Exhibitions

View Exhibition
Susan Philipsz: War Damaged Musical Instruments
Susan Philipsz: War Damaged Musical Instruments

—

View Exhibition
Civilisation, Photography, Now
Civilisation, Photography, Now

—

Coming soon

Civilisation, Photography, Now

—

Coming soon

View Exhibition
Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan
Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan

—

View Exhibition
Honestly Speaking: The Word, the Body and the Internet
Honestly Speaking: The Word, the Body and the Internet

—

View Exhibition
Nathan Coley: A Place Beyond Belief
Nathan Coley: A Place Beyond Belief

—

Nathan Coley: A Place Beyond Belief

—

View Exhibition
Sara Hughes: All My Favourite Shapes
Sara Hughes: All My Favourite Shapes

—

Sara Hughes: All My Favourite Shapes

—

View Exhibition
Sorawit Songsataya: The Interior
Sorawit Songsataya: The Interior

—

Sorawit Songsataya: The Interior

—

View Exhibition
From the Archive: Colin McCahon in Auckland
From the Archive: Colin McCahon in Auckland

—

From the Archive: Colin McCahon in Auckland

—

View Exhibition
In the Listening Light: Momentary Impressions in Painting 1890-1920
In the Listening Light: Momentary Impressions in Painting 1890-1920

—

View Exhibition
Radical Beginnings
Radical Beginnings

—

Radical Beginnings

—

View Exhibition
Seeing Moana Oceania
Seeing Moana Oceania

—

Seeing Moana Oceania

—

View Exhibition
The Body Reborn
The Body Reborn

—

The Body Reborn

—

View Exhibition
Flight Plan
Flight Plan

—

Flight Plan

—

View Exhibition
Love, Longing, Loss
Love, Longing, Loss

—

Love, Longing, Loss

—

Events

View Event
Zine Lino Printmaking Workshop
Zine Lino Printmaking Workshop

10.30am–3.30pm

General admission, $28 plus fees; Creative Caregivers, $40 plus fees (includes two people) Book now

Zine Lino Printmaking Workshop

10.30am–3.30pm

General admission, $28 plus fees; Creative Caregivers, $40 plus fees (includes two people) Book now

View Event
Zine Zone Drop In
Zine Zone Drop In

— 11am–4pm

FREE

Zine Zone Drop In

— 11am–4pm

FREE

View Event
Zine Binding Workshop
Zine Binding Workshop

11am–2pm

General admission, $28 plus fees; Creative Caregivers, $40 plus fees (includes two people) Book now

Zine Binding Workshop

11am–2pm

General admission, $28 plus fees; Creative Caregivers, $40 plus fees (includes two people) Book now

View Event
Honestly Speaking Film Screening of Frances Stark – My Best Thing
Honestly Speaking Film Screening of Frances Stark – My Best Thing

6–8pm

FREE, booking is recommended Book now

View Event
An Enchanted Tea Experience
An Enchanted Tea Experience

11am–12.30pm & 2pm-3.30pm

$40 plus booking fees for Non Members, $22.50 plus booking fees for Gallery Members Book now

An Enchanted Tea Experience

11am–12.30pm & 2pm-3.30pm

$40 plus booking fees for Non Members, $22.50 plus booking fees for Gallery Members Book now

View Event
Japonism in Fashion lecture: 1860s to 1930s
Japonism in Fashion lecture: 1860s to 1930s

5.30pm–6.45pm

Members $15, non-Members $20 Book now

In 2003, textile and dress historian Angela Lassig brought the exhibition Japonism in Fashion, initiated and developed by the Kyoto Costume Institute in 1989, to Te Papa Tongarewa and Christchurch Art Gallery. Now she will give two lectures on this topic as part of our events programme for the exhibition Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan.

Japonism in Fashion lecture: 1860s to 1930s

5.30pm–6.45pm

Members $15, non-Members $20 Book now

View Event
SOLD OUT Kintsugi workshop
SOLD OUT Kintsugi workshop

10.30am–1pm & 2pm–4pm

Members $125, Non-Members $185 (includes a Membership) Book now

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT Kintsugi workshop

10.30am–1pm & 2pm–4pm

Members $125, Non-Members $185 (includes a Membership) Book now

View Event
Exhibition highlights tour: Civilisation, Photography, Now - 5 Aug
Exhibition highlights tour: Civilisation, Photography, Now - 5 Aug

12–1pm

Members only, booking essential

View Event
Japonism in Fashion lecture: 1930s to the present day
Japonism in Fashion lecture: 1930s to the present day

5.30pm–6.45pm

Members $15, non-Members $20 Book now

In 2003, textile and dress historian Angela Lassig brought the exhibition Japonism in Fashion, initiated and developed by the Kyoto Costume Institute in 1989, to Te Papa Tongarewa and Christchurch Art Gallery. Now she will give two lectures on this topic as part of our events programme for the exhibition Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan.

Japonism in Fashion lecture: 1930s to the present day

5.30pm–6.45pm

Members $15, non-Members $20 Book now

View Event
Exhibition highlights tour: Civilisation, Photography, Now - 18 Aug
Exhibition highlights tour: Civilisation, Photography, Now - 18 Aug

12–1pm

Members only, booking essential

View Event
Simon Devitt photography workshop
Simon Devitt photography workshop

11am–3.30pm

$150 for Members, $210 for Non Members (includes one-year Gallery Membership) Book now

Photographer, lecturer and award-winning publisher Simon Devitt is back with his half-day workshop in which you will discover new perspectives and work on further developing your own visual language through photography. Walk away with fresh ideas on how to use photography as a storytelling medium, drawing inspiration from our upcoming exhibition Civilisation, Photography, Now.

 

Simon Devitt photography workshop

11am–3.30pm

$150 for Members, $210 for Non Members (includes one-year Gallery Membership) Book now

Artworks

Advanced search
Refine
Show:
Object type:
Collection:
Dates:
to
Artist nationality:
View Artwork

Not on display

No te escaparas. (You Will Not Escape).
No te escaparas. (You Will Not Escape).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
213 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/71
No te escaparas. (You Will Not Escape).

Francisco de Goya y Lucientes

View Artwork

Not on display

Linda maestra!. (Pretty Teacher).
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and drypoint
Size (h x w)
210 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/11
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

View Artwork

Not on display

La faliacion. (The Betrothal).
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and aquatint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/7
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

View Artwork

Not on display

Tu que no puedes. (Thou Who Cannot).
Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/5
Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

View Artwork

Not on display

Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants).
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching with burnished aquatint, drypoint and burin
Size (h x w)
248 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/3
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

View Artwork

Not on display

Se defiende bien. (He Defends Himself Well).
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, drypoint, burin and burnisher
Size (h x w)
174 x 216 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/64
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

View Artwork

Not on display

El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha. (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on With His Pique).
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, drypoint and burin
Size (h x w)
245 x 346 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/72
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha...

Francisco de Goya y Lucientes

View Artwork

Not on display

Tal para qual. (Two of a Kind).
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, aquatint and drypoing
Size (h x w)
198 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2004
Accession no
2004/30/127
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid).
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
246 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/4
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

View Artwork

Not on display

Mejor es holgar. (It is Better To Be Lazy).
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and burin
Size (h x w)
214 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/12
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

View Artwork

Not on display

Y aun no se van!. (And Still They Don't Go!).
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and burin
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/8
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Pobrecitas!. (Poor Little Girls!).
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/1/1
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Fuerte cosa es!. (That's Tough!).
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

Production date
1810
Medium
etching, burnished aquatint, drypoint
Size (h x w)
153 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/60
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnished aquatint
Size (h x w)
215 x 320 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1984
Accession no
1984/43/1
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

View Artwork

Not on display

El Vergonzoso. (The Shamefaced One).
El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and aquatint
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/6
El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

View Artwork

Not on display

Aguarda que te unten. (Wait Till You've Been Annointed).
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

Production date
1797-1798
Medium
etching, burnished aquatint and drypoint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/10
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

View Artwork

Not on display

Al Conde Palatino. (At Count Palatine's).
Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

Production date
1797-1798
Medium
etching, aquatint, drypoint and burin
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/4
Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

View Artwork

Not on display

Murió la Verdad. (Truth Has Died).
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnisher
Size (h x w)
170 x 215 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/2
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

View Artwork

Not on display

Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and other Arms).
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

Production date
1815-1816
Medium
etching, burnished aquatint and drypoint
Size (h x w)
250 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/2
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

View Artwork

Not on display

Farándula de Charlatanes. (Charlatans' Show).
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, aquatint or lavis, drypoint and burin
Size (h x w)
169 x 217 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/59
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

View Artwork

Not on display

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw).
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnished aquatint
Size (h x w)
243 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/63
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

View Artwork

Not on display

Esto si que es leer. (That Certainly is Being Able To Read).
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnished aquatint and drypoint
Size (h x w)
213 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/69
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

View Artwork

Not on display

Los Chinchillas. (The Chinchillas).
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnised aquatint and burin
Size (h x w)
306 x 208 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/70
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

View Artwork

Not on display

Muchachos al avio. (Lads Making Ready).
Muchachos al avio. (Lads Making Ready).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and burin
Size (h x w)
217 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/68
Muchachos al avio. (Lads Making Ready).

Francisco de Goya y Lucientes

View Artwork

Not on display

Estan calientes. (They are Hot).
Estan calientes. (They are Hot).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 155 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/1
Estan calientes. (They are Hot).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ysele quema la Casa. (And His House is on Fire).
Ysele quema la Casa. (And His House is on Fire).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
215 x 153 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/3
Ysele quema la Casa. (And His House is on Fire).

Francisco de Goya y Lucientes

View Artwork

Not on display

Qué hai que hacer mas?. (What More Can Be Done?).
Qué hai que hacer mas?. (What More Can Be Done?).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, lavis drypoint, burin and burnisher
Size (h x w)
152 x 206 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/42/9
Qué hai que hacer mas?. (What More Can Be Done?).

Francisco de Goya y Lucientes

View Artwork

Not on display

No nay que da voces. (It's No Use Crying Out).
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, burin and burnisher
Size (h x w)
154 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/1
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

View Artwork

Not on display

Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Picadors Thrown One After the Other by a Single Bull).
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
244 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/3
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

View Artwork

Not on display

Otro modo de cazar á pie. (Another Way of Hunting on Foot).
Otro modo de cazar á pie. (Another Way of Hunting on Foot).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, roulette, drypoint and burin
Size (h x w)
243 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/1
Otro modo de cazar á pie. (Another Way of Hunting on Foot).

Francisco de Goya y Lucientes

View Artwork

Not on display

Espiró sin remedio. (There Was Nothing to be Done and He Died).
Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
burin, burnished aquatint, lavis, burin and burnisher
Size (h x w)
150 x 203 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/58
Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

View Artwork

Not on display

Nada [Ello dirá]. (Nothing [The Event Will Tell]).
Nada [Ello dirá]. (Nothing [The Event Will Tell]).

Francisco de Goya y Lucientes

Production date
1810-1820
Medium
etching, burnished aquatint, lavis, drypoint and burin
Size (h x w)
153 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/62
Nada [Ello dirá]. (Nothing [The Event Will Tell]).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ensayos. (Trials).
Ensayos. (Trials).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with aquatint and burin
Size (h x w)
210 x 167 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/9
Ensayos. (Trials).

Francisco de Goya y Lucientes

View Artwork

Not on display

Que sacrificio!. (What a Sacrifice!).
Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and drypoint
Size (h x w)
200 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/2
Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Las rinde el sueño. (Sleep Overcomes Them).
Las rinde el sueño. (Sleep Overcomes Them).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/1/2
Las rinde el sueño. (Sleep Overcomes Them).

Francisco de Goya y Lucientes

View Artwork

Not on display

Si resucitará?. (Will She Rise Again?).
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnisher
Size (h x w)
171 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/3
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

Archives

Advanced search
Refine
Dates:
to
Sorry, there are no results for your search.

Ideas

Refine
Content type:
View More
Art Toi June 2020 Image
Art Toi June 2020

Publication

View More
Enchanted Worlds: Student Activity Image
Enchanted Worlds: Student Activity

Education resource

View More
Reflections on the Floating World Image
Reflections on the Floating World

Publication

View More
Sebastian Black in Conversation with Mary Kisler Image
Sebastian Black in Conversation with Mary Kisler

Audio

View More
McCahon: Country Image
McCahon: Country
 Publication
McCahon: Country

Publication

View More
Working towards Meaning – The Restoration of Colin McCahon’s Chapel Windows Image
Working towards Meaning – The Restoration of Colin McCahon’s Chapel Windows

Publication

View More
Frances Hodgkins: European Journeys Image
Frances Hodgkins: European Journeys

Publication

View More
Six decades of giving: The Friends of the Auckland Art Gallery Image
Six decades of giving: The Friends of the Auckland Art Gallery

Audio

View More
Dane Mitchell: Iris, Iris Iris Image
Dane Mitchell: Iris, Iris Iris

Video

View More
The making of Gordon Walters: New Vision Image
The making of Gordon Walters: New Vision

Video

View More
The Discerning Eye Image
The Discerning Eye

Publication

View More
Issue 8: Politics in Denial Image
Issue 8: Politics in Denial

Publication

View More
Gordon Walters: New Vision Image
Gordon Walters: New Vision

Publication

View More
Project Another Country Image
Project Another Country

Video

View More
Wi Taepa: Retrospective Image
Wi Taepa: Retrospective

Publication

View More
The obliteration room: timelapse Image
The obliteration room: timelapse

Video

View More
Re-constructing Arcadia: Early Modern Fragments Image
Re-constructing Arcadia: Early Modern Fragments

Publication

View More
The Corsini Collection: Hyacinthe Rigaud's portrait of Don Neri Corsini Image
The Corsini Collection: Hyacinthe Rigaud's portrait of Don Neri Corsini

Video

View More
The Corsini Collection: Botticelli and his Workshop Image
The Corsini Collection: Botticelli and his Workshop

Video

View More
The Corsini Collection: What's special about Botticelli? Image
The Corsini Collection: What's special about Botticelli?

Video

View More
The Corsini Collection: How did women save the Corsini Collection? Image
The Corsini Collection: How did women save the Corsini Collection?

Video

View More
The Corsini Collection: What is Renaissance art? Image
The Corsini Collection: What is Renaissance art?

Video

View More
The Corsini Collection: The Barberini Bees Image
The Corsini Collection: The Barberini Bees

Video

View More
The Corsini Collection: Florence: Cradle of the Renaissance Image
The Corsini Collection: Florence: Cradle of the Renaissance

Video

View More
The Corsini Collection: What is Baroque art? Image
The Corsini Collection: What is Baroque art?

Video

View More
The Corsini Collection: Who is Arno? Image
The Corsini Collection: Who is Arno?

Video

View More
The Corsini Collection: Guercino's portrait of Saint Andrea Corsini Image
The Corsini Collection: Guercino's portrait of Saint Andrea Corsini

Video

View More
The Corsini Collection: Who was Savonarola? Image
The Corsini Collection: Who was Savonarola?

Video

View More
The Corsini Collection: What's special about Caravaggio? Image
The Corsini Collection: What's special about Caravaggio?

Video

View More
The Corsini Collection: The Palazzo Corsini Image
The Corsini Collection: The Palazzo Corsini

Video

View More
The Corsini Collection: Who are the Corsini family? Image
The Corsini Collection: Who are the Corsini family?

Video

View More
An Overture to the Text Image
An Overture to the Text

Publication

View More
Pacific Bodies: Tanu Gago Image
Pacific Bodies: Tanu Gago

Video

View More
Sharing your vision: Teaching creativity in an English classroom Image
Sharing your vision: Teaching creativity in an English classroom

Video

View More
Pacific Bodies: Nanai Tolovae Junior, Te Iwihoko Te Rangihirawea, Jimmy Vea, Michel Mulipola and Ali Cowley Image
Pacific Bodies: Nanai Tolovae Junior, Te Iwihoko Te Rangihirawea, Jimmy Vea, Mic...

Video

View More
Pacific Bodies: Ema Tavola and Leilani Kake Image
Pacific Bodies: Ema Tavola and Leilani Kake

Video

Articles

View More
Archiving for Artists Image
Archiving for Artists

Caroline McBride

View More
O Happy Posterity: Laurence Simmons on Marco d’Oggiono and the Plague Image
O Happy Posterity: Laurence Simmons on Marco d’Oggiono and the Plague

Laurence Simmons

View More
Civilisation, Photography, Now: In a Covid-19 World Image
Civilisation, Photography, Now: In a Covid-19 World

William Ewing and Holly Roussell

View More
Denmark Design On Display Image
Denmark Design On Display

HOME magazine

View More
Roger Blackley (1953-2019) Image
Roger Blackley (1953-2019)

View More
Art Archives Internship at Auckland Art Gallery Toi o Tāmaki Image
Art Archives Internship at Auckland Art Gallery Toi o Tāmaki

Paola King-Borrero and Caroline McBride

View More
Gordon Walters: a glossary Image
Gordon Walters: a glossary

View More
The Gordon Walters Estate Loan Collection Image
The Gordon Walters Estate Loan Collection

Lucy Hammonds

View More
Uike Kātoanga’i ‘o e Lea Faka-Tonga: Tongan Language Week 2018 Image
Uike Kātoanga’i ‘o e Lea Faka-Tonga: Tongan Language Week 2018

Kolokesa Uafā Māhina-Tuai

View More
The New Vision Gallery, Auckland Image
The New Vision Gallery, Auckland

Len Bell

View More
Colin McCahon’s Painted Windows Image
Colin McCahon’s Painted Windows

Peter Simpson

View More
E H McCormick Research Library 2018 Summer Art Archives Internship Image
E H McCormick Research Library 2018 Summer Art Archives Internship

Karena Hall

View More
Francis Pound – farewell to a friend Image
Francis Pound – farewell to a friend

Mary Kisler

View More
Remembering Francis Pound (1948–2017) Image
Remembering Francis Pound (1948–2017)

Natasha Conland

View More
An amazing encounter with Auckland Art Gallery – some notes from a Chinese registrar Image
An amazing encounter with Auckland Art Gallery – some notes from a Chinese regis...

Du Zhidong

View More
Seeing the soundscape: a conversation between the aural & the visual Image
Seeing the soundscape: a conversation between the aural & the visual

Catriona Britton

View More
Memories of a friend Image
Memories of a friend

Dr Haare Williams

View More
He poroporoaki ki a Cliff Whiting Image
He poroporoaki ki a Cliff Whiting

Nigel Borell

View More
Meet Volunteer Guide Jackie Halliday Image
Meet Volunteer Guide Jackie Halliday

View More
Barry Lett (1940–2017) Image
Barry Lett (1940–2017)

Ron Brownson

View More
My Father: Artist, Creative, Human, Teacher Image
My Father: Artist, Creative, Human, Teacher

Amber Rhodes

View More
Scrunch, Tear, Fold, Cut – Combine! Image
Scrunch, Tear, Fold, Cut – Combine!

Anique Jayasinghe and Shelby Farmer

View More
Paul Cullen (1949–2017) Image
Paul Cullen (1949–2017)

Natasha Conland

View More
E H McCormick Research Library 2017 Summer Art Archives Internship Image
E H McCormick Research Library 2017 Summer Art Archives Internship

Alice Duncan-Gardiner

View More
Jack Gray reflects on his family drop-in a year on Image
Jack Gray reflects on his family drop-in a year on

Jack Gray (Ngāti Porou, Ngāpuhi, Te Rarawa, Ngāi Kahungunu)

View More
Marti Friedlander 1928–2016 Image
Marti Friedlander 1928–2016

Rhana Devenport

View More
Maria Nepomuceno on her time in Auckland Image
Maria Nepomuceno on her time in Auckland

Maria Nepomuceno

View More
Juan Fernando Herrán on his time in New Zealand Image
Juan Fernando Herrán on his time in New Zealand

Juan Fernando Herrán

View More
Pages to Dream: El libro/The Book Image
Pages to Dream: El libro/The Book

Clare McIntosh

View More
Máximo Corvalán-Pincheira on his time in Auckland Image
Máximo Corvalán-Pincheira on his time in Auckland

Máximo Corvalán-Pincheira

View More
Building bridges to create Space to Dream Image
Building bridges to create Space to Dream

Beatriz Bustos Oyanedel

View More
Pip Culbert at Artspace Image
Pip Culbert at Artspace

Tina Barton

View More
In search of the Parras Image
In search of the Parras

Maya Errázuriz

View More
Bernardo Oyarzún: It’s best to not talk about certain things Image
Bernardo Oyarzún: It’s best to not talk about certain things

Bernardo Oyarzún

View More
Ignacio Gumucio: Everybody knows that our cities were built to be destroyed Image
Ignacio Gumucio: Everybody knows that our cities were built to be destroyed

Ignacio Gumucio

View More
Otara Fleamarket with Chilean artist Bernardo Oyarzún Image
Otara Fleamarket with Chilean artist Bernardo Oyarzún

Ioka Magele-Suamasi

More

View More
Māori commissions Image
Māori commissions
View More
Walters Prize Image
Walters Prize
View More
Outward loans Image
Outward loans
View More
Friends of the Auckland Art Gallery Image
Friends of the Auckland Art Gallery
View More
Sir George Grey Image
Sir George Grey
View More
The Partridge Collection Image
The Partridge Collection
View More
Haerewa Image
Haerewa
View More
Marylyn Mayo Internship Image
Marylyn Mayo Internship
View More
Dreamlike films by Chinese artist Yang Fudong to be exhibited at Auckland Art Gallery Toi o Tāmaki Image
Dreamlike films by Chinese artist Yang Fudong to be exhibited at Auckland Art Ga...
View More
Newly restored Frances Hodgkins work to be exhibited after 56-year absence Image
Newly restored Frances Hodgkins work to be exhibited after 56-year absence
View More
Delight in demonstrations and discussions this weekend as Wunderrūma: New Zealand Jewellery opens its doors Image
Delight in demonstrations and discussions this weekend as Wunderrūma: New Zealan...
View More
Artspace Image
Artspace
View More
Lake House Arts Centre Image
Lake House Arts Centre
View More
Pah Homestead Image
Pah Homestead
View More
Waiheke Community Art Gallery Image
Waiheke Community Art Gallery
View More
Request a print Image
Request a print
View More
Research Image
Research
View More
E H McCormick Research Library Image
E H McCormick Research Library
View More
FAQs Image
FAQs
View More
Families Image
Families
View More
Groups Image
Groups
View More
Tertiary and ESOL learning Image
Tertiary and ESOL learning
View More
Explore Art & Ideas Image
Explore Art & Ideas
View More
Friends Image
Friends
View More
For and against: Debating ideas and concepts around art Image
For and against: Debating ideas and concepts around art
View More
Auckland Art Gallery Toi o Tāmaki announces new Curator, Māori Art Image
Auckland Art Gallery Toi o Tāmaki announces new Curator, Māori Art
View More
Professional Learning and Development Image
Professional Learning and Development
View More
Auckland Live Image
Auckland Live
View More
New Zealand Maritime Museum Image
New Zealand Maritime Museum
View More
Descendants farewell Lindauer Māori Potraits for historic European tour Image
Descendants farewell Lindauer Māori Potraits for historic European tour
View More
Friends of Gallery gift important artwork in first-time exhibition of paintings by senior Auckland artist Image
Friends of Gallery gift important artwork in first-time exhibition of paintings...
View More
Judge announced for New Zealand’s premier art prize: The Walters Prize 2014 Image
Judge announced for New Zealand’s premier art prize: The Walters Prize 2014
View More
Five Māori Painters opens tomorrow with full weekend of events Image
Five Māori Painters opens tomorrow with full weekend of events
View More
Last weeks for Flower Chandelier at Auckland Art Gallery Image
Last weeks for Flower Chandelier at Auckland Art Gallery
View More
Landmark New Zealand contemporary art exhibition at Auckland Art Gallery this summer Image
Landmark New Zealand contemporary art exhibition at Auckland Art Gallery this su...
View More
New installation gives nod to Kodak legacy and captures New Zealand’s ‘Kodak moments’ Image
New installation gives nod to Kodak legacy and captures New Zealand’s ‘Kodak mom...