Medium
lithograph
Size (h x w)
215 x 270 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/10
Est-il joli ! ... ce chérubin ! ... [How sweet he is! A real little angel!]

Honoré Daumier

View Artwork

Not on display

Oui! oui! c'est entendu, je comprends! ... qu'elle scie? ... laissez moi donc boire … [Yes! yes! It's a deal, I understand! ... so be it ... why don't you let me drink something now!]
Oui! oui! c'est entendu, je comprends! ... qu'elle scie? ... laissez moi donc bo...

Honoré Daumier

Production date
07 Apr 1839
Medium
lithograph
Size (h x w)
190 x 300 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/14
Oui! oui! c'est entendu, je comprends! ... qu'elle scie? ... laissez moi donc bo...

Honoré Daumier

View Artwork

Not on display

Mon cher je vous félicite, votre tableau est d’un effet délirant !! - Mais oui ! c’est ce que je trouve aussi.. [My dear fellow , I congratulate you, your picture has an enchanting effect. - Absolutely, I see it the same way.].
Mon cher je vous félicite, votre tableau est d’un effet délirant !! - Mais oui !...

Honoré Daumier

Production date
17 Mar 1838
Medium
lithograph
Size (h x w)
220 x 265 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/3
Mon cher je vous félicite, votre tableau est d’un effet délirant !! - Mais oui !...

Honoré Daumier

View Artwork

Not on display

Épouvantée de l'héritage.. [Dismayed with her legacy.].
Épouvantée de l'héritage.. [Dismayed with her legacy.].

Honoré Daumier

Production date
1871
Medium
lithograph
Size (h x w)
230 x 180 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/2
Épouvantée de l'héritage.. [Dismayed with her legacy.].

Honoré Daumier

View Artwork

Not on display

Grand escalier du Palais de justice, Vue de faces. [Main Staircase of the Palace of Justice. Front view.]
Grand escalier du Palais de justice, Vue de faces. [Main Staircase of the Palace...

Honoré Daumier

Production date
08 Feb 1838
Medium
lithograph
Size (h x w)
242 x 180 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the relatives of Mr T V Gulliver, 1939
Accession no
1939/4/68
Grand escalier du Palais de justice, Vue de faces. [Main Staircase of the Palace...

Honoré Daumier

View Artwork

Not on display

L'Unité Allemande. [German Unity].
L'Unité Allemande. [German Unity].

Honoré Daumier

Production date
1871
Medium
lithograph
Size (h x w)
210 x 181 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/1
L'Unité Allemande. [German Unity].

Honoré Daumier

View Artwork

Not on display

Vue prise sur n'importe quel Boulevard.. [A view on a boulevard - any boulevard.].
Vue prise sur n'importe quel Boulevard.. [A view on a boulevard - any boulevard....

Honoré Daumier

Production date
19 Aug 1854
Medium
lithograph
Size (h x w)
205 x 269 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/10
Vue prise sur n'importe quel Boulevard.. [A view on a boulevard - any boulevard....

Honoré Daumier

View Artwork

Not on display

C'est bizarre ... en été je déteste la chaleur, tans qu'en hiver, je l'aime beaucoup! ... [It's strange ... in summer I detest the heat, while in winter I like it a lot ...]
C'est bizarre ... en été je déteste la chaleur, tans qu'en hiver, je l'aime beau...

Honoré Daumier

Production date
23 Sep 1854
Medium
lithograph
Size (h x w)
254 x 222 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/11/1
C'est bizarre ... en été je déteste la chaleur, tans qu'en hiver, je l'aime beau...

Honoré Daumier

View Artwork

Not on display

Tiens, papa, pourquoi que l'eau arrive sur nous?... - Mon fils, je suis bien aise que vous m'adressiez cette question qui dénote que vous désirez vous instruire et sonder les mystères de la nature ... les flots arrivent sur le rivage par suite du FLUX qui est l'opposé du REFLUX ... l'un et l'autre effet ont pour cause, l'attraction des montagnes de la lune ... faites moi penser ce soir, mon fils, de vous expliquer avec la même clarté, le système lunaire. [Well, Papa, why does the water come to us ...? My son, I am very glad that you ask me this question, which denotes that you desire to be informed and investigate the mysteries of nature ... the waves come towards the beach as a consequence of the ebb which is in opposition to the flow ... The reason for the one or the other effect is the attraction of the mountains and the moon ... do remind me tonight, my son, and I shall explain to you with the same clarity the lunar theory.]
Tiens, papa, pourquoi que l'eau arrive sur nous?... - Mon fils, je suis bien ais...

Honoré Daumier

Production date
13 Oct 1854
Medium
lithograph
Size (h x w)
205 x 268 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/11/3
Tiens, papa, pourquoi que l'eau arrive sur nous?... - Mon fils, je suis bien ais...

Honoré Daumier

View Artwork

Not on display

Mr. PRUDHOMME – Je ne sais pas si c'est un effet de mon imagination naturellement poétique, mais il me semble, qu'à peine sur les flots amers, mon cœur se barbouille ... et toujours par suite de ces mêmes caprices de la folle du logis, je croirais pouvoir jurer que je perds mon chapeau ..., c'est un effet bien singulier ..., bien singulier! ... [Mr. PRUDHOMME. – Not being sure whether it stems from my natural poetic power of imagination, but I hardly find myself on these deep waves and my stomach turns, and for the same reason I could have sworn that I lost my hat ... what a strange experience ... quite strange indeed!]
Mr. PRUDHOMME – Je ne sais pas si c'est un effet de mon imagination naturellemen...

Honoré Daumier

Production date
12 Sep 1854
Medium
lithograph
Size (h x w)
210 x 272 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/12/1
Mr. PRUDHOMME – Je ne sais pas si c'est un effet de mon imagination naturellemen...

Honoré Daumier

View Artwork

Not on display

Mon fils, la vessie a été donnée à l'homme, pour affronter les flots! ... [My son, the bladder has been given to man in order to brave the waves ...]
Mon fils, la vessie a été donnée à l'homme, pour affronter les flots! ... [My so...

Honoré Daumier

Production date
09 Sep 1854
Medium
lithograph
Size (h x w)
210 x 275 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/12/4
Mon fils, la vessie a été donnée à l'homme, pour affronter les flots! ... [My so...

Honoré Daumier

View Artwork

Not on display

Dieu ! quel nez vous me faites !. [Lord, what a nose you've given me!].
Dieu ! quel nez vous me faites !. [Lord, what a nose you've given me!].

Honoré Daumier

Production date
29 Apr 1838
Medium
lithograph
Size (h x w)
240 x 280 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/14/4
Dieu ! quel nez vous me faites !. [Lord, what a nose you've given me!].

Honoré Daumier

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