Exhibitions

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Te Hā o Te Wao Nui a Tāne | The Breath of Tāne
Te Hā o Te Wao Nui a Tāne | The Breath of Tāne

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Mother Tongue
Mother Tongue

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FREE

Mother Tongue

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FREE

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Te Haerenga | The Passage
Te Haerenga | The Passage

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FREE

Te Haerenga | The Passage

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FREE

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Takoto
Takoto

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FREE

Takoto

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FREE

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Toi Tū Toi Ora: Contemporary Māori Art
Toi Tū Toi Ora: Contemporary Māori Art

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FREE

Toi Tū Toi Ora: Contemporary Māori Art

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FREE

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CULTURAL ID; Marae, Maunga, Motu
CULTURAL ID; Marae, Maunga, Motu

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FREE

CULTURAL ID; Marae, Maunga, Motu

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FREE

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He Hītori mō ngā Whakaaturanga Whakatōpū Toi Māori o Nāianei: A History of Contemporary Māori Art Survey Exhibitions
He Hītori mō ngā Whakaaturanga Whakatōpū Toi Māori o Nāianei: A History of Conte...

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Puhoro
Puhoro

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FREE

Puhoro

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FREE

Events

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SOLD OUT: Gibbs Farm Sculpture Park Visit 2021
SOLD OUT: Gibbs Farm Sculpture Park Visit 2021

10am—2pm

$50—$95 (plus service fees) Book now

Join us for a rare weekend opportunity to visit Gibbs Farm, helping to raise funds for Auckland Art Gallery.

SOLD OUT: Gibbs Farm Sculpture Park Visit 2021

10am—2pm

$50—$95 (plus service fees) Book now

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Karanga Atu, Karanga Mai: GALS Auckland Rainbow Choir with Pride
Karanga Atu, Karanga Mai: GALS Auckland Rainbow Choir with Pride

2—3pm

FREE

A colourful celebration of community and voice as part of Auckland Pride Festival 2021.

Karanga Atu, Karanga Mai: GALS Auckland Rainbow Choir with Pride

2—3pm

FREE

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Atamira Dance Company: TŌTORU - Threefold, Triple, Trio
Atamira Dance Company: TŌTORU - Threefold, Triple, Trio

— 10am—5pm

FREE

Welcoming visitors over the opening weekend of Toi Tū Toi Ora: Contemporary Māori Art, dancers from Atamira Dance Company will activate aspects of the water pool located at the entrance of Auckland Art Gallery Toi o Tāmaki.

Atamira Dance Company: TŌTORU - Threefold, Triple, Trio

— 10am—5pm

FREE

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Ngā Hinepūkōrero – Spoken Word Poets
Ngā Hinepūkōrero – Spoken Word Poets

3.30—4pm

FREE

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Emily Karaka: Kanohi ki te kanohi, face to face
Emily Karaka: Kanohi ki te kanohi, face to face

2–3.15pm

FREE

Join us on Waitangi Day for a conversation with acclaimed artist, Emily Karaka, in the presence of her powerful, exuberantly-coloured paintings currently on display as part of Toi Tū Toi Ora: Contemporary Māori Art.

Emily Karaka: Kanohi ki te kanohi, face to face

2–3.15pm

FREE

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Curator talk | Mother Tongue
Curator talk | Mother Tongue

2–3pm

Free for Members (RSVP required)

Join co-ordinating curator Ane Tonga as she discusses Angelica Mesiti's video installation Mother Tongue.

Curator talk | Mother Tongue

2–3pm

Free for Members (RSVP required)

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Summer School Holidays: Animated Short Films
Summer School Holidays: Animated Short Films

— 11am—4pm. Screenings begin on the hour.

FREE

Summer School Holidays: Animated Short Films

— 11am—4pm. Screenings begin on the hour.

FREE

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School Holiday Programmes at the Gallery
School Holiday Programmes at the Gallery

—

$80 (+booking fees) per child, per day | $350 (+booking fees) per child, 5 days Book now

School holiday programmes with activities inspired by Toi Tū Toi Ora: Contemporary Māori Art.

School Holiday Programmes at the Gallery

—

$80 (+booking fees) per child, per day | $350 (+booking fees) per child, 5 days Book now

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Friday Lates: Drop-in Drawing
Friday Lates: Drop-in Drawing

— Fridays 6.30pm from 15 Jan 2021

FREE

Friday Lates: Drop-in Drawing

— Fridays 6.30pm from 15 Jan 2021

FREE

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Hīkoi to Britomart
Hīkoi to Britomart

— Sat & Sun, 12pm & 2pm

$25 or $22.50 (special Members price) plus service fees Buy tickets

Grab your walking shoes and join one of our kaiārahi/tour guides to explore significant Māori public artworks in the heart of Tāmaki Makaurau.

Hīkoi to Britomart

— Sat & Sun, 12pm & 2pm

$25 or $22.50 (special Members price) plus service fees Buy tickets

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Whānau drop-ins — New activities added!
Whānau drop-ins — New activities added!

— Weekends & school holiday weekdays, 11am—3pm

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am—3pm. 

 

 

 

 

 

Whānau drop-ins — New activities added!

— Weekends & school holiday weekdays, 11am—3pm

FREE

View Event
Friday Lates
Friday Lates

— Fridays (except Fri 1 Jan 2021) until 9pm

FREE

Friday Lates

— Fridays (except Fri 1 Jan 2021) until 9pm

FREE

Artworks

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View Artwork

Not on display

No te escaparas. (You Will Not Escape).
No te escaparas. (You Will Not Escape).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
213 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/71
No te escaparas. (You Will Not Escape).

Francisco de Goya y Lucientes

View Artwork

Not on display

Linda maestra!. (Pretty Teacher).
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and drypoint
Size (h x w)
210 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/11
Linda maestra!. (Pretty Teacher).

Francisco de Goya y Lucientes

View Artwork

Not on display

La faliacion. (The Betrothal).
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and aquatint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/7
La faliacion. (The Betrothal).

Francisco de Goya y Lucientes

View Artwork

Not on display

Tu que no puedes. (Thou Who Cannot).
Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/5
Tu que no puedes. (Thou Who Cannot).

Francisco de Goya y Lucientes

View Artwork

Not on display

Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants).
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching with burnished aquatint, drypoint and burin
Size (h x w)
248 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/3
Un caballero Español en plaza quebrando rejoncillos sin auxilio de los chulos. (...

Francisco de Goya y Lucientes

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Not on display

Se defiende bien. (He Defends Himself Well).
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, drypoint, burin and burnisher
Size (h x w)
174 x 216 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/64
Se defiende bien. (He Defends Himself Well).

Francisco de Goya y Lucientes

View Artwork

Not on display

Mejor es holgar. (It is Better To Be Lazy).
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint and burin
Size (h x w)
214 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/12
Mejor es holgar. (It is Better To Be Lazy).

Francisco de Goya y Lucientes

View Artwork

Not on display

Y aun no se van!. (And Still They Don't Go!).
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and burin
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/8
Y aun no se van!. (And Still They Don't Go!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Pobrecitas!. (Poor Little Girls!).
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/1/1
Pobrecitas!. (Poor Little Girls!).

Francisco de Goya y Lucientes

View Artwork

Not on display

El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha. (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on With His Pique).
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, drypoint and burin
Size (h x w)
245 x 346 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/72
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha...

Francisco de Goya y Lucientes

View Artwork

Not on display

Tal para qual. (Two of a Kind).
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, aquatint and drypoing
Size (h x w)
198 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Peter Tomory, 2004
Accession no
2004/30/127
Tal para qual. (Two of a Kind).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid).
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
246 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/4
Ligereza y atrevimiento de Juanito Apiñan: en la de Madrid. (The Agility and Aud...

Francisco de Goya y Lucientes

View Artwork

Not on display

Fuerte cosa es!. (That's Tough!).
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

Production date
1810
Medium
etching, burnished aquatint, drypoint
Size (h x w)
153 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/60
Fuerte cosa es!. (That's Tough!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnished aquatint
Size (h x w)
215 x 320 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1984
Accession no
1984/43/1
Sanan cuchilladas mas no malas palabras. (Wounds Heal Quicker than Hasty Words).

Francisco de Goya y Lucientes

View Artwork

Not on display

El Vergonzoso. (The Shamefaced One).
El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and aquatint
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/6
El Vergonzoso. (The Shamefaced One).

Francisco de Goya y Lucientes

View Artwork

Not on display

Aguarda que te unten. (Wait Till You've Been Annointed).
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

Production date
1797-1798
Medium
etching, burnished aquatint and drypoint
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/10
Aguarda que te unten. (Wait Till You've Been Annointed).

Francisco de Goya y Lucientes

View Artwork

Not on display

Al Conde Palatino. (At Count Palatine's).
Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

Production date
1797-1798
Medium
etching, aquatint, drypoint and burin
Size (h x w)
215 x 152 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/4
Al Conde Palatino. (At Count Palatine's).

Francisco de Goya y Lucientes

View Artwork

Not on display

Murió la Verdad. (Truth Has Died).
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and burnisher
Size (h x w)
170 x 215 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/2
Murió la Verdad. (Truth Has Died).

Francisco de Goya y Lucientes

View Artwork

Not on display

Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and other Arms).
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

Production date
1815-1816
Medium
etching, burnished aquatint and drypoint
Size (h x w)
250 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1960
Accession no
1960/16/2
Desjarrete de la canallo con lanzas, medias-lunas, banderillas y otras armas. (T...

Francisco de Goya y Lucientes

View Artwork

Not on display

Esto si que es leer. (That Certainly is Being Able To Read).
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnished aquatint and drypoint
Size (h x w)
213 x 147 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/69
Esto si que es leer. (That Certainly is Being Able To Read).

Francisco de Goya y Lucientes

View Artwork

Not on display

Los Chinchillas. (The Chinchillas).
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

Production date
1799
Medium
etching, burnised aquatint and burin
Size (h x w)
306 x 208 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/70
Los Chinchillas. (The Chinchillas).

Francisco de Goya y Lucientes

View Artwork

Not on display

Farándula de Charlatanes. (Charlatans' Show).
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

Production date
Post 1814
Medium
etching, aquatint or lavis, drypoint and burin
Size (h x w)
169 x 217 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/59
Farándula de Charlatanes. (Charlatans' Show).

Francisco de Goya y Lucientes

View Artwork

Not on display

Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw).
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnished aquatint
Size (h x w)
243 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/63
Dos a uno, meten la paja en el culo. (If Two to One, Stuff Your Arse With Straw)...

Francisco de Goya y Lucientes

View Artwork

Not on display

Volaverunt. (They Have Flown).
Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with aquatint and drypoint
Size (h x w)
214 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1971
Accession no
1971/14/1
Volaverunt. (They Have Flown).

Francisco de Goya y Lucientes

View Artwork

Not on display

Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For the Bulls and Wnd).
Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

Production date
1877
Medium
etching, aquatint and drypoint
Size (h x w)
240 x 353 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1981
Accession no
1981/50/61
Al toro y al aire dar les calle (Make Way for the Bulls and Wind). (Make Way For...

Francisco de Goya y Lucientes

View Artwork

Not on display

Ensayos. (Trials).
Ensayos. (Trials).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with aquatint and burin
Size (h x w)
210 x 167 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/9
Ensayos. (Trials).

Francisco de Goya y Lucientes

View Artwork

Not on display

Que sacrificio!. (What a Sacrifice!).
Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching, burnished aquatint and drypoint
Size (h x w)
200 x 150 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/2
Que sacrificio!. (What a Sacrifice!).

Francisco de Goya y Lucientes

View Artwork

Not on display

Las rinde el sueño. (Sleep Overcomes Them).
Las rinde el sueño. (Sleep Overcomes Them).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
215 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/1/2
Las rinde el sueño. (Sleep Overcomes Them).

Francisco de Goya y Lucientes

View Artwork

Not on display

Si resucitará?. (Will She Rise Again?).
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

Production date
circa 1810-1820
Medium
etching and burnisher
Size (h x w)
171 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/3
Si resucitará?. (Will She Rise Again?).

Francisco de Goya y Lucientes

View Artwork

Not on display

Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).
Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint and drypoint
Size (h x w)
220 x 317 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1984
Accession no
1984/43/2
Por tremor no pierdas honor. (Do Not Lose Honour Through Fear).

Francisco de Goya y Lucientes

View Artwork

Not on display

Que viene el Coco. (Here Comes the Bogey-man).
Que viene el Coco. (Here Comes the Bogey-man).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching with burnished aquatint
Size (h x w)
216 x 151 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, Peter Tomory Collection, purchased 2004
Accession no
2004/30/67
Que viene el Coco. (Here Comes the Bogey-man).

Francisco de Goya y Lucientes

View Artwork

Not on display

Estan calientes. (They are Hot).
Estan calientes. (They are Hot).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
216 x 155 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/1
Estan calientes. (They are Hot).

Francisco de Goya y Lucientes

View Artwork

Not on display

Ysele quema la Casa. (And His House is on Fire).
Ysele quema la Casa. (And His House is on Fire).

Francisco de Goya y Lucientes

Production date
circa 1799
Medium
etching and burnished aquatint
Size (h x w)
215 x 153 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1954
Accession no
1954/7/2/3
Ysele quema la Casa. (And His House is on Fire).

Francisco de Goya y Lucientes

View Artwork

Not on display

Qué hai que hacer mas?. (What More Can Be Done?).
Qué hai que hacer mas?. (What More Can Be Done?).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, lavis drypoint, burin and burnisher
Size (h x w)
152 x 206 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/42/9
Qué hai que hacer mas?. (What More Can Be Done?).

Francisco de Goya y Lucientes

View Artwork

Not on display

No nay que da voces. (It's No Use Crying Out).
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching, burnished aquatint, burin and burnisher
Size (h x w)
154 x 205 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/2/1
No nay que da voces. (It's No Use Crying Out).

Francisco de Goya y Lucientes

View Artwork

Not on display

Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Picadors Thrown One After the Other by a Single Bull).
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

Production date
circa 1816
Medium
etching and aquatint
Size (h x w)
244 x 352 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1959
Accession no
1959/16/3
Dos grupos de picadores arrollados de seguida por un solo toro. (Two Teams of Pi...

Francisco de Goya y Lucientes

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Art Toi November 2020 Image
Art Toi November 2020

Publication

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Curator's Talk: Rosanna Raymond in Conversation with Ron Brownson Image
Curator's Talk: Rosanna Raymond in Conversation with Ron Brownson

Audio

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Curator's Talk: Natasha Conland on 'History Sees Division' Image
Curator's Talk: Natasha Conland on 'History Sees Division'

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Cultured Conversations with Cara Kirkwood Image
Cultured Conversations with Cara Kirkwood

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Curator's Talk: Ron Brownson with Gretchen Albrecht on Gains and Losses Image
Curator's Talk: Ron Brownson with Gretchen Albrecht on Gains and Losses

Audio

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Cultured Conversations with Graham Tipene Image
Cultured Conversations with Graham Tipene

Audio

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Curator's Talk: Ron Brownson on Tony Fomison: Artist and Archivist Image
Curator's Talk: Ron Brownson on Tony Fomison: Artist and Archivist

Audio

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Cultured Conversations with Carrillo Gantner Image
Cultured Conversations with Carrillo Gantner

Audio

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Curator's Talk: Ron Brownson on Kinder's Presence Image
Curator's Talk: Ron Brownson on Kinder's Presence

Audio

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Cultured Conversations with Daniel Slater Image
Cultured Conversations with Daniel Slater

Audio

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Curator's Talk: Natasha Conland gives an extended tour of ‘Freedom Farmers’ Image
Curator's Talk: Natasha Conland gives an extended tour of ‘Freedom Farmers’

Audio

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Cultured Conversations with Mark Franklin Image
Cultured Conversations with Mark Franklin

Audio

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Curator's Talk: Kate Newby in Conversation with Natasha Conland Image
Curator's Talk: Kate Newby in Conversation with Natasha Conland

Audio

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Cultured Conversations with Ian Williamson Image
Cultured Conversations with Ian Williamson

Audio

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Curator's Talk: Natasha Conland on Freedom Farmers: New Zealand Artists Growing Ideas Image
Curator's Talk: Natasha Conland on Freedom Farmers: New Zealand Artists Growing...

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Curator's Talk: Ngahiraka Mason on Five Māori Painters Image
Curator's Talk: Ngahiraka Mason on Five Māori Painters

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Curator's Talk: Mary Kisler — on James Tissot’s Love of Fashion Image
Curator's Talk: Mary Kisler — on James Tissot’s Love of Fashion

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Cultured Conversations with Juliana Engberg

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Curator's Talk: Mary Kisler – on Seeking Modernity

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Peter Tomory Delivering the Inaugural Auburn Lecture

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Cultured Conversations with Viv Beck

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Secondary Learning: Enchanted Worlds Student Activity

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Cultured Conversations with Chelsea Winstanley

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Cultured Conversations with Andrew Grant

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Cultured Conversations with Chris Brooks

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Cultured Conversations with Helen Clark

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Giovanni Intra Lecture Delivered by Allan Smith

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Primary Learning: Enchanted Worlds Student Activity

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Richard Francis-Jones on the Developed Auckland Art Gallery

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Reflections on the Floating World

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Sebastian Black in Conversation with Mary Kisler

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Denmark Design On Display

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Roger Blackley (1953-2019)

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Gordon Walters: a glossary

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The Gordon Walters Estate Loan Collection

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Barry Lett (1940–2017) Image
Barry Lett (1940–2017)

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Paul Cullen (1949–2017) Image
Paul Cullen (1949–2017)

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Marti Friedlander 1928–2016

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Maria Nepomuceno on her time in Auckland

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Juan Fernando Herrán on his time in New Zealand

Juan Fernando Herrán

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Pages to Dream: El libro/The Book

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Auckland Art Gallery appoints new Head of Public Engagement from The Met, New Yo...
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New exhibition brings the best of Danish design to Auckland
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Newly restored Frances Hodgkins work to be exhibited after 56-year absence
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Pah Homestead
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E H McCormick Research Library
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