Exhibitions

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Max Oettli: Visible Evidence, Photographs 1965–1975
Max Oettli: Visible Evidence, Photographs 1965–1975

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FREE

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Mary Quant: Fashion Revolutionary
Mary Quant: Fashion Revolutionary

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From $20 Buy tickets

Mary Quant: Fashion Revolutionary

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From $20 Buy tickets

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Malcolm Ross, Fiona Clark, Grant Lingard: Looking at Men
Malcolm Ross, Fiona Clark, Grant Lingard: Looking at Men

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View Exhibition
vocabulary of solitude by Ugo Rondinone
vocabulary of solitude by Ugo Rondinone

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FREE

vocabulary of solitude by Ugo Rondinone

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FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

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FREE

Manpower: Myths of Masculinity

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FREE

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Romancing the Collection
Romancing the Collection

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FREE

Romancing the Collection

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FREE

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Guide Kaiārahi
Guide Kaiārahi

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FREE

Guide Kaiārahi

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FREE

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Bill Culbert | Slow Wonder
Bill Culbert | Slow Wonder

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FREE

Bill Culbert | Slow Wonder

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FREE

Events

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Solacium – Live performance from the Human Kind Project
Solacium – Live performance from the Human Kind Project

— 6.30-8pm and 1-2.30pm

FREE

Solacium – Live performance from the Human Kind Project

— 6.30-8pm and 1-2.30pm

FREE

View Event
Manpower Lectures – #4 Queer and Now (online)
Manpower Lectures – #4 Queer and Now (online)

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

What's queer about long-nineteenth-century British art now? Answering this question, Edwards address two entirely different examples: Henry Hugh Armstead’s mid-Victorian bronze statuette ‘Satan dismayed’ otherwise known as ‘Saint Michael and the Serpent’ (1852) and Henry Scott Tuke’s 1924 oil painting, ‘Companions’. Both artists remain marginalised, and have proven difficult to canonise for different reasons: Armstead as a predominantly decorative artist in a canon still primarily oriented towards the two-dimensional and the category of fine art, and Tuke because of the open secret of the pederastic character of his work, at a moment in which childhood sexual abuse remains one of the key cultural issues of our time. What might we learn from returning to think about both?

This lecture is a pre-recorded lecture that will be made available to ticketholders to watch in their own time. This lecture is the fourth in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #4 Queer and Now (online)

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

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Embroidery Workshop – Spring Stitch Zen
Embroidery Workshop – Spring Stitch Zen

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Sunday 28 November. It will now go ahead on Sunday 27 March 2022 (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods for a fun and relaxing day of creative stitch in the Members Lounge. After a long winter, find your zen immersed in creativity and explore texture, fibres and colour. Fleur will support you to set your creativity free and make your own design using traditional and self-taught methods.

Embroidery Workshop – Spring Stitch Zen

10.30am—4pm

From $310 Book now

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A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki
A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki

Sun 27 March 2022, 10am–2pm

Adult: $95.00 Auckland Art Gallery Member: $85.00 Child (5 -13 yrs): $53.00 Children under 5: free Return Bus Ticket: (North Shore and Central departures) $20.00 On-site parking: per vehicle $20.00 NB: Ticketing fees will be applied by Eventfinda. Buy tickets

A Day at Gibbs Farm with Auckland Art Gallery Toi o Tāmaki

Sun 27 March 2022, 10am–2pm

Adult: $95.00 Auckland Art Gallery Member: $85.00 Child (5 -13 yrs): $53.00 Children under 5: free Return Bus Ticket: (North Shore and Central departures) $20.00 On-site parking: per vehicle $20.00 NB: Ticketing fees will be applied by Eventfinda. Buy tickets

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Embroidery Workshop – Creative Floral Basics
Embroidery Workshop – Creative Floral Basics

10.30am—4pm

From $310 Book now

Please note: This event was originally scheduled for Saturday 27 November. It will now go ahead on Saturday 26 March 2022 (restrictions allowing) and ticket holders have been contacted directly.

Join contemporary embroidery artist Fleur Woods to create your own mini floral embroidery. Enjoy a day in the Members lounge surrounded by beautiful blooms and immersed in creativity as Fleur shares her favourite supplies, tips & techniques. You will be supported to create your own design and set your creativity free. 

Embroidery Workshop – Creative Floral Basics

10.30am—4pm

From $310 Book now

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Manpower Lectures – #3 The New Mail Order
Manpower Lectures – #3 The New Mail Order

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

When Eugen Sandow, the father of modern bodybuilding, toured New Zealand in the summer of 1902-03, his aim was to reshape the nation. Long before the likes of Charles Atlas peddled mail order muscle programmes, the Sandow System was embraced by men throughout New Zealand. Eager to flex and pose and dream of a new male order, these men joined local gyms, entered bodybuilding contests, and even strutted their stuff in local beauty competitions. In this lecture, Dr Caroline Daley reveals the bodies of early twentieth century men and questions whether our fixation with rugby players, farmers and soldiers means we’re missing the pleasure that comes from gazing upon the world’s most perfectly developed man and his local acolytes.

This lecture is the third in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism. 

Manpower Lectures – #3 The New Mail Order

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

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Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World
Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

Drawing on heroes of classical mythology, the Iliad, Greek tragedy and their modern adaptations, Dr Anastasia Bakogianni explores what it meant to be a man in the ancient Greek world. Researching expectations placed upon men and the warrior ethos, she tracks its impact throughout the centuries and on the modern concept of masculinity.  This lecture is the second in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #2 Ancient Greek Male Identity and the Modern World

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

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Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland
Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

Senior Curator of International Art, Dr Sophie Matthiesson explores some of the motivations behind the collecting and public display of male bodies in the early years of the Auckland Art Gallery (founded 1888) and considers the appeal and meaning of such frankly sensual images for their Victorian-era benefactors who purchased them. The notorious 1895 London trial and imprisonment of Irish poet and playwright Oscar Wilde for homosexuality suddenly altered consciousness across the British Empire. It impacts can be seen, she argues, in public debates about masculinity in New Zealand, and in institutional attitudes to the male nude in art in the following decades.

This lecture is the first in a four-part series, Manpower Lectures: Antiquity, aesthetes and athleticism.

Manpower Lectures – #1 Why Oscar Wilde Mattered in Auckland

6—7pm

EB Members $100, Standard Members $135, Non-Members $190, Students $80 Book now

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SOLD OUT: Kintsugi workshop - March
SOLD OUT: Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

Please note: This event is now sold out.

Kintsugi (or Kintsukuroi) is the Japanese art of repairing broken objects. Loosely translating to ‘golden joinery’, kintsugi values breakage and repair as part of the history of an object, using lacquer and powdered metal to make visible repairs.

SOLD OUT: Kintsugi workshop - March

10.30am–1.30pm

Members $135, Non-Members $190 (includes a Membership) Book now

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Vintage Festival
Vintage Festival

10-5pm

FREE

Vintage Festival

10-5pm

FREE

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Swinging Sixties: Double Feature
Swinging Sixties: Double Feature

3.15—8.30pm

From $15 Book now

What better way to celebrate the exhibition Mary Quant: Fashion Revolutionary than two iconic, groovy, cinematic classics that will transport you back to the swinging sixties!

Alongside a fully stocked bar, you can catch A Hard Day’s Night – a 1964 rock-and-roll romp following "a day in the life" of The Beatles as fame takes them by storm – and mystery thriller Blow-Up, by critically acclaimed director Michelangelo Antonioni, wherein a bored mod-photographer discovers he’s unknowingly captured a crime scene on film. This event will be located at The Hollywood in Avondale, New Zealand’s longest-running cinema palace.

Swinging Sixties: Double Feature

3.15—8.30pm

From $15 Book now

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SOLD OUT | Tour the City with fashion expert Doris de Pont #3
SOLD OUT | Tour the City with fashion expert Doris de Pont #3

11am – 12pm

FREE

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Rainbow artists talk about their lives
Rainbow artists talk about their lives

7pm-8pm

Free, booking essential. Book now

Rainbow artists talk about their lives

7pm-8pm

Free, booking essential. Book now

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Fiona Clark: Unafraid | Special PRIDE Festival screening and conversation
Fiona Clark: Unafraid | Special PRIDE Festival screening and conversation

2pm-4pm

Free, booking essential. Book now

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GALS Auckland Rainbow Choir | A Celebration of 30 years
GALS Auckland Rainbow Choir | A Celebration of 30 years

3pm-4pm

Free, booking essential. Book now

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Swinging Sixties in Auckland - How Quant Sparked Our Boutique Culture
Swinging Sixties in Auckland - How Quant Sparked Our Boutique Culture

6—7pm

Members $14, Non-Members $20 Book now

Swinging Sixties in Auckland - how Quant sparked our boutique culture.

In this talk, fashion historian Angela Lassig will chart the rise of boutique culture in the back streets and side alleys of 60s Auckland, exploring the fashion, music and makeup that energised a generation.  

Swinging Sixties in Auckland - How Quant Sparked Our Boutique Culture

6—7pm

Members $14, Non-Members $20 Book now

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Design with the WOW Factor | Christopher Davis: A Creative Inspiration
Design with the WOW Factor | Christopher Davis: A Creative Inspiration

2pm-3pm

Free, booking essential.

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Friday Lates: Drop-in Drawing
Friday Lates: Drop-in Drawing

— Fridays 6.30–8pm

FREE

Join us for a special edition of our Friday Lates Drop-in Drawing on 21 January with Off the Wall Drawing. Then, inspired by our fabulous exhibition Mary Quant: Fashion Revolutionary, join us on 28 January for Drop in Drawing – '60s style! 

Friday Lates: Drop-in Drawing

— Fridays 6.30–8pm

FREE

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Yoga and Art Immersion
Yoga and Art Immersion

— Tuesdays 5.30 – 6.30pm, Sundays 9 – 10.00am

Public $15, Members $12

Yoga and Art Immersion

— Tuesdays 5.30 – 6.30pm, Sundays 9 – 10.00am

Public $15, Members $12

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Quant-inspired Fashion Illustration Workshop
Quant-inspired Fashion Illustration Workshop

10.30am—3pm

From $150 Book now

Harnessing the youthful spirit of the sixties and embracing new mass-production techniques, Mary Quant created a new look for modern women. Be inspired by Quant's work and play around with different materials and styles to create your own mini fashion sketch portfolio.

Quant-inspired Fashion Illustration Workshop

10.30am—3pm

From $150 Book now

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Mary Quant Minidress Masterclass
Mary Quant Minidress Masterclass

10.30 am - 12.30pm

From $22.50 Book now

Mary Quant Minidress Masterclass

10.30 am - 12.30pm

From $22.50 Book now

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Fashion Icons: how Mary Quant influenced Kate Sylvester
Fashion Icons: how Mary Quant influenced Kate Sylvester

3—4pm

Talk - Standard $15, Talk - Members $13.50 Book now

Celebrate Mary Quant: Fashion Revolutionary with a conversation between Aotearoa New Zealand fashion designer Kate Sylvester and Creative and Fashion Director of Viva Magazine, Dan Ahwa. Following the talk, Members can enjoy an exclusive opportunity to meet Kate Sylvester in the Members Lounge.

Fashion Icons: how Mary Quant influenced Kate Sylvester

3—4pm

Talk - Standard $15, Talk - Members $13.50 Book now

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Screen printing workshop with Hayley Pearce from The Art Room Limited | 29 Jan
Screen printing workshop with Hayley Pearce from The Art Room Limited | 29 Jan

10am-12pm

$75 Book now

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Evie Kemp and Havilah Arendse in conversation followed by a fashion show of Havilah Label
Evie Kemp and Havilah Arendse in conversation followed by a fashion show of Havi...

6-7.30pm

FREE but booking essential Book now

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Drop in Drawing – '60s style
Drop in Drawing – '60s style

6:30–8pm

FREE

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Become a World of WearableArt designer for the day
Become a World of WearableArt designer for the day

— 11am–2 pm

FREE

Become a World of WearableArt designer for the day

— 11am–2 pm

FREE

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Meet icons of the 1960’s
Meet icons of the 1960’s

2-3.30pm

From $18 Book now

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Screen printing workshop with Hayley Pearce from The Art Room Limited | 22 Jan
Screen printing workshop with Hayley Pearce from The Art Room Limited | 22 Jan

1-3pm

$75 Book now

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Friday Lates
Friday Lates

— Fridays until 9pm

FREE

Friday Lates

— Fridays until 9pm

FREE

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Off the Wall Drawing
Off the Wall Drawing

— Friday nights, from January 21 2022, 6.30 – 8pm

FREE

Off the Wall Drawing

— Friday nights, from January 21 2022, 6.30 – 8pm

FREE

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Make your own paper doll with artist Toni Mosley
Make your own paper doll with artist Toni Mosley

— 11am – 2pm

FREE

Make your own paper doll with artist Toni Mosley

— 11am – 2pm

FREE

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January School Holiday Programmes 2022
January School Holiday Programmes 2022

— 9am–3pm

$80 (+booking fees) per child, per day | $350 (+booking fees) per child, 5 days Book now

This January school holidays, the Gallery is proud to bring you a hands-on School Holiday Programme. 

January School Holiday Programmes 2022

— 9am–3pm

$80 (+booking fees) per child, per day | $350 (+booking fees) per child, 5 days Book now

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Whānau drop-ins – New activities each weekend!
Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

Whānau drop-ins are free, family-focused workshops held every Saturday and Sunday from 11am–3pm.

 

 

 

 

 

Whānau drop-ins – New activities each weekend!

— Sat & Sun 11am–3pm, public holidays and every day during school holidays

FREE

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Hīkoi toiora
Hīkoi toiora

— 2pm every Sat & Sun, or on request.

$25/$22.50 (Members)

Hīkoi toiora

— 2pm every Sat & Sun, or on request.

$25/$22.50 (Members)

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A Slow Look
A Slow Look

— 1 hour

$25/22.50 (Members) 12 and under free

A Slow Look

— 1 hour

$25/22.50 (Members) 12 and under free

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Gallery tours
Gallery tours

— 11.30am and 1.30pm daily

FREE

Our friendly and knowledgeable team is here to introduce you to the art, artists, stories and histories that make up our Gallery.

Gallery tours

— 11.30am and 1.30pm daily

FREE

Artworks

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View Artwork

Not on display

Ruby's Room No.22
Ruby's Room No.22

Anne Noble

Production date
2001
Medium
inkjet pigment on vinyl
Size (h x w)
1200 x 1800 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2003
Accession no
2003/41/2
Ruby's Room No.22

Anne Noble

View Artwork

Not on display

A place setting in the refectory. The rule of the Great Silence is observed here. The purpose of silence in the monastery is to develop the spirit or atmosphere of recollection necessary for deep prayer
A place setting in the refectory. The rule of the Great Silence is observed here...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
197 x 130 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/10
A place setting in the refectory. The rule of the Great Silence is observed here...

Anne Noble

View Artwork

Not on display

Each cell in the monastery contains a bed, a cross, a chair, a wardrobe, a desk and one picture of the sister's choice. Shared poverty and the renunciation of individual ownership are characteristic of a monastic community
Each cell in the monastery contains a bed, a cross, a chair, a wardrobe, a desk...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
200 x 137 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/12
Each cell in the monastery contains a bed, a cross, a chair, a wardrobe, a desk...

Anne Noble

View Artwork

Not on display

Hiruharama (Jerusalem) 1982
Hiruharama (Jerusalem) 1982

Anne Noble

Production date
1995
Medium
gelatin silver print
Size (h x w)
182 x 343 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/3
Hiruharama (Jerusalem) 1982

Anne Noble

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Not on display

Upper Reaches, Wanganui River
Upper Reaches, Wanganui River

Anne Noble

Production date
1982
Medium
gelatin silver print
Size (h x w)
232 x 354 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/5
Upper Reaches, Wanganui River

Anne Noble

View Artwork

Not on display

Untitled
Untitled

Anne Noble

Production date
Unknown
Medium
black and white photograph
Size (h x w)
150 x 153 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1977
Accession no
1977/69/2
Untitled

Anne Noble

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Not on display

Hiruharama (Jerusalem) Wanganui River
Hiruharama (Jerusalem) Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
136 x 319 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/4
Hiruharama (Jerusalem) Wanganui River

Anne Noble

View Artwork

Not on display

In the Dead of the Night (Song Sting Swarm #3)
In the Dead of the Night (Song Sting Swarm #3)

Anne Noble

Production date
2012
Medium
inkjet print
Size (h x w)
1000 x 1500 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2013
Accession no
C2013/1/2/2
In the Dead of the Night (Song Sting Swarm #3)

Anne Noble

View Artwork

Not on display

Ruby's Room No.10
Ruby's Room No.10

Anne Noble

Production date
2000
Medium
inkjet pigment on vinyl
Size (h x w)
1200 x 1800 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2003
Accession no
2003/41/1
Ruby's Room No.10

Anne Noble

View Artwork

Not on display

William's Field (under Erebus) number 4
William's Field (under Erebus) number 4

Anne Noble

Production date
2002
Medium
digital print
Size (h x w)
660 x 710 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/3
William's Field (under Erebus) number 4

Anne Noble

View Artwork

Not on display

William's Field (under Erebus) number 10
William's Field (under Erebus) number 10

Anne Noble

Production date
2002
Medium
digital print
Size (h x w)
660 x 710 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/4
William's Field (under Erebus) number 10

Anne Noble

View Artwork

Not on display

Hau Hau war pole, Rongo Niu
Hau Hau war pole, Rongo Niu

Anne Noble

Production date
1982
Medium
gelatin silver print
Size (h x w)
171 x 342 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/1
Hau Hau war pole, Rongo Niu

Anne Noble

View Artwork

Not on display

Wanganui River, Upper Reaches
Wanganui River, Upper Reaches

Anne Noble

Production date
1982
Medium
gelatin silver print
Size (h x w)
275 x 388 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/7
Wanganui River, Upper Reaches

Anne Noble

View Artwork

Not on display

Sheep and Lilies of the Field - Hiruharama (Jerusalem) Wanganui River
Sheep and Lilies of the Field - Hiruharama (Jerusalem) Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
175 x 251 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/7
Sheep and Lilies of the Field - Hiruharama (Jerusalem) Wanganui River

Anne Noble

View Artwork

Not on display

Suzy, Pipiriki, Wanganui River
Suzy, Pipiriki, Wanganui River

Anne Noble

Production date
1981
Medium
black and white photograph
Size (h x w)
320 x 214 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/9
Suzy, Pipiriki, Wanganui River

Anne Noble

View Artwork

Not on display

Goal Posts, Scott Base Antarctica
Goal Posts, Scott Base Antarctica

Anne Noble

Production date
2003
Medium
photograph
Size (h x w)
375 x 470 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, 2003
Accession no
C2003/1/25
Goal Posts, Scott Base Antarctica

Anne Noble

View Artwork

Not on display

Bob asleep in the bath
Bob asleep in the bath

Anne Noble

Production date
1978
Medium
gelatin silver print
Size (h x w)
185 x 120 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/1
Bob asleep in the bath

Anne Noble

View Artwork

Not on display

William's Field (under Erebus) number 3
William's Field (under Erebus) number 3

Anne Noble

Production date
2002
Medium
digital print
Size (h x w)
660 x 710 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of the Auckland Art Gallery, 2004
Accession no
2004/32/2
William's Field (under Erebus) number 3

Anne Noble

View Artwork

Not on display

10,000 Waking Bees (Song Sting Swarm #1)
10,000 Waking Bees (Song Sting Swarm #1)

Anne Noble

Production date
2012
Medium
inkjet print
Size (h x w)
1000 x 1500 mm
Credit line
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2013
Accession no
C2013/1/2/1
10,000 Waking Bees (Song Sting Swarm #1)

Anne Noble

View Artwork

Not on display

A statue of Saint Michael the Archangel, which was brought from Paris by the Foundress in 1901
A statue of Saint Michael the Archangel, which was brought from Paris by the Fou...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
197 x 130 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/1
A statue of Saint Michael the Archangel, which was brought from Paris by the Fou...

Anne Noble

View Artwork

Not on display

The cowl is the garment traditionally worn for prayer in monastic communities
The cowl is the garment traditionally worn for prayer in monastic communities

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/2
The cowl is the garment traditionally worn for prayer in monastic communities

Anne Noble

View Artwork

Not on display

Sister Luke and Sister Therese, novices in the community
Sister Luke and Sister Therese, novices in the community

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/3
Sister Luke and Sister Therese, novices in the community

Anne Noble

View Artwork

Not on display

The cloister of the monastery. When the bell rings for the divine Office the sisters congregate here and wait in silence for several minutes in preparation for the singing of the Liturgy
The cloister of the monastery. When the bell rings for the divine Office the sis...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 196 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/5
The cloister of the monastery. When the bell rings for the divine Office the sis...

Anne Noble

View Artwork

Not on display

Arimatea, Wanganui River
Arimatea, Wanganui River

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
132 x 316 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/1
Arimatea, Wanganui River

Anne Noble

View Artwork

Not on display

Procession: Rure Keremenata's Unveiling, Wanganui River, Hiruharama (Jerusalem)
Procession: Rure Keremenata's Unveiling, Wanganui River, Hiruharama (Jerusalem)

Anne Noble

Production date
1982
Medium
black and white photograph
Size (h x w)
318 x 217 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/6
Procession: Rure Keremenata's Unveiling, Wanganui River, Hiruharama (Jerusalem)

Anne Noble

View Artwork

Not on display

Seven times a day the community processes into the sanctuary for the Hours of Nocturnes, Lauds, Terce, Sext, None, Vespers and Compline. The singing of the Divine Officeis the primary work of the Tyburn community. The purpose of this liturgy to sanctify time and all human activity will be achieved in our community
Seven times a day the community processes into the sanctuary for the Hours of No...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 196 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/4
Seven times a day the community processes into the sanctuary for the Hours of No...

Anne Noble

View Artwork

Not on display

The library, described by the foundress as the arsenal of the monastery, Lectio divina is the art of meditation in the Benedictine way of life. Its aim is to feed the prayer life through a meditative reflection on the Word of God: a reflection or pondering in the heart rather than an intellectual exercise
The library, described by the foundress as the arsenal of the monastery, Lectio...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/8
The library, described by the foundress as the arsenal of the monastery, Lectio...

Anne Noble

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Not on display

During the ceremony of her final profession, a sister lies in front of the altar while the community and the congregation say a litany or prayer of intercession to the angels and saints
During the ceremony of her final profession, a sister lies in front of the altar...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 200 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/9
During the ceremony of her final profession, a sister lies in front of the altar...

Anne Noble

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Matahiwi Cemetery
Matahiwi Cemetery

Anne Noble

Production date
1995
Medium
gelatin silver print
Size (h x w)
217 x 355 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/4
Matahiwi Cemetery

Anne Noble

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The Wanganui River Road (near Atene/Athens)
The Wanganui River Road (near Atene/Athens)

Anne Noble

Production date
1982
Medium
gelatin silver print
Size (h x w)
205 x 353 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/2
The Wanganui River Road (near Atene/Athens)

Anne Noble

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The Wanganui
The Wanganui

Anne Noble

Production date
1980
Medium
gelatin silver print
Size (h x w)
285 x 420 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 2000
Accession no
2000/3/6
The Wanganui

Anne Noble

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Untitled
Untitled

Anne Noble

Production date
Unknown
Medium
black and white photograph
Size (h x w)
142 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1977
Accession no
1977/69/1
Untitled

Anne Noble

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The white veil of a novice "Our habit signifies complete detachment from the things of this world" (M Foundress 1902)
The white veil of a novice "Our habit signifies complete detachment from the thi...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
131 x 196 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/11
The white veil of a novice "Our habit signifies complete detachment from the thi...

Anne Noble

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Not on display

The walled garden of the monastery
The walled garden of the monastery

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/6
The walled garden of the monastery

Anne Noble

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Not on display

Prayer, lectio divina and work, according to Saint Benedict are the three most important elements of a monks life. Work within the community such as care of the pantry is one of many employments that are rotated every three months
Prayer, lectio divina and work, according to Saint Benedict are the three most i...

Anne Noble

Production date
1992
Medium
black and white photograph
Size (h x w)
130 x 197 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1993
Accession no
1993/18/7
Prayer, lectio divina and work, according to Saint Benedict are the three most i...

Anne Noble

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Not on display

From "Gentle Annie" Wanganui River
From "Gentle Annie" Wanganui River

Anne Noble

Production date
1981
Medium
black and white photograph
Size (h x w)
326 x 220 mm
Credit line
Auckland Art Gallery Toi o Tāmaki, purchased 1985
Accession no
1985/4/2
From "Gentle Annie" Wanganui River

Anne Noble

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