Exhibitions

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Gilbert & George: The Tāmaki Makaurau Auckland Exhibition
Gilbert & George: The Tāmaki Makaurau Auckland Exhibition

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Adults $24.50

Gilbert & George: The Tāmaki Makaurau Auckland Exhibition

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Adults $24.50

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Suji Park: Meonji Soojibga | Dust Collector
Suji Park: Meonji Soojibga | Dust Collector

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FREE

Suji Park: Meonji Soojibga | Dust Collector

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FREE

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ArtLab
ArtLab

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FREE

ArtLab

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FREE

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Heavenly Beings: Icons of the Christian Orthodox World
Heavenly Beings: Icons of the Christian Orthodox World

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Adults $24.50 Book now

Heavenly Beings: Icons of the Christian Orthodox World

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Adults $24.50 Book now

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Declaration: A Pacific Feminist Agenda
Declaration: A Pacific Feminist Agenda

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FREE

Declaration: A Pacific Feminist Agenda

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FREE

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Sione Monū & Manu Vaeatangitau: Kindred: A Leitī Chronicle
Sione Monū & Manu Vaeatangitau: Kindred: A Leitī Chronicle

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FREE

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Peter Peryer: The Man in the Photograph
Peter Peryer: The Man in the Photograph

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Peter Peryer: The Man in the Photograph

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Yona Lee: An Arrangement for 5 Rooms
Yona Lee: An Arrangement for 5 Rooms

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FREE

Yona Lee: An Arrangement for 5 Rooms

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FREE

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Max Oettli: Visible Evidence, Photographs 1965–1975
Max Oettli: Visible Evidence, Photographs 1965–1975

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FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

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FREE

Manpower: Myths of Masculinity

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FREE

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Romancing the Collection
Romancing the Collection

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FREE

Romancing the Collection

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FREE

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Guide Kaiārahi
Guide Kaiārahi

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FREE

Guide Kaiārahi

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FREE

Events

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SOLD OUT| A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki POSTPONED TO OCTOBER
SOLD OUT| A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki POSTPONED T...

Sun 30 October 2022, 10am–2pm

Adult: $95.00 Auckland Art Gallery Member: $85.00 Child (5 -13 yrs): $53.00 Children under 5: free Return Bus Ticket: (North Shore and Central departures) $20.00 On-site parking: per vehicle $20.00 NB: Ticketing fees will be applied by Eventfinda.

SOLD OUT| A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki POSTPONED T...

Sun 30 October 2022, 10am–2pm

Adult: $95.00 Auckland Art Gallery Member: $85.00 Child (5 -13 yrs): $53.00 Children under 5: free Return Bus Ticket: (North Shore and Central departures) $20.00 On-site parking: per vehicle $20.00 NB: Ticketing fees will be applied by Eventfinda.

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Rainbow artists talk about their lives
Rainbow artists talk about their lives

2-3.30pm

Free, booking essential. Book now

Rainbow artists talk about their lives

2-3.30pm

Free, booking essential. Book now

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Solacium – Live performance from the Human Kind Project
Solacium – Live performance from the Human Kind Project

— 1 - 2.30pm both days

FREE

Solacium – Live performance from the Human Kind Project

— 1 - 2.30pm both days

FREE

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Icon Painting Demonstration with Aidan Hart
Icon Painting Demonstration with Aidan Hart

2 - 4pm

Free - bookings essential Book now

Icon Painting Demonstration with Aidan Hart

2 - 4pm

Free - bookings essential Book now

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Aidan Hart Workshops: Icon Painting
Aidan Hart Workshops: Icon Painting

— 9am–5pm

Members $410, Non-Members $465 Book now

This winter, we are thrilled to be hosting internationally renowned iconographer Aidan Hart for a two-day workshop on the time-honoured practice of icon painting. After creating your own egg tempera paint, you will learn the techniques of traditional iconography and walk away with a unique piece of your own.

Aidan Hart Workshops: Icon Painting

— 9am–5pm

Members $410, Non-Members $465 Book now

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Aidan Hart Lectures: Icons and the Numinous
Aidan Hart Lectures: Icons and the Numinous

— 6–8pm

Members $90, Non-Members $155, Students $50 Book now

This winter, we are thrilled to be hosting internationally renowned iconographer Aidan Hart for a two-night lecture series which explores the history of Christian Orthodox iconography and its influence on contemporary art. 

In these two lectures we will first explore the function of icons and how this affects their form, and then see how they inspired many key twentieth-century artists.

Aidan Hart Lectures: Icons and the Numinous

— 6–8pm

Members $90, Non-Members $155, Students $50 Book now

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The Auckland Performing Arts Centre performs Gilbert & George
The Auckland Performing Arts Centre performs Gilbert & George

11am, 12pm, 1pm (approx. 15 minutes each)

The Auckland Performing Arts Centre performs Gilbert & George

11am, 12pm, 1pm (approx. 15 minutes each)

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Shaneel Lal: Intersectional Feminism
Shaneel Lal: Intersectional Feminism

7 - 8pm

$20 Book now

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Free Talk: The Old Believers and their Icons
Free Talk: The Old Believers and their Icons

2-3pm

Free - bookings essential Book now

Free Talk: The Old Believers and their Icons

2-3pm

Free - bookings essential Book now

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An Icons walkthrough with Gordon Morrison
An Icons walkthrough with Gordon Morrison

— Sat 11.00–11.30am, Sun 11.00–11.30am & 1.00-1.30pm

Free tour + General Admission charges (bookings essential) Book now

An Icons walkthrough with Gordon Morrison

— Sat 11.00–11.30am, Sun 11.00–11.30am & 1.00-1.30pm

Free tour + General Admission charges (bookings essential) Book now

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Toi Te Kupu: Whakaahuatanga
Toi Te Kupu: Whakaahuatanga

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Book now

A major new wānanga toi Māori, Toi Te Kupu: Whakaahuatanga is to be held in Tāmaki Makaurau to coincide with this winter’s Matariki.

Toi Te Kupu: Whakaahuatanga

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Book now

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Studio of St John the Baptist Tour
Studio of St John the Baptist Tour

11am - 12.30pm

Members $22.5, Non-members $25 Buy tickets

Studio of St John the Baptist Tour

11am - 12.30pm

Members $22.5, Non-members $25 Buy tickets

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My Icons with Hilary Willett on Zoom
My Icons with Hilary Willett on Zoom

7.30 – 8.30pm

FREE Book now

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Lunchtime Drop-in Drawing
Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

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Yoga and Art Immersion
Yoga and Art Immersion

— Sundays 9am-10am

Public $18 (plus booking fee), Members $16.20 (plus booking fee) Book now

Yoga and Art Immersion

— Sundays 9am-10am

Public $18 (plus booking fee), Members $16.20 (plus booking fee) Book now

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ArtLab presents Squiggla
ArtLab presents Squiggla

— 10am – 5pm, every day

ArtLab presents Squiggla

— 10am – 5pm, every day

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Whānau drop-ins – New activities each weekend!
Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am–3pm.

 

 

 

 

 

Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Artworks

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Not on display

No nay que da voces. (It's No Use Crying Out).
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, burin and burnisher
Size (h x w)
154 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/1
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

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Not on display

Otro modo de cazar á pie. (Another Way of Hunting on Foot).
Otro modo de cazar á pie. (Another Way of Hunting on Foot).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, roulette, drypoint and burin
Size (h x w)
243 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/1
Otro modo de cazar á pie. (Another Way of Hunting on Foot).

Francisco de Goya y Lucientes

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Not on display

Linda maestra!. (Pretty Teacher).
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and drypoint
Size (h x w)
210 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/11
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid).
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
246 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/4
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

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Not on display

Esto si que es leer. (That Certainly is Being Able To Read).
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnished aquatint and drypoint
Size (h x w)
213 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/69
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

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Not on display

Que viene el Coco. (Here Comes the Bogey-man).
Que viene el Coco. (Here Comes the Bogey-man).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint
Size (h x w)
216 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/67
Que viene el Coco. (Here Comes the Bogey-man).

Francisco de Goya y Lucientes

View Artwork

Not on display

Farándula de Charlatanes. (Charlatans' Show).
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, aquatint or lavis, drypoint and burin
Size (h x w)
169 x 217 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/59
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

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Not on display

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw).
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnished aquatint
Size (h x w)
243 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/63
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

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Not on display

Espiró sin remedio. (There Was Nothing to be Done and He Died).
Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
burin, burnished aquatint, lavis, burin and burnisher
Size (h x w)
150 x 203 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/58
Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

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Not on display

Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For the Bulls and Wnd).
Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

Production date
1877
Medium
etching, aquatint and drypoint
Size (h x w)
240 x 353 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/61
Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

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Not on display

Se defiende bien. (He Defends Himself Well).
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, drypoint, burin and burnisher
Size (h x w)
174 x 216 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/64
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

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Not on display

Y aun no se van!. (And Still They Don't Go!).
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and burin
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/8
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

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Not on display

Murió la Verdad. (Truth Has Died).
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnisher
Size (h x w)
170 x 215 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/2
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

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Not on display

Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Picadors Thrown One After the Other by a Single Bull).
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
244 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/3
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

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Not on display

Si resucitará?. (Will She Rise Again?).
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnisher
Size (h x w)
171 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/3
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

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Not on display

Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnished aquatint
Size (h x w)
215 x 320 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1984
Accession no
1984/43/1
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

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Not on display

Tal para qual. (Two of a Kind).
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, aquatint and drypoing
Size (h x w)
198 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2004
Accession no
2004/30/127
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

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Not on display

Fuerte cosa es!. (That's Tough!).
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

Production date
1810
Medium
etching, burnished aquatint, drypoint
Size (h x w)
153 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/60
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

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Not on display

Nada [Ello dirá]. (Nothing [The Event Will Tell]).
Nada [Ello dirá]. (Nothing [The Event Will Tell]).

Francisco de Goya y Lucientes

Production date
1810-1820
Medium
etching, burnished aquatint, lavis, drypoint and burin
Size (h x w)
153 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/62
Nada [Ello dirá]. (Nothing [The Event Will Tell]).

Francisco de Goya y Lucientes

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Not on display

El Vergonzoso. (The Shamefaced One).
El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and aquatint
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/6
El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

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Not on display

Aguarda que te unten. (Wait Till You've Been Annointed).
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

Production date
1797-1798
Medium
etching, burnished aquatint and drypoint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/10
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

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Not on display

Estan calientes. (They are Hot).
Estan calientes. (They are Hot).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 155 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/1
Estan calientes. (They are Hot).

Francisco de Goya y Lucientes

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Not on display

Al Conde Palatino. (At Count Palatine's).
Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

Production date
1797-1798
Medium
etching, aquatint, drypoint and burin
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/4
Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

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Not on display

Tu que no puedes. (Thou Who Cannot).
Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/5
Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

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Not on display

Las rinde el sueño. (Sleep Overcomes Them).
Las rinde el sueño. (Sleep Overcomes Them).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/1/2
Las rinde el sueño. (Sleep Overcomes Them).

Francisco de Goya y Lucientes

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Not on display

Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).
Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint and drypoint
Size (h x w)
220 x 317 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1984
Accession no
1984/43/2
Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

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Not on display

No te escaparas. (You Will Not Escape).
No te escaparas. (You Will Not Escape).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
213 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/71
No te escaparas. (You Will Not Escape).

Francisco de Goya y Lucientes

View Artwork

Not on display

El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha. (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on With His Pique).
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, drypoint and burin
Size (h x w)
245 x 346 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/72
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha...

Francisco de Goya y Lucientes

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Not on display

Muchachos al avio. (Lads Making Ready).
Muchachos al avio. (Lads Making Ready).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and burin
Size (h x w)
217 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/68
Muchachos al avio. (Lads Making Ready).

Francisco de Goya y Lucientes

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Not on display

Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants).
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching with burnished aquatint, drypoint and burin
Size (h x w)
248 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/3
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

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Not on display

Volaverunt. (They Have Flown).
Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with aquatint and drypoint
Size (h x w)
214 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1971
Accession no
1971/14/1
Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

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Not on display

Pobrecitas!. (Poor Little Girls!).
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/1/1
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

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Not on display

Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and other Arms).
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

Production date
1815-1816
Medium
etching, burnished aquatint and drypoint
Size (h x w)
250 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/2
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

View Artwork

Not on display

Los Chinchillas. (The Chinchillas).
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnised aquatint and burin
Size (h x w)
306 x 208 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/70
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

View Artwork

Not on display

La faliacion. (The Betrothal).
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and aquatint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/7
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

View Artwork

Not on display

Mejor es holgar. (It is Better To Be Lazy).
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and burin
Size (h x w)
214 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/12
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

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Yona Lee: An Arrangement for 5 Rooms | Self-guided Resource Image
Yona Lee: An Arrangement for 5 Rooms | Self-guided Resource

Education resource

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Artist Yona Lee sits down with Curator of Contemporary Art, Natasha Conland Image
Artist Yona Lee sits down with Curator of Contemporary Art, Natasha Conland

Audio

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Max Oettli: Visible Evidence | Self-guided Resource Image
Max Oettli: Visible Evidence | Self-guided Resource

Education resource

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Heavenly Beings: Icons | Self-guided Resource Image
Heavenly Beings: Icons | Self-guided Resource

Education resource

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Still fresh as a daisy episode two | Dennis Nothdruft in conversation with Sophie Matthiesson Image
Still fresh as a daisy episode two | Dennis Nothdruft in conversation with Sophi...

Audio

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Toi Tū Toi Ora: Contemporary Māori Art | Teaching Resource Image
Toi Tū Toi Ora: Contemporary Māori Art | Teaching Resource

Education resource

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Toi Tū Toi Ora Curator Profile: Nigel Borell Image
Toi Tū Toi Ora Curator Profile: Nigel Borell

Video

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Toi Tū Toi Ora Artist Profile: Maree Sheehan Image
Toi Tū Toi Ora Artist Profile: Maree Sheehan

Video

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Still fresh as a daisy episode one | Heather Tilbury Phillips in conversation with Sophie Matthiesson Image
Still fresh as a daisy episode one | Heather Tilbury Phillips in conversation wi...

Audio

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Cultured Conversations with Karlo Mila Image
Cultured Conversations with Karlo Mila

Video

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Cultured Conversations with Royal Reed Image
Cultured Conversations with Royal Reed

Video

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Toi Tū Toi Ora Artist Profile: Reweti Arapere Image
Toi Tū Toi Ora Artist Profile: Reweti Arapere

Video

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Toi Tū Toi Ora Artist Profile: Natalie Robertson Image
Toi Tū Toi Ora Artist Profile: Natalie Robertson

Video

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Toi Tū Toi Ora Artist Profiles Image
Toi Tū Toi Ora Artist Profiles

Education resource

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Toi Tū Toi Ora Artist Profile: Tyrone Ohia Image
Toi Tū Toi Ora Artist Profile: Tyrone Ohia

Video

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Toi Tū Toi Ora Artist Profile: Ayesha Green Image
Toi Tū Toi Ora Artist Profile: Ayesha Green

Video

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Toi Tū Toi Ora Artist Profile: Zena Elliott Image
Toi Tū Toi Ora Artist Profile: Zena Elliott

Video

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Toi Tū Toi Ora Artist Profile: Ana Iti Image
Toi Tū Toi Ora Artist Profile: Ana Iti

Video

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Toi Tū Toi Ora Artist Profile: Hiria Anderson Image
Toi Tū Toi Ora Artist Profile: Hiria Anderson

Video

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Guests of the Artists Speaker Series | Adrian Vickers with Sriwhana Spong Image
Guests of the Artists Speaker Series | Adrian Vickers with Sriwhana Spong

Video

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Guests of the Artists Speaker Series | Elizabeth Aitken-Rose with Sonya Lacey Image
Guests of the Artists Speaker Series | Elizabeth Aitken-Rose with Sonya Lacey

Video

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Guests of the Artists Speaker Series | Tendai Mutambu with Fiona Amundsen Image
Guests of the Artists Speaker Series | Tendai Mutambu with Fiona Amundsen

Video

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The Walters Prize | Kōrero with the judge Kate Fowle Image
The Walters Prize | Kōrero with the judge Kate Fowle

Video

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Spoken Word with Ngā Hine Pūkōrero and guests Image
Spoken Word with Ngā Hine Pūkōrero and guests

Video

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Reuben Paterson - Guide Kaiārahi Image
Reuben Paterson - Guide Kaiārahi

Video

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Object and Style: Photographs from Four Decades: 1930s – 1960s by Frank Hofmann Image
Object and Style: Photographs from Four Decades: 1930s – 1960s by Frank Hofmann

Publication

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Te Rā Ringa Raupā - Reviving and preserving Māori history and the heritage of raranga (weaving) Image
Te Rā Ringa Raupā - Reviving and preserving Māori history and the heritage of r...

Video

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Cultured Conversations with Sue Gardiner Image
Cultured Conversations with Sue Gardiner

Video

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Candles in a Dark Room: James K. Baxter and Colin McCahon Image
Candles in a Dark Room: James K. Baxter and Colin McCahon

Publication

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Necessary Correction: Colin McCahon, Stephen Bambury, Helmut Federle Image
Necessary Correction: Colin McCahon, Stephen Bambury, Helmut Federle

Publication

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Towards Auckland: Colin McCahon the Gallery Years Image
Towards Auckland: Colin McCahon the Gallery Years

Publication

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Teaching Aids: The Colin McCahon Room Image
Teaching Aids: The Colin McCahon Room

Publication

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All That Was Solid Melts Newspaper Image
All That Was Solid Melts Newspaper

Publication

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After McCahon: Some Configurations in Recent Art Image
After McCahon: Some Configurations in Recent Art

Publication

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Alexis Hunter: Fears/Dreams/Desires Image
Alexis Hunter: Fears/Dreams/Desires

Publication

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Artist's Project: Andrew Drummond: Images from Another Archaeology Image
Artist's Project: Andrew Drummond: Images from Another Archaeology

Publication

Articles

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'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition Image
'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition

Caroline McBride

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Max Oettli's Night Beat Image
Max Oettli's Night Beat

Richard Wolfe

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Make Your Mark! Squiggla at ArtLab Image
Make Your Mark! Squiggla at ArtLab

Michelle Wilkinson & Sue Gardiner

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An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna' Image
An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna'

Ron Brownson

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Rifling through the Top Drawer: Looking through Grant Lingard Image
Rifling through the Top Drawer: Looking through Grant Lingard

Jeremiah Boniface

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Max Oettli: Visible Evidence Image
Max Oettli: Visible Evidence

Ron Brownson & Max Oettli

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In Conversation: The significant influence of Mary Quant on Kate Sylvester Image
In Conversation: The significant influence of Mary Quant on Kate Sylvester

Dan Ahwa & Kate Sylvester

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Julie Watson and Julia Waite in Conversation About the Rainbow Tick Image
Julie Watson and Julia Waite in Conversation About the Rainbow Tick

Julia Waite & Julie Watson

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Clown Time Image
Clown Time

Juliana Engberg

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New Zealand Swings Image
New Zealand Swings

Doris de Pont

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The Wellbeing Complex Image
The Wellbeing Complex

Alena Kavka

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The restorative potential of earth-centred practices Image
The restorative potential of earth-centred practices

Robyn Maree Pickens

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Escapism Image
Escapism

Karen Walker & Priscilla Southcombe

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What Do We Show the World? Image
What Do We Show the World?

Emily Cormack

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The Back of the Painting – A Journey Image
The Back of the Painting – A Journey

Sarah Hillary

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In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962) Image
In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962)

Natasha Conland

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A Moment of Optimism Image
A Moment of Optimism

Francis McWhannell

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‘Singing waiata to the spheres’: Reuben Paterson’s Dazzling Crystal Waka Sculpture Image
‘Singing waiata to the spheres’: Reuben Paterson’s Dazzling Crystal Waka Sculptu...

Dr Sarah Farrar

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Paint pigments and paper conservation Image
Paint pigments and paper conservation

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Frequency Image
Frequency

Zena Elliott & Olivia Boswell

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Artist files in the E H McCormick Research Library Image
Artist files in the E H McCormick Research Library

Tamsyn Bayliss

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Virtual Reach Image
Virtual Reach

Emma Elsom

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W.D. Hammond and 'Giant Eagle' Image
W.D. Hammond and 'Giant Eagle'

Ron Brownson

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Landscapes of Estrangement Image
Landscapes of Estrangement

Emma Jameson

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From the collection: Albert Goodwin, 'The First Christmas Dawn', 1894 Image
From the collection: Albert Goodwin, 'The First Christmas Dawn', 1894

Juliana Engberg

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Witi Ihimaera: TOI TŪ TOI ORA Image
Witi Ihimaera: TOI TŪ TOI ORA

Witi Ihimaera

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From the Pacific art collection: John Pule, 'Take these with you when you leave', 1998 Image
From the Pacific art collection: John Pule, 'Take these with you when you leave'...

Ane Tonga

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Civilisation, Photography, Now: AKL, Now, Next panelists Image
Civilisation, Photography, Now: AKL, Now, Next panelists

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Artists and the E H McCormick Research Library Image
Artists and the E H McCormick Research Library

Caroline McBride

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The Joy of the Gestalt: John Nixon 1949–2020 Image
The Joy of the Gestalt: John Nixon 1949–2020

Juliana Engberg

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Some pointers for the photographer working from a studio called HOME Image
Some pointers for the photographer working from a studio called HOME

Raymond Sagapolutele

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Meet the Makers: Cat McKay Image
Meet the Makers: Cat McKay

Rosemary Mitford-Taylor

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Archiving for Artists Image
Archiving for Artists

Caroline McBride

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O Happy Posterity: Laurence Simmons on Marco d’Oggiono and the Plague Image
O Happy Posterity: Laurence Simmons on Marco d’Oggiono and the Plague

Laurence Simmons

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Civilisation, Photography, Now: In a Covid-19 World Image
Civilisation, Photography, Now: In a Covid-19 World

William Ewing and Holly Roussell

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Denmark Design On Display Image
Denmark Design On Display

HOME magazine

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Architecture Image
Architecture
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Honour board Image
Honour board
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Walters Prize Image
Walters Prize
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Chartwell Trust Image
Chartwell Trust
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James Tannock Mackelvie Image
James Tannock Mackelvie
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Mackelvie Trust Image
Mackelvie Trust
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Sir George Grey Image
Sir George Grey
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Sir Rex Nan Kivell Image
Sir Rex Nan Kivell
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The Edmiston Trust Image
The Edmiston Trust
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The Ilene and Laurence Dakin Bequest Image
The Ilene and Laurence Dakin Bequest
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Awards Image
Awards
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Services Image
Services
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Experience Auckland Image
Experience Auckland
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Corban Estate Arts Centre Image
Corban Estate Arts Centre
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Depot Artspace Image
Depot Artspace
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Franklin Arts Centre Image
Franklin Arts Centre
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Gus Fisher Gallery Image
Gus Fisher Gallery
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Papakura Art Gallery Image
Papakura Art Gallery
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Te Tuhi Image
Te Tuhi
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Café Image
Café
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Request a print Image
Request a print
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Services Image
Services
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Education groups Image
Education groups
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Primary learning Image
Primary learning
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Exhibition information Image
Exhibition information
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Foundation programme: Portraiture and Identity Image
Foundation programme: Portraiture and Identity
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Foundation programme: Signs and Symbols Image
Foundation programme: Signs and Symbols
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Foundation programme: Storytelling Image
Foundation programme: Storytelling
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Special studio programme: Experiments with Paint Image
Special studio programme: Experiments with Paint
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A thousand words: Analysing visual texts in the Gallery Image
A thousand words: Analysing visual texts in the Gallery
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Mix and Match, and bespoke programmes Image
Mix and Match, and bespoke programmes
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Media Image
Media
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Auckland Zoo Image
Auckland Zoo
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Four artists announced for the Walters Prize 2016 Image
Four artists announced for the Walters Prize 2016
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LEGO fans set to let loose at Auckland Art Gallery Image
LEGO fans set to let loose at Auckland Art Gallery
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Friends of Gallery gift important artwork in first-time exhibition of paintings by senior Auckland artist Image
Friends of Gallery gift important artwork in first-time exhibition of paintings...