Exhibitions

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Light from Tate: 1700s to Now
Light from Tate: 1700s to Now

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Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

Light from Tate: 1700s to Now

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Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

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Archive Display | Building Beginning: Auckland Art Gallery Toi o Tāmaki
Archive Display | Building Beginning: Auckland Art Gallery Toi o Tāmaki

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FREE

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Walls to Live Beside, Rooms to Own: The Chartwell Show
Walls to Live Beside, Rooms to Own: The Chartwell Show

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FREE

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Suji Park: Meonji Soojibga | Dust Collector
Suji Park: Meonji Soojibga | Dust Collector

—

FREE

Suji Park: Meonji Soojibga | Dust Collector

—

FREE

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CURRENTLY CLOSED | ArtLab
CURRENTLY CLOSED | ArtLab

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FREE

CURRENTLY CLOSED | ArtLab

—

FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

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FREE

Manpower: Myths of Masculinity

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FREE

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Romancing the Collection
Romancing the Collection

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FREE

Romancing the Collection

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FREE

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Guide Kaiārahi
Guide Kaiārahi

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FREE

Guide Kaiārahi

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FREE

Events

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Light Abounds: Paint & Sip Sessions
Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

Members $67.50, Non-members $75 | Exhibition admission additional Book now

Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

Members $67.50, Non-members $75 | Exhibition admission additional Book now

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Pop-up vintage photography studio
Pop-up vintage photography studio

— 10am–5pm

General $150, Members $135 Book now

Pop-up vintage photography studio

— 10am–5pm

General $150, Members $135 Book now

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Light Night
Light Night

5.30–8.30pm

Members $5, Non-members $32, Children (under 16) $5 Book now

Light Night

5.30–8.30pm

Members $5, Non-members $32, Children (under 16) $5 Book now

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Teachers exclusive after-hours event | Light from Tate: 1700s to Now
Teachers exclusive after-hours event | Light from Tate: 1700s to Now

6pm–8pm

FREE Book now

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Members Morning | Light from Tate: 1700s to Now
Members Morning | Light from Tate: 1700s to Now

8am–10am

$0, $10, $20 Buy tickets

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Members Late | Light from Tate: 1700s to Now
Members Late | Light from Tate: 1700s to Now

6pm–8pm

$0, $10, $20 Buy tickets

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Light from Tate: 1700s to Now in conversation
Light from Tate: 1700s to Now in conversation

— 2–3pm

FREE Book now

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Opening weekend of Light from Tate: 1700s to Now
Opening weekend of Light from Tate: 1700s to Now

— 10am – 5pm

Free | Exhibition admission additional

Opening weekend of Light from Tate: 1700s to Now

— 10am – 5pm

Free | Exhibition admission additional

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GALS - Singing with PRIDE
GALS - Singing with PRIDE

2 – 3pm

FREE

GALS - Singing with PRIDE

2 – 3pm

FREE

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Queer Yarns
Queer Yarns

11am – 4pm

FREE

Queer Yarns

11am – 4pm

FREE

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Yoga and Art Immersion
Yoga and Art Immersion

— Sundays 9am-10am

Public $18 (plus booking fee), Members $16.20 (plus booking fee) Book now

Yoga and Art Immersion

— Sundays 9am-10am

Public $18 (plus booking fee), Members $16.20 (plus booking fee) Book now

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SOLD OUT | Pride Poetry Slam
SOLD OUT | Pride Poetry Slam

1 – 3.30pm

Free - bookings essential

SOLD OUT | Pride Poetry Slam

1 – 3.30pm

Free - bookings essential

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Contemporary Conversations – The Chartwell Show
Contemporary Conversations – The Chartwell Show

— Fridays 1.30 – 2pm

Free - bookings essential Book now

Contemporary Conversations – The Chartwell Show

— Fridays 1.30 – 2pm

Free - bookings essential Book now

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Lunchtime Drop-in Drawing
Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

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ArtLab – Zinging Rhythms: Texture and Pattern
ArtLab – Zinging Rhythms: Texture and Pattern

— 10am – 5pm, every day

FREE

ArtLab – Zinging Rhythms: Texture and Pattern

— 10am – 5pm, every day

FREE

Artworks

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View Artwork

Not on display

No nay que da voces. (It's No Use Crying Out).
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, burin and burnisher
Size (h x w)
154 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/1
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

View Artwork

Not on display

Otro modo de cazar á pie. (Another Way of Hunting on Foot).
Otro modo de cazar á pie. (Another Way of Hunting on Foot).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, roulette, drypoint and burin
Size (h x w)
243 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/1
Otro modo de cazar á pie. (Another Way of Hunting on Foot).

Francisco de Goya y Lucientes

View Artwork

Not on display

Farándula de Charlatanes. (Charlatans' Show).
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, aquatint or lavis, drypoint and burin
Size (h x w)
169 x 217 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/59
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

View Artwork

Not on display

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw).
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnished aquatint
Size (h x w)
243 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/63
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

View Artwork

Not on display

Linda maestra!. (Pretty Teacher).
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and drypoint
Size (h x w)
210 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/11
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

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Not on display

Esto si que es leer. (That Certainly is Being Able To Read).
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnished aquatint and drypoint
Size (h x w)
213 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/69
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

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Not on display

Que viene el Coco. (Here Comes the Bogey-man).
Que viene el Coco. (Here Comes the Bogey-man).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint
Size (h x w)
216 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/67
Que viene el Coco. (Here Comes the Bogey-man).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid).
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
246 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/4
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

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Not on display

Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnished aquatint
Size (h x w)
215 x 320 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1984
Accession no
1984/43/1
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

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Not on display

Espiró sin remedio. (There Was Nothing to be Done and He Died).
Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
burin, burnished aquatint, lavis, burin and burnisher
Size (h x w)
150 x 203 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/58
Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

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Not on display

Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For the Bulls and Wnd).
Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

Production date
1877
Medium
etching, aquatint and drypoint
Size (h x w)
240 x 353 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/61
Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

View Artwork

Not on display

Se defiende bien. (He Defends Himself Well).
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, drypoint, burin and burnisher
Size (h x w)
174 x 216 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/64
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

View Artwork

Not on display

Tal para qual. (Two of a Kind).
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, aquatint and drypoing
Size (h x w)
198 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2004
Accession no
2004/30/127
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

View Artwork

Not on display

Murió la Verdad. (Truth Has Died).
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnisher
Size (h x w)
170 x 215 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/2
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

View Artwork

Not on display

Si resucitará?. (Will She Rise Again?).
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnisher
Size (h x w)
171 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/3
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

View Artwork

Not on display

Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Picadors Thrown One After the Other by a Single Bull).
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
244 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/3
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

View Artwork

Not on display

Y aun no se van!. (And Still They Don't Go!).
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and burin
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/8
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Qué hai que hacer mas?. (What More Can Be Done?).
Qué hai que hacer mas?. (What More Can Be Done?).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, lavis drypoint, burin and burnisher
Size (h x w)
152 x 206 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/42/9
Qué hai que hacer mas?. (What More Can Be Done?).

Francisco de Goya y Lucientes

View Artwork

Not on display

Pobrecitas!. (Poor Little Girls!).
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/1/1
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Mejor es holgar. (It is Better To Be Lazy).
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and burin
Size (h x w)
214 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/12
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

View Artwork

Not on display

Que sacrificio!. (What a Sacrifice!).
Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and drypoint
Size (h x w)
200 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/2
Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ysele quema la Casa. (And His House is on Fire).
Ysele quema la Casa. (And His House is on Fire).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
215 x 153 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/3
Ysele quema la Casa. (And His House is on Fire).

Francisco de Goya y Lucientes

View Artwork

Not on display

Los Chinchillas. (The Chinchillas).
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnised aquatint and burin
Size (h x w)
306 x 208 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/70
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

View Artwork

Not on display

La faliacion. (The Betrothal).
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and aquatint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/7
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ensayos. (Trials).
Ensayos. (Trials).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with aquatint and burin
Size (h x w)
210 x 167 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/9
Ensayos. (Trials).

Francisco de Goya y Lucientes

View Artwork

Not on display

Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and other Arms).
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

Production date
1815-1816
Medium
etching, burnished aquatint and drypoint
Size (h x w)
250 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/2
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

View Artwork

Not on display

Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants).
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching with burnished aquatint, drypoint and burin
Size (h x w)
248 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/3
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

View Artwork

Not on display

Volaverunt. (They Have Flown).
Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with aquatint and drypoint
Size (h x w)
214 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1971
Accession no
1971/14/1
Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

View Artwork

Not on display

Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).
Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint and drypoint
Size (h x w)
220 x 317 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1984
Accession no
1984/43/2
Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

View Artwork

Not on display

Fuerte cosa es!. (That's Tough!).
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

Production date
1810
Medium
etching, burnished aquatint, drypoint
Size (h x w)
153 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/60
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Nada [Ello dirá]. (Nothing [The Event Will Tell]).
Nada [Ello dirá]. (Nothing [The Event Will Tell]).

Francisco de Goya y Lucientes

Production date
1810-1820
Medium
etching, burnished aquatint, lavis, drypoint and burin
Size (h x w)
153 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/62
Nada [Ello dirá]. (Nothing [The Event Will Tell]).

Francisco de Goya y Lucientes

View Artwork

Not on display

Las rinde el sueño. (Sleep Overcomes Them).
Las rinde el sueño. (Sleep Overcomes Them).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/1/2
Las rinde el sueño. (Sleep Overcomes Them).

Francisco de Goya y Lucientes

View Artwork

Not on display

Estan calientes. (They are Hot).
Estan calientes. (They are Hot).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 155 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/1
Estan calientes. (They are Hot).

Francisco de Goya y Lucientes

View Artwork

Not on display

Aguarda que te unten. (Wait Till You've Been Annointed).
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

Production date
1797-1798
Medium
etching, burnished aquatint and drypoint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/10
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

View Artwork

Not on display

Al Conde Palatino. (At Count Palatine's).
Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

Production date
1797-1798
Medium
etching, aquatint, drypoint and burin
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/4
Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

View Artwork

Not on display

Tu que no puedes. (Thou Who Cannot).
Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/5
Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

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The Crystal Chain Gang: Prismatic Geometry in Recent Art

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Pat Hanly: Pure Painting Image
Pat Hanly: Pure Painting

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The Chartwell Collection: Recent Acquisitions Image
The Chartwell Collection: Recent Acquisitions

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Stories We Tell Ourselves: The Paintings of Richard Killeen Image
Stories We Tell Ourselves: The Paintings of Richard Killeen

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Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Collection Image
Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Co...

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Urewera Mural: Colin McCahon Image
Urewera Mural: Colin McCahon

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John Ioane: Fale Sā Image
John Ioane: Fale Sā

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Terry Urbahn: The Karaokes Image
Terry Urbahn: The Karaokes

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Ross T. Smith: Hokianga Image
Ross T. Smith: Hokianga

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Peter Roche: Conduit Image
Peter Roche: Conduit

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Articles

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2022 Michèle Whitecliffe Art Writing Prize winner – ‘Building a Weight/Jumping a Breakwater’ Image
2022 Michèle Whitecliffe Art Writing Prize winner – ‘Building a Weight/Jumping a...

Lachlan Taylor

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2022 Michèle Whitecliffe Art Writing Prize runner-up – Opt, Co-opt and Co-ops: Politicised Participation in Recent Art from Aotearoa. Image
2022 Michèle Whitecliffe Art Writing Prize runner-up – Opt, Co-opt and Co-ops: P...

Mikayla Journée

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2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Films of Sriwhana Spong Image
2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Fi...

Kirsty Baker

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Traces through Time: Digitising Archival Exhibition Photographs at the E H McCormick Research Library Image
Traces through Time: Digitising Archival Exhibition Photographs at the E H McCor...

Hélena Lunt

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Community and Collaboration: Learning with Kaiako, Robin White, Ebonie Fifita and Workshop Artists Image
Community and Collaboration: Learning with Kaiako, Robin White, Ebonie Fifita an...

Isabel Michell

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In Memory of Marylyn Mayo: Creating a Legacy of Support Image
In Memory of Marylyn Mayo: Creating a Legacy of Support

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The Fantastical World of Felix Kelly: A Life and an Archive Image
The Fantastical World of Felix Kelly: A Life and an Archive

Dr Don Bassett

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Beyond the Walls: Art as a Community Catalyst Image
Beyond the Walls: Art as a Community Catalyst

Mosese Uhila

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Declaration: Publishing a Pacific Feminist Agenda Image
Declaration: Publishing a Pacific Feminist Agenda

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Top Five New Books in the E H McCormick Research Library Image
Top Five New Books in the E H McCormick Research Library

Tamsyn Bayliss

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Jim Allen: 1922 to Today Image
Jim Allen: 1922 to Today

Natasha Conland

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The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of the Christian Orthodox World' Image
The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of t...

Gordon Morrison

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Gilbert & George in Conversation with Senior Curator Ron Brownson Image
Gilbert & George in Conversation with Senior Curator Ron Brownson

Gilbert & George in conversation with Ron Brownson

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Yona Lee: An Arrangement for 5 Rooms Image
Yona Lee: An Arrangement for 5 Rooms

Natasha Conland & Yona Lee

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'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition Image
'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition

Caroline McBride

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Max Oettli's Night Beat Image
Max Oettli's Night Beat

Richard Wolfe

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Make Your Mark! Squiggla at ArtLab Image
Make Your Mark! Squiggla at ArtLab

Michelle Wilkinson & Sue Gardiner

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An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna' Image
An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna'

Ron Brownson

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Rifling through the Top Drawer: Looking through Grant Lingard Image
Rifling through the Top Drawer: Looking through Grant Lingard

Jeremiah Boniface

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Max Oettli: Visible Evidence Image
Max Oettli: Visible Evidence

Ron Brownson & Max Oettli

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In Conversation: The significant influence of Mary Quant on Kate Sylvester Image
In Conversation: The significant influence of Mary Quant on Kate Sylvester

Dan Ahwa & Kate Sylvester

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Julie Watson and Julia Waite in Conversation About the Rainbow Tick Image
Julie Watson and Julia Waite in Conversation About the Rainbow Tick

Julia Waite & Julie Watson

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Clown Time Image
Clown Time

Juliana Engberg

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New Zealand Swings Image
New Zealand Swings

Doris de Pont

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The Wellbeing Complex Image
The Wellbeing Complex

Alena Kavka

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The restorative potential of earth-centred practices Image
The restorative potential of earth-centred practices

Robyn Maree Pickens

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Escapism Image
Escapism

Karen Walker & Priscilla Southcombe

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What Do We Show the World? Image
What Do We Show the World?

Emily Cormack

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The Back of the Painting – A Journey Image
The Back of the Painting – A Journey

Sarah Hillary

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In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962) Image
In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962)

Natasha Conland

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A Moment of Optimism Image
A Moment of Optimism

Francis McWhannell

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‘Singing waiata to the spheres’: Reuben Paterson’s Dazzling Crystal Waka Sculpture Image
‘Singing waiata to the spheres’: Reuben Paterson’s Dazzling Crystal Waka Sculptu...

Dr Sarah Farrar

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Paint pigments and paper conservation Image
Paint pigments and paper conservation

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Frequency Image
Frequency

Zena Elliott & Olivia Boswell

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Artist files in the E H McCormick Research Library Image
Artist files in the E H McCormick Research Library

Tamsyn Bayliss

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Virtual Reach Image
Virtual Reach

Emma Elsom

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Architecture Image
Architecture
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Honour board Image
Honour board
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Walters Prize Image
Walters Prize
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Chartwell Trust Image
Chartwell Trust
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James Tannock Mackelvie Image
James Tannock Mackelvie
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Mackelvie Trust Image
Mackelvie Trust
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Sir George Grey Image
Sir George Grey
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Sir Rex Nan Kivell Image
Sir Rex Nan Kivell
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The Edmiston Trust Image
The Edmiston Trust
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The Ilene and Laurence Dakin Bequest Image
The Ilene and Laurence Dakin Bequest
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Awards Image
Awards
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Services
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Major new work brings international artist Michael Stevenson back to New Zealand Image
Major new work brings international artist Michael Stevenson back to New Zealand
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Julian Rosefeldt’s immersive 13-channel film installation Manifesto to open at Auckland Art Gallery Toi o Tāmaki in February Image
Julian Rosefeldt’s immersive 13-channel film installation Manifesto to open at A...
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Dane Mitchell’s Iris, Iris, Iris to open at Auckland Art Gallery Toi o Tāmaki Image
Dane Mitchell’s Iris, Iris, Iris to open at Auckland Art Gallery Toi o Tāmaki
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Foundation programme: Portraiture and Identity Image
Foundation programme: Portraiture and Identity
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Foundation programme: Signs and Symbols Image
Foundation programme: Signs and Symbols
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Foundation programme: Storytelling Image
Foundation programme: Storytelling
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Special studio programme: Experiments with Paint Image
Special studio programme: Experiments with Paint
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A thousand words: Analysing visual texts in the Gallery Image
A thousand words: Analysing visual texts in the Gallery
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Mix and Match, and bespoke programmes Image
Mix and Match, and bespoke programmes
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Experience Auckland Image
Experience Auckland
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Corban Estate Arts Centre Image
Corban Estate Arts Centre
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Depot Artspace Image
Depot Artspace
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Franklin Arts Centre Image
Franklin Arts Centre
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Gus Fisher Gallery Image
Gus Fisher Gallery
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Papakura Art Gallery Image
Papakura Art Gallery
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Te Tuhi Image
Te Tuhi
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Café Image
Café
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Request a print Image
Request a print
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Services
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Shannon Te Ao wins Walters Prize 2016 Image
Shannon Te Ao wins Walters Prize 2016
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The remarkable and revealing exhibition The Māori Portraits: Gottfried Lindauer’s New Zealand opens this weekend at Auckland Art Gallery Image
The remarkable and revealing exhibition The Māori Portraits: Gottfried Lindauer’...
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Shop FAQs Image
Shop FAQs
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Autumn showreel 2017 Image
Autumn showreel 2017
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Exhibition information Image
Exhibition information