Exhibitions

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Light from Tate: 1700s to Now
Light from Tate: 1700s to Now

—

Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

Light from Tate: 1700s to Now

—

Adults $26.50, Concessions $21.50, Members and children 12 & under FREE Book now

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Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection
Archive Display | Ngā Pūranga me te Kohinga | Archives and the Collection

—

Free

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Suji Park: Meonji Soojibga | Dust Collector
Suji Park: Meonji Soojibga | Dust Collector

—

FREE

Suji Park: Meonji Soojibga | Dust Collector

—

FREE

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ArtLab
ArtLab

—

FREE

ArtLab

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FREE

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Manpower: Myths of Masculinity
Manpower: Myths of Masculinity

—

FREE

Manpower: Myths of Masculinity

—

FREE

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Romancing the Collection
Romancing the Collection

—

FREE

Romancing the Collection

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FREE

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Guide Kaiārahi
Guide Kaiārahi

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FREE

Guide Kaiārahi

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FREE

Events

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Lecture series: Masters of Light, 1700s to Now (II)
Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

Lecture Series Masters of Light – Day 2

Sun 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre-stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art, and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 1.

Image credit: Wassily Kandinsky Swinging

 

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Lecture series: Masters of Light, 1700s to Now (II)

10.30am–12.30pm

From $40 Book now

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Rhythms of the Brain: NZTrio with Simon Ingram
Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

Rhythms of the Brain: NZTrio with Simon Ingram

7–9pm

Pay-what-you-can | $10, $20, $30 Book now

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Lecture series: Masters of Light, 1700s to Now (I)
Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

Masters of Light, 1700s to Now

Sun 21 and 28 May | 10.30am–12.30pm

Across two Sundays, this lecture series explores how light takes centre stage in critically acclaimed paintings, sculptures, photographs, films and installations by ground-breaking artists through the centuries.

Day 1 focuses on historical European art and Day 2 on modern and contemporary art, incorporating an Indigenous lens. Presented by four passionate art and design scholars, this series accompanying our current Light from Tate: 1700s to Now exhibition is not to be missed.

Like to attend? Come to both or pick your favourite day. Scroll down for more info on tickets or click here for a programme overview of Day 2 .

Image credit: Johannes Vermeer The Milkmaid 

Note: the artwork above will be discussed in this series, but is currently not on display at Auckland Art Gallery.

 

BOOK HERE

 

Lecture series: Masters of Light, 1700s to Now (I)

10.30am–12.30pm

From $40 Book now

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April School Holiday Programme
April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

April School Holiday Programme

— 9am–3pm daily

From $72 plus booking fees Book now

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Audio Described Tour for blind and low vision visitors | Light from Tate
Audio Described Tour for blind and low vision visitors | Light from Tate

10.30am–12.00pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

Audio Described Tour for blind and low vision visitors | Light from Tate

10.30am–12.00pm

General admission $26.50 (+booking fees), Concession $21.50 (+booking fees), Members free Book now

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Young Members | Poetic Soundscapes
Young Members | Poetic Soundscapes

6.30—8.30pm

Members $20 (and bring a friend), General admission $30.00 (and bring a friend) Buy tickets

Young Members | Poetic Soundscapes

6.30—8.30pm

Members $20 (and bring a friend), General admission $30.00 (and bring a friend) Buy tickets

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Light Abounds: Paint & Sip Sessions
Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

General admission $75 (+booking fees), Members $67.50 (+booking fees) | Exhibition admission additional Book now

Light Abounds: Paint & Sip Sessions

— 6.30 – 9pm

General admission $75 (+booking fees), Members $67.50 (+booking fees) | Exhibition admission additional Book now

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SOLD OUT | Pop-up vintage photography studio
SOLD OUT | Pop-up vintage photography studio

— 10am–5pm

General $150, Members $135 Book now

SOLD OUT | Pop-up vintage photography studio

— 10am–5pm

General $150, Members $135 Book now

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Yoga and Art Immersion
Yoga and Art Immersion

— Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

Yoga and Art Immersion

— Sundays 9am-10am

General admission $18 (+ booking fee), Members $16.20 (+ booking fee) Book now

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Lunchtime Drop-in Drawing
Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

Lunchtime Drop-in Drawing

— Fridays 12-1pm

FREE

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ArtLab | Shadow and Light
ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

ArtLab | Shadow and Light

— 10am – 5pm, every day

FREE

Artworks

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View Artwork

Not on display

Swallows and Iris Blossoms
Swallows and Iris Blossoms

Andō Hiroshige

Production date
1853
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
334 x 110 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M93
Swallows and Iris Blossoms

Andō Hiroshige

View Artwork

Not on display

Takanawa; Horikiri no sato, hana shobu; Nakazu (Woman on Bench; Iris; Mount Fuji above Marsh Grass in Fan Shape)
Takanawa; Horikiri no sato, hana shobu; Nakazu (Woman on Bench; Iris; Mount Fuji...

Andō Hiroshige

Production date
1857
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
332 x 254 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M94
Takanawa; Horikiri no sato, hana shobu; Nakazu (Woman on Bench; Iris; Mount Fuji...

Andō Hiroshige

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Not on display

Tsûtenkyô no momiji (Red Maple Trees at the Tsûtenkyô Bridge)
Tsûtenkyô no momiji (Red Maple Trees at the Tsûtenkyô Bridge)

Andō Hiroshige

Production date
circa 1834
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
234 x 350 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M78
Tsûtenkyô no momiji (Red Maple Trees at the Tsûtenkyô Bridge)

Andō Hiroshige

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Not on display

Lady walking in Kami Shiba (a street in Edo)
Lady walking in Kami Shiba (a street in Edo)

Andō Hiroshige

Production date
circa 1850
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
365 x 249 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M90
Lady walking in Kami Shiba (a street in Edo)

Andō Hiroshige

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Not on display

Sparrow and Wisteria
Sparrow and Wisteria

Andō Hiroshige

Production date
19th century
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
338 x 75 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M97
Sparrow and Wisteria

Andō Hiroshige

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Not on display

Mitate Hakkei; Night rain at Gion (left hand sheet of Triad)
Mitate Hakkei; Night rain at Gion (left hand sheet of Triad)

Andō Hiroshige

Production date
circa 1850
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 271 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M100
Mitate Hakkei; Night rain at Gion (left hand sheet of Triad)

Andō Hiroshige

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Not on display

Yoshiwara sakura no zu (Cherry Blossoms in the Yoshiwara sakura no zu)
Yoshiwara sakura no zu (Cherry Blossoms in the Yoshiwara sakura no zu)

Andō Hiroshige

Production date
1844
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
248 x 370 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M107
Yoshiwara sakura no zu (Cherry Blossoms in the Yoshiwara sakura no zu)

Andō Hiroshige

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Not on display

Hakkeisaka Yoroi kakematsu (The Armor-hanging Pine at Hakkeizaka)
Hakkeisaka Yoroi kakematsu (The Armor-hanging Pine at Hakkeizaka)

Andō Hiroshige

Production date
1856
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
364 x 241 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M74
Hakkeisaka Yoroi kakematsu (The Armor-hanging Pine at Hakkeizaka)

Andō Hiroshige

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Not on display

Tôto Kinoshitagawa kakitsubata (Rabbitear Irises at the Kinoshita River in the Eastern Capital)
Tôto Kinoshitagawa kakitsubata (Rabbitear Irises at the Kinoshita River in the E...

Andō Hiroshige

Production date
1866
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
360 x 250 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M165
Tôto Kinoshitagawa kakitsubata (Rabbitear Irises at the Kinoshita River in the E...

Andō Hiroshige

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Not on display

Totsuka, Motomachi betsudô (Totsuka: Motomachi Fork)
Totsuka, Motomachi betsudô (Totsuka: Motomachi Fork)

Andō Hiroshige

Production date
1833-1834
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
236 x 363 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M82
Totsuka, Motomachi betsudô (Totsuka: Motomachi Fork)

Andō Hiroshige

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Not on display

Kanaya, Ōigawa engan (No. 25, Kanaya: The Far Bank of the Ōi River
Kanaya, Ōigawa engan (No. 25, Kanaya: The Far Bank of the Ōi River

Andō Hiroshige

Production date
1833-1834
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
256 x 377 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M85
Kanaya, Ōigawa engan (No. 25, Kanaya: The Far Bank of the Ōi River

Andō Hiroshige

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Not on display

Takanawa tsuki no yūbe (Moonlit Evening at Takanawa)
Takanawa tsuki no yūbe (Moonlit Evening at Takanawa)

Andō Hiroshige

Production date
circa 1847
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
232 x 357 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M89
Takanawa tsuki no yūbe (Moonlit Evening at Takanawa)

Andō Hiroshige

View Artwork

Not on display

Kakuchû shinonome (Dawn inside the Yoshiwara)
Kakuchû shinonome (Dawn inside the Yoshiwara)

Andō Hiroshige

Production date
1857
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
361 x 245 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M91
Kakuchû shinonome (Dawn inside the Yoshiwara)

Andō Hiroshige

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Not on display

Act VI (Rokudanme)
Act VI (Rokudanme)

Andō Hiroshige

Production date
1835-1839
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
230 x 355 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M92
Act VI (Rokudanme)

Andō Hiroshige

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Not on display

Pillar print : A river gorge
Pillar print : A river gorge

Andō Hiroshige

Production date
circa 1850
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
345 x 74 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M98
Pillar print : A river gorge

Andō Hiroshige

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Not on display

Shinigawa, shokô detachi (Shinagawa: Departure of the Daimyô)
Shinigawa, shokô detachi (Shinagawa: Departure of the Daimyô)

Andō Hiroshige

Production date
1833-1834
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
240 x 352 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M81
Shinigawa, shokô detachi (Shinagawa: Departure of the Daimyô)

Andō Hiroshige

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Not on display

Hiratsuka, Nawate michi (Hiratsuka: Nawate Road)
Hiratsuka, Nawate michi (Hiratsuka: Nawate Road)

Andō Hiroshige

Production date
1833-1834
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
256 x 377 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M83
Hiratsuka, Nawate michi (Hiratsuka: Nawate Road)

Andō Hiroshige

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Not on display

Suruga Satta kaijô (The Sea off Satta in Suruga Province)
Suruga Satta kaijô (The Sea off Satta in Suruga Province)

Andō Hiroshige

Production date
1858
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
365 x 243 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M87
Suruga Satta kaijô (The Sea off Satta in Suruga Province)

Andō Hiroshige

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Not on display

Sekiguchi jôsui-bata Bashôan Tsubakiyama (Bashô's Hermitage and Camellia Hill on the Kanda Aqueduct at Sekiguchi)
Sekiguchi jôsui-bata Bashôan Tsubakiyama (Bashô's Hermitage and Camellia Hill on...

Andō Hiroshige

Production date
1857
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
349 x 234 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M88
Sekiguchi jôsui-bata Bashôan Tsubakiyama (Bashô's Hermitage and Camellia Hill on...

Andō Hiroshige

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Not on display

Pillar print: Crayfish in a whirlpool
Pillar print: Crayfish in a whirlpool

Andō Hiroshige

Production date
circa 1850
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
345 x 74 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M96
Pillar print: Crayfish in a whirlpool

Andō Hiroshige

View Artwork

Not on display

Mitate Hakkei; Night rain at Gion (centre sheet of Triad)
Mitate Hakkei; Night rain at Gion (centre sheet of Triad)

Andō Hiroshige

Production date
circa 1850
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 271 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M101
Mitate Hakkei; Night rain at Gion (centre sheet of Triad)

Andō Hiroshige

View Artwork

Not on display

Sôshû Miura no kaijô (The Sea at Miura in Sagami Province)
Sôshû Miura no kaijô (The Sea at Miura in Sagami Province)

Andō Hiroshige

Production date
1858
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
364 x 238 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M103
Sôshû Miura no kaijô (The Sea at Miura in Sagami Province)

Andō Hiroshige

View Artwork

Not on display

Tsuki no misaki (Moon-viewing Point)
Tsuki no misaki (Moon-viewing Point)

Andō Hiroshige

Production date
1857
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
351 x 241 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M80
Tsuki no misaki (Moon-viewing Point)

Andō Hiroshige

View Artwork

Not on display

Ôyama, Fujisan, Kôrai-ji-yama (No. 8, Hiratsuka: Mount Ôyama, Mount Fuji and the Mountain of Kôrai-ji)
Ôyama, Fujisan, Kôrai-ji-yama (No. 8, Hiratsuka: Mount Ôyama, Mount Fuji and the...

Andō Hiroshige

Production date
1850-1851
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
183 x 256 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M84
Ôyama, Fujisan, Kôrai-ji-yama (No. 8, Hiratsuka: Mount Ôyama, Mount Fuji and the...

Andō Hiroshige

View Artwork

Not on display

Tôto Ryôgogu (Ryôgoku Bridge in Edo)
Tôto Ryôgogu (Ryôgoku Bridge in Edo)

Andō Hiroshige

Production date
1858
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
364 x 239 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M86
Tôto Ryôgogu (Ryôgoku Bridge in Edo)

Andō Hiroshige

View Artwork

Not on display

Mitate Hakkei; Night rain at Gion (right hand sheet of Triad)
Mitate Hakkei; Night rain at Gion (right hand sheet of Triad)

Andō Hiroshige

Production date
circa 1850
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
368 x 271 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M102
Mitate Hakkei; Night rain at Gion (right hand sheet of Triad)

Andō Hiroshige

View Artwork

Not on display

Mountain Gorge in Winter
Mountain Gorge in Winter

Andō Hiroshige

Production date
1832
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
723 x 243 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M149
Mountain Gorge in Winter

Andō Hiroshige

View Artwork

Not on display

A Street of shops
A Street of shops

Andō Hiroshige

Production date
circa 1850
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
255 x 371 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M73
A Street of shops

Andō Hiroshige

View Artwork

Not on display

Kameido Tenjin keidai (Inside Kameido Tenjin Shrine)
Kameido Tenjin keidai (Inside Kameido Tenjin Shrine)

Andō Hiroshige

Production date
1856
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
354 x 243 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M77
Kameido Tenjin keidai (Inside Kameido Tenjin Shrine)

Andō Hiroshige

View Artwork

Not on display

Bôshû Kubota no kaigan (The Seacoast at Kubota in Awa Province)
Bôshû Kubota no kaigan (The Seacoast at Kubota in Awa Province)

Andō Hiroshige

Production date
1858
Medium
woodcut - nishiki-e (full colour) technique
Size (h x w)
359 x 242 mm
Credit line
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki
Accession no
M79
Bôshû Kubota no kaigan (The Seacoast at Kubota in Awa Province)

Andō Hiroshige

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Light from Tate: 1700s to Now in conversation Image
Light from Tate: 1700s to Now in conversation

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Marti Friedlander: Photographs Image
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2022 Michèle Whitecliffe Art Writing Prize winner – ‘Building a Weight/Jumping a...

Lachlan Taylor

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2022 Michèle Whitecliffe Art Writing Prize runner-up – Opt, Co-opt and Co-ops: Politicised Participation in Recent Art from Aotearoa. Image
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2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Films of Sriwhana Spong Image
2022 Michèle Whitecliffe Art Writing Prize runner-up – Unruly Resistance: The Fi...

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Traces through Time: Digitising Archival Exhibition Photographs at the E H McCor...

Hélena Lunt

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Community and Collaboration: Learning with Kaiako, Robin White, Ebonie Fifita an...

Isabel Michell

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In Memory of Marylyn Mayo: Creating a Legacy of Support

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The Fantastical World of Felix Kelly: A Life and an Archive

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Beyond the Walls: Art as a Community Catalyst

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Declaration: Publishing a Pacific Feminist Agenda

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Top Five New Books in the E H McCormick Research Library Image
Top Five New Books in the E H McCormick Research Library

Tamsyn Bayliss

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Jim Allen: 1922 to Today Image
Jim Allen: 1922 to Today

Natasha Conland

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The Beauty of Holiness: Art of the Old Believers in 'Heavenly Beings: Icons of the Christian Orthodox World' Image
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Gordon Morrison

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Gilbert & George in Conversation with Senior Curator Ron Brownson Image
Gilbert & George in Conversation with Senior Curator Ron Brownson

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Yona Lee: An Arrangement for 5 Rooms

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'Peter Peryer: The Man in the Photograph' – An Archive and an Exhibition

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Max Oettli's Night Beat Image
Max Oettli's Night Beat

Richard Wolfe

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Make Your Mark! Squiggla at ArtLab

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An Emblem of St Paul’s College: Tony Fomison's 'Ponsonby Madonna'

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Rifling through the Top Drawer: Looking through Grant Lingard

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Max Oettli: Visible Evidence Image
Max Oettli: Visible Evidence

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In Conversation: The significant influence of Mary Quant on Kate Sylvester

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Julie Watson and Julia Waite in Conversation About the Rainbow Tick

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Clown Time

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New Zealand Swings

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The Back of the Painting – A Journey

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In Memoriam: Billy Apple (1962–2021), from Barrie Bates, (1935–1962)

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A Moment of Optimism

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Walters Prize
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