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John Reynolds: The Violet Hour
John Reynolds: The Violet Hour

John Reynolds: The Violet Hour

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Louise Henderson: From Life
Louise Henderson: From Life

Louise Henderson: From Life

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Denmark Design
Denmark Design

$12 early bird tickets available Book now

Denmark Design

$12 early bird tickets available Book now

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The Wake: A Poem in the Forest
The Wake: A Poem in the Forest

The Wake: A Poem in the Forest

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Pillars: Project Another Country
Pillars: Project Another Country

Pillars: Project Another Country

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Ralph Hotere: Godwit/Kuaka
Ralph Hotere: Godwit/Kuaka

Ralph Hotere: Godwit/Kuaka

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The Body Reborn
The Body Reborn

The Body Reborn

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Radical Beginnings
Radical Beginnings

Radical Beginnings

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Seeing Moana Oceania
Seeing Moana Oceania

Seeing Moana Oceania

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Flight Plan
Flight Plan

Flight Plan

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Love, Longing, Loss
Love, Longing, Loss

Love, Longing, Loss

View Event
Wood Workshop at The Warren
Wood Workshop at The Warren

10am–4pm

Members $140, Standard $190 Book now

Follow in the footsteps of Danish designers, and create a contemporary wooden coat hook at community workshop The Warren. Before you step behind the workbench, Assistant Curator, Emma Jameson will give an introduction on Scandinavian design vernacular, and furniture designer Nathan Goldsworthy will show us around his studio

Wood Workshop at The Warren

10am–4pm

Members $140, Standard $190 Book now

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Family Launch
Family Launch

11am–12pm

FREE

Join us to celebrate the opening day of our exciting interactive Todd Foundation Creative Learning Centre project by Auckland-based artist Sara Hughes, All My Favourite Shapes

Family Launch

11am–12pm

FREE

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Native & Wild Perfume Design Workshop
Native & Wild Perfume Design Workshop

10.30am–1.30pm

$225 Members $275 non-Members Book now

Native & Wild Perfume Design Workshop

10.30am–1.30pm

$225 Members $275 non-Members Book now

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In conversation with Nathan Coley: A Place Beyond Belief
In conversation with Nathan Coley: A Place Beyond Belief

2–3pm

FREE

Join us to hear acclaimed Scottish artist, Nathan Coley, talk about his practice and our major new acquisition A Place Beyond Belief, with international curator and writer, Juliana Engberg.

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Special Lecture: Maura Reilly
Special Lecture: Maura Reilly

6–7pm

FREE

Join us for a special lecture from New York based arts writer and author, Maura Reilly who will discuss the ethical challenges facing art museums globally.

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The Single Object: Humphrey Ikin with Wallace Chapman
The Single Object: Humphrey Ikin with Wallace Chapman

6.30pm–9.30pm

$25 + fees Book now

Presented by Objectspace, The Single Object series sees Wallace Chapman, broadcaster and host of The Panel on Radio New Zealand, interview a range of guests about six objects that are important to them, providing a personal insight into how the world can be seen and understood through material culture.

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Michael Smythe — Scandi-Kiwi Style
Michael Smythe — Scandi-Kiwi Style

2–3pm

It was the golden age of the 1950s and 60s when Scandinavian Design became a dominant international trend and New Zealand fell under the influence of Nordic designers.

Join design writer, researcher, curator and historian Michael Smythe for an illustrated talk that will reveal the extent of this influence on New Zealand design during the post-WWII years.

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NZTrio: Tectonic Uprising
NZTrio: Tectonic Uprising

6–8pm

$50 + fees General Admission, $40 + fees AAG Members, $25 +fees Concession (Students with ID.) Book now

Join NZTrio at the Gallery for a live evening performance of TECTONIC UPRISING .

NZTrio: Tectonic Uprising

6–8pm

$50 + fees General Admission, $40 + fees AAG Members, $25 +fees Concession (Students with ID.) Book now

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Denmark Design Seminar
Denmark Design Seminar

10.30am–3.30pm

$75 Members early bird*, $85 Members standard, $135 Non-Members* Book now

Associate Professor Linda Tyler and ‘design encyclopaedia’ Caroline Montague dive deep into the history, heyday and highlights of Danish Design in this one-day Denmark Design seminar, with four 50-minute lectures on: 

1.            The First Danish Design Companies with an international reputation
2.            From Classicism to Functionalism
3.            Organic Modernism: Danish Design Goes International
4.            Danish Design in the Postmodern era and Our Time

Denmark Design Seminar

10.30am–3.30pm

$75 Members early bird*, $85 Members standard, $135 Non-Members* Book now

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Gibbs Farm sculpture park visit 2020
Gibbs Farm sculpture park visit 2020

10am–2pm

$95 + fees Adult, $85 +fees Auckland Art Gallery Member, $70 + fees Student, $40 + fees Child (Under 5 free) Book now

Gibbs Farm sculpture park visit 2020

10am–2pm

$95 + fees Adult, $85 +fees Auckland Art Gallery Member, $70 + fees Student, $40 + fees Child (Under 5 free) Book now

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Artist talk: Sorawit Songsataya
Artist talk: Sorawit Songsataya

2–3pm

FREE

Join artist Sorawit Songsataya, in conversation with Gallery curator, contemporary art, Natasha Conland, as they discuss Sorawit’s new commission, The Interior, opening on 23 Nov on the Gallery’s North Sculpture Terrace.

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My Art Time
My Art Time

Every weekend, 11am – 2pm

Free for New Zealand residents, Members and Children 12 & under

My Art Time is a free, kids-focused weekend event held every Saturday and Sunday from 11am–2pm. 

My Art Time

Every weekend, 11am – 2pm

Free for New Zealand residents, Members and Children 12 & under

Artworks

View Artwork

Not on display

De Profundus (Out of the Depths)
De Profundus (Out of the Depths)

Georges Rouault

Production date
1927
Medium
aquatint, drypoint and etching
Size (h x w)
431 x 597 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/2/5
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Not on display

Dura Lex Sed Lex (The Law is Hard, but it is the Law)
Dura Lex Sed Lex (The Law is Hard, but it is the Law)

Georges Rouault

Production date
1948
Medium
engraving, aquatint
Size (h x w)
571 x 431 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1958
Accession no
1958/5/1
View Artwork

Not on display

Head of a Woman (or Femme hideuse)
Head of a Woman (or Femme hideuse)

Georges Rouault

Production date
1928
Medium
engraving and aquatint
Size (h x w)
301 x 195 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1956
Accession no
1956/15/4
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Not on display

Negress en profile (Negress in profile)
Negress en profile (Negress in profile)

Georges Rouault

Production date
1928
Medium
etching, aquatint and roulette
Size (h x w)
313 x 202 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1972
Accession no
1972/22/2
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Not on display

Les Ruines Elle - Memes Ont Peri (Even the Ruins have been Destroyed)
Les Ruines Elle - Memes Ont Peri (Even the Ruins have been Destroyed)

Georges Rouault

Production date
1948
Medium
aquatint, drypoint and etching
Size (h x w)
578 x 444 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1966
Accession no
1966/13
View Artwork

Not on display

Homme a la moustache (Man with moustache)
Homme a la moustache (Man with moustache)

Georges Rouault

Production date
1928
Medium
etching and aquatint
Size (h x w)
303 x 198 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1972
Accession no
1972/22/1
View Artwork

Not on display

Il Arrive Parfois Que La Route Soit Belle
Il Arrive Parfois Que La Route Soit Belle

Georges Rouault

Production date
1891-1958
Medium
engraving and aquatint
Size (h x w)
372 x 504 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1957
Accession no
1957/6/1
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Not on display

En Bouche Qui Fut Fraiche, Gout de Fiel (On Lips That Were Fresh, the Taste of Gal
En Bouche Qui Fut Fraiche, Gout de Fiel (On Lips That Were Fresh, the Taste of G...

Georges Rouault

Production date
1948
Medium
aquatint, drypoint and etching
Size (h x w)
504 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1957
Accession no
1957/6/2
View Artwork

Not on display

Qui Ne Se Grime Pas (Who Does Not Wear a Mask?)
Qui Ne Se Grime Pas (Who Does Not Wear a Mask?)

Georges Rouault

Production date
1948
Medium
aquatint, drypoint and etching
Size (h x w)
565 x 428 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1958
Accession no
1958/5/2
View Artwork

Not on display

Nu de profile
Nu de profile

Georges Rouault

Production date
1936
Medium
colour aquatint
Size (h x w)
450 x 334 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1961
Accession no
1961/5/3
View Artwork

Not on display

Negre portant une valise (Negro carrying a case)
Negre portant une valise (Negro carrying a case)

Georges Rouault

Production date
1928
Medium
etching and aquatint
Size (h x w)
216 x 301 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1972
Accession no
1972/22/3
View Artwork

Not on display

Bella Matribus Detestata
Bella Matribus Detestata

Georges Rouault

Production date
1891-1958
Medium
engraving and aquatint
Size (h x w)
584 x 438 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1958
Accession no
1958/5/3
View Artwork

Not on display

Three heads
Three heads

Georges Rouault

Production date
1938-1938
Medium
coloured aquatint
Size (h x w)
297 x 213 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1961
Accession no
1961/5/4
View Artwork

Not on display

"We are Doomed to Death, we and all that is ours"
"We are Doomed to Death, we and all that is ours"

Georges Rouault

Production date
1922
Medium
aquatint and etching
Size (h x w)
514 x 362 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Dr Walter Auburn, 1971
Accession no
1971/8
View Artwork

Not on display

Celui Qui Croit En Moi, Fut-Il Mort Vivra. (He Who Believes in Me, Though He Be Dead, Shall Live).
Celui Qui Croit En Moi, Fut-Il Mort Vivra. (He Who Believes in Me, Though He Be...

Georges Rouault

Production date
1923
Medium
aquatint, drypoint and etching
Size (h x w)
572 x 431 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1956
Accession no
1956/19/3
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