<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>Latest Events From Auckland Art Gallery</title><link>http://www.aucklandartgallery.com</link><pubDate>Thu, 25 Oct 2012 17:27:36 GMT</pubDate><generator>umbraco</generator><description /><language>en</language><item><title>Toi Aotearoa</title><link>http://www.aucklandartgallery.com/whats-on/events/2011/september/toi-aotearoa</link><pubDate>Tue, 18 Jun 2013 12:41:35 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2011/september/toi-aotearoa</guid><content:encoded> <![CDATA[ 
<p>Explore the Gallery's permanent collection in one of the largest
and most absorbing presentations of New Zealand art. Travel from
the present day back to the 1600s, uncovering the creativity and
cultural diversity of New Zealanders. Discover their preoccupations
with identity, migration and the land.</p>

<p>Begin your journey among video, photography, sculpture and
painting by contemporary New Zealand artists. See Michael
Parekowhai's sculpture, <em>The Indefinite Article</em>, which -
layered with meaning - was first exhibited when he was just 21.</p>

<p>Continue to the period 1900 to 1965 and find paintings by Colin
McCahon and Rita Angus. Encounter Ralph Hotere's horizon-spanning
mural, <em>Godwit/Kuaka</em>, which for many years greeted
travellers arriving at Auckland International Airport.</p>

<p>Further on, discover how New Zealanders first saw themselves and
their lands. Via early European impressions of the islands to
Goldie and Lindauer's classic portraits of Māori and Pākehā, reach
both the beginning and the end of this story of New Zealand
art.</p>

<p><strong>Ongoing</strong><br />
 <strong>Ground / Level 1<br />
 Free entry</strong></p>

<p>&nbsp;</p>

<p>Image: Kennett Watkins, <em>The Phantom canoe: a legend of Lake
Tarawera</em>, 1888, oil on canvas, Auckland Art Gallery Toi o
Tāmaki, gift of Mr H E Partridge, 1915</p>
]]> </content:encoded></item><item><title>Victorian Tales of Love and Enchantment</title><link>http://www.aucklandartgallery.com/whats-on/events/2011/september/victorian-tales-of-love-and-enchantment</link><pubDate>Mon, 17 Jun 2013 17:38:19 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2011/september/victorian-tales-of-love-and-enchantment</guid><content:encoded> <![CDATA[ 
<p>Yearning and desire - for a loved one, an unrequited love, a way
of life long gone - underlies many of the paintings in
<em>Victorian Tales of Love and Enchantment</em>.</p>

<p>During the 19th century, exploration and archaeological
discoveries illustrated much about ancient cultures. These led to
the development of a new movement - Aestheticism - focusing on
beauty for its own sake, rather than for historical narrative.
Other artists were fascinated by the mystique surrounding the great
queens of antiquity and the heroes of mythology.</p>

<p>Scenes of modern life were equally popular. Painting was a
powerful tool, a writer in <em>The Athenium</em> noting, 'It is our
firm conviction that the artist's pencil has done more to create
sympathy and consideration for those whose fortunes and sufferings
have been its theme, than a host of pamphleteers could have
worked.'</p>

<p>While industrial development ultimately brought massive wealth
to Britain, Death, the great leveller, waited in the wings whether
you were rich or poor. Lovers separated by death longed for the
joyous renewal awaiting them in the next world; the tragic demise
of romantic figures from the past creating a powerful link with the
present.</p>

<p><strong>East Gallery, Mezzanine<br />
 Free entry</strong></p>

<p><strong>Please note this exhibition will close temporarily from
Monday 22 April - Friday 26 April as we prepare for the <a
href="/whats-on/events/2013/may/the-5th-auckland-triennial-if-you-were-to-live-here"
title="The 5th Auckland Triennial: If you were to live here...">5th
Auckland Triennial</a>.<br />
</strong></p>

<p>Image:&nbsp;Frank Bramley, <em>For of such is the Kingdom of
Heaven</em>, 1891<br />
 oil on canvas, Mackelvie Trust Collection, Auckland Art Gallery
Toi o Tāmaki, purchased 1913</p>
]]> </content:encoded></item><item><title>Choi Jeong Hwa, Flower Chandelier</title><link>http://www.aucklandartgallery.com/whats-on/events/2011/september/choi-jeong-hwa-flower-chandelier</link><pubDate>Wed, 12 Jun 2013 11:05:37 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2011/september/choi-jeong-hwa-flower-chandelier</guid><content:encoded> <![CDATA[ 
<p><strong>We are currently carrying out maintenance work on the
Kauri Canopy near Choi's installation, which will be completed by
25 June 2013.</strong></p>

<p>Gaze upwards at&nbsp;Choi Jeong Hwa's signature inflatable
flowers as they burst into bloom inside the Gallery's atrium.
Described as the 'bad boy of Korean art', Choi's eye-popping work
turns an overabundance of petals into a joyful jumble of flowers
that spill illuminated from the atrium's ceiling.</p>

<p>Choi's installations are one of three temporary commissioned
works which celebrate the opening of the developed Gallery.</p>

<p><strong>North atrium / Forecourt pool<br />
 Until late 2013<br />
</strong></p>

<p>Choi Jeong Hwa, <em>Flower Chandelier</em>, 2011<br />
 fabric, fibre reinforced plastic, metal, motors, LED<br />
 Auckland Art Gallery Toi o Tāmaki, commissioned 2011<br />
 generously supported by Molly Morpeth Canaday Trust<br />
<br />
 Choi Jeong Hwa, <em>Red</em>, 2011<br />
 plastic flowers, wire, dead tree<br />
 Auckland Art Gallery Toi o Tāmaki, commissioned 2011<br />
 generously supported by Molly Morpeth Canaday Trust</p>

<p>&nbsp;</p>
]]> </content:encoded></item><item><title>Jeppe Hein, Long Modified Bench Auckland</title><link>http://www.aucklandartgallery.com/whats-on/events/2011/september/jeppe-hein-long-modified-bench-auckland</link><pubDate>Wed, 27 Mar 2013 09:58:10 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2011/september/jeppe-hein-long-modified-bench-auckland</guid><content:encoded> <![CDATA[ 
<p>Step out from Level 2&nbsp;onto the terrace and follow Jeppe
Hein's <em>Long Modified Bench Auckland</em> as it weaves up, down
and around. Trace its roller-coaster course as it dips down inside
the Gallery's building only to pop back up again into the daylight.
Return at dusk to see the bench light up. Stand back, sit down,
stretch out or loop the loop.</p>

<p>Hein's sculpture is&nbsp;one of three temporary commissioned
works which celebrate the opening of the developed Gallery.</p>

<p><strong>Sculpture terrace</strong><br />
<strong>Until 2014</strong></p>

<p>Jeppe Hein, <em>Long Modified Bench Auckland</em>, 2011<br />
powder-coated aluminium, LED<br />
Commissioned by Auckland Art Gallery Toi o Tāmaki, 2011<br />
Generously supported by the Edmiston Trust<br />
Courtesy of the artist and Johann König, Berlin and 303 Gallery,
New York</p>
]]> </content:encoded></item><item><title>Little Miracles</title><link>http://www.aucklandartgallery.com/whats-on/events/2012/june/little-miracles</link><pubDate>Wed, 27 Mar 2013 09:58:30 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2012/june/little-miracles</guid><content:encoded> <![CDATA[ 
<p>Every culture has rituals and symbols that link daily life to
the sacred realm of gods and goddesses, whether a single divinity
or many. Numerous forms of faith also have magical messengers, such
as saints or angels. Our understandings of their divine powers,
their roles and the means by which people relate to them, have come
down to us through oral histories, art and literature, with some
remaining unchanged over the centuries, and others responding to
current movements within a particular form of faith.</p>

<p><em>Little Miracles</em> demonstrates the function of
small-scale religious images, created to be displayed in domestic
environments rather than on chapel or church walls. They&nbsp;
graphically demonstrate the power of faith and contemplation to
conjure up the divine, while traditionally serving as conduits for
the faithful, allowing them to communicate with the saints and
members of the Holy Family. Whether asking advice or begging for
assistance in their daily struggles, such interactions served to
give meaning to the tragedies and joys of life.</p>

<p><strong>23 June 2012 - late 2013<br />
Level 1 exhibition spaces - free entry</strong></p>

<p><strong>Please note this exhibition will close temporarily from
Monday 29 April - Friday 3 May as we prepare for the <a
href="/whats-on/events/2013/may/the-5th-auckland-triennial-if-you-were-to-live-here"
title="The 5th Auckland Triennial: If you were to live here...">5th
Auckland Triennial</a>.</strong></p>

<p>Image: Paris Bordone, <em>Madonna and Child with Saint
Sebastian</em>, 16th century, oil on panel, Auckland Art Gallery
Toi o Tāmaki, purchased 1960</p>
]]> </content:encoded></item><item><title>Sopolemalama Filipe Tohi, Aotea (White Cloud)</title><link>http://www.aucklandartgallery.com/whats-on/events/2012/july/sopolemalama-filipe-tohi-aotea-white-cloud</link><pubDate>Wed, 27 Mar 2013 09:59:17 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2012/july/sopolemalama-filipe-tohi-aotea-white-cloud</guid><content:encoded> <![CDATA[ 
<p>Sopolemalama Filipe Tohi is a <em>tufuga lalava</em>, an expert
in the Tongan art of binding with coconut sennit. He frequently
uses lashing patterns in his sculpture.</p>

<p><em>Aotea (White Cloud)</em> combines multiple atmospheric,
nautical and geographical associations. It reflects wave patterns,
Auckland's volcanic hills, wind and fishing nets. Tohi describes it
also as being 'a metaphor for many islands'.</p>

<p>Aotea was commissioned by Auckland Art Gallery Toi o Tāmaki as
part of the exhibition <a href="/whats-on/events/2012/july/home-akl"
title="Home AKL"><em>Home AKL</em></a>.</p>

<p>Sopolemalama Filipe Tohi, <em>Aotea (White Cloud)</em>,
2012<br />
aluminium<br />
commissioned by Auckland Art Gallery Toi o Tāmaki, 2012</p>

<p><strong>Until 2013<br />
Forecourt pool</strong></p>
]]> </content:encoded></item><item><title>Learning Centre: Tiffany Singh, May the Rainbow Always Touch Your Shoulder</title><link>http://www.aucklandartgallery.com/whats-on/events/2012/december/learning-centre-tiffany-singh-may-the-rainbow-always-touch-your-shoulder</link><pubDate>Sun, 19 May 2013 19:36:31 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2012/december/learning-centre-tiffany-singh-may-the-rainbow-always-touch-your-shoulder</guid><content:encoded> <![CDATA[ 
<p><em>May the Rainbow Always Touch Your Shoulder</em> explores and
celebrates colour and its various cultural, spiritual and
environmental associations. It features two works: <em>Dusted with
Spices of a Million Flowers</em> and <em>The Direction of
Sunbeams</em>.<br />
<br />
'Tiffany Singh uses different materials and icons in her work to
promote cultural inclusivity and understanding', says Roger
Taberner, Learning Programme Manager. 'It is her hope that this
artwork will encourage visitors to share their views and gain a new
appreciation of the world around them.'<br />
<br />
Visitors are encouraged to experiment and participate in the
creative process through a series of hands-on activities inspired
by the artworks. They are also invited to share their thoughts in
response to the experience.</p>

<p>&nbsp;</p>

<p><strong>Learning Centre, Mezzanine level<br />
Until December 2013<br />
Free entry</strong></p>

<p>&nbsp;</p>

<p>Image: Tiffany Singh, <em>May the Rainbow Always Touch Your
Shoulder</em> (detail), 2012, courtesy of Laura Forest</p>
]]> </content:encoded></item><item><title>Temples for the Gods</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/january/temples-for-the-gods</link><pubDate>Wed, 27 Mar 2013 10:00:58 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/january/temples-for-the-gods</guid><content:encoded> <![CDATA[ 
<p>Many of the people clambering over the ruins of ancient Rome in
the 17th and 18th centuries were merely curious about the secret
city half-hidden beneath their feet. Connoisseurs, however, were
acutely aware of the ruins' original function - as temples for gods
and goddesses, and monuments for famous Romans.</p>

<p>Collectors avidly sought out original sculptures, sarcophagi and
fragments of buildings from the Renaissance onwards, and in later
centuries there was a thriving market for copies of major works.
The discovery of the ruined townships of Pompeii and Herculaneum,
near Naples, caused a widespread classical revival throughout
Europe, known as Neoclassicism.</p>

<p>Translations and reprints of early texts whetted the appetite of
connoisseurs. The names of Greek and Roman gods, as well as the
heroes of mythology, became familiar to many, their symbolic
meanings adapted to illustrate the ideals of the times.</p>

<p>This second part of <em>Temples for the Gods</em> draws on works
from our collections which illustrate this ongoing fascination with
the past. The curious 18th century onlookers populating them are
joined by the heroic figures who were commemorated or worshipped in
these buildings long ago.</p>

<p><strong>Until 14 July 2013<br />
Level 1 - free entry</strong></p>

<p>Image: Giovanni Battista Piranesi, <em>Veduta del Tempio di
Bacco, in oggi<br />
chiesa de S. Urbano (View of the Temple of Bacchus, today called
the Church of St Urban)</em>, 1758, etching, Auckland Art Gallery
Toi o Tamaki, gift of Mr J Potter, 1975</p>
]]> </content:encoded></item><item><title>Travels with Mr Hollar</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/march/travels-with-mr-hollar</link><pubDate>Fri, 07 Jun 2013 11:35:37 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/march/travels-with-mr-hollar</guid><content:encoded> <![CDATA[ 
<p>Few artists travelled as extensively in the 17th century as the
Bohemian etcher Wenceslaus Hollar. None left as rich a record of
that time.</p>

<p>Hollar's carefully observed scenes illustrate his many journeys
in Europe, England and north Africa. Explore this artist's dramatic
life and times in an exhibition that draws on our large collection
of his remarkable prints.</p>

<p>Curator Mathew Norman has written an essay on Hollar's work - <a
href="http://www.aucklandartgallery.com/whats-on/events/2013/march/travels-with-mr-hollar/wenceslaus-hollar-portrait-of-a-traveller"
 title="Wenceslaus Hollar: Portrait of a Traveller">view it as an
online publication</a> or download it as a PDF under 'Related
Downloads' below.</p>

<p>&nbsp;</p>

<p><strong>Saturday 2 March - Sunday 8 September 2013<br />
 Mezzanine level - free entry</strong></p>

<p>&nbsp;</p>

<p>Image: Wenceslaus Hollar, <em>Rüdesheim</em>, 1635, etching,
Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki,
bequest of Dr Walter Auburn, 1982</p>
]]> </content:encoded></item><item><title>The 5th Auckland Triennial: If you were to live here...</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/may/the-5th-auckland-triennial-if-you-were-to-live-here</link><pubDate>Fri, 31 May 2013 10:06:05 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/may/the-5th-auckland-triennial-if-you-were-to-live-here</guid><content:encoded> <![CDATA[ 
<p>The 5th Auckland Triennial opens in May at Auckland Art Gallery
and eight additional sites, extending the Triennial's reach across
Auckland. Led by renowned curator Hou Hanru, <em>If you were to
live here...</em> includes work by more than 35 New Zealand and
international artists, collectives and architects.</p>

<p>Previously curator of major biennials including Lyon, Istanbul,
and Guangzhou, Hou has invited artists to respond to the diverse
cultural, social, architectural and urban characteristics of
Auckland. 'A triennial,' he says, 'is a space for producing new
aesthetic forms and social spaces. It is not only an occasion to
see art, but an interaction between artists, people and the city to
envisage possible futures.'</p>

<p>A selection of artist videos are now available to watch on our
<a
href="http://www.youtube.com/user/aucklandartgallery/videos?tag_id=&amp;view=0&amp;sort=dd"
 target="_blank">YouTube page</a></p>

<p><strong>10 May - 11 August 2013</strong></p>

<p><strong>Visit <a href="http://aucklandtriennial.com/"
target="_blank"
title="The 5th Auckland Triennial">aucklandtriennial.com</a> for
more information.</strong></p>

<p><strong><br />
</strong></p>

<h3><strong><a id="venues" name="venues"></a>VENUES</strong></h3>

<p><strong>Auckland Art Gallery<br />
 Artspace<br />
 Auckland Museum<br />
 Fresh Gallery Otara<br />
 George Fraser Gallery<br />
 Gus Fisher Gallery<br />
 NZ Film Archive<br />
 Silo Six<br />
 ST PAUL St</strong></p>

<p>&nbsp;</p>

<h3><strong><a id="opening" name="opening"></a>OPENING
WEEKEND</strong></h3>

<p>We are delighted to announce the keynote speaker for <em>If you
were to live here...</em> is curator and art historian, Sarat
Maharaj. Most recently chief curator of the Goteborg International
Biennial for Contemporary Art, 2011, he has also co-curated the
29th Sao Paolo Biennial, 2010, and curated the 3rd Guangzhou
Biennial, 2008. Maharaj is Professor of Visual Art and Knowledge
Systems at Lund University, Sweden and Visiting Professor at
Goldsmiths College, London. Maharaj has published several central
texts concerning the post colonial condition of cultural difference
and translation. He will give the keynote address at 6pm on Friday
10 May at AUT University.<br />
<br />
 Teddy Cruz/Estudio Teddy Cruz and Bijoy Jain of Studio Mumbai are
both guests of the 5th Auckland Triennial and are contributing to
discussions on <a href="/whats-on/news/design-minds-behind-auckland-triennial’s-laboratory"
title="Design minds behind Auckland Triennial's Laboratory">the
Lab</a>. Supported by the University of Auckland's School of
Architecture and Planning they will speak as part of the <a
href="http://www.creative.auckland.ac.nz/uoa/home/about/our-faculty/schools-programmes-and-centres/architecture-and-planning/communique-lecture-series/"
 target="_blank" title="Communiqué">Communiqué lecture series</a>.
Both lectures will be at 6.30pm at the University of Auckland,
Engineering Lecture Theatre 439; Teddy Cruz on Monday 6 May and
Bijoy Jain on Wednesday 8 May.<br />
<br />
 Pascal Beausse is a curator of Photographic Collections at CNAP,
Centre National des Arts Plastiques, Paris. From 2003-2006 he was
guest curator at Pavillon, Palais de Tokyo, Paris. He is also an
art critic and has been a correspondent for Flash Art, and lectures
at the Ecole Nationale des Beaux-Arts de Lyon. He will contribute
to the opening weekend panels and talks. His visit is supported by
the New Zealand France Friendship Fund.</p>

<p>&nbsp;</p>

<h3>Triennial&nbsp;Lab Project</h3>

<p>Lab is a joint project between the architecture and spatial
design faculties of AUT University, The University of Auckland and
UNITEC. Working alongside students, local academics, designers and
architects are developing a series of two to three week-long
interdisciplinary design projects.</p>

<p><strong><em></em></strong></p>

<p><strong>Muddy Urbanism<br />
</strong> Kathy Waghorn with Teddy Cruz</p>

<p>American architect Teddy Cruz, working with University of
Auckland academic Kathy Waghorn, will create proposals for the
rejuvenation of the Whau River area in Avondale.</p>

<p>Thurs 9 May - Sunday 19 May - Free entry<br />
 Level 2 exhibiton spaces</p>

<p>&nbsp;</p>

<p><strong>The Ideal Home (land)<br />
</strong> Sarosh Mulla</p>

<p>Sarosh Mulla, one of the founders of design collective
Oh.No.Sumo, will create a specially designed installation exploring
the Kiwi 'quarter-acre dream'.</p>

<p>Tuesday 21 May - Sunday 9 June - Free entry<br />
 Level 2 exhibition spaces</p>

<p>&nbsp;</p>

<p><br />
 <strong>Te Paparewa Teitei O Tamaki<br />
</strong> Carin Wilson and Rau Hoskins</p>

<p>Celebrating Tamaki Treaty Settlements and Iwi Impacts on Urban
Transformation.</p>

<p>&nbsp;</p>

<p><strong>Transforming Topographies<br />
</strong> Albert Refiti and Rau Hoskins<br />
 AUT exploring socio-cultural- politico 'problematics' within and
around Auckland.</p>

<p>Owing to the changing desires and needs of its inhabitants, the
urban environment is continuously formulated, constructed,
negotiated and altered, in order to provide a more positive and
sustainable setting for human interaction and liveability. Patterns
are changed, forms reinvented and places continuously made and
unmade to create a fluctuating multifunctional matrix to better
accommodate the ever increasing multiplicity of its residents
demands.<br />
 Transforming Topographies have brought together a group of
thinkers, collaborators, makers and designers to reconsider the
role of 'the social' and 'the public' as real spaces of continuous
change, exchange and encounter, that interrogates how future urban
communities might function and how they are valued.</p>

<p>Tuesday 2 July - Sunday 21 July - free entry<br />
 Level 2 exhibiton spaces</p>

<p>&nbsp;</p>

<p><strong>Disasters, Fires and Slow-motion Earthquakes<br />
</strong> Andrew Barrie</p>

<p>Andrew Barrie's project for the Auckland Triennial looks to
apply his more-with-<br />
 less approach at an urban scale, addressing the impact of the
Christchurch<br />
 earthquake. Barrie's project looks to put Christchurch's current
challenges in the context of the rebuilding of Napier after the
1931 earthquake and subsequent fires, and of the future challenges
facing Auckland, where both increased insurance costs and building
code changes threaten to cut a swathe through our stock of heritage
buildings, creating a slow-motion earthquake that may devastate New
Zealand's towns and cities for decades to come.</p>

<p>Tuesday 11 June - Sunday 30 June - Free entry<br />
 Level 2 exhibition spaces</p>

<p>&nbsp;</p>
]]> </content:encoded></item><item><title>The 5th Auckland Triennial: Good things come in pairs</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-good-things-come-in-pairs</link><pubDate>Tue, 11 Jun 2013 11:10:44 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-good-things-come-in-pairs</guid><content:encoded> <![CDATA[ 
<p>Two contemporary art advocates discuss two contemporary art
works in the 5th Auckland Triennial, <em>If you were to live
here...</em><br />
<br />
 Curator, Contemporary Art Natasha Conland and Chartwell Collection
Co-director Sue Gardiner put their heads together to discuss some
of the ideas, background, motivations, reactions and associations
that the works bring to mind.<br />
<br />
 Natasha and Sue invite your contributions to the discussion so you
get your two cents' worth.<br />
<br />
 <strong>Thursday 20 June 10.30am<br />
 Meet in the Gallery foyer - free</strong></p>

<p>Image: Amie Siegel, <em>Black Moon</em> (2010), video still,
super 16mm film transferred to HD video</p>
]]> </content:encoded></item><item><title>The 5th Auckland Triennial: Triennial Tour 1</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-triennial-tour-1</link><pubDate>Thu, 13 Jun 2013 17:05:47 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-triennial-tour-1</guid><content:encoded> <![CDATA[ 
<p>Auckland Art Gallery are hosting free Triennial Tours taking in
5th Auckland Triennial work in the gallery. Meet at the red sofas
in the main foyer for an engaging insight into the artworks and
artists in New Zealand's leading contemporary art exhibition.</p>

<p><strong>Saturday 22 June 2.30pm<br />
 Gallery foyer, ground level - free entry</strong></p>

<p>&nbsp;</p>
]]> </content:encoded></item><item><title>The 5th Auckland Triennial: Matariki Paparewa 22/6</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-matariki-paparewa-226</link><pubDate>Tue, 18 Jun 2013 17:40:17 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-matariki-paparewa-226</guid><content:encoded> <![CDATA[ 
<p>The <em>Matariki Paparewa</em> structure will be open to the
public during Matariki (Māori New Year) 14 June - 26 July at Silo
Park, Wynyard Quarter. The <em>Matariki Paparewa</em> exhibit will
be illustrated by a series of talks and workshops within the
Auckland Art Gallery Lab from the 11 - 30 June.</p>

<p>10:00am-1:00pm<br />
 Design Charette: Bamboo Structures pt 1</p>

<p>1:30-2:30pm<br />
 Waikare Komene, Architect Creative Native &amp; The Roots:<br />
 Creative Entrepreneurs "Reuse, Rethink, Recreate"</p>

<p>3:00-4:00pm<br />
 Documentary Film Screening<br />
 <em>Matariki: Tatai Arorangi</em></p>

<p><strong>Saturday 22 June 10am-4pm<br />
 Level 2 exhibition spaces - free</strong></p>
]]> </content:encoded></item><item><title>The 5th Auckland Triennial: Alex Monteith and Natalie Robertson</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-alex-monteith-and-natalie-robertson</link><pubDate>Fri, 14 Jun 2013 16:51:46 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-alex-monteith-and-natalie-robertson</guid><content:encoded> <![CDATA[ 
<p><strong>Rescheduled from Sunday 16 June, 1pm</strong></p>

<p>Two representatives from the collective Local Time, artists Alex
Monteith and Natalie Robertson discuss their projects <em>Waiariki
9 May 1730 +1200 - 11 August 2013</em> and <em>Water Actions 10 May
- 11 August 2013, +1200 actions in Waitematā Harbour with Mahi Kai
Thundercat</em>.</p>

<p><strong>Sunday 23 June - 3pm<br />
 Level 2 exhibition spaces - free</strong></p>
]]> </content:encoded></item><item><title>The 5th Auckland Triennial: Maddie Leach</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-maddie-leach</link><pubDate>Tue, 11 Jun 2013 12:15:17 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-maddie-leach</guid><content:encoded> <![CDATA[ 
<p>Wellington-based artist Maddie Leach discusses her work <em>The
Most Difficult Problem</em> (2013) which&nbsp;features in the 5th
Auckland Triennial, <em>If you were to live here...</em></p>

<p><strong>Sunday 23 June 1pm<br />
 Exhibition spaces - free</strong></p>
]]> </content:encoded></item><item><title>Auckland Festival of Photography: Shustak</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/june/auckland-festival-of-photography-shustak</link><pubDate>Wed, 19 Jun 2013 01:33:00 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/june/auckland-festival-of-photography-shustak</guid><content:encoded> <![CDATA[ 
<p>Why would a successful New York photographer leave his family,
friends and career behind to travel to the edge of the earth,
Christchurch, New Zealand?</p>

<p>Documentary screening of&nbsp;<em>Shustak</em>, a fascinating
tribute to Laurence Shustak, a photographer responsible for some
iconic images of New York - its people, communities and the urban
surrounds - who relocated to New Zealand in the 1970s.&nbsp;Winner
of Best NZ Feature Documentary and Best Emerging Filmmaker at 2009
DocNZ International Film Festival. Presented in association with <a
href="http://www.documentaryedge.org.nz/"
target="_blank">Documentary Edge</a>.</p>

<p><span>Directed by Stuart Page. 93 minutes</span><br />
 <span>Exempt from classification</span></p>

<p><strong>Sunday 23 June 3pm<br />
 Auditorium - free</strong></p>
]]> </content:encoded></item><item><title>Meet the authors: Pictures they want to make</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/june/meet-the-authors-pictures-they-want-to-make</link><pubDate>Wed, 19 Jun 2013 01:21:34 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/june/meet-the-authors-pictures-they-want-to-make</guid><content:encoded> <![CDATA[ 
<p>Meet the authors of <em>Pictures They Want to Make: Recent
Auckland Photography</em>, Chris Corson-Scott and Edward Hanfling.
The publication will be available for purchase, with a 10% discount
for Friends of the Gallery.</p>

<p>Pictures They Want to Make showcases a selection of new, unseen,
and significant photographs from twelve artists with various
connections to the Auckland region: Mark Adams, Edith Amituanai,
Fiona Amundsen, Harvey Benge, Bruce Connew, Chris Corson-Scott,
Ngahuia Harrison, Derek Henderson, Ian Macdonald, Haruhiko
Sameshima, Geoffrey H. Short and Talia Smith.</p>

<p>The book is published by PhotoForum and features a foreword by
Auckland Art Gallery Senior Curator Ron Brownson.</p>

<p><strong>Sunday 23 June 2pm<br />
 Gallery shop, ground level - free entry</strong></p>
]]> </content:encoded></item><item><title>The 5th Auckland Triennial: Matariki Paparewa 23/6</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-matariki-paparewa-236</link><pubDate>Tue, 18 Jun 2013 17:41:00 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-matariki-paparewa-236</guid><content:encoded> <![CDATA[ 
<p>The <em>Matariki Paparewa</em> structure will be open to the
public during Matariki (Māori New Year) 14 June - 26 July at Silo
Park, Wynyard Quarter. The <em>Matariki Paparewa</em> exhibit will
be illustrated by a series of talks and workshops within the
Auckland Art Gallery Lab from the 11-30 June. Here's whats on
today:</p>

<p>10:00am-1:00pm<br />
 Design Charette: Bamboo Structures pt 1</p>

<p>1:30-2:30pm<br />
 Kerry Francis, Architect Department of Architecture, UNITEC<br />
 "The Great Bamboo Wall of Whangarei"</p>

<p><strong>Sunday 23 June 10am-2.30pm<br />
 Level 2 exhibition spaces - free</strong></p>
]]> </content:encoded></item><item><title>The 5th Auckland Triennial: Matariki Paparewa 25/6</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-matariki-paparewa-256</link><pubDate>Tue, 18 Jun 2013 17:41:33 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-matariki-paparewa-256</guid><content:encoded> <![CDATA[ 
<p>The <em>Matariki Paparewa</em> structure will be open to the
public during Matariki (Māori New Year) 14 June - 26 July at Silo
Park, Wynyard Quarter. The <em>Matariki Paparewa</em> exhibit will
be illustrated by a series of talks and events within the Auckland
Art Gallery Lab from the 11-30 June. Here's whats on today:</p>

<p>1:30-2:30pm<br />
 Carin Wilson, Artist &amp; Designer, Te Hononga Studio,<br />
 UNITEC &amp; Studio Pasifika<br />
 "Finding our Identity"</p>

<p><strong>Tuesday 25 June 1.30-2.30pm<br />
 Level 2 exhibition spaces - free</strong></p>
]]> </content:encoded></item><item><title>The 5th Auckland Triennial: Matariki Paparewa 28/6</title><link>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-matariki-paparewa-286</link><pubDate>Tue, 18 Jun 2013 17:42:09 GMT</pubDate><guid>http://www.aucklandartgallery.com/whats-on/events/2013/june/the-5th-auckland-triennial-matariki-paparewa-286</guid><content:encoded> <![CDATA[ 
<p>The <em>Matariki Paparewa</em> structure will be open to the
public during Matariki (Māori New Year) 14 June - 26 July at Silo
Park, Wynyard Quarter. The <em>Matariki Paparewa</em> exhibit will
be illustrated by a series of talks and events within the Auckland
Art Gallery Lab from the 11-30 June. Here's whats on today:</p>

<p>3-4pm<br />
 Rau Hoskins, Architect<br />
 Te Hononga Studio, Unitec &amp; Design Tribe Architects<br />
 "Maori Celebratory Architecture"</p>

<p><strong>Friday 28 June 3-4pm<br />
 Level 2 exhibition spaces - free</strong></p>
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