Exhibitions

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Max Oettli: Visible Evidence, Photographs 1965–1975
Max Oettli: Visible Evidence, Photographs 1965–1975

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FREE

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Mary Quant: Fashion Revolutionary
Mary Quant: Fashion Revolutionary

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From $20 Buy tickets

Mary Quant: Fashion Revolutionary

—

From $20 Buy tickets

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Malcolm Ross, Fiona Clark, Grant Lingard: Looking at Men
Malcolm Ross, Fiona Clark, Grant Lingard: Looking at Men

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vocabulary of solitude by Ugo Rondinone
vocabulary of solitude by Ugo Rondinone

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FREE

vocabulary of solitude by Ugo Rondinone

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FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

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FREE

Manpower: Myths of Masculinity

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FREE

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Romancing the Collection
Romancing the Collection

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FREE

Romancing the Collection

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FREE

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Guide Kaiārahi
Guide Kaiārahi

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FREE

Guide Kaiārahi

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FREE

Events

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Rainbow artists talk about their lives
Rainbow artists talk about their lives

2-3.30pm

Free, booking essential. Book now

Rainbow artists talk about their lives

2-3.30pm

Free, booking essential. Book now

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Solacium – Live performance from the Human Kind Project
Solacium – Live performance from the Human Kind Project

— 6.30-8pm and 1-2.30pm

FREE

Solacium – Live performance from the Human Kind Project

— 6.30-8pm and 1-2.30pm

FREE

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Manpower Lectures – #4 Queer and Now (online)
Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

What's queer about long-nineteenth-century British art now? Answering this question, Edwards address two entirely different examples: Henry Hugh Armstead’s mid-Victorian bronze statuette ‘Satan dismayed’ otherwise known as ‘Saint Michael and the Serpent’ (1852) and Henry Scott Tuke’s 1924 oil painting, ‘Companions’. Both artists remain marginalised, and have proven difficult to canonise for different reasons: Armstead as a predominantly decorative artist in a canon still primarily oriented towards the two-dimensional and the category of fine art, and Tuke because of the open secret of the pederastic character of his work, at a moment in which childhood sexual abuse remains one of the key cultural issues of our time. What might we learn from returning to think about both?

This lecture is a pre-recorded lecture that will be made available to ticketholders to watch in their own time. This lecture is the fourth in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #4 Queer and Now (online)

6—7pm

Members $100, Non-Members $190, Students $80 Book now

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Embroidery Workshop – Spring Stitch Zen
Embroidery Workshop – Spring Stitch Zen

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Sunday 28 November. It will now go ahead on Sunday 27 March 2022 (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods for a fun and relaxing day of creative stitch in the Members Lounge. After a long winter, find your zen immersed in creativity and explore texture, fibres and colour. Fleur will support you to set your creativity free and make your own design using traditional and self-taught methods.

Embroidery Workshop – Spring Stitch Zen

10.30am—4pm

From $310 Book now

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A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki
A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki

Sun 27 March 2022, 10am–2pm

Adult: $95.00 Auckland Art Gallery Member: $85.00 Child (5 -13 yrs): $53.00 Children under 5: free Return Bus Ticket: (North Shore and Central departures) $20.00 On-site parking: per vehicle $20.00 NB: Ticketing fees will be applied by Eventfinda. Buy tickets

A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki

Sun 27 March 2022, 10am–2pm

Adult: $95.00 Auckland Art Gallery Member: $85.00 Child (5 -13 yrs): $53.00 Children under 5: free Return Bus Ticket: (North Shore and Central departures) $20.00 On-site parking: per vehicle $20.00 NB: Ticketing fees will be applied by Eventfinda. Buy tickets

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Embroidery Workshop – Creative Floral Basics
Embroidery Workshop – Creative Floral Basics

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Saturday 27 November. It will now go ahead on Saturday 26 March 2022 (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods to create your own mini floral embroidery. Enjoy a day in the Members lounge surrounded by beautiful blooms and immersed in creativity as Fleur shares her favourite supplies, tips & techniques. You will be supported to create your own design and set your creativity free. 

Embroidery Workshop – Creative Floral Basics

10.30am—4pm

From $310 Book now

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Manpower Lectures – #3 The New Mail Order
Manpower Lectures – #3 The New Mail Order

6—7pm

Members $100, Non-Members $190, Students $80 Book now

When Eugen Sandow, the father of modern bodybuilding, toured New Zealand in the summer of 1902-03, his aim was to reshape the nation. Long before the likes of Charles Atlas peddled mail order muscle programmes, the Sandow System was embraced by men throughout New Zealand. Eager to flex and pose and dream of a new male order, these men joined local gyms, entered bodybuilding contests, and even strutted their stuff in local beauty competitions. In this lecture, Dr Caroline Daley reveals the bodies of early twentieth century men and questions whether our fixation with rugby players, farmers and soldiers means we’re missing the pleasure that comes from gazing upon the world’s most perfectly developed man and his local acolytes.

This lecture is the third in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism. 

Manpower Lectures – #3 The New Mail Order

6—7pm

Members $100, Non-Members $190, Students $80 Book now

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Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World
Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

6—7pm

Members $100, Non-Members $190, Students $80 Book now

Drawing on heroes of classical mythology, the Iliad, Greek tragedy and their modern adaptations, Dr Anastasia Bakogianni explores what it meant to be a man in the ancient Greek world. Researching expectations placed upon men and the warrior ethos, she tracks its impact throughout the centuries and on the modern concept of masculinity.  This lecture is the second in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

6—7pm

Members $100, Non-Members $190, Students $80 Book now

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Yoga and Art Immersion
Yoga and Art Immersion

— Tuesdays 5.30 – 6.30pm, Sundays 9 – 10.00am

Public $15, Members $12

Yoga and Art Immersion

— Tuesdays 5.30 – 6.30pm, Sundays 9 – 10.00am

Public $15, Members $12

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Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland
Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

6—7pm

Members $100, Non-Members $190, Students $80 Book now

Senior Curator of International Art, Dr Sophie Matthiesson explores some of the motivations behind the collecting and public display of male bodies in the early years of the Auckland Art Gallery (founded 1888) and considers the appeal and meaning of such frankly sensual images for their Victorian-era benefactors who purchased them. The notorious 1895 London trial and imprisonment of Irish poet and playwright Oscar Wilde for homosexuality suddenly altered consciousness across the British Empire. It impacts can be seen, she argues, in public debates about masculinity in New Zealand, and in institutional attitudes to the male nude in art in the following decades.

This lecture is the first in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

6—7pm

Members $100, Non-Members $190, Students $80 Book now

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SOLD OUT | Kintsugi workshop - March
SOLD OUT | Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

Please note: This event is now sold out.

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT | Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

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CANCELLED | Vintage Festival
CANCELLED | Vintage Festival

10-5pm

FREE

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Swinging Sixties: Double Feature
Swinging Sixties: Double Feature

3.15—8.30pm

From $15 Book now

What better way to celebrate the exhibition Mary Quant: Fashion Revolutionary than two iconic, groovy, cinematic classics that will transport you back to the swinging sixties!

Alongside a fully stocked bar, you can catch A Hard Day’s Night – a 1964 rock-and-roll romp following "a day in the life" of The Beatles as fame takes them by storm – and mystery thriller Blow-Up, by critically acclaimed director Michelangelo Antonioni, wherein a bored mod-photographer discovers he’s unknowingly captured a crime scene on film. This event will be located at The Hollywood in Avondale, New Zealand’s longest-running cinema palace.

Swinging Sixties: Double Feature

3.15—8.30pm

From $15 Book now

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SOLD OUT | Tour the City with fashion expert Doris de Pont #3
SOLD OUT | Tour the City with fashion expert Doris de Pont #3

11am – 12pm

FREE

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SOLD OUT | Fiona Clark: Unafraid | Special screening and conversation
SOLD OUT | Fiona Clark: Unafraid | Special screening and conversation

2pm-4pm

Free, booking essential.

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In conversation with Emma Gleason and Alice Isles from hej hej
In conversation with Emma Gleason and Alice Isles from hej hej

6-7pm

FREE

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Swinging Sixties in Auckland - How Quant Sparked Our Boutique Culture
Swinging Sixties in Auckland - How Quant Sparked Our Boutique Culture

6—7pm

Members $14, Non-Members $20 Book now

Swinging Sixties in Auckland - how Quant sparked our boutique culture.

In this talk, fashion historian Angela Lassig will chart the rise of boutique culture in the back streets and side alleys of 60s Auckland, exploring the fashion, music and makeup that energised a generation.  

Swinging Sixties in Auckland - How Quant Sparked Our Boutique Culture

6—7pm

Members $14, Non-Members $20 Book now

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Design with the WOW Factor | Christopher Davis: A Creative Inspiration
Design with the WOW Factor | Christopher Davis: A Creative Inspiration

2pm-3pm

Free, booking essential. Book now

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Friday Lates: Drop-in Drawing
Friday Lates: Drop-in Drawing

— Fridays 6.30–8pm

FREE

Join us for a special edition of our Friday Lates Drop-in Drawing on 21 January with Off the Wall Drawing. Then, inspired by our fabulous exhibition Mary Quant: Fashion Revolutionary, join us on 28 January for Drop in Drawing – '60s style! 

Friday Lates: Drop-in Drawing

— Fridays 6.30–8pm

FREE

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Quant-inspired Fashion Illustration Workshop
Quant-inspired Fashion Illustration Workshop

10.30am—3pm

From $150 Book now

Harnessing the youthful spirit of the sixties and embracing new mass-production techniques, Mary Quant created a new look for modern women. Be inspired by Quant's work and play around with different materials and styles to create your own mini fashion sketch portfolio.

Quant-inspired Fashion Illustration Workshop

10.30am—3pm

From $150 Book now

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Mary Quant Minidress Zoom Masterclass
Mary Quant Minidress Zoom Masterclass

10.30 am - 12.30pm

From $22.50 Book now

Mary Quant Minidress Zoom Masterclass

10.30 am - 12.30pm

From $22.50 Book now

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SOLD OUT | Fashion Icons: how Mary Quant influenced Kate Sylvester
SOLD OUT | Fashion Icons: how Mary Quant influenced Kate Sylvester

3—4pm

Talk - Standard $15, Talk - Members $13.50 Book now

Celebrate Mary Quant: Fashion Revolutionary with a conversation between Aotearoa New Zealand fashion designer Kate Sylvester and Creative and Fashion Director of Viva Magazine, Dan Ahwa. Following the talk, Members can enjoy an exclusive opportunity to meet Kate Sylvester in the Members Lounge.

SOLD OUT | Fashion Icons: how Mary Quant influenced Kate Sylvester

3—4pm

Talk - Standard $15, Talk - Members $13.50 Book now

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Friday Lates
Friday Lates

— Fridays until 9pm

FREE

Friday Lates

— Fridays until 9pm

FREE

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Off the Wall Drawing
Off the Wall Drawing

— 6.30 – 8pm

FREE

Off the Wall Drawing

— 6.30 – 8pm

FREE

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Whānau drop-ins – New activities each weekend!
Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am–3pm.

 

 

 

 

 

Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

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Hīkoi toiora
Hīkoi toiora

— 2pm every Sat & Sun, or on request.

$25/$22.50 (Members) Book now

Hīkoi toiora

— 2pm every Sat & Sun, or on request.

$25/$22.50 (Members) Book now

Artworks

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Not on display

Gruppo di Colonne, che regge due archi d'un gran Cortile ... (Group of columns which support two arches of a great courtyard ...)
Gruppo di Colonne, che regge due archi d'un gran Cortile ... (Group of columns...

Giovanni Battista Piranesi

Production date
1748
Medium
etching
Size (h x w)
395 x 245 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/13
Gruppo di Colonne, che regge due archi d'un gran Cortile ... (Group of columns...

Giovanni Battista Piranesi

View Artwork

Not on display

Dedicace a' Bottari, encadree des ornements ci-dessus (Dedication to Bottari)
Dedicace a' Bottari, encadree des ornements ci-dessus (Dedication to Bottari)

Giovanni Battista Piranesi

Production date
1765
Medium
etching
Size (h x w)
238 x 355 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/18
Dedicace a' Bottari, encadree des ornements ci-dessus (Dedication to Bottari)

Giovanni Battista Piranesi

View Artwork

Not on display

Pianta dell' antico Foro Romano (Plan of the ancient Forum Romanum.)
Pianta dell' antico Foro Romano (Plan of the ancient Forum Romanum.)

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
456 x 468 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/31
Pianta dell' antico Foro Romano (Plan of the ancient Forum Romanum.)

Giovanni Battista Piranesi

View Artwork

Not on display

Spaccato degli Speroni, i quali servono di contrafforti al gran Fondamento del Maus d'Elio Adriano. (Vertical section of the buttresses which counterbalance the massive foundations of the Mausoleum of Hadrian).
Spaccato degli Speroni, i quali servono di contrafforti al gran Fondamento del M...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
347 x 233 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/36
Spaccato degli Speroni, i quali servono di contrafforti al gran Fondamento del M...

Giovanni Battista Piranesi

View Artwork

Not on display

Tempio di Clitumno tra Foligno e Spoletti ... (Temple of Clitumnus between Foligno and Spoleto ...)
Tempio di Clitumno tra Foligno e Spoletti ... (Temple of Clitumnus between Folig...

Giovanni Battista Piranesi

Production date
1765
Medium
etching
Size (h x w)
418 x 539 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/28
Tempio di Clitumno tra Foligno e Spoletti ... (Temple of Clitumnus between Folig...

Giovanni Battista Piranesi

View Artwork

Not on display

Ruine di Sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli archi del medesimo v'e'il canale, per cui si conduceva l'acqua in Roma (Ruins of an ancient Tomb in front of ruins of an ancient acqueduct; above the arches of the latter is the channel which conveyed the water to Rome)
Ruine di Sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antic...

Giovanni Battista Piranesi

Production date
circa 1743
Medium
etching
Size (h x w)
385 x 250 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/4
Ruine di Sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antic...

Giovanni Battista Piranesi

View Artwork

Not on display

Veduta di una parte de' fondamenti del Teatro di Marcello (View showing a part of the foundations of the Theatre of Marcellus)
Veduta di una parte de' fondamenti del Teatro di Marcello (View showing a part o...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
645 x 397 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/56
Veduta di una parte de' fondamenti del Teatro di Marcello (View showing a part o...

Giovanni Battista Piranesi

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Not on display

XXVII. Uno de'. . Frammenti dell' antica pianta di Roma conservati nel Campidoglio indicante la pianta della scena del Teatro di Marcello. (One of the fragments of the ancient plan of Rome, preserved on the Capitoline, which shows the plan of the stage building of the Theatre of Marcellus).
XXVII. Uno de'. . Frammenti dell' antica pianta di Roma conservati nel Campidog...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
390 x 590 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/51
XXVII. Uno de'. . Frammenti dell' antica pianta di Roma conservati nel Campidog...

Giovanni Battista Piranesi

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Not on display

Dimostrazione in grande delle parti del Tempio della Fortuna Virile. LII.. (Reconstruction of details from the Temple of Fortuna Virilis).
Dimostrazione in grande delle parti del Tempio della Fortuna Virile. LII.. (Reco...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
542 x 412 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/74
Dimostrazione in grande delle parti del Tempio della Fortuna Virile. LII.. (Reco...

Giovanni Battista Piranesi

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Not on display

XXXIII. Dimostrazione di una parte de 'portici del prim'ordine del Teatro di Marcello (Reconstruction of a part of the arcade of the first order of the Theatre of Marcellus)
XXXIII. Dimostrazione di una parte de 'portici del prim'ordine del Teatro di Ma...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
398 x 250 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/57
XXXIII. Dimostrazione di una parte de 'portici del prim'ordine del Teatro di Ma...

Giovanni Battista Piranesi

View Artwork

Not on display

Campidoglio antico a cui si ascendeva per circa cento gradini ... (The ancient Capitol ascended by approximately one hundred steps ...)
Campidoglio antico a cui si ascendeva per circa cento gradini ... (The ancient...

Giovanni Battista Piranesi

Production date
circa 1743
Medium
etching
Size (h x w)
267 x 357 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/7
Campidoglio antico a cui si ascendeva per circa cento gradini ... (The ancient...

Giovanni Battista Piranesi

View Artwork

Not on display

Dimostrazione in grande di alcune delle parti del second' ordine del second'ordine del Serraglio delle fiere fabbricato da Domizano (LVI) (Reconstruction of some of the details of the second order of the animal cages built by Domitian)
Dimostrazione in grande di alcune delle parti del second' ordine del second'ordi...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
400 x 257 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/78
Dimostrazione in grande di alcune delle parti del second' ordine del second'ordi...

Giovanni Battista Piranesi

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Not on display

Sepolcro di Cecilia Metella ... (Tomb of Caecilia Metella ...)
Sepolcro di Cecilia Metella ... (Tomb of Caecilia Metella ...)

Giovanni Battista Piranesi

Production date
1762
Medium
etching
Size (h x w)
448 x 634 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/86
Sepolcro di Cecilia Metella ... (Tomb of Caecilia Metella ...)

Giovanni Battista Piranesi

View Artwork

Not on display

Ponte magnifico con Logge, ed Archi eretto da un Imperatrore Romano ... (Magnificient bridge with loggias and arches erected by a Roman Emperor ...)
Ponte magnifico con Logge, ed Archi eretto da un Imperatrore Romano ... (Magnifi...

Giovanni Battista Piranesi

Production date
1743
Medium
etching
Size (h x w)
389 x 546 mm
Credit line
Auckland Art Gallery Toi o Tāmaki
Accession no
U/171
Ponte magnifico con Logge, ed Archi eretto da un Imperatrore Romano ... (Magnifi...

Giovanni Battista Piranesi

View Artwork

Not on display

Varie capitelli e frammenti di colonne (Various capitals and fragments of columns)
Varie capitelli e frammenti di colonne (Various capitals and fragments of column...

Giovanni Battista Piranesi

Production date
circa 1753
Medium
etching
Size (h x w)
444 x 247 mm
Credit line
Auckland Art Gallery Toi o Tāmaki
Accession no
U/313
Varie capitelli e frammenti di colonne (Various capitals and fragments of column...

Giovanni Battista Piranesi

View Artwork

Not on display

Dismostransi nella Tav presente la Pianta, ed Elevaziona del Ponte oggi detto Quarttro Capai egli e antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica (Shown in this Plate are the plan and elevation of the bridge now called the Ponte dei Quattro Capi (Bridge of the Four Heads) which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendent of the Streets who built it at the end of the Republic 62 BC)
Dismostransi nella Tav presente la Pianta, ed Elevaziona del Ponte oggi detto Qu...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
393 x 590 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1971
Accession no
1971/21/2
Dismostransi nella Tav presente la Pianta, ed Elevaziona del Ponte oggi detto Qu...

Giovanni Battista Piranesi

View Artwork

Not on display

Veduta del Tempio di Bacco, inoggi Chiesa de S. Urbano distante due miglia da Roma fuori della Porta di S. Sebastiano ... (View of the Temple of Bacchus,now the Church of S Urbano, two miles distant from Rome, beyond the Porta S. Sebastiano ...)
Veduta del Tempio di Bacco, inoggi Chiesa de S. Urbano distante due miglia da Ro...

Giovanni Battista Piranesi

Production date
1758
Medium
etching
Size (h x w)
406 x 619 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Mr J Potter, 1975
Accession no
1975/6/1
Veduta del Tempio di Bacco, inoggi Chiesa de S. Urbano distante due miglia da Ro...

Giovanni Battista Piranesi

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Not on display

Veduta di Piazza Navona sopra le rovine del Circo Agonale (View of Piazza Navona above the ruins of the Circus Agonalis [Circus of Domitian])
Veduta di Piazza Navona sopra le rovine del Circo Agonale (View of Piazza Navon...

Giovanni Battista Piranesi

Production date
circa 1750
Medium
etching
Size (h x w)
489 x 710 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/86
Veduta di Piazza Navona sopra le rovine del Circo Agonale (View of Piazza Navon...

Giovanni Battista Piranesi

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Not on display

Carcere oscura con Antenna pel suplizio dè malfatori.. (Dark prison with a courtyard for the punishment of criminals..)
Carcere oscura con Antenna pel suplizio dè malfatori.. (Dark prison with a cour...

Giovanni Battista Piranesi

Production date
circa 1743
Medium
etching
Size (h x w)
384 x 237 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/83
Carcere oscura con Antenna pel suplizio dè malfatori.. (Dark prison with a cour...

Giovanni Battista Piranesi

View Artwork

Not on display

Iscrizione nei lati del ponte di Rimino ... (Inscription on the side of the Rimini bridge and followed by an index of plates in the volume)
Iscrizione nei lati del ponte di Rimino ... (Inscription on the side of the Rimi...

Giovanni Battista Piranesi

Production date
1765
Medium
etching
Size (h x w)
238 x 358 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/20
Iscrizione nei lati del ponte di Rimino ... (Inscription on the side of the Rimi...

Giovanni Battista Piranesi

View Artwork

Not on display

Title page to vol. IV, containing bridges, remains of theatres and arcades ... (Tomo quarto contenente i ponti antichi, gli avanzi de'teatri, de'portici ...)
Title page to vol. IV, containing bridges, remains of theatres and arcades ... (...

Giovanni Battista Piranesi

Production date
1765
Medium
etching
Size (h x w)
400 x 253 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/32
Title page to vol. IV, containing bridges, remains of theatres and arcades ... (...

Giovanni Battista Piranesi

View Artwork

Not on display

Tempio di Giove Tonans (Temple of Jupiter Tonans [Jupiter the Thunderer])
Tempio di Giove Tonans (Temple of Jupiter Tonans [Jupiter the Thunderer])

Giovanni Battista Piranesi

Production date
1765
Medium
etching
Size (h x w)
420 x 542 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/22
Tempio di Giove Tonans (Temple of Jupiter Tonans [Jupiter the Thunderer])

Giovanni Battista Piranesi

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Tempio antico inventato e disegnato alla maniera di quelli che si fabbricavano in onore della Dea Vesta: quindi vedesi in nmezzo la grand' Ara, sopra della quale conservavasi dalle Vergini Vestali l'inestinguibile fuoco sacro .... (Imaginary ancient temple designed in the style of those built in honour of the Goddess Vesta: in the centre is the great altar on which the Vestal Virgins preserved the inextinguishable sacred fire ...).
Tempio antico inventato e disegnato alla maniera di quelli che si fabbricavano i...

Giovanni Battista Piranesi

Production date
1743
Medium
etching
Size (h x w)
393 x 247 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/15
Tempio antico inventato e disegnato alla maniera di quelli che si fabbricavano i...

Giovanni Battista Piranesi

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Colonna Trajana (Trajan's Column)
Colonna Trajana (Trajan's Column)

Giovanni Battista Piranesi

Production date
circa 1750
Medium
etching
Size (h x w)
725 x 510 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/30
Colonna Trajana (Trajan's Column)

Giovanni Battista Piranesi

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Parte del Foro di Nerva (Part of the Forum of Nerva)
Parte del Foro di Nerva (Part of the Forum of Nerva)

Giovanni Battista Piranesi

Production date
1765
Medium
etching
Size (h x w)
421 x 541 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/21
Parte del Foro di Nerva (Part of the Forum of Nerva)

Giovanni Battista Piranesi

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Avanzo del Mausoleo del Elio Adriano Imp. oggi ridotto nella principal Fortezza di Roma, chiamata Castel Sant' Angelo (Remains of the Mausoleum of Emperor Hadrian, today converted into the principal fortress of Rome, called Castel S. Angelo)
Avanzo del Mausoleo del Elio Adriano Imp. oggi ridotto nella principal Fortezza...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
450 x 1390 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/37
Avanzo del Mausoleo del Elio Adriano Imp. oggi ridotto nella principal Fortezza...

Giovanni Battista Piranesi

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Sepolcro delle tre fratelli Curiati in Albano (Tomb of the three Curiatii brother in Albano)
Sepolcro delle tre fratelli Curiati in Albano (Tomb of the three Curiatii brothe...

Giovanni Battista Piranesi

Production date
1765
Medium
etching
Size (h x w)
417 x 540 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/29
Sepolcro delle tre fratelli Curiati in Albano (Tomb of the three Curiatii brothe...

Giovanni Battista Piranesi

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Not on display

XXVIII. Prospetto esterno dell' avanzo de' portici circolari del Teatro di Marcelloi ... (External view of the remains of the circular arcade of the Theatre of Marcellus ...)
XXVIII. Prospetto esterno dell' avanzo de' portici circolari del Teatro di Marc...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
445 x 1196 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/52
XXVIII. Prospetto esterno dell' avanzo de' portici circolari del Teatro di Marc...

Giovanni Battista Piranesi

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Not on display

XXXVII Dimostrazione in grande delle parti del second' ordine del Teatro di Marcello (Reconstruction of details of the second order of the Theatre of Marcellus)
XXXVII Dimostrazione in grande delle parti del second' ordine del Teatro di Marc...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
393 x 249 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/61
XXXVII Dimostrazione in grande delle parti del second' ordine del Teatro di Marc...

Giovanni Battista Piranesi

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Sala all' uso degli antichi Romani con Colonne, e nicchie ornate di Statue (Colonnaded hall according to the custom of the ancient Romans nd niches adorned with statues)
Sala all' uso degli antichi Romani con Colonne, e nicchie ornate di Statue (Colo...

Giovanni Battista Piranesi

Production date
circa 1743
Medium
etching
Size (h x w)
263 x 356 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/6
Sala all' uso degli antichi Romani con Colonne, e nicchie ornate di Statue (Colo...

Giovanni Battista Piranesi

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Not on display

XXXV. Dimostrazione di una parte de' portici del second' ordine del Teatro di Marcello (Reconstruction of a part of the arcade of the second order of the Theatre of Marcellus)
XXXV. Dimostrazione di una parte de' portici del second' ordine del Teatro di M...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
540 x 414 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/59
XXXV. Dimostrazione di una parte de' portici del second' ordine del Teatro di M...

Giovanni Battista Piranesi

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Not on display

Dimostrazione in grande della modinatura della cornice della parte opposta della facciata del Portico d'Ottavia (Reconstruction of the details of the molding on the cornice of the rear facade of the Portico of Octavia)
Dimostrazione in grande della modinatura della cornice della parte opposta della...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
394 x 252 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/66
Dimostrazione in grande della modinatura della cornice della parte opposta della...

Giovanni Battista Piranesi

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Not on display

XLII. Dimostrazione in grande di alcune delle parti della facciata dell' ingresso principale del portico d'Ottavia (Reconstruction of some of details of the facade of the principal entrance of the Portico of Octavia)
XLII. Dimostrazione in grande di alcune delle parti della facciata dell' ingres...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
395 x 595 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/64
XLII. Dimostrazione in grande di alcune delle parti della facciata dell' ingres...

Giovanni Battista Piranesi

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Not on display

XXXXVIII. A. Pianta degli avanzi del Portico fabbricato da M. Emilio Lepido, e P. Emilio Paolo fuori della Porta Trigemina nell' Emporio alla ripa del Tevere (Plan of the remains of the arcade built by M Aemilius Lepidus and P. Aemilius Paullus outside the Porta Trigemina at the Emporium on the bank of the Tiber)
XXXXVIII. A. Pianta degli avanzi del Portico fabbricato da M. Emilio Lepido, e...

Giovanni Battista Piranesi

Production date
1756
Medium
etching
Size (h x w)
393 x 240 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
Accession no
M1982/1/4/70
XXXXVIII. A. Pianta degli avanzi del Portico fabbricato da M. Emilio Lepido, e...

Giovanni Battista Piranesi

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Not on display

Veduta della Piazza di Monte Cavallo. (The Piazza Quirinale, with sculpture of the Horse Tamers ).
Veduta della Piazza di Monte Cavallo. (The Piazza Quirinale, with sculpture of t...

Giovanni Battista Piranesi

Production date
1750
Medium
etching
Size (h x w)
387 x 543 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/84
Veduta della Piazza di Monte Cavallo. (The Piazza Quirinale, with sculpture of t...

Giovanni Battista Piranesi

View Artwork

Not on display

Castel Sant'Angelo
Castel Sant'Angelo

Giovanni Battista Piranesi

Production date
1754
Medium
etching
Size (h x w)
432 x 559 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1962
Accession no
1962/10/1
Castel Sant'Angelo

Giovanni Battista Piranesi

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