Exhibitions

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Tira Walsh | Urbanize III
Tira Walsh | Urbanize III

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FREE

Tira Walsh | Urbanize III

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FREE

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Light from Tate: 1700s to Now
Light from Tate: 1700s to Now

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Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

Light from Tate: 1700s to Now

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Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

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Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection
Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection

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Free

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Suji Park: Meonji Soojibga | Dust Collector
Suji Park: Meonji Soojibga | Dust Collector

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FREE

Suji Park: Meonji Soojibga | Dust Collector

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FREE

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ArtLab
ArtLab

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FREE

ArtLab

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FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

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FREE

Manpower: Myths of Masculinity

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FREE

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Romancing the Collection
Romancing the Collection

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FREE

Romancing the Collection

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FREE

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Guide Kaiārahi
Guide Kaiārahi

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FREE

Guide Kaiārahi

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FREE

Events

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Lecture series: Masters of Light, 1700s to Now (II)
Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

Lecture Series Masters of Light – Day 2

Sun 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre-stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art, and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 1.

Image credit: Wassily Kandinsky Swinging

 

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Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

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Rhythms of the Brain: NZTrio with Simon Ingram
Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

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Lecture series: Masters of Light, 1700s to Now (I)
Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

Masters of Light, 1700s to Now

Sun 21 and 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 2 .

Image credit: Johannes Vermeer The Milkmaid 

Note: the artwork above will be discussed in this series, but is currently not on display at Auckland Art Gallery.

 

BOOK HERE

 

Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

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NZSL Tour of Light From Tate
NZSL Tour of Light From Tate

2–3.30pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

NZSL Tour of Light From Tate

2–3.30pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

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April School Holiday Programme
April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

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Audio Described Tour for blind and low vision visitors | Light from Tate
Audio Described Tour for blind and low vision visitors | Light from Tate

10.30am–12.00pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

Audio Described Tour for blind and low vision visitors | Light from Tate

10.30am–12.00pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

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SOLD OUT | Light Abounds: Paint & Sip Sessions
SOLD OUT | Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

General admission $75 (+booking fees), Members $67.50 (+booking fees) | Exhibition admission additional Book now

SOLD OUT | Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

General admission $75 (+booking fees), Members $67.50 (+booking fees) | Exhibition admission additional Book now

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Yoga and Art Immersion
Yoga and Art Immersion

— Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

Yoga and Art Immersion

— Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

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Whānau drop-ins – New activities each weekend!
Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am–3pm.

 

 

 

 

 

Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

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Lunchtime Drop-in Drawing
Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

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ArtLab | Shadow and Light
ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

Artworks

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View Artwork

Not on display

Prometheus and Io
Prometheus and Io

Henry Fuseli

Production date
circa 1800-circa 1810
Medium
pen and ink with grey wash
Size (h x w)
690 x 490 x 30 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/68
Prometheus and Io

Henry Fuseli

View Artwork

Not on display

Achilles crying out at the trench, confusing the Trojan Army
Achilles crying out at the trench, confusing the Trojan Army

Henry Fuseli

Production date
circa 1815
Medium
pencil with mauve and grey wash
Size (h x w)
400 x 277 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/71
Achilles crying out at the trench, confusing the Trojan Army

Henry Fuseli

View Artwork

On display

Three women at a curtained window
Three women at a curtained window

Henry Fuseli

On display

Production date
1779
Medium
pencil and brown wash
Size (h x w)
165 x 167 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/51
Three women at a curtained window

Henry Fuseli

On display

View Artwork

Not on display

Shakespeare: Second Part of King Henry the Fourth, Act II, Scene IV
Shakespeare: Second Part of King Henry the Fourth, Act II, Scene IV

William Satchwell Leney Henry Fuseli

Production date
1795
Medium
mezzotint on wove paper
Size (h x w)
710 x 540 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2002
Accession no
2002/9/3
Shakespeare: Second Part of King Henry the Fourth, Act II, Scene IV

William Satchwell Leney Henry Fuseli

View Artwork

Not on display

Shakespeare: Midsummer-Night's Dream, Act IV, Scene I, Oberon, Queen of the Fairies, Puck, Bottom and Fairies attending
Shakespeare: Midsummer-Night's Dream, Act IV, Scene I, Oberon, Queen of the Fair...

Thomas Ryder & Thomas Ryder Jnr Henry Fuseli

Production date
1803
Medium
mezzotint on wove paper
Size (h x w)
510 x 662 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2002
Accession no
2002/9/4
Shakespeare: Midsummer-Night's Dream, Act IV, Scene I, Oberon, Queen of the Fair...

Thomas Ryder & Thomas Ryder Jnr Henry Fuseli

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Not on display

Shakespeare: Midsummer-Night's Dream, Act IV, Scene I: A wood - Titania, Queen of the fairies, Bottom, fairies attending
Shakespeare: Midsummer-Night's Dream, Act IV, Scene I: A wood - Titania, Queen o...

Jean-Pierre Simon Henry Fuseli

Production date
1796
Medium
mezzotint and spirit-ground aquatint on wove paper
Size (h x w)
507 x 662 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2002
Accession no
2002/9/5
Shakespeare: Midsummer-Night's Dream, Act IV, Scene I: A wood - Titania, Queen o...

Jean-Pierre Simon Henry Fuseli

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Not on display

Jason stealing the Golden Fleece
Jason stealing the Golden Fleece

Moses Haughton Henry Fuseli

Production date
1806
Medium
stipple engraving
Size (h x w)
233 x 168 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/64
Jason stealing the Golden Fleece

Moses Haughton Henry Fuseli

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Not on display

Amavia finds her knight, Sir Mordant, bewitched in Acrasia's Bower of Bliss
Amavia finds her knight, Sir Mordant, bewitched in Acrasia's Bower of Bliss

Henry Fuseli

Production date
1810
Medium
pencil pen with grey wash
Size (h x w)
310 x 398 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/75
Amavia finds her knight, Sir Mordant, bewitched in Acrasia's Bower of Bliss

Henry Fuseli

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Not on display

Selene and Endymion
Selene and Endymion

Henry Fuseli

Production date
1810
Medium
pen, pencil and watercolour
Size (h x w)
373 x 302 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/76
Selene and Endymion

Henry Fuseli

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Not on display

Study for the three witches in Macbeth
Study for the three witches in Macbeth

Henry Fuseli

Production date
circa 1783
Medium
oil on canvas
Size (h x w)
420 x 537 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased with funds from the M A Serra Trust, 1980
Accession no
1980/8
Study for the three witches in Macbeth

Henry Fuseli

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Not on display

A Woman Sitting By the Window (Evening Thou Bringest All)
A Woman Sitting By the Window (Evening Thou Bringest All)

Henry Fuseli

Production date
1802
Medium
lithograph on wove paper
Size (h x w)
217 x 319 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2017
Accession no
2017/8
A Woman Sitting By the Window (Evening Thou Bringest All)

Henry Fuseli

View Artwork

On display

A Woman with a fan, standing, seen from the back
A Woman with a fan, standing, seen from the back

Henry Fuseli

On display

Production date
1791
Medium
pencil with blue, brown, black and pink wash, body colour
Size (h x w)
233 x 188 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/44
A Woman with a fan, standing, seen from the back

Henry Fuseli

On display

View Artwork

On display

Two Courtesans with fantastic hairstyles and hats
Two Courtesans with fantastic hairstyles and hats

Henry Fuseli

On display

Production date
circa 1790-circa 1792
Medium
pen with brown, pink and grey wash, body colour
Size (h x w)
179 x 162 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/47
Two Courtesans with fantastic hairstyles and hats

Henry Fuseli

On display

View Artwork

On display

Bust Portrait of Mrs Fuseli
Bust Portrait of Mrs Fuseli

Henry Fuseli

On display

Production date
circa 1795
Medium
pen with black and blue wash, heightened with white (brush and wash worked up with gouache)
Size (h x w)
174 x 144 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/48
Bust Portrait of Mrs Fuseli

Henry Fuseli

On display

View Artwork

Not on display

Parental care
Parental care

Henry Fuseli

Production date
circa 1795-circa 1800
Medium
pen and ink with grey and blue wash
Size (h x w)
192 x 288 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/58
Parental care

Henry Fuseli

View Artwork

Not on display

Shakespeare: Tempest, Act I, Scene II
Shakespeare: Tempest, Act I, Scene II

Jean-Pierre Simon Henry Fuseli

Production date
1797
Medium
mezzotint and dust-ground aquatint on wove paper
Size (h x w)
507 x 660 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2002
Accession no
2002/9/1
Shakespeare: Tempest, Act I, Scene II

Jean-Pierre Simon Henry Fuseli

View Artwork

Not on display

Shakespeare: Macbeth, Act I, Scene III
Shakespeare: Macbeth, Act I, Scene III

James Caldwall Henry Fuseli

Production date
1798
Medium
mezzotint on wove paper
Size (h x w)
510 x 663 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2002
Accession no
2002/9/2
Shakespeare: Macbeth, Act I, Scene III

James Caldwall Henry Fuseli

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Not on display

Chriemhild throwing herself on the body of Siegfried, assassinated by Hagen
Chriemhild throwing herself on the body of Siegfried, assassinated by Hagen

Henry Fuseli

Production date
1805
Medium
pen and ink with brown wash
Size (h x w)
186 x 319 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/60
Chriemhild throwing herself on the body of Siegfried, assassinated by Hagen

Henry Fuseli

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Not on display

Portrait of Lavinia de Irujo
Portrait of Lavinia de Irujo

Henry Fuseli

Production date
1813
Medium
pencil and grey wash
Size (h x w)
260 x 170 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/62
Portrait of Lavinia de Irujo

Henry Fuseli

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Not on display

Subject from Milton's L'Allegro
Subject from Milton's L'Allegro

Henry Fuseli

Production date
circa 1780-circa 1785
Medium
pencil
Size (h x w)
330 x 411 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/65
Subject from Milton's L'Allegro

Henry Fuseli

View Artwork

Not on display

The Great Father and Ancient Night
The Great Father and Ancient Night

Henry Fuseli

Production date
circa 1800-circa 1810
Medium
pencil, grey wash and blue wash
Size (h x w)
665 x 493 x 28 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/73
The Great Father and Ancient Night

Henry Fuseli

View Artwork

Not on display

Hamlet, Horatio and the Gravedigger
Hamlet, Horatio and the Gravedigger

Henry Fuseli

Production date
1804
Medium
pen with grey, blue and pink wash
Size (h x w)
372 x 295 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/78
Hamlet, Horatio and the Gravedigger

Henry Fuseli

View Artwork

Not on display

Hephaestus, Bia and Kratos securing Prometheus on Mount Caucasus
Hephaestus, Bia and Kratos securing Prometheus on Mount Caucasus

Henry Fuseli

Production date
circa 1800-circa 1810
Medium
pencil
Size (h x w)
359 x 302 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/80
Hephaestus, Bia and Kratos securing Prometheus on Mount Caucasus

Henry Fuseli

View Artwork

On display

Mrs Fuseli sleeping
Mrs Fuseli sleeping

Henry Fuseli

On display

Production date
circa 1795
Medium
pen and brown ink, with grey, blue and pink wash, body colour
Size (h x w)
227 x 186 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/46
Mrs Fuseli sleeping

Henry Fuseli

On display

View Artwork

Not on display

Siegfried having slain Fafner the snake
Siegfried having slain Fafner the snake

Henry Fuseli

Production date
1806
Medium
pen, pencil and grey wash
Size (h x w)
348 x 237 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/54
Siegfried having slain Fafner the snake

Henry Fuseli

View Artwork

Not on display

Adam resolved to share the fate of Eve
Adam resolved to share the fate of Eve

Moses Haughton Henry Fuseli

Production date
circa 1803-1810
Medium
mezzotint and spirit-ground aquatint on wove paper
Size (h x w)
568 x 408 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2002
Accession no
2002/9/6
Adam resolved to share the fate of Eve

Moses Haughton Henry Fuseli

View Artwork

On display

Allegory of Vanity
Allegory of Vanity

Henry Fuseli

On display

Production date
1811
Medium
pen, pencil and watercolour
Size (h x w)
200 x 271 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/61
Allegory of Vanity

Henry Fuseli

On display

View Artwork

Not on display

Eros and Psyche
Eros and Psyche

Henry Fuseli

Production date
1808
Medium
pen, pencil and watercolour
Size (h x w)
233 x 358 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/63
Eros and Psyche

Henry Fuseli

View Artwork

Not on display

Death and Sin bridging the 'Waste' of chaos and met by Satan on his return from Earth
Death and Sin bridging the 'Waste' of chaos and met by Satan on his return from...

Henry Fuseli

Production date
circa 1819-circa 1821
Medium
pencil, pen and watercolour
Size (h x w)
393 x 315 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/64
Death and Sin bridging the 'Waste' of chaos and met by Satan on his return from...

Henry Fuseli

View Artwork

Not on display

Undine and Huldbrand
Undine and Huldbrand

Henry Fuseli

Production date
circa 1819-circa 1822
Medium
pencil and watercolour
Size (h x w)
481 x 319 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/67
Undine and Huldbrand

Henry Fuseli

View Artwork

Not on display

A Capriccio of the Horse Tamers
A Capriccio of the Horse Tamers

Henry Fuseli

Production date
circa 1810-circa 1815
Medium
pencil with blue and grey wash
Size (h x w)
466 x 310 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/72
A Capriccio of the Horse Tamers

Henry Fuseli

View Artwork

On display

A Woman on a balcony with high dressed hair and hat
A Woman on a balcony with high dressed hair and hat

Henry Fuseli

On display

Production date
circa 1790-circa 1792
Medium
pen with black, blue, pink and yellow wash, body colour
Size (h x w)
234 x 187 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/45
A Woman on a balcony with high dressed hair and hat

Henry Fuseli

On display

View Artwork

On display

Mrs Fuseli seated at a table
Mrs Fuseli seated at a table

Henry Fuseli

On display

Production date
circa 1790-circa 1791
Medium
pen with grey, brown and pink wash, body colour
Size (h x w)
227 x 157 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/49
Mrs Fuseli seated at a table

Henry Fuseli

On display

View Artwork

Not on display

Aphrodite carrying off Paris after his battle with Menelaus
Aphrodite carrying off Paris after his battle with Menelaus

Henry Fuseli

Production date
circa 1768-circa 1769
Medium
pen with grey and pink wash
Size (h x w)
218 x 178 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/52
Aphrodite carrying off Paris after his battle with Menelaus

Henry Fuseli

View Artwork

Not on display

Ixion slaying Phorbas and Polymelus in revenge of his mother, Megara, who, having refused them as suitors, was killed by them
Ixion slaying Phorbas and Polymelus in revenge of his mother, Megara, who, havin...

Henry Fuseli

Production date
1810
Medium
pen and black ink, with grey, pink and green wash
Size (h x w)
254 x 196 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1965
Accession no
1965/59
Ixion slaying Phorbas and Polymelus in revenge of his mother, Megara, who, havin...

Henry Fuseli

View Artwork

Not on display

The Serpent tempting Eve (Satan's first address to Eve)
The Serpent tempting Eve (Satan's first address to Eve)

Henry Fuseli

Production date
1802
Medium
oil on panel
Size (h x w)
302 x 238 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Sir George Grey, 1887
Accession no
1887/1/13
The Serpent tempting Eve (Satan's first address to Eve)

Henry Fuseli

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Light from Tate: 1700s to Now in conversation Image
Light from Tate: 1700s to Now in conversation

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Marti Friedlander: Photographs Image
Marti Friedlander: Photographs

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Recent acquisition: 'Paysage à l’Écluse (Landscape with a Lock)', 1886–87 by Albert Dubois-Pillet Image
Recent acquisition: 'Paysage à l’Écluse (Landscape with a Lock)', 1886–87 by Alb...

Sophie Matthiesson

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Dr Benjamin Pittman ONZM (1947–2023): Rangatira, Kaumatua, Ngāpuhi, Ngāti Hao, Te Parawhau, Ngāti Hau. Artist, Historian, Educator. Image
Dr Benjamin Pittman ONZM (1947–2023): Rangatira, Kaumatua, Ngāpuhi, Ngāti Hao, T...

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2022 Michèle Whitecliffe Art Writing Prize winner – ‘Building a Weight/Jumping a Breakwater’ Image
2022 Michèle Whitecliffe Art Writing Prize winner – ‘Building a Weight/Jumping a...

Lachlan Taylor

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2022 Michèle Whitecliffe Art Writing Prize runner-up – Opt, Co-opt and Co-ops: Politicised Participation in Recent Art from Aotearoa. Image
2022 Michèle Whitecliffe Art Writing Prize runner-up – Opt, Co-opt and Co-ops: P...

Mikayla Journée

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2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Films of Sriwhana Spong Image
2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Fi...

Kirsty Baker

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Traces through Time: Digitising Archival Exhibition Photographs at the E H McCormick Research Library Image
Traces through Time: Digitising Archival Exhibition Photographs at the E H McCor...

Hélena Lunt

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Community and Collaboration: Learning with Kaiako, Robin White, Ebonie Fifita an...

Isabel Michell

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In Memory of Marylyn Mayo: Creating a Legacy of Support Image
In Memory of Marylyn Mayo: Creating a Legacy of Support

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The Fantastical World of Felix Kelly: A Life and an Archive Image
The Fantastical World of Felix Kelly: A Life and an Archive

Dr Don Bassett

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Beyond the Walls: Art as a Community Catalyst Image
Beyond the Walls: Art as a Community Catalyst

Mosese Uhila

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Declaration: Publishing a Pacific Feminist Agenda Image
Declaration: Publishing a Pacific Feminist Agenda

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Top Five New Books in the E H McCormick Research Library Image
Top Five New Books in the E H McCormick Research Library

Tamsyn Bayliss

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Jim Allen: 1922 to Today Image
Jim Allen: 1922 to Today

Natasha Conland

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The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of the Christian Orthodox World' Image
The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of t...

Gordon Morrison

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Gilbert & George in Conversation with Senior Curator Ron Brownson Image
Gilbert & George in Conversation with Senior Curator Ron Brownson

Gilbert & George in conversation with Ron Brownson

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Yona Lee: An Arrangement for 5 Rooms Image
Yona Lee: An Arrangement for 5 Rooms

Natasha Conland & Yona Lee

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'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition Image
'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition

Caroline McBride

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Max Oettli's Night Beat Image
Max Oettli's Night Beat

Richard Wolfe

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Make Your Mark! Squiggla at ArtLab Image
Make Your Mark! Squiggla at ArtLab

Michelle Wilkinson & Sue Gardiner

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An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna' Image
An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna'

Ron Brownson

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Rifling through the Top Drawer: Looking through Grant Lingard

Jeremiah Boniface

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Max Oettli: Visible Evidence Image
Max Oettli: Visible Evidence

Ron Brownson & Max Oettli

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In Conversation: The significant influence of Mary Quant on Kate Sylvester Image
In Conversation: The significant influence of Mary Quant on Kate Sylvester

Dan Ahwa & Kate Sylvester

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Julie Watson and Julia Waite in Conversation About the Rainbow Tick Image
Julie Watson and Julia Waite in Conversation About the Rainbow Tick

Julia Waite & Julie Watson

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Clown Time Image
Clown Time

Juliana Engberg

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New Zealand Swings Image
New Zealand Swings

Doris de Pont

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The Wellbeing Complex Image
The Wellbeing Complex

Alena Kavka

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The restorative potential of earth-centred practices Image
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Robyn Maree Pickens

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Escapism Image
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Karen Walker & Priscilla Southcombe

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What Do We Show the World? Image
What Do We Show the World?

Emily Cormack

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The Back of the Painting – A Journey

Sarah Hillary

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In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962)

Natasha Conland

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A Moment of Optimism Image
A Moment of Optimism

Francis McWhannell

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Architecture
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Honour board
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Walters Prize Image
Walters Prize
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Chartwell Trust Image
Chartwell Trust
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James Tannock Mackelvie Image
James Tannock Mackelvie
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Mackelvie Trust
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Sir George Grey
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Sir Rex Nan Kivell
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The Ilene and Laurence Dakin Bequest
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Experience Auckland
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Corban Estate Arts Centre Image
Corban Estate Arts Centre
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Depot Artspace
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Franklin Arts Centre Image
Franklin Arts Centre
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Gus Fisher Gallery
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Papakura Art Gallery Image
Papakura Art Gallery
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Te Tuhi
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Request a print Image
Request a print
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Primary learning
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Exhibition information
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Foundation programme: Signs and Symbols Image
Foundation programme: Signs and Symbols
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Foundation programme: Storytelling
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Special studio programme: Experiments with Paint Image
Special studio programme: Experiments with Paint
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A thousand words: Analysing visual texts in the Gallery
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Media Image
Media
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Auckland Zoo
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Four artists announced for the Walters Prize 2016
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