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Civilisation, Photography, Now
Civilisation, Photography, Now

Civilisation, Photography, Now

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John Reynolds: The Violet Hour
John Reynolds: The Violet Hour

John Reynolds: The Violet Hour

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Flight Plan
Flight Plan

Flight Plan

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Love, Longing, Loss
Love, Longing, Loss

Love, Longing, Loss

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Kintsugi workshop - November
Kintsugi workshop - November

10.30am–1.30pm

Members $125, Non-Members $185 (includes a Membership) Book now

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

Kintsugi workshop - November

10.30am–1.30pm

Members $125, Non-Members $185 (includes a Membership) Book now

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Behind the Scenes: Conservation Tour - October
Behind the Scenes: Conservation Tour - October

10.30–11.30am & 12–1pm

$50 Non-Members, $40 AAG Members Book now

Join us for a rare opportunity to go behind the scenes at the Gallery and visit the painting and paper conservation studios. More than just a tour, you will meet the conservators and see some of their current projects.

Behind the Scenes: Conservation Tour - October

10.30–11.30am & 12–1pm

$50 Non-Members, $40 AAG Members Book now

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AKL, Now, Next.
AKL, Now, Next.

6–7.30pm

Book now

Speakers from the diverse industries shaping our future come together to present their version of ‘what next’ for Auckland.

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Members talk | War Damaged Musical Instruments
Members talk | War Damaged Musical Instruments

10.15–11.15am

Free for Members, RSVP required

Senior Curator, Global Contemporary Art, Juliana Engberg muses on the poignant sound work War Damaged Musical Instruments by acclaimed international artist, Susan Philipsz. 

Members talk | War Damaged Musical Instruments

10.15–11.15am

Free for Members, RSVP required

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The liveable city: Place-making and public art
The liveable city: Place-making and public art

4–6pm

$22, Members only Book now

How does art transform our experience of living in an intensely urban setting?

Public Art Project Manager Kim Martinengo gives an insightful talk on placemaking and pop-up art in Tāmaki Makaurau, followed by a guided tour, led by Lucy Moore, of open-air artworks in the area surrounding our Gallery.

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School Holiday Programme Week 1: Music
School Holiday Programme Week 1: Music

$70 —$80 Book now

School holidays at the art Gallery!

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Colin McCahon: Is This the Promised Land?
Colin McCahon: Is This the Promised Land?

2–3.30pm

Members $15, Non-Members $20 Book now

Join esteemed New Zealand writer Peter Simpson who will speak in conversation with Julia Waite, Curator New Zealand art, about his latest book, the sequel – COLIN MCCAHON: IS THIS THE PROMISED LAND? VOL.2 1960–1987.

Colin McCahon: Is This the Promised Land?

2–3.30pm

Members $15, Non-Members $20 Book now

Artworks

View Artwork

Not on display

Sketches: Two Female Nudes
Sketches: Two Female Nudes

Edward Burne-Jones

Production date
1853-1898
Medium
pencil
Size (h x w)
300 x 237 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/23/3
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Not on display

Figures Embracing
Figures Embracing

Edward Burne-Jones

Production date
1853-1898
Medium
pencil
Size (h x w)
220 x 292 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/23/4
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Not on display

Sketch for Figure in 'Fortune's Wheel'
Sketch for Figure in 'Fortune's Wheel'

Edward Burne-Jones

Production date
circa 1871-1885
Medium
pencil
Size (h x w)
252 x 178 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/23/8
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Not on display

Nude Girl for 'Orpheus' Series, Entry into Hades
Nude Girl for 'Orpheus' Series, Entry into Hades

Edward Burne-Jones

Production date
circa 1879
Medium
pencil
Size (h x w)
180 x 130 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/23/2
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Not on display

Sketch for the Triumph of Love
Sketch for the Triumph of Love

Edward Burne-Jones

Production date
circa 1861
Medium
pencil
Size (h x w)
180 x 129 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/23/7
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Not on display

Standing Woman
Standing Woman

Edward Burne-Jones

Production date
1853-1898
Medium
pencil
Size (h x w)
308 x 170 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/23/5
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Not on display

Study for Girl in the 'Garden Court'
Study for Girl in the 'Garden Court'

Edward Burne-Jones

Production date
circa 1870-circa 1890
Medium
pencil
Size (h x w)
178 x 125 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1955
Accession no
1955/23/6
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Not on display

Studies for the Car of Love
Studies for the Car of Love

Edward Burne-Jones

Production date
circa 1870-1898
Medium
black chalk
Size (h x w)
616 x 1073 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1956
Accession no
1956/22/3
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Not on display

Studies for the Car of Love
Studies for the Car of Love

Edward Burne-Jones

Production date
circa 1870-1898
Medium
black chalk
Size (h x w)
616 x 1073 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1956
Accession no
1956/22/2
View Artwork

Not on display

Studies for the Car of Love
Studies for the Car of Love

Edward Burne-Jones

Production date
circa 1870-1898
Medium
black chalk
Size (h x w)
616 x 1073 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1956
Accession no
1956/22/1
View Artwork

Not on display

The Car of Love, or Love's Wayfaring
The Car of Love, or Love's Wayfaring

Edward Burne-Jones

Production date
circa 1870-1898
Medium
pastel, brush drawing and charcoal
Size (h x w)
3391 x 2112 x 160 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Viscount Leverhulme, 1924
Accession no
1924/5/1
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Not on display

By the Rivers of Babylon (design for a stained glass window, Kirkcaldy)
By the Rivers of Babylon (design for a stained glass window, Kirkcaldy)

Edward Burne-Jones

Production date
1889
Medium
charcoal
Size (h x w)
2290 x 767 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Viscount Leverhulme, 1924. Frame restoration sponsored by Elly Blanche.
Accession no
1924/5/2
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Not on display

Jephthah's Daughter  (design for a stained glass window in St Giles Cathedral,  Edinburgh)
Jephthah's Daughter (design for a stained glass window in St Giles Cathedral,...

Edward Burne-Jones

Production date
1886
Medium
charcoal
Size (h x w)
2190 x 860 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Viscount Leverhulme, 1924. Frame restoration sponsored by Elly Blanche.
Accession no
1924/5/3
View Artwork

Not on display

Fortitude
Fortitude

Edward Burne-Jones

Production date
1878 {Begun in}
Medium
oil on canvas
Size (h x w)
3700 x 1640 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Moss Davis, 1926
Accession no
1926/3
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