Walters Prize nominees announced

The nominees for New Zealand's most prestigious award for contemporary art have been decided.

Walters Prize

Overview

The finalists' artworks will be exhibited at Auckland Art Gallery Toi o Tāmaki for three months from 4 August, at the end of which the winner will be announced.

The $50,000 Walters Prize is awarded for an outstanding work of contemporary New Zealand art produced and exhibited during the past two years. Previous winners were Yvonne Todd for Asthma and Eczema (2002), et al. for restricted access (2004), Francis Upritchard for Doomed, Doomed, All Doomed (2006), Peter Robinson for ACK (2008) and Dan Arps for Explaining Things (2010).

Named in honour of the late New Zealand artist Gordon Walters, the Prize was established in 2002 by Founding Benefactors and Principal Donors Erika and Robin Congreve and Dame Jenny Gibbs, working together with Auckland Art Gallery. The Prize, held every two years, aims to make contemporary art a more widely recognised and debated feature of cultural life.

 

FINALISTS FOR THE WALTERS PRIZE 2012

Simon Denny: Introductory logic video tutorial, shown at Artspace, Sydney (5 March-10 April 2010)
Alicia Frankovich: Floor Resistance, shown at Hebbel Am Ufer, HAU 3, Berlin, (25 June 2011)
Kate Newby: Crawl out your window, shown at Gesellschaft für aktuelle Kunst GAK,
Bremen (28 August-7 November 2010)
Sriwhana Spong: Fanta Silver and Song, shown at Gertrude Contemporary, Melbourne (4 February-5 March 2011)

The four finalists will each receive $5000, thanks to major donor Dayle Mace.

Auckland Art Gallery Director Chris Saines says: 'The Walters Prize is again set to
reinstate a group of four recent projects by contemporary New Zealand artists that this year's jury - comprising David Cross, Aaron Kriesler, Kate Montgomery and Gwyneth Porter - has selected for inclusion in the Prize exhibition.

'The first to be presented in the Gallery's newly developed building, in the Chartwell Gallery, the 2012 Walters Prize is again generously supported by Founding Benefactors and Principal Donors Erika and Robin Congreve and Dame Jenny Gibbs, who were instrumental in the Prize's establishment in 2002.

'I want to extend my and their congratulations to Simon Denny, Alicia Frankovich, Kate Newby and Sriwhana Spong, on becoming very deserving finalists in the sixth Walters Prize. An international judge has been invited to solely determine and then announce the winner of the Prize at a dinner to be held on 20 October.

'For the first time ever this year's Prize features a group of works all of which were first shown off-shore, although there have been many works of this kind included over the years, as the Prize rules allow.

'Twelve years on, as it moves into its new and permanent home, the Walters Prize will doubtless continue to attract even stronger public interest and to build and broaden the conversation around New Zealand contemporary art.'

 

JURORS

David Cross - artist, writer, curator and associate professor in Fine Arts at Massey
University, Wellington
Aaron Kriesler - curator at Dunedin Public Art Gallery, Dunedin
Kate Montgomery - senior arts advisor for Visual Art at Creative New Zealand
Gwynneth Porter - writer, editor and publisher

 

INTERNATIONAL JUDGE

The international judge for the Walters Prize 2012 prize will be named later this year. They will select the winner, announced at a gala dinner in October. The winner will receive $50,000 and an all expenses paid trip to New York, including the opportunity to exhibit at Saatchi & Saatchi's world headquarters. The Walters Prize 2010 international judge was highly respected former-director of London's Tate Modern, Vicente Todoli.

 

JURORS' STATEMENT

In a two-year period marked by a multitude of compelling exhibitions and projects the jury has settled on four bodies of work which were each seen to occupy unique and adventurous territory in New Zealand art. Nominations were arrived at on the basis of showing strong evidence of a particular kind of searching engagement within the artists' own practice and with the conditions of the larger world beyond.

While a variety of methodological approaches are visible in the selection, this was not the intention of the jury at the outset. Rather, it was a by-product of the vitality and imaginativeness of the field in general. What does inform all of the selections is an engagement with how the discrete sculptural object is pushed beyond itself into film, installation, work in public space and performance.

The jury is firmly of the belief that each artist has in startling ways interrogated and pushed their practice with great rigour and dexterity to offer new meditations on the possibilities of material, form and its assorted social contexts. Ultimately, each project demonstrated a palpable influence on the art making and viewing communities from which it has arisen.

 

SIMON DENNY

Born 1982 in Auckland, New Zealand
Lives and works in Auckland, New Zealand and Berlin, Germany
Städelschule, Staatliche Hochschule für Bildende Künste, Frankfurt am Main 2009

Jurors' comment:
While the jury were impressed with a number of Simon Denny's recent bodies of work, his major project for Artspace, Sydney, Introductory logic video tutorial, was identified as being especially significant. The exhibition set up a platform for Denny to retrace, expand and actualise his academic experiences as a philosophy student at Sydney University. For the Artspace installation, the artist created a network of interconnecting tautological statements, screen grabs, television monitors (both real and surrogates), and an inventory of the gallery's audiovisual gear which together charted a clever path through a fictional educational video.

 

ALICIA FRANKOVICH

Born 1980 in Tauranga, New Zealand
Lives and works in Berlin, Germany
Bachelor of Visual Arts, Auckland University of Technology 2002


Jurors' comment:
Alicia Frankovich has developed a number of exceptional bodies of work over the prize period both in New Zealand and overseas. The panel was especially compelled by her performance work Floor Resistance which took place at the Hebbel Am Ufer in Berlin in 2011. This work re-negotiates the audience/performer relationship employing an orchestra in an unconventional configuration to unfold highly original ideas pertaining to the staging of live art. By altering the positioning and placement of the orchestra in the space, Frankovich asks us to rethink and experience anew the relationship between audience member and participant.

 

KATE NEWBY

Born 1979 in Auckland, New Zealand
Lives and works in New York, USA and Auckland, New Zealand
Master of Fine Arts, Elam School of Fine Arts, University of Auckland 2007

Jurors' comment:
Kate Newby's works alert our attention to specific textures and experiences that subtly set themselves apart from the everyday. Crawl out your window presented a series of works developed for the Gesellschaft für Aktuelle Kunst (GAK) in Bremen, Germany. Newby's projects there, like a number of others since, were composed of simple materials and gestures rich in association which quietly forged links between her host institution, their gallery spaces and the world outside. Entering into conversation with their surroundings in a sensitive and measured way, Newby's works drew from and amplified the contexts within which they found themselves.

 

SRIWHANA SPONG

Born 1979 in Auckland, New Zealand
Lives and works in Auckland
Bachelor of Fine Arts, Elam School of Fine Arts, University of Auckland 2001

Jurors' comment:
Sriwhana Spong's Fanta Silver and Song drew together work based in the artist's
fathoming of interpretation, gesture, orientalism and sculptural and etheric presence. The two films - Costume for a Mourner and Lethe-wards - re-imagined a Diaghilev ballet originally performed by the Ballets Russes of which nothing more than static fragments survived. The show also involved collages made from pages of 1960s ballet picture books, silk gauze costumes dyed in soft-drink, and a geometric sculpture which seem to suggest diagrams of movement as an emergent individual or a group event.

 

Founding Benefactors and Principal Donors
Erika and Robin Congreve
Dame Jenny Gibbs

Major Donor
Dayle Mace

Portraits of the artists, their projects and CVs are available.

For more information please contact:
Tae Allison
Communications Coordinator
Auckland Art Gallery Toi o Tāmaki
P +64 9 307 7706
M +64 27 291 9953
E tae.allison@aucklandcouncil.govt.nz

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