Exhibitions

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Light from Tate: 1700s to Now
Light from Tate: 1700s to Now

—

Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

Light from Tate: 1700s to Now

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Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

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Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection
Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection

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Free

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Walls to Live Beside, Rooms to Own: The Chartwell Show
Walls to Live Beside, Rooms to Own: The Chartwell Show

—

FREE

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Suji Park: Meonji Soojibga | Dust Collector
Suji Park: Meonji Soojibga | Dust Collector

—

FREE

Suji Park: Meonji Soojibga | Dust Collector

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FREE

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ArtLab
ArtLab

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FREE

ArtLab

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FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

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FREE

Manpower: Myths of Masculinity

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FREE

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Romancing the Collection
Romancing the Collection

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FREE

Romancing the Collection

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FREE

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Guide Kaiārahi
Guide Kaiārahi

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FREE

Guide Kaiārahi

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FREE

Events

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Lecture series: Masters of Light, 1700s to Now (II)
Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

Lecture Series Masters of Light – Day 2

Sun 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre-stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art, and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 1.

Image credit: Wassily Kandinsky Swinging

 

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Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

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Rhythms of the Brain: NZTrio with Simon Ingram
Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

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Lecture series: Masters of Light, 1700s to Now (I)
Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

Masters of Light, 1700s to Now

Sun 21 and 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 2 .

Image credit: Johannes Vermeer The Milkmaid 

Note: the artwork above will be discussed in this series, but is currently not on display at Auckland Art Gallery.

 

BOOK HERE

 

Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

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April School Holiday Programme
April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

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Audio Described Tour for blind and low vision visitors | Light from Tate
Audio Described Tour for blind and low vision visitors | Light from Tate

10.30am–12.00pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

Audio Described Tour for blind and low vision visitors | Light from Tate

10.30am–12.00pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

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Young Members | Poetic Soundscapes
Young Members | Poetic Soundscapes

6.30—8.30pm

Members $20 (and bring a friend), Non-members $30.00 (and bring a friend) Buy tickets

Young Members | Poetic Soundscapes

6.30—8.30pm

Members $20 (and bring a friend), Non-members $30.00 (and bring a friend) Buy tickets

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Light Abounds: Paint & Sip Sessions
Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

Members $67.50, Non-members $75 | Exhibition admission additional Book now

Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

Members $67.50, Non-members $75 | Exhibition admission additional Book now

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SOLD OUT | Pop-up vintage photography studio
SOLD OUT | Pop-up vintage photography studio

— 10am–5pm

General $150, Members $135 Book now

SOLD OUT | Pop-up vintage photography studio

— 10am–5pm

General $150, Members $135 Book now

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Yoga and Art Immersion
Yoga and Art Immersion

— Sundays 9am-10am

Public $18 (plus booking fee), Members $16.20 (plus booking fee) Book now

Yoga and Art Immersion

— Sundays 9am-10am

Public $18 (plus booking fee), Members $16.20 (plus booking fee) Book now

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Contemporary Conversations – The Chartwell Show
Contemporary Conversations – The Chartwell Show

— Fridays 1.30 – 2pm

Free - bookings essential Book now

Contemporary Conversations – The Chartwell Show

— Fridays 1.30 – 2pm

Free - bookings essential Book now

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Lunchtime Drop-in Drawing
Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

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ArtLab | Shadow and Light
ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

Artworks

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View Artwork

Not on display

A place setting in the refectory. The rule of the Great Silence is observed here. The purpose of silence in the monastery is to develop the spirit or atmosphere of recollection necessary for deep prayer
A place setting in the refectory. The rule of the Great Silence is observed here...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
197 x 130 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/10
A place setting in the refectory. The rule of the Great Silence is observed here...

Anne Noble

View Artwork

Not on display

Each cell in the monastery contains a bed, a cross, a chair, a wardrobe, a desk and one picture of the sister's choice. Shared poverty and the renunciation of individual ownership are characteristic of a monastic community
Each cell in the monastery contains a bed, a cross, a chair, a wardrobe, a desk...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
200 x 137 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/12
Each cell in the monastery contains a bed, a cross, a chair, a wardrobe, a desk...

Anne Noble

View Artwork

Not on display

Untitled
Untitled

Anne Noble

Production date
Unknown
Medium
black and white photograph
Size (h x w)
150 x 153 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1977
Accession no
1977/69/2
Untitled

Anne Noble

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Not on display

Hiruharama (Jerusalem) 1982
Hiruharama (Jerusalem) 1982

Anne Noble

Production date
1995
Medium
gelatin silver print
Size (h x w)
182 x 343 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/3
Hiruharama (Jerusalem) 1982

Anne Noble

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Not on display

Upper Reaches, Wanganui River
Upper Reaches, Wanganui River

Anne Noble

Production date
1982
Medium
gelatin silver print
Size (h x w)
232 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/5
Upper Reaches, Wanganui River

Anne Noble

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Not on display

Hiruharama (Jerusalem) Wanganui River
Hiruharama (Jerusalem) Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
136 x 319 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/4
Hiruharama (Jerusalem) Wanganui River

Anne Noble

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Not on display

Ruby's Room No.22
Ruby's Room No.22

Anne Noble

Production date
2001
Medium
inkjet pigment on vinyl
Size (h x w)
1200 x 1800 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2003
Accession no
2003/41/2
Ruby's Room No.22

Anne Noble

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Not on display

10,000 Waking Bees (Song Sting Swarm #1)
10,000 Waking Bees (Song Sting Swarm #1)

Anne Noble

Production date
2012
Medium
inkjet print
Size (h x w)
1000 x 1500 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2013
Accession no
C2013/1/2/1
10,000 Waking Bees (Song Sting Swarm #1)

Anne Noble

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Not on display

A statue of Saint Michael the Archangel, which was brought from Paris by the Foundress in 1901
A statue of Saint Michael the Archangel, which was brought from Paris by the Fou...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
197 x 130 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/1
A statue of Saint Michael the Archangel, which was brought from Paris by the Fou...

Anne Noble

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Not on display

The cowl is the garment traditionally worn for prayer in monastic communities
The cowl is the garment traditionally worn for prayer in monastic communities

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/2
The cowl is the garment traditionally worn for prayer in monastic communities

Anne Noble

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Not on display

Sister Luke and Sister Therese, novices in the community
Sister Luke and Sister Therese, novices in the community

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/3
Sister Luke and Sister Therese, novices in the community

Anne Noble

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Not on display

The cloister of the monastery. When the bell rings for the divine Office the sisters congregate here and wait in silence for several minutes in preparation for the singing of the Liturgy
The cloister of the monastery. When the bell rings for the divine Office the sis...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 196 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/5
The cloister of the monastery. When the bell rings for the divine Office the sis...

Anne Noble

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Not on display

Goal Posts, Scott Base Antarctica
Goal Posts, Scott Base Antarctica

Anne Noble

Production date
2003
Medium
photograph
Size (h x w)
375 x 470 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/25
Goal Posts, Scott Base Antarctica

Anne Noble

View Artwork

Not on display

Bob asleep in the bath
Bob asleep in the bath

Anne Noble

Production date
1978
Medium
gelatin silver print
Size (h x w)
185 x 120 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/1
Bob asleep in the bath

Anne Noble

View Artwork

Not on display

William's Field (under Erebus) number 3
William's Field (under Erebus) number 3

Anne Noble

Production date
2002
Medium
digital print
Size (h x w)
660 x 710 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/2
William's Field (under Erebus) number 3

Anne Noble

View Artwork

Not on display

Seven times a day the community processes into the sanctuary for the Hours of Nocturnes, Lauds, Terce, Sext, None, Vespers and Compline. The singing of the Divine Officeis the primary work of the Tyburn community. The purpose of this liturgy to sanctify time and all human activity will be achieved in our community
Seven times a day the community processes into the sanctuary for the Hours of No...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 196 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/4
Seven times a day the community processes into the sanctuary for the Hours of No...

Anne Noble

View Artwork

Not on display

The library, described by the foundress as the arsenal of the monastery, Lectio divina is the art of meditation in the Benedictine way of life. Its aim is to feed the prayer life through a meditative reflection on the Word of God: a reflection or pondering in the heart rather than an intellectual exercise
The library, described by the foundress as the arsenal of the monastery, Lectio...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/8
The library, described by the foundress as the arsenal of the monastery, Lectio...

Anne Noble

View Artwork

Not on display

During the ceremony of her final profession, a sister lies in front of the altar while the community and the congregation say a litany or prayer of intercession to the angels and saints
During the ceremony of her final profession, a sister lies in front of the altar...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/9
During the ceremony of her final profession, a sister lies in front of the altar...

Anne Noble

View Artwork

Not on display

Matahiwi Cemetery
Matahiwi Cemetery

Anne Noble

Production date
1995
Medium
gelatin silver print
Size (h x w)
217 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/4
Matahiwi Cemetery

Anne Noble

View Artwork

Not on display

Arimatea, Wanganui River
Arimatea, Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
132 x 316 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/1
Arimatea, Wanganui River

Anne Noble

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Not on display

Procession: Rure Keremenata's Unveiling, Wanganui River, Hiruharama (Jerusalem)
Procession: Rure Keremenata's Unveiling, Wanganui River, Hiruharama (Jerusalem)

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
318 x 217 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/6
Procession: Rure Keremenata's Unveiling, Wanganui River, Hiruharama (Jerusalem)

Anne Noble

View Artwork

Not on display

In the Dead of the Night (Song Sting Swarm #3)
In the Dead of the Night (Song Sting Swarm #3)

Anne Noble

Production date
2012
Medium
inkjet print
Size (h x w)
1000 x 1500 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2013
Accession no
C2013/1/2/2
In the Dead of the Night (Song Sting Swarm #3)

Anne Noble

View Artwork

Not on display

Hau Hau war pole, Rongo Niu
Hau Hau war pole, Rongo Niu

Anne Noble

Production date
1982
Medium
gelatin silver print
Size (h x w)
171 x 342 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/1
Hau Hau war pole, Rongo Niu

Anne Noble

View Artwork

Not on display

William's Field (under Erebus) number 4
William's Field (under Erebus) number 4

Anne Noble

Production date
2002
Medium
digital print
Size (h x w)
660 x 710 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/3
William's Field (under Erebus) number 4

Anne Noble

View Artwork

Not on display

William's Field (under Erebus) number 10
William's Field (under Erebus) number 10

Anne Noble

Production date
2002
Medium
digital print
Size (h x w)
660 x 710 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/4
William's Field (under Erebus) number 10

Anne Noble

View Artwork

On display

Wanganui River, Upper Reaches
Wanganui River, Upper Reaches

Anne Noble

On display

Production date
1982
Medium
gelatin silver print
Size (h x w)
275 x 388 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/7
Wanganui River, Upper Reaches

Anne Noble

On display

View Artwork

Not on display

Ruby's Room No.10
Ruby's Room No.10

Anne Noble

Production date
2000
Medium
inkjet pigment on vinyl
Size (h x w)
1200 x 1800 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2003
Accession no
2003/41/1
Ruby's Room No.10

Anne Noble

View Artwork

Not on display

Sheep and Lilies of the Field - Hiruharama (Jerusalem) Wanganui River
Sheep and Lilies of the Field - Hiruharama (Jerusalem) Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
175 x 251 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/7
Sheep and Lilies of the Field - Hiruharama (Jerusalem) Wanganui River

Anne Noble

View Artwork

Not on display

Suzy, Pipiriki, Wanganui River
Suzy, Pipiriki, Wanganui River

Anne Noble

Production date
1981
Medium
black and white photograph
Size (h x w)
320 x 214 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/9
Suzy, Pipiriki, Wanganui River

Anne Noble

View Artwork

Not on display

The white veil of a novice "Our habit signifies complete detachment from the things of this world" (M Foundress 1902)
The white veil of a novice "Our habit signifies complete detachment from the thi...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 196 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/11
The white veil of a novice "Our habit signifies complete detachment from the thi...

Anne Noble

View Artwork

Not on display

The walled garden of the monastery
The walled garden of the monastery

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/6
The walled garden of the monastery

Anne Noble

View Artwork

Not on display

Prayer, lectio divina and work, according to Saint Benedict are the three most important elements of a monks life. Work within the community such as care of the pantry is one of many employments that are rotated every three months
Prayer, lectio divina and work, according to Saint Benedict are the three most i...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/7
Prayer, lectio divina and work, according to Saint Benedict are the three most i...

Anne Noble

View Artwork

Not on display

Untitled
Untitled

Anne Noble

Production date
Unknown
Medium
black and white photograph
Size (h x w)
142 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1977
Accession no
1977/69/1
Untitled

Anne Noble

View Artwork

Not on display

The Wanganui River Road (near Atene/Athens)
The Wanganui River Road (near Atene/Athens)

Anne Noble

Production date
1982
Medium
gelatin silver print
Size (h x w)
205 x 353 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/2
The Wanganui River Road (near Atene/Athens)

Anne Noble

View Artwork

On display

The Wanganui
The Wanganui

Anne Noble

On display

Production date
1980
Medium
gelatin silver print
Size (h x w)
285 x 420 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/6
The Wanganui

Anne Noble

On display

View Artwork

On display

From "Gentle Annie" Wanganui River
From "Gentle Annie" Wanganui River

Anne Noble

On display

Production date
1981
Medium
black and white photograph
Size (h x w)
326 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/2
From "Gentle Annie" Wanganui River

Anne Noble

On display

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Light from Tate: 1700s to Now in conversation Image
Light from Tate: 1700s to Now in conversation

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Marti Friedlander: Photographs Image
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Judy Millar: "I (will), (should), (can), (must), (may), would like to express" Image
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2022 Michèle Whitecliffe Art Writing Prize winner – ‘Building a Weight/Jumping a...

Lachlan Taylor

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2022 Michèle Whitecliffe Art Writing Prize runner-up – Opt, Co-opt and Co-ops: Politicised Participation in Recent Art from Aotearoa. Image
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2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Films of Sriwhana Spong Image
2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Fi...

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Traces through Time: Digitising Archival Exhibition Photographs at the E H McCor...

Hélena Lunt

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Community and Collaboration: Learning with Kaiako, Robin White, Ebonie Fifita an...

Isabel Michell

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In Memory of Marylyn Mayo: Creating a Legacy of Support

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The Fantastical World of Felix Kelly: A Life and an Archive

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Beyond the Walls: Art as a Community Catalyst

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Declaration: Publishing a Pacific Feminist Agenda

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Top Five New Books in the E H McCormick Research Library Image
Top Five New Books in the E H McCormick Research Library

Tamsyn Bayliss

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Jim Allen: 1922 to Today Image
Jim Allen: 1922 to Today

Natasha Conland

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The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of the Christian Orthodox World' Image
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Gordon Morrison

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Gilbert & George in Conversation with Senior Curator Ron Brownson Image
Gilbert & George in Conversation with Senior Curator Ron Brownson

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Yona Lee: An Arrangement for 5 Rooms

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'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition

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Max Oettli's Night Beat Image
Max Oettli's Night Beat

Richard Wolfe

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Make Your Mark! Squiggla at ArtLab

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An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna'

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Rifling through the Top Drawer: Looking through Grant Lingard

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Max Oettli: Visible Evidence Image
Max Oettli: Visible Evidence

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In Conversation: The significant influence of Mary Quant on Kate Sylvester

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Julie Watson and Julia Waite in Conversation About the Rainbow Tick

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Clown Time

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New Zealand Swings

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The Back of the Painting – A Journey

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In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962)

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A Moment of Optimism

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Walters Prize
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