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Tira Walsh | Urbanize III
Tira Walsh | Urbanize III

FREE

Tira Walsh | Urbanize III

FREE

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Light from Tate: 1700s to Now
Light from Tate: 1700s to Now

Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

Light from Tate: 1700s to Now

Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

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ArtLab
ArtLab

FREE

ArtLab

FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

FREE

Manpower: Myths of Masculinity

FREE

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Guide Kaiārahi
Guide Kaiārahi

FREE

Guide Kaiārahi

FREE

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Lecture series: Masters of Light, 1700s to Now (II)
Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

Lecture Series Masters of Light – Day 2

Sun 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre-stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art, and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 1.

Image credit: Wassily Kandinsky Swinging

 

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Lecture series: Masters of Light, 1700s to Now (I)
Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

Masters of Light, 1700s to Now

Sun 21 and 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 2 .

Image credit: Johannes Vermeer The Milkmaid 

Note: the artwork above will be discussed in this series, but is currently not on display at Auckland Art Gallery.

 

BOOK HERE

 

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NZSL Tour of Light From Tate
NZSL Tour of Light From Tate

2–3.30pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

NZSL Tour of Light From Tate

2–3.30pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

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April School Holiday Programme
April School Holiday Programme

9am–3pm daily

From $72 plus booking fees Book now

April School Holiday Programme

9am–3pm daily

From $72 plus booking fees Book now

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SOLD OUT | Light Abounds: Paint & Sip Sessions
SOLD OUT | Light Abounds: Paint & Sip Sessions

6.30 – 9pm

General admission $75 (+booking fees), Members $67.50 (+booking fees) | Exhibition admission additional Book now

SOLD OUT | Light Abounds: Paint & Sip Sessions

6.30 – 9pm

General admission $75 (+booking fees), Members $67.50 (+booking fees) | Exhibition admission additional Book now

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Yoga and Art Immersion
Yoga and Art Immersion

Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

Yoga and Art Immersion

Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

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Whānau drop-ins – New activities each weekend!
Whānau drop-ins – New activities each weekend!

Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am–3pm.

 

 

 

 

 

Whānau drop-ins – New activities each weekend!

Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

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Lunchtime Drop-in Drawing
Lunchtime Drop-in Drawing

Fridays 12-1pm

FREE

Lunchtime Drop-in Drawing

Fridays 12-1pm

FREE

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ArtLab | Shadow and Light
ArtLab | Shadow and Light

10am – 5pm, every day

FREE

ArtLab | Shadow and Light

10am – 5pm, every day

FREE

Artworks

View Artwork

Not on display

Disguise
Disguise

Barry Cleavin

Production date
1973
Medium
etching, aquatint
Size (h x w)
503 x 376 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/3
View Artwork

Not on display

Menage a trois
Menage a trois

Barry Cleavin

Production date
1976
Medium
etching and photo-engraving
Size (h x w)
305 x 212 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/6
View Artwork

Not on display

For the true anatomy - Pegasus
For the true anatomy - Pegasus

Barry Cleavin

Production date
1975
Medium
etching and aquatint
Size (h x w)
208 x 238 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/10
View Artwork

Not on display

Disguise
Disguise

Barry Cleavin

Production date
1973
Medium
etching, aquatint
Size (h x w)
502 x 374 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1974
Accession no
1974/18
View Artwork

Not on display

For the Executive Suite no. 2
For the Executive Suite no. 2

Barry Cleavin

Production date
1974
Medium
etching, aquatint
Size (h x w)
258 x 214 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/7
View Artwork

Not on display

Soldier
Soldier

Barry Cleavin

Production date
1980
Medium
etching
Size (h x w)
200 x 70 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of ms Jeanette McCracken, 1982
Accession no
1982/45/17
View Artwork

Not on display

Ecological balance
Ecological balance

Barry Cleavin

Production date
1981
Medium
etching, aquatint, softground
Size (h x w)
291 x 300 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of ms Jeanette McCracken, 1982
Accession no
1982/45/21
View Artwork

Not on display

Looking - for Jeanette
Looking - for Jeanette

Barry Cleavin

Production date
1979
Medium
etching, aquatint
Size (h x w)
502 x 382 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/7
View Artwork

Not on display

Cameo - after Vesalius
Cameo - after Vesalius

Barry Cleavin

Production date
1980
Medium
etching, surface rolled colour
Size (h x w)
160 x 85 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/8
View Artwork

Not on display

Specimen 3 (Koplick)
Specimen 3 (Koplick)

Barry Cleavin

Production date
1969
Medium
etching
Size (h x w)
255 x 428 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1970
Accession no
1970/4
View Artwork

Not on display

Self portrait aged 5
Self portrait aged 5

Barry Cleavin

Production date
1977
Medium
letterpress, hand-coloured
Size (h x w)
285 x 207 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/15
View Artwork

Not on display

Sacred cow no. 3 (after Perkins)
Sacred cow no. 3 (after Perkins)

Barry Cleavin

Production date
1974
Medium
etching, printed letterpress, found engraving
Size (h x w)
165 x 212 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/5
View Artwork

Not on display

The Tribute
The Tribute

Barry Cleavin

Production date
1974
Medium
etching, aquatint
Size (h x w)
194 x 165 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/8
View Artwork

Not on display

Why not sneeze Rose Selavy (Are you about to sneeze Rose Selavy)
Why not sneeze Rose Selavy (Are you about to sneeze Rose Selavy)

Barry Cleavin

Production date
1980
Medium
etching and aquatint
Size (h x w)
390 x 338 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/19
View Artwork

Not on display

Wireworks I
Wireworks I

Barry Cleavin

Production date
1981
Medium
etching, softground and engraving
Size (h x w)
181 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/23
View Artwork

Not on display

For the true anatomy
For the true anatomy

Barry Cleavin

Production date
1975
Medium
etching, aquatint
Size (h x w)
297 x 503 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/4
View Artwork

Not on display

Violated
Violated

Barry Cleavin

Production date
1975
Medium
etching
Size (h x w)
250 x 275 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 1977
Accession no
C1994/1/45
View Artwork

Not on display

Menage a trois
Menage a trois

Barry Cleavin

Production date
1976
Medium
etching, photo-engraving
Size (h x w)
304 x 214 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/14
View Artwork

Not on display

Self portrait aged 5
Self portrait aged 5

Barry Cleavin

Production date
1973
Medium
ink
Size (h x w)
482 x 367 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/19
View Artwork

Not on display

Chemistry stencil
Chemistry stencil

Barry Cleavin

Production date
1980
Medium
etching, aquatint
Size (h x w)
118 x 189 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/10
View Artwork

Not on display

Comparative anatomy
Comparative anatomy

Barry Cleavin

Production date
1980
Medium
etching, aquatint, softground
Size (h x w)
199 x 332 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/11
View Artwork

Not on display

For the anatomy of tears
For the anatomy of tears

Barry Cleavin

Production date
1980
Medium
etching
Size (h x w)
191 x 198 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette Barnard, 1982
Accession no
1982/45/12
View Artwork

Not on display

Grip the pencil properly
Grip the pencil properly

Barry Cleavin

Production date
1980
Medium
etching, aquatint
Size (h x w)
68 x 180 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/13
View Artwork

Not on display

BCAD
BCAD

Barry Cleavin

Production date
1970
Medium
etching
Size (h x w)
216 x 157 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken 1982
Accession no
1982/45/2
View Artwork

Not on display

Cart before the horse
Cart before the horse

Barry Cleavin

Production date
1981
Medium
etching, aquatint
Size (h x w)
238 x 297 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/20
View Artwork

Not on display

Mother's Day present
Mother's Day present

Barry Cleavin

Production date
1981
Medium
etching, aquatint and roulette
Size (h x w)
250 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1981
Accession no
1982/45/22
View Artwork

Not on display

Cameo - and still she smiles
Cameo - and still she smiles

Barry Cleavin

Production date
1980
Medium
etching
Size (h x w)
185 x 108 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/9
View Artwork

Not on display

Anemone Cycle I
Anemone Cycle I

Barry Cleavin

Production date
1967
Medium
relief etching with aquatint
Size (h x w)
241 x 247 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1968
Accession no
1968/24/4
View Artwork

Not on display

Paper fossil - Lioness
Paper fossil - Lioness

Barry Cleavin

Production date
1976
Medium
etching
Size (h x w)
115 x 280 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/12
View Artwork

Not on display

Alternatives
Alternatives

Barry Cleavin

Production date
1979
Medium
etching, aquatint
Size (h x w)
505 x 435 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/17
View Artwork

Not on display

Looking 3
Looking 3

Barry Cleavin

Production date
1979
Medium
etching, aquatint
Size (h x w)
500 x 385 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/18
View Artwork

Not on display

YMCA
YMCA

Barry Cleavin

Production date
1971
Medium
etching, aquatint
Size (h x w)
249 x 404 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/3
View Artwork

Not on display

From the Unnatural History
From the Unnatural History

Barry Cleavin

Production date
1986
Medium
etching
Size (h x w)
396 x 300 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1986
Accession no
1986/26/1
View Artwork

Not on display

Sacred cow - Trap (after Sutton)
Sacred cow - Trap (after Sutton)

Barry Cleavin

Production date
1974
Medium
etching, printed letterpress, found engraving
Size (h x w)
200 x 230 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/6
View Artwork

Not on display

For the True Anatomy
For the True Anatomy

Barry Cleavin

Production date
1975
Medium
etching, aquatint
Size (h x w)
298 x 502 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1982
Accession no
1982/44/9
View Artwork

Not on display

Study of a nude in an afghan coat
Study of a nude in an afghan coat

Barry Cleavin

Production date
1975
Medium
pencil
Size (h x w)
460 x 300 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of Ms Jeanette McCracken, 1982
Accession no
1982/45/5
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