Exhibitions

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Sara Hughes: All My Favourite Shapes
Sara Hughes: All My Favourite Shapes

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Sara Hughes: All My Favourite Shapes

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Nathan Coley: A Place Beyond Belief
Nathan Coley: A Place Beyond Belief

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Nathan Coley: A Place Beyond Belief

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John Reynolds: The Violet Hour
John Reynolds: The Violet Hour

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John Reynolds: The Violet Hour

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Sorawit Songsataya: The Interior
Sorawit Songsataya: The Interior

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Sorawit Songsataya: The Interior

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Louise Henderson: A Life in Archives
Louise Henderson: A Life in Archives

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Louise Henderson: A Life in Archives

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Louise Henderson: From Life
Louise Henderson: From Life

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Louise Henderson: From Life

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Denmark Design
Denmark Design

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$12 early bird tickets available Book now

Denmark Design

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$12 early bird tickets available Book now

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A Place to Paint: Colin McCahon in Auckland
A Place to Paint: Colin McCahon in Auckland

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A Place to Paint: Colin McCahon in Auckland

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The Wake: A Poem in the Forest
The Wake: A Poem in the Forest

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The Wake: A Poem in the Forest

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From the Archive: Colin McCahon in Auckland
From the Archive: Colin McCahon in Auckland

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From the Archive: Colin McCahon in Auckland

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Living Portraits: Mata Raurangi
Living Portraits: Mata Raurangi

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Living Portraits: Mata Raurangi

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In the Listening Light: Momentary Impressions in Painting 1890-1920
In the Listening Light: Momentary Impressions in Painting 1890-1920

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Ralph Hotere: Godwit/Kuaka
Ralph Hotere: Godwit/Kuaka

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Ralph Hotere: Godwit/Kuaka

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The Body Reborn
The Body Reborn

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The Body Reborn

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Radical Beginnings
Radical Beginnings

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Radical Beginnings

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Seeing Moana Oceania
Seeing Moana Oceania

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Seeing Moana Oceania

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Flight Plan
Flight Plan

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Flight Plan

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Love, Longing, Loss
Love, Longing, Loss

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Love, Longing, Loss

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Events

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NZTrio: Tectonic Uprising
NZTrio: Tectonic Uprising

6–8pm

$50 + fees General Admission, $40 + fees AAG Members, $25 +fees Concession (Students with ID.) Book now

Join NZTrio at the Gallery for a live evening performance of TECTONIC UPRISING .

NZTrio: Tectonic Uprising

6–8pm

$50 + fees General Admission, $40 + fees AAG Members, $25 +fees Concession (Students with ID.) Book now

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Denmark Design Seminar
Denmark Design Seminar

10.30am–3.30pm

$75 Members early bird*, $85 Members standard, $135 Non-Members* Book now

Associate Professor Linda Tyler and ‘design encyclopaedia’ Caroline Montague dive deep into the history, heyday and highlights of Danish Design in this one-day Denmark Design seminar, with four 50-minute lectures on: 

1.            The First Danish Design Companies with an international reputation
2.            From Classicism to Functionalism
3.            Organic Modernism: Danish Design Goes International
4.            Danish Design in the Postmodern era and Our Time

Denmark Design Seminar

10.30am–3.30pm

$75 Members early bird*, $85 Members standard, $135 Non-Members* Book now

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Gibbs Farm sculpture park visit 2020
Gibbs Farm sculpture park visit 2020

10am–2pm

$95 + fees Adult, $85 +fees Auckland Art Gallery Member, $70 + fees Student, $40 + fees Child (Under 5 free) Book now

Gibbs Farm sculpture park visit 2020

10am–2pm

$95 + fees Adult, $85 +fees Auckland Art Gallery Member, $70 + fees Student, $40 + fees Child (Under 5 free) Book now

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Michael Smythe — Scandi-Kiwi Style
Michael Smythe — Scandi-Kiwi Style

2–3pm

It was the golden age of the 1950s and 60s when Scandinavian Design became a dominant international trend and New Zealand fell under the influence of Nordic designers.

Join design writer, researcher, curator and historian Michael Smythe for an illustrated talk that will reveal the extent of this influence on New Zealand design during the post-WWII years.

Michael Smythe — Scandi-Kiwi Style

2–3pm

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Bespoke Booked Tours: Louise Henderson: From Life
Bespoke Booked Tours: Louise Henderson: From Life

— 10am–5pm.

Adults $10; Concessions $7.50 Members and children 12 &under FREE

Book a group of friends or workmates for a bespoke tour of the exhibition Louise Henderson: From Life and gain new insights into one of New Zealand’s most dynamic artists.

Bespoke Booked Tours: Louise Henderson: From Life

— 10am–5pm.

Adults $10; Concessions $7.50 Members and children 12 &under FREE

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My Art Time
My Art Time

— Every weekend, 11am – 2pm

Free for New Zealand residents, Members and Children 12 & under

My Art Time is a free, kids-focused weekend event held every Saturday and Sunday from 11am–2pm. 

My Art Time

— Every weekend, 11am – 2pm

Free for New Zealand residents, Members and Children 12 & under

Artworks

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View Artwork

Not on display

No te escaparas. (You Will Not Escape).
No te escaparas. (You Will Not Escape).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
213 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/71
No te escaparas. (You Will Not Escape).

Francisco de Goya y Lucientes

View Artwork

Not on display

Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants).
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching with burnished aquatint, drypoint and burin
Size (h x w)
248 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/3
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

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Not on display

Linda maestra!. (Pretty Teacher).
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and drypoint
Size (h x w)
210 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/11
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

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Not on display

La faliacion. (The Betrothal).
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and aquatint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/7
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

View Artwork

Not on display

Tu que no puedes. (Thou Who Cannot).
Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/5
Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

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Not on display

Se defiende bien. (He Defends Himself Well).
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, drypoint, burin and burnisher
Size (h x w)
174 x 216 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/64
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

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Not on display

Que viene el Coco. (Here Comes the Bogey-man).
Que viene el Coco. (Here Comes the Bogey-man).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint
Size (h x w)
216 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/67
Que viene el Coco. (Here Comes the Bogey-man).

Francisco de Goya y Lucientes

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Not on display

Las rinde el sueño. (Sleep Overcomes Them).
Las rinde el sueño. (Sleep Overcomes Them).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/1/2
Las rinde el sueño. (Sleep Overcomes Them).

Francisco de Goya y Lucientes

View Artwork

Not on display

Si resucitará?. (Will She Rise Again?).
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnisher
Size (h x w)
171 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/3
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

View Artwork

Not on display

Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For the Bulls and Wnd).
Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

Production date
1877
Medium
etching, aquatint and drypoint
Size (h x w)
240 x 353 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/61
Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

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Not on display

Volaverunt. (They Have Flown).
Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with aquatint and drypoint
Size (h x w)
214 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1971
Accession no
1971/14/1
Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

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Not on display

Ensayos. (Trials).
Ensayos. (Trials).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with aquatint and burin
Size (h x w)
210 x 167 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/9
Ensayos. (Trials).

Francisco de Goya y Lucientes

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Not on display

Que sacrificio!. (What a Sacrifice!).
Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and drypoint
Size (h x w)
200 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/2
Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).
Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint and drypoint
Size (h x w)
220 x 317 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1984
Accession no
1984/43/2
Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

View Artwork

Not on display

Esto si que es leer. (That Certainly is Being Able To Read).
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnished aquatint and drypoint
Size (h x w)
213 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/69
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

View Artwork

Not on display

Los Chinchillas. (The Chinchillas).
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnised aquatint and burin
Size (h x w)
306 x 208 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/70
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

View Artwork

Not on display

Murió la Verdad. (Truth Has Died).
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnisher
Size (h x w)
170 x 215 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/2
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

View Artwork

Not on display

Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and other Arms).
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

Production date
1815-1816
Medium
etching, burnished aquatint and drypoint
Size (h x w)
250 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/2
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

View Artwork

Not on display

El Vergonzoso. (The Shamefaced One).
El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and aquatint
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/6
El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

View Artwork

Not on display

Aguarda que te unten. (Wait Till You've Been Annointed).
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

Production date
1797-1798
Medium
etching, burnished aquatint and drypoint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/10
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

View Artwork

Not on display

Al Conde Palatino. (At Count Palatine's).
Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

Production date
1797-1798
Medium
etching, aquatint, drypoint and burin
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/4
Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

View Artwork

Not on display

Farándula de Charlatanes. (Charlatans' Show).
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, aquatint or lavis, drypoint and burin
Size (h x w)
169 x 217 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/59
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

View Artwork

Not on display

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw).
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnished aquatint
Size (h x w)
243 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/63
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

View Artwork

Not on display

El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha. (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on With His Pique).
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, drypoint and burin
Size (h x w)
245 x 346 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/72
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha...

Francisco de Goya y Lucientes

View Artwork

Not on display

Tal para qual. (Two of a Kind).
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, aquatint and drypoing
Size (h x w)
198 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2004
Accession no
2004/30/127
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

View Artwork

Not on display

Pobrecitas!. (Poor Little Girls!).
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/1/1
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid).
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
246 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/4
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

View Artwork

Not on display

Mejor es holgar. (It is Better To Be Lazy).
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and burin
Size (h x w)
214 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/12
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

View Artwork

Not on display

Y aun no se van!. (And Still They Don't Go!).
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and burin
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/8
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Fuerte cosa es!. (That's Tough!).
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

Production date
1810
Medium
etching, burnished aquatint, drypoint
Size (h x w)
153 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/60
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnished aquatint
Size (h x w)
215 x 320 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1984
Accession no
1984/43/1
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

View Artwork

Not on display

Muchachos al avio. (Lads Making Ready).
Muchachos al avio. (Lads Making Ready).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and burin
Size (h x w)
217 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/68
Muchachos al avio. (Lads Making Ready).

Francisco de Goya y Lucientes

View Artwork

Not on display

Espiró sin remedio. (There Was Nothing to be Done and He Died).
Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
burin, burnished aquatint, lavis, burin and burnisher
Size (h x w)
150 x 203 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/58
Espiró sin remedio. (There Was Nothing to be Done and He Died).

Francisco de Goya y Lucientes

View Artwork

Not on display

Nada [Ello dirá]. (Nothing [The Event Will Tell]).
Nada [Ello dirá]. (Nothing [The Event Will Tell]).

Francisco de Goya y Lucientes

Production date
1810-1820
Medium
etching, burnished aquatint, lavis, drypoint and burin
Size (h x w)
153 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/62
Nada [Ello dirá]. (Nothing [The Event Will Tell]).

Francisco de Goya y Lucientes

View Artwork

Not on display

No nay que da voces. (It's No Use Crying Out).
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, burin and burnisher
Size (h x w)
154 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/1
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

View Artwork

Not on display

Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Picadors Thrown One After the Other by a Single Bull).
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
244 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/3
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

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McCahon: Country Image
McCahon: Country
 Publication
McCahon: Country

Publication

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Working towards Meaning – The Restoration of Colin McCahon’s Chapel Windows Image
Working towards Meaning – The Restoration of Colin McCahon’s Chapel Windows

Publication

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Frances Hodgkins: European Journeys Image
Frances Hodgkins: European Journeys

Publication

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Six decades of giving: The Friends of the Auckland Art Gallery Image
Six decades of giving: The Friends of the Auckland Art Gallery

Audio

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Dane Mitchell: Iris, Iris Iris Image
Dane Mitchell: Iris, Iris Iris

Video

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The making of Gordon Walters: New Vision Image
The making of Gordon Walters: New Vision

Video

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The Discerning Eye Image
The Discerning Eye

Publication

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Issue 8: Politics in Denial Image
Issue 8: Politics in Denial

Publication

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Gordon Walters: New Vision Image
Gordon Walters: New Vision

Publication

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Project Another Country Image
Project Another Country

Video

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Wi Taepa: Retrospective Image
Wi Taepa: Retrospective

Publication

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The obliteration room: timelapse Image
The obliteration room: timelapse

Video

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Re-constructing Arcadia: Early Modern Fragments Image
Re-constructing Arcadia: Early Modern Fragments

Publication

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The Corsini Collection: Hyacinthe Rigaud's portrait of Don Neri Corsini Image
The Corsini Collection: Hyacinthe Rigaud's portrait of Don Neri Corsini

Video

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The Corsini Collection: Botticelli and his Workshop Image
The Corsini Collection: Botticelli and his Workshop

Video

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The Corsini Collection: What's special about Botticelli? Image
The Corsini Collection: What's special about Botticelli?

Video

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The Corsini Collection: How did women save the Corsini Collection? Image
The Corsini Collection: How did women save the Corsini Collection?

Video

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The Corsini Collection: What is Renaissance art? Image
The Corsini Collection: What is Renaissance art?

Video

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The Corsini Collection: The Barberini Bees Image
The Corsini Collection: The Barberini Bees

Video

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The Corsini Collection: Florence: Cradle of the Renaissance Image
The Corsini Collection: Florence: Cradle of the Renaissance

Video

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The Corsini Collection: What is Baroque art? Image
The Corsini Collection: What is Baroque art?

Video

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The Corsini Collection: Who is Arno? Image
The Corsini Collection: Who is Arno?

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