Exhibitions

View Exhibition
Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan
Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan

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$16-$29, Members and children 12 and under FREE Book now

Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan

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$16-$29, Members and children 12 and under FREE Book now

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Civilisation, Photography, Now
Civilisation, Photography, Now

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Tickets coming soon

Civilisation, Photography, Now

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Tickets coming soon

View Exhibition
Honestly Speaking: The Word, the Body and the Internet
Honestly Speaking: The Word, the Body and the Internet

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View Exhibition
He Iwi Rangatira — Maori Portraits
He Iwi Rangatira — Maori Portraits

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He Iwi Rangatira — Maori Portraits

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Nathan Coley: A Place Beyond Belief
Nathan Coley: A Place Beyond Belief

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Nathan Coley: A Place Beyond Belief

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Sara Hughes: All My Favourite Shapes
Sara Hughes: All My Favourite Shapes

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Sara Hughes: All My Favourite Shapes

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John Reynolds: The Violet Hour
John Reynolds: The Violet Hour

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John Reynolds: The Violet Hour

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Sorawit Songsataya: The Interior
Sorawit Songsataya: The Interior

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Sorawit Songsataya: The Interior

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Louise Henderson: A Life in Archives
Louise Henderson: A Life in Archives

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Louise Henderson: A Life in Archives

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Louise Henderson: From Life
Louise Henderson: From Life

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Louise Henderson: From Life

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View Exhibition
From the Archive: Colin McCahon in Auckland
From the Archive: Colin McCahon in Auckland

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From the Archive: Colin McCahon in Auckland

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Living Portraits: Mata Raurangi
Living Portraits: Mata Raurangi

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Living Portraits: Mata Raurangi

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In the Listening Light: Momentary Impressions in Painting 1890-1920
In the Listening Light: Momentary Impressions in Painting 1890-1920

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The Body Reborn
The Body Reborn

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The Body Reborn

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Radical Beginnings
Radical Beginnings

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Radical Beginnings

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Seeing Moana Oceania
Seeing Moana Oceania

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Seeing Moana Oceania

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Flight Plan
Flight Plan

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Flight Plan

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Love, Longing, Loss
Love, Longing, Loss

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Love, Longing, Loss

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Events

View Event
Louise Henderson: Is it Worth Protecting?
Louise Henderson: Is it Worth Protecting?

2–3pm

Join us for our special event “Is it Worth Protecting?” inspired by the work of Dr Bronwyn Holloway-Smith and Sue Elliott who are leading an initiative – Public Art Heritage Aotearoa New Zealand in partnership with Manatū Taonga Ministry for Culture and Heritage.

Louise Henderson: Is it Worth Protecting?

2–3pm

View Event
Members Preview: Enchanted Worlds
Members Preview: Enchanted Worlds

10am–12.30pm

FREE (Members only)

We invite all Gallery Members to attend the Members Preview of this major exhibition on Saturday 7 March.

Members Preview: Enchanted Worlds

10am–12.30pm

FREE (Members only)

View Event
My Art Time Weekends
My Art Time Weekends

— 11-4pm

Every first weekend of the month, drop in to our free, family- focused events designed for all generations to make and talk about art together.

This month’s My Art Time Weekends will focus on the exhibition, Honestly Speaking: The Word, The Body and the Internet with the activity themed and based around the topic identity.

Come get hands-on and be inspired to create and mingle!

My Art Time Weekends

— 11-4pm

View Event
Louise Henderson: Closing Weekend A Different Perspective
Louise Henderson: Closing Weekend A Different Perspective

2-3pm

French-born, New Zealand Artist, Louise Henderson emigrated to Christchurch in 1925 to join her husband, a New Zealander, and quickly established herself as a central figure in the local art scene. She was meticulous in keeping records. Her correspondence records her descriptions, thoughts and feelings about daily life as well as her progression as an artist.

Join us in talanoa, (conversation) for the closing weekend of Lousie Henderson: From Life with an intriguing line-up of artists working across various mediums who may, or may not call Aotearoa New Zealand home.

Hear about their experiences of negotiating identity and making art within mixed cultures. Featuring: Dina Jezdic with Pusi Urale, Chiara Corbellotto, Hulita Koloi, Beatrice Carlson, Julie Zhu & Ahi Karunaharan.

Louise Henderson: Closing Weekend A Different Perspective

2-3pm

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One Enchanted Night: Exclusive Launch
One Enchanted Night: Exclusive Launch

6pm–12am

General admission, $20; VIP, $60; VIP Gold, $105 (plus booking fees) Book now

For One Enchanted Night, party under the cherry blossoms on our lantern-lit rooftop terrace, which is being transformed into a contemporary izakaya (pop-up bar) to celebrate the opening of our latest major exhibition, Enchanted Worlds: Hokusai, Hiroshige and the Art of Edo Japan.

One Enchanted Night: Exclusive Launch

6pm–12am

General admission, $20; VIP, $60; VIP Gold, $105 (plus booking fees) Book now

View Event
Louise Henderson: From Life Curator's tour
Louise Henderson: From Life Curator's tour

2–3pm

Don’t miss this final opportunity to join Julia Waite, our curator of New Zealand Art, as she leads a tour around the exhibition Louise Henderson: From Life as part of the exhibition’s closing weekend programmes.

Louise Henderson: From Life Curator's tour

2–3pm

View Event
Artist’s Talk – John Reynolds
Artist’s Talk – John Reynolds

2-2:30pm

Don't miss the opportunity to hear John Reynolds discuss his processes and ideas behind his glass painting The Violet Hour.

John Reynolds is well known as one of New Zealand's foremost painters and printmakers who has featured in many key national and international exhibitions and publications on contemporary New Zealand art. He has shown widely throughout the country and been commissioned to produce projects for a wide range of public galleries, private collections and commercial companies.

 

Artist’s Talk – John Reynolds

2-2:30pm

View Event
Guest talk: Tate conservator Bronwyn Ormsby
Guest talk: Tate conservator Bronwyn Ormsby

7–8pm

Gallery and NZCCM Members $15, Students $10, Standard $20 Book now

Guest talk: Tate conservator Bronwyn Ormsby

7–8pm

Gallery and NZCCM Members $15, Students $10, Standard $20 Book now

View Event
My ART Community Toi Day: Enchanted World meets Fantasy World
My ART Community Toi Day: Enchanted World meets Fantasy World

11am-4pm

Inspired by the exhibition Enchanted World: Hokusai, Hiroshige and Art of Edo Japan, we will be exploring the contemporary fantasy world of cosplay and anime.

My ART Community Toi Day: Enchanted World meets Fantasy World

11am-4pm

View Event
Members Preview: Civilisation, Photography, Now
Members Preview: Civilisation, Photography, Now

12–4pm

FREE (Members only)

View Event
Ikebana-inspired workshop
Ikebana-inspired workshop

6–8pm

Members $200, non-Members $260 (includes a one-year Gallery Membership) Book now

Ikebana-inspired workshop

6–8pm

Members $200, non-Members $260 (includes a one-year Gallery Membership) Book now

View Event
Simon Devitt Photography workshop
Simon Devitt Photography workshop

11am–3.30pm

$150 for Members, $210 for Non Members (includes one-year Gallery Membership) Book now

Photographer, lecturer and award-winning publisher Simon Devitt is back with his half-day workshop in which you will discover new perspectives and work on further developing your own visual language through photography. Walk away with fresh ideas on how to use photography as a storytelling medium, drawing inspiration from our upcoming exhibition Civilisation, Photography, Now.

This workshop is truly suitable for all levels, and has been enjoyed by photography hobbyists and semi-professionals in the past, who hailed how Simon ‘rattled our camera cages and challenged us to try new tricks’. Bring a device with a camera and a selection of photos you are proud of, and we’ll take care of the rest (including refreshments on arrival).

Simon Devitt Photography workshop

11am–3.30pm

$150 for Members, $210 for Non Members (includes one-year Gallery Membership) Book now

View Event
Honestly Speaking: Speaking Honestly
Honestly Speaking: Speaking Honestly

6–8pm

Members and U35* $20, non-Members $30 Book now

A poet, a performance artist and an art critic walk into an exhibition - it's Carrie Rudzinski, Sarita Das and Lucinda Bennett speaking honestly. These three contemporary voices provide fresh interpretation as they untangle, interrogate and vivify the works in our new exhibition Honestly Speaking: the Word, the Body and the Internet. With drinks and exclusive after-hours viewing, this night of activation is not to be missed.

Honestly Speaking: Speaking Honestly

6–8pm

Members and U35* $20, non-Members $30 Book now

View Event
Kintsugi workshop
Kintsugi workshop

10.30am–1pm

Members $125, Non-Members $185 (includes a Membership). Book now

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs. Learn how to piece your broken ceramics back together with beauty in this workshop led by Yuka O’Shannessy.

Kintsugi workshop

10.30am–1pm

Members $125, Non-Members $185 (includes a Membership). Book now

View Event
Art and Architecture Tour 2020
Art and Architecture Tour 2020

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Beginning in Frankfurt the 2020 Art & Architecture Tour will travel by train and coach to Hannover, Derneburg, Weimar and Berlin.

Join Auckland Art Gallery Toi o Tāmaki director, Kirsten Paisley, and local guide, Matthias Arndt, for a unique tour with visits to exceptional private and public art collections, artists’ studios, galleries and architectural highlights.

Learn more, and register your place by clicking the PDF below.

For further information contact Sue Sinclair

Art and Architecture Tour 2020

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View Event
Bespoke Booked Tours: Louise Henderson: From Life
Bespoke Booked Tours: Louise Henderson: From Life

— 10am–5pm.

Adults $10; Concessions $7.50 Members and children 12 &under FREE

Book a group of friends or workmates for a bespoke tour of the exhibition Louise Henderson: From Life and gain new insights into one of New Zealand’s most dynamic artists.

Bespoke Booked Tours: Louise Henderson: From Life

— 10am–5pm.

Adults $10; Concessions $7.50 Members and children 12 &under FREE

Artworks

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View Artwork

Not on display

In the Dead of the Night (Song Sting Swarm #3)
In the Dead of the Night (Song Sting Swarm #3)

Anne Noble

Production date
2012
Medium
inkjet print
Size (h x w)
1000 x 1500 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2013
Accession no
C2013/1/2/2
In the Dead of the Night (Song Sting Swarm #3)

Anne Noble

View Artwork

Not on display

Procession: Rure Keremenata's Unveiling, Wanganui River, Hiruharama (Jerusalem)
Procession: Rure Keremenata's Unveiling, Wanganui River, Hiruharama (Jerusalem)

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
318 x 217 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/6
Procession: Rure Keremenata's Unveiling, Wanganui River, Hiruharama (Jerusalem)

Anne Noble

View Artwork

Not on display

The white veil of a novice "Our habit signifies complete detachment from the things of this world" (M Foundress 1902)
The white veil of a novice "Our habit signifies complete detachment from the thi...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 196 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/11
The white veil of a novice "Our habit signifies complete detachment from the thi...

Anne Noble

View Artwork

Not on display

The cowl is the garment traditionally worn for prayer in monastic communities
The cowl is the garment traditionally worn for prayer in monastic communities

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/2
The cowl is the garment traditionally worn for prayer in monastic communities

Anne Noble

View Artwork

Not on display

Prayer, lectio divina and work, according to Saint Benedict are the three most important elements of a monks life. Work within the community such as care of the pantry is one of many employments that are rotated every three months
Prayer, lectio divina and work, according to Saint Benedict are the three most i...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/7
Prayer, lectio divina and work, according to Saint Benedict are the three most i...

Anne Noble

View Artwork

Not on display

The Wanganui River Road (near Atene/Athens)
The Wanganui River Road (near Atene/Athens)

Anne Noble

Production date
1982
Medium
gelatin silver print
Size (h x w)
205 x 353 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/2
The Wanganui River Road (near Atene/Athens)

Anne Noble

View Artwork

Not on display

Wanganui River, Upper Reaches
Wanganui River, Upper Reaches

Anne Noble

Production date
1982
Medium
gelatin silver print
Size (h x w)
275 x 388 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/7
Wanganui River, Upper Reaches

Anne Noble

View Artwork

Not on display

Arimatea, Wanganui River
Arimatea, Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
132 x 316 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/1
Arimatea, Wanganui River

Anne Noble

View Artwork

Not on display

Sheep and Lilies of the Field - Hiruharama (Jerusalem) Wanganui River
Sheep and Lilies of the Field - Hiruharama (Jerusalem) Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
175 x 251 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/7
Sheep and Lilies of the Field - Hiruharama (Jerusalem) Wanganui River

Anne Noble

View Artwork

Not on display

Each cell in the monastery contains a bed, a cross, a chair, a wardrobe, a desk and one picture of the sister's choice. Shared poverty and the renunciation of individual ownership are characteristic of a monastic community
Each cell in the monastery contains a bed, a cross, a chair, a wardrobe, a desk...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
200 x 137 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/12
Each cell in the monastery contains a bed, a cross, a chair, a wardrobe, a desk...

Anne Noble

View Artwork

Not on display

Sister Luke and Sister Therese, novices in the community
Sister Luke and Sister Therese, novices in the community

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/3
Sister Luke and Sister Therese, novices in the community

Anne Noble

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Not on display

The library, described by the foundress as the arsenal of the monastery, Lectio divina is the art of meditation in the Benedictine way of life. Its aim is to feed the prayer life through a meditative reflection on the Word of God: a reflection or pondering in the heart rather than an intellectual exercise
The library, described by the foundress as the arsenal of the monastery, Lectio...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/8
The library, described by the foundress as the arsenal of the monastery, Lectio...

Anne Noble

View Artwork

Not on display

Hiruharama (Jerusalem) 1982
Hiruharama (Jerusalem) 1982

Anne Noble

Production date
1995
Medium
gelatin silver print
Size (h x w)
182 x 343 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/3
Hiruharama (Jerusalem) 1982

Anne Noble

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Not on display

Ruby's Room No.10
Ruby's Room No.10

Anne Noble

Production date
2000
Medium
inkjet pigment on vinyl
Size (h x w)
1200 x 1800 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2003
Accession no
2003/41/1
Ruby's Room No.10

Anne Noble

View Artwork

Not on display

William's Field (under Erebus) number 3
William's Field (under Erebus) number 3

Anne Noble

Production date
2002
Medium
digital print
Size (h x w)
660 x 710 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/2
William's Field (under Erebus) number 3

Anne Noble

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Not on display

Untitled
Untitled

Anne Noble

Production date
Unknown
Medium
black and white photograph
Size (h x w)
150 x 153 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1977
Accession no
1977/69/2
Untitled

Anne Noble

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Not on display

Hawthorne and Thistle - remnants of an old orchard, Koiro, Wanganui River
Hawthorne and Thistle - remnants of an old orchard, Koiro, Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
133 x 310 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/3
Hawthorne and Thistle - remnants of an old orchard, Koiro, Wanganui River

Anne Noble

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Not on display

The South Mole, Wanganui River
The South Mole, Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
135 x 320 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/8
The South Mole, Wanganui River

Anne Noble

View Artwork

Not on display

Seven times a day the community processes into the sanctuary for the Hours of Nocturnes, Lauds, Terce, Sext, None, Vespers and Compline. The singing of the Divine Officeis the primary work of the Tyburn community. The purpose of this liturgy to sanctify time and all human activity will be achieved in our community
Seven times a day the community processes into the sanctuary for the Hours of No...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 196 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/4
Seven times a day the community processes into the sanctuary for the Hours of No...

Anne Noble

View Artwork

Not on display

During the ceremony of her final profession, a sister lies in front of the altar while the community and the congregation say a litany or prayer of intercession to the angels and saints
During the ceremony of her final profession, a sister lies in front of the altar...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/9
During the ceremony of her final profession, a sister lies in front of the altar...

Anne Noble

View Artwork

Not on display

Matahiwi Cemetery
Matahiwi Cemetery

Anne Noble

Production date
1995
Medium
gelatin silver print
Size (h x w)
217 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/4
Matahiwi Cemetery

Anne Noble

View Artwork

Not on display

Hau Hau war pole, Rongo Niu
Hau Hau war pole, Rongo Niu

Anne Noble

Production date
1982
Medium
gelatin silver print
Size (h x w)
171 x 342 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/1
Hau Hau war pole, Rongo Niu

Anne Noble

View Artwork

Not on display

The Wanganui
The Wanganui

Anne Noble

Production date
1980
Medium
gelatin silver print
Size (h x w)
285 x 420 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/6
The Wanganui

Anne Noble

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Not on display

Goal Posts, Scott Base Antarctica
Goal Posts, Scott Base Antarctica

Anne Noble

Production date
2003
Medium
photograph
Size (h x w)
375 x 470 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/25
Goal Posts, Scott Base Antarctica

Anne Noble

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Not on display

William's Field (under Erebus) number 10
William's Field (under Erebus) number 10

Anne Noble

Production date
2002
Medium
digital print
Size (h x w)
660 x 710 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/4
William's Field (under Erebus) number 10

Anne Noble

View Artwork

Not on display

10,000 Waking Bees (Song Sting Swarm #1)
10,000 Waking Bees (Song Sting Swarm #1)

Anne Noble

Production date
2012
Medium
inkjet print
Size (h x w)
1000 x 1500 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2013
Accession no
C2013/1/2/1
10,000 Waking Bees (Song Sting Swarm #1)

Anne Noble

View Artwork

Not on display

Procession: Rure Keremeneta's Unveiling, Hiruharama Jerusalem Wanganui River
Procession: Rure Keremeneta's Unveiling, Hiruharama Jerusalem Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
216 x 318 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/5
Procession: Rure Keremeneta's Unveiling, Hiruharama Jerusalem Wanganui River

Anne Noble

View Artwork

Not on display

A place setting in the refectory. The rule of the Great Silence is observed here. The purpose of silence in the monastery is to develop the spirit or atmosphere of recollection necessary for deep prayer
A place setting in the refectory. The rule of the Great Silence is observed here...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
197 x 130 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/10
A place setting in the refectory. The rule of the Great Silence is observed here...

Anne Noble

View Artwork

Not on display

The walled garden of the monastery
The walled garden of the monastery

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/6
The walled garden of the monastery

Anne Noble

View Artwork

Not on display

Ruby's Room No.22
Ruby's Room No.22

Anne Noble

Production date
2001
Medium
inkjet pigment on vinyl
Size (h x w)
1200 x 1800 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2003
Accession no
2003/41/2
Ruby's Room No.22

Anne Noble

View Artwork

Not on display

William's Field (under Erebus) number 4
William's Field (under Erebus) number 4

Anne Noble

Production date
2002
Medium
digital print
Size (h x w)
660 x 710 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/3
William's Field (under Erebus) number 4

Anne Noble

View Artwork

Not on display

Bob asleep in the bath
Bob asleep in the bath

Anne Noble

Production date
1978
Medium
gelatin silver print
Size (h x w)
185 x 120 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/1
Bob asleep in the bath

Anne Noble

View Artwork

Not on display

Untitled
Untitled

Anne Noble

Production date
Unknown
Medium
black and white photograph
Size (h x w)
142 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1977
Accession no
1977/69/1
Untitled

Anne Noble

View Artwork

Not on display

From "Gentle Annie" Wanganui River
From "Gentle Annie" Wanganui River

Anne Noble

Production date
1981
Medium
black and white photograph
Size (h x w)
326 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/2
From "Gentle Annie" Wanganui River

Anne Noble

View Artwork

Not on display

Hiruharama (Jerusalem) Wanganui River
Hiruharama (Jerusalem) Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
136 x 319 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/4
Hiruharama (Jerusalem) Wanganui River

Anne Noble

View Artwork

Not on display

Suzy, Pipiriki, Wanganui River
Suzy, Pipiriki, Wanganui River

Anne Noble

Production date
1981
Medium
black and white photograph
Size (h x w)
320 x 214 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/9
Suzy, Pipiriki, Wanganui River

Anne Noble

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McCahon: Country Image
McCahon: Country
 Publication
McCahon: Country

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Working towards Meaning – The Restoration of Colin McCahon’s Chapel Windows Image
Working towards Meaning – The Restoration of Colin McCahon’s Chapel Windows

Publication

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Frances Hodgkins: European Journeys Image
Frances Hodgkins: European Journeys

Publication

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Six decades of giving: The Friends of the Auckland Art Gallery Image
Six decades of giving: The Friends of the Auckland Art Gallery

Audio

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Dane Mitchell: Iris, Iris Iris Image
Dane Mitchell: Iris, Iris Iris

Video

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The making of Gordon Walters: New Vision Image
The making of Gordon Walters: New Vision

Video

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The Discerning Eye Image
The Discerning Eye

Publication

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Issue 8: Politics in Denial Image
Issue 8: Politics in Denial

Publication

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Gordon Walters: New Vision Image
Gordon Walters: New Vision

Publication

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Project Another Country Image
Project Another Country

Video

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Wi Taepa: Retrospective Image
Wi Taepa: Retrospective

Publication

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The obliteration room: timelapse Image
The obliteration room: timelapse

Video

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Re-constructing Arcadia: Early Modern Fragments Image
Re-constructing Arcadia: Early Modern Fragments

Publication

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