Exhibitions

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

—

FREE

Manpower: Myths of Masculinity

—

FREE

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Romancing the Collection
Romancing the Collection

—

FREE

Romancing the Collection

—

FREE

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Guide Kaiārahi
Guide Kaiārahi

—

FREE

Guide Kaiārahi

—

FREE

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Bill Culbert | Slow Wonder
Bill Culbert | Slow Wonder

—

FREE

Bill Culbert | Slow Wonder

—

FREE

Events

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Kintsugi workshop - March
Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

Please note: This event was originally scheduled for Sunday 19 September. It will now go ahead on Sunday 6 March 2022 (restrictions allowing) and ticket holders have been contacted directly.

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

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Quant-inspired Fashion Illustration Workshop
Quant-inspired Fashion Illustration Workshop

10.30am—3pm

From $150 Book now

Harnessing the youthful spirit of the sixties and embracing new mass-production techniques, Mary Quant created a new look for modern women. Be inspired by Quants work and play around with different materials and styles to create your own mini fashion sketch portfolio.

Quant-inspired Fashion Illustration Workshop

10.30am—3pm

From $150 Book now

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POSTPONED: Embroidery Workshop – Spring Stitch Zen
POSTPONED: Embroidery Workshop – Spring Stitch Zen

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Sunday 17 October. It will now go ahead on Sunday 28 November (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods for a fun and relaxing day of creative stitch in the Members Lounge. After a long winter, find your zen immersed in creativity and explore texture, fibres and colour. Fleur will support you to set your creativity free and make your own design using traditional and self-taught methods.

POSTPONED: Embroidery Workshop – Spring Stitch Zen

10.30am—4pm

From $310 Book now

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POSTPONED: Embroidery Workshop – Creative Floral Basics
POSTPONED: Embroidery Workshop – Creative Floral Basics

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Saturday 16 October. It will now go ahead on Saturday 27 November (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods to create your own mini floral embroidery. Enjoy a day in the Members lounge surrounded by beautiful blooms and immersed in creativity as Fleur shares her favourite supplies, tips & techniques. You will be supported to create your own design and set your creativity free. 

POSTPONED: Embroidery Workshop – Creative Floral Basics

10.30am—4pm

From $310 Book now

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Solacium – Live performance from the Human Kind Project
Solacium – Live performance from the Human Kind Project

1-2.30pm

FREE

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Art Rentals in the Age of Jane Austen
Art Rentals in the Age of Jane Austen

2—3pm

Members only – pay what you want Book now

Texas-based professor and writer, Janine Barchas returns to New Zealand to share some surprising findings about early art rentals.

Please note: This is an online event.

Art Rentals in the Age of Jane Austen

2—3pm

Members only – pay what you want Book now

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Yoga and Art Immersion
Yoga and Art Immersion

— Weekly, Tuesday class, 5.30–6.30pm, Sunday class, 9–10.00am

Public $15, Members $12

Yoga and Art Immersion

— Weekly, Tuesday class, 5.30–6.30pm, Sunday class, 9–10.00am

Public $15, Members $12

View Event
A Slow Wander | A tour for the curious
A Slow Wander | A tour for the curious

— 1-1.45pm

FREE | Register Now

Join us for a specially designed interactive experience of Bill Culbert | Slow Wonder.  

A Slow Wander | A tour for the curious

— 1-1.45pm

FREE | Register Now

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Whānau drop-ins – New activities each weekend!
Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am–3pm.

 

 

 

 

 

Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

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Friday Lates
Friday Lates

— Fridays until 9pm

FREE

Friday Lates

— Fridays until 9pm

FREE

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Gallery tours
Gallery tours

— 11.30am and 1.30pm daily

FREE

Our friendly and knowledgeable team is here to introduce you to the art, artists, stories and histories that make up our Gallery.

Gallery tours

— 11.30am and 1.30pm daily

FREE

Artworks

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View Artwork

Not on display

No nay que da voces. (It's No Use Crying Out).
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, burin and burnisher
Size (h x w)
154 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/1
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

View Artwork

Not on display

Otro modo de cazar á pie. (Another Way of Hunting on Foot).
Otro modo de cazar á pie. (Another Way of Hunting on Foot).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, roulette, drypoint and burin
Size (h x w)
243 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/1
Otro modo de cazar á pie. (Another Way of Hunting on Foot).

Francisco de Goya y Lucientes

View Artwork

Not on display

Linda maestra!. (Pretty Teacher).
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and drypoint
Size (h x w)
210 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/11
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

View Artwork

Not on display

Esto si que es leer. (That Certainly is Being Able To Read).
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnished aquatint and drypoint
Size (h x w)
213 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/69
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

View Artwork

Not on display

Que viene el Coco. (Here Comes the Bogey-man).
Que viene el Coco. (Here Comes the Bogey-man).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint
Size (h x w)
216 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/67
Que viene el Coco. (Here Comes the Bogey-man).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid).
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
246 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/4
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

View Artwork

Not on display

Farándula de Charlatanes. (Charlatans' Show).
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, aquatint or lavis, drypoint and burin
Size (h x w)
169 x 217 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/59
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

View Artwork

Not on display

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw).
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnished aquatint
Size (h x w)
243 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/63
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

View Artwork

Not on display

Tal para qual. (Two of a Kind).
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, aquatint and drypoing
Size (h x w)
198 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2004
Accession no
2004/30/127
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

View Artwork

Not on display

Y aun no se van!. (And Still They Don't Go!).
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and burin
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/8
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Murió la Verdad. (Truth Has Died).
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnisher
Size (h x w)
170 x 215 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/2
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

View Artwork

Not on display

Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Picadors Thrown One After the Other by a Single Bull).
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
244 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/3
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

View Artwork

Not on display

Si resucitará?. (Will She Rise Again?).
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnisher
Size (h x w)
171 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/3
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

View Artwork

Not on display

Espiró sin remedio. (There Was Nothing to be Done and He Died).
Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
burin, burnished aquatint, lavis, burin and burnisher
Size (h x w)
150 x 203 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/58
Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

View Artwork

Not on display

Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For the Bulls and Wnd).
Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

Production date
1877
Medium
etching, aquatint and drypoint
Size (h x w)
240 x 353 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/61
Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

View Artwork

Not on display

Se defiende bien. (He Defends Himself Well).
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, drypoint, burin and burnisher
Size (h x w)
174 x 216 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/64
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

View Artwork

Not on display

Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnished aquatint
Size (h x w)
215 x 320 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1984
Accession no
1984/43/1
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

View Artwork

Not on display

Los Chinchillas. (The Chinchillas).
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnised aquatint and burin
Size (h x w)
306 x 208 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/70
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

View Artwork

Not on display

La faliacion. (The Betrothal).
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and aquatint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/7
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

View Artwork

Not on display

Mejor es holgar. (It is Better To Be Lazy).
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and burin
Size (h x w)
214 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/12
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ysele quema la Casa. (And His House is on Fire).
Ysele quema la Casa. (And His House is on Fire).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
215 x 153 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/3
Ysele quema la Casa. (And His House is on Fire).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ensayos. (Trials).
Ensayos. (Trials).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with aquatint and burin
Size (h x w)
210 x 167 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/9
Ensayos. (Trials).

Francisco de Goya y Lucientes

View Artwork

Not on display

Que sacrificio!. (What a Sacrifice!).
Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and drypoint
Size (h x w)
200 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/2
Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Qué hai que hacer mas?. (What More Can Be Done?).
Qué hai que hacer mas?. (What More Can Be Done?).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, lavis drypoint, burin and burnisher
Size (h x w)
152 x 206 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/42/9
Qué hai que hacer mas?. (What More Can Be Done?).

Francisco de Goya y Lucientes

View Artwork

Not on display

Pobrecitas!. (Poor Little Girls!).
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/1/1
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and other Arms).
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

Production date
1815-1816
Medium
etching, burnished aquatint and drypoint
Size (h x w)
250 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/2
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

View Artwork

Not on display

Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants).
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching with burnished aquatint, drypoint and burin
Size (h x w)
248 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/3
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

View Artwork

Not on display

Volaverunt. (They Have Flown).
Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with aquatint and drypoint
Size (h x w)
214 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1971
Accession no
1971/14/1
Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

View Artwork

Not on display

No te escaparas. (You Will Not Escape).
No te escaparas. (You Will Not Escape).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
213 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/71
No te escaparas. (You Will Not Escape).

Francisco de Goya y Lucientes

View Artwork

Not on display

El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha. (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on With His Pique).
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, drypoint and burin
Size (h x w)
245 x 346 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/72
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha...

Francisco de Goya y Lucientes

View Artwork

Not on display

Muchachos al avio. (Lads Making Ready).
Muchachos al avio. (Lads Making Ready).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and burin
Size (h x w)
217 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/68
Muchachos al avio. (Lads Making Ready).

Francisco de Goya y Lucientes

View Artwork

Not on display

Fuerte cosa es!. (That's Tough!).
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

Production date
1810
Medium
etching, burnished aquatint, drypoint
Size (h x w)
153 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/60
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Nada [Ello dirá]. (Nothing [The Event Will Tell]).
Nada [Ello dirá]. (Nothing [The Event Will Tell]).

Francisco de Goya y Lucientes

Production date
1810-1820
Medium
etching, burnished aquatint, lavis, drypoint and burin
Size (h x w)
153 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/62
Nada [Ello dirá]. (Nothing [The Event Will Tell]).

Francisco de Goya y Lucientes

View Artwork

Not on display

El Vergonzoso. (The Shamefaced One).
El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and aquatint
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/6
El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

View Artwork

Not on display

Aguarda que te unten. (Wait Till You've Been Annointed).
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

Production date
1797-1798
Medium
etching, burnished aquatint and drypoint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/10
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

View Artwork

Not on display

Estan calientes. (They are Hot).
Estan calientes. (They are Hot).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 155 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/1
Estan calientes. (They are Hot).

Francisco de Goya y Lucientes

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Guests of the Artists Speaker Series | Elizabeth Aitken-Rose with Sonya Lacey Image
Guests of the Artists Speaker Series | Elizabeth Aitken-Rose with Sonya Lacey

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Albin Martin
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Albin Martin

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Contemporary New Zealand Painting 1964

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Aspects of Recent New Zealand Art: Sculpture 1

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Aspects of Recent New Zealand Art: Sculpture 2

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Te Maori: Te hokinga mai. The return home. Checklist

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Advance Australian Painting

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The buried army of Qin Shihuang

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The Print: Methods and Masterpieces

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Te Maori: Te hokinga mai. The return home

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The Portrait
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The Portrait

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NZ XI
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immendorff in auckland

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Raymond McIntyre

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Ukiyo-e: Pictures of the Floating World

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New Zealand Film Makers at the Auckland City Art Gallery Image
New Zealand Film Makers at the Auckland City Art Gallery

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What Do We Show the World? Image
What Do We Show the World?

Emily Cormack

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The Back of the Painting – A Journey

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A Moment of Optimism Image
A Moment of Optimism

Francis McWhannell

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Sarah Farrar

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Paint pigments and paper conservation

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Frequency Image
Frequency

Zena Elliott & Olivia Boswell

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Artist files in the E H McCormick Research Library

Tamsyn Bayliss

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Virtual Reach

Emma Elsom

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W.D. Hammond and 'Giant Eagle' Image
W.D. Hammond and 'Giant Eagle'

Ron Brownson

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Landscapes of Estrangement

Emma Jameson

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From the collection: Albert Goodwin, 'The First Christmas Dawn', 1894

Juliana Engberg

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Witi Ihimaera: TOI TŪ TOI ORA

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From the Pacific art collection: John Pule, 'Take these with you when you leave'...

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Artists and the E H McCormick Research Library

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The Joy of the Gestalt: John Nixon 1949–2020

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Some pointers for the photographer working from a studio called HOME

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O Happy Posterity: Laurence Simmons on Marco d’Oggiono and the Plague

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Civilisation, Photography, Now: In a Covid-19 World

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Denmark Design On Display

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Roger Blackley (1953-2019)

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Art Archives Internship at Auckland Art Gallery Toi o Tāmaki

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The Gordon Walters Estate Loan Collection

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E H McCormick Research Library 2018 Summer Art Archives Internship

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Francis Pound – farewell to a friend

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Remembering Francis Pound (1948–2017)

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An amazing encounter with Auckland Art Gallery – some notes from a Chinese regis...

Du Zhidong

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Seeing the soundscape: a conversation between the aural & the visual Image
Seeing the soundscape: a conversation between the aural & the visual

Catriona Britton

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Memories of a friend

Dr Haare Williams

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Auckland Zoo
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Four artists announced for the Walters Prize 2016
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LEGO fans set to let loose at Auckland Art Gallery
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Gallery announces captivating upcoming programme
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Judge announced for New Zealand’s premier art prize: The Walters Prize 2014
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New exhibition presents indigenous views from across Australia
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For the first time Find New Zealand Artists in one place
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World Architecture Festival names Auckland Art Gallery building of the year
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FAQs
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Shannon Te Ao wins Walters Prize 2016
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Chartwell Trust
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James Tannock Mackelvie
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Sir George Grey
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Sir Rex Nan Kivell
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The Ilene and Laurence Dakin Bequest
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Corban Estate Arts Centre
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Gus Fisher Gallery
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Dane Mitchell’s Iris, Iris, Iris to open at Auckland Art Gallery Toi o Tāmaki
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Four new artist projects launch this week at Auckland Art Gallery Toi o Tāmaki
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Auckland Art Gallery Toi o Tāmaki appoints new curators
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Tertiary learning Image
Tertiary learning
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Shop FAQs